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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66D35 it is the complementary color #3992CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66D35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66D35 shade: #CB6D30, #DC7F43, #ED9156, #FEA369 and #FFB57C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66D35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66D35 shade: #C66D35, #B55B22, #A4490F, #933700 and #822500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66D35 shade: #C56C34, #C54534 and #C53434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66D35 shade: #C56C34, #C59434, #C5BB34, #A9C534 and #82C534

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66D35 shade matches the following richer shades: #C56C34, #DA6820 and #EE630C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66D35 shade: #C56C34, #B17149, #9D765D, #897A71 and #757F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66D35 shade: #C5344A, #C54534, #C56C34, #C59334 and #C5B934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66D35 shade: #844923, #A55B2C, #C56C34, #D18352 and #DA9A73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66D35 shade: #C66D35, #71C534 and #3437C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66D35 shade: #C66D35, #34C56C and #6C34C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66D35 shade: #C66D35, #71C534, #348EC5 and #8934C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66D35 shade: #C66D35, #45C534, #348EC5 and #B534C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 73 / 22

HEX #C66D35

RGB 198 109 53

HSL 23.17, 0.58%, 0.49%

LAB 55.28, 30.92, 45.55

 

Complementary color

CMYK 72 / 28 / 0 / 21

HEX #3992CA

RGB 57 146 202

HSL 203.17, 0.58%, 0.51%

LAB 57.74, -7.98, -36.5

 

CMYK 0 / 46 / 76 / 20

HEX #CB6D30

RGB 203 109 48

HSL 23.61, 0.62%, 0.49%

LAB 55.93, 32.74, 48.84

 

CMYK 0 / 42 / 70 / 14

HEX #DC7F43

RGB 220 127 67

HSL 23.53, 0.69%, 0.56%

LAB 62.34, 31.06, 47.16

 

CMYK 0 / 39 / 64 / 7

HEX #ED9156

RGB 237 145 86

HSL 23.44, 0.81%, 0.63%

LAB 68.7, 29.55, 45.44

 

CMYK 0 / 36 / 59 / 0

HEX #FEA369

RGB 254 163 105

HSL 23.36, 0.99%, 0.7%

LAB 75, 28.2, 43.78

 

CMYK 0 / 29 / 51 / 0

HEX #FFB57C

RGB 255 181 124

HSL 26.11, 1%, 0.74%

LAB 79.48, 20.69, 39.6

 

CMYK 0 / 45 / 73 / 22

HEX #C66D35

RGB 198 109 53

HSL 23.17, 0.58%, 0.49%

LAB 55.28, 30.92, 45.55

 

CMYK 0 / 50 / 81 / 29

HEX #B55B22

RGB 181 91 34

HSL 23.27, 0.68%, 0.42%

LAB 48.79, 32.71, 47.16

 

CMYK 0 / 55 / 91 / 36

HEX #A4490F

RGB 164 73 15

HSL 23.36, 0.83%, 0.35%

LAB 42.3, 34.68, 48.05

 

CMYK 0 / 63 / 100 / 42

HEX #933700

RGB 147 55 0

HSL 22.45, 1%, 0.29%

LAB 35.86, 36.69, 47.27

 

CMYK 0 / 72 / 100 / 49

HEX #822500

RGB 130 37 0

HSL 17.08, 1%, 0.25%

LAB 29.59, 38.5, 41.69

 

CMYK 0 / 45 / 74 / 23

HEX #C56C34

RGB 197 108 52

HSL 23.17, 0.58%, 0.49%

LAB 54.91, 30.99, 45.61

 

CMYK 0 / 65 / 74 / 23

HEX #C54534

RGB 197 69 52

HSL 7.03, 0.58%, 0.49%

LAB 47.46, 50.09, 37.55

 

CMYK 0 / 74 / 74 / 23

HEX #C53434

RGB 197 52 52

HSL 0, 0.58%, 0.49%

LAB 45.05, 56.69, 34.84

 

CMYK 0 / 45 / 74 / 23

HEX #C56C34

RGB 197 108 52

HSL 23.17, 0.58%, 0.49%

LAB 54.91, 30.99, 45.61

 

CMYK 0 / 25 / 74 / 23

HEX #C59434

RGB 197 148 52

HSL 39.72, 0.58%, 0.49%

LAB 64.4, 9.2, 55.31

 

CMYK 0 / 5 / 74 / 23

HEX #C5BB34

RGB 197 187 52

HSL 55.86, 0.58%, 0.49%

LAB 74.61, -11.49, 65.2

 

CMYK 14 / 0 / 74 / 23

HEX #A9C534

RGB 169 197 52

HSL 71.59, 0.58%, 0.49%

LAB 75.21, -28.24, 65.01

 

CMYK 34 / 0 / 74 / 23

HEX #82C534

RGB 130 197 52

HSL 87.72, 0.58%, 0.49%

LAB 72.84, -43.3, 61.9

 

CMYK 0 / 45 / 74 / 23

HEX #C56C34

RGB 197 108 52

HSL 23.17, 0.58%, 0.49%

LAB 54.91, 30.99, 45.61

 

CMYK 0 / 52 / 85 / 15

HEX #DA6820

RGB 218 104 32

HSL 23.23, 0.74%, 0.49%

LAB 56.99, 40.77, 57.33

 

CMYK 0 / 58 / 95 / 7

HEX #EE630C

RGB 238 99 12

HSL 23.1, 0.9%, 0.49%

LAB 59.09, 50.36, 65.96

 

CMYK 0 / 45 / 74 / 23

HEX #C56C34

RGB 197 108 52

HSL 23.17, 0.58%, 0.49%

LAB 54.91, 30.99, 45.61

 

CMYK 0 / 36 / 59 / 31

HEX #B17149

RGB 177 113 73

HSL 23.08, 0.42%, 0.49%

LAB 53.64, 21.2, 32.47

 

CMYK 0 / 25 / 41 / 38

HEX #9D765D

RGB 157 118 93

HSL 23.44, 0.26%, 0.49%

LAB 52.86, 11.86, 19.7

 

CMYK 0 / 11 / 18 / 46

HEX #897A71

RGB 137 122 113

HSL 22.5, 0.1%, 0.49%

LAB 52.32, 4.18, 7.02

 

CMYK 12 / 5 / 0 / 48

HEX #757F85

RGB 117 127 133

HSL 202.5, 0.06%, 0.49%

LAB 52.57, -2.39, -4.52

 

CMYK 0 / 74 / 62 / 23

HEX #C5344A

RGB 197 52 74

HSL 350.9, 0.58%, 0.49%

LAB 45.39, 57.84, 22.09

 

CMYK 0 / 65 / 74 / 23

HEX #C54534

RGB 197 69 52

HSL 7.03, 0.58%, 0.49%

LAB 47.46, 50.09, 37.55

 

CMYK 0 / 45 / 74 / 23

HEX #C56C34

RGB 197 108 52

HSL 23.17, 0.58%, 0.49%

LAB 54.91, 30.99, 45.61

 

CMYK 0 / 25 / 74 / 23

HEX #C59334

RGB 197 147 52

HSL 39.31, 0.58%, 0.49%

LAB 64.15, 9.74, 55.06

 

CMYK 0 / 6 / 74 / 23

HEX #C5B934

RGB 197 185 52

HSL 55.03, 0.58%, 0.49%

LAB 74.07, -10.47, 64.69

 

CMYK 0 / 45 / 73 / 48

HEX #844923

RGB 132 73 35

HSL 23.51, 0.58%, 0.33%

LAB 37.47, 21.77, 32.89

 

CMYK 0 / 45 / 73 / 35

HEX #A55B2C

RGB 165 91 44

HSL 23.31, 0.58%, 0.41%

LAB 46.53, 26.44, 39.35

 

CMYK 0 / 45 / 74 / 23

HEX #C56C34

RGB 197 108 52

HSL 23.17, 0.58%, 0.49%

LAB 54.91, 30.99, 45.61

 

CMYK 0 / 37 / 61 / 18

HEX #D18352

RGB 209 131 82

HSL 23.15, 0.58%, 0.57%

LAB 62, 25.35, 38.7

 

CMYK 0 / 29 / 47 / 15

HEX #DA9A73

RGB 218 154 115

HSL 22.72, 0.58%, 0.65%

LAB 68.94, 19.41, 29.98

 

CMYK 0 / 45 / 73 / 22

HEX #C66D35

RGB 198 109 53

HSL 23.17, 0.58%, 0.49%

LAB 55.28, 30.92, 45.55

 

CMYK 43 / 0 / 74 / 23

HEX #71C534

RGB 113 197 52

HSL 94.76, 0.58%, 0.49%

LAB 72.02, -49.12, 60.82

 

CMYK 74 / 72 / 0 / 23

HEX #3437C5

RGB 52 55 197

HSL 238.76, 0.58%, 0.49%

LAB 32.91, 45.89, -73.59

 

CMYK 0 / 45 / 73 / 22

HEX #C66D35

RGB 198 109 53

HSL 23.17, 0.58%, 0.49%

LAB 55.28, 30.92, 45.55

 

CMYK 74 / 0 / 45 / 23

HEX #34C56C

RGB 52 197 108

HSL 143.17, 0.58%, 0.49%

LAB 70.69, -57.26, 33.97

 

CMYK 45 / 74 / 0 / 23

HEX #6C34C5

RGB 108 52 197

HSL 263.17, 0.58%, 0.49%

LAB 37.25, 54.86, -66.27

 

CMYK 0 / 45 / 73 / 22

HEX #C66D35

RGB 198 109 53

HSL 23.17, 0.58%, 0.49%

LAB 55.28, 30.92, 45.55

 

CMYK 43 / 0 / 74 / 23

HEX #71C534

RGB 113 197 52

HSL 94.76, 0.58%, 0.49%

LAB 72.02, -49.12, 60.82

 

CMYK 74 / 28 / 0 / 23

HEX #348EC5

RGB 52 142 197

HSL 202.76, 0.58%, 0.49%

LAB 56.2, -8.11, -36.11

 

CMYK 30 / 74 / 0 / 23

HEX #8934C5

RGB 137 52 197

HSL 275.17, 0.58%, 0.49%

LAB 40.91, 59.95, -60.16

 

CMYK 0 / 45 / 73 / 22

HEX #C66D35

RGB 198 109 53

HSL 23.17, 0.58%, 0.49%

LAB 55.28, 30.92, 45.55

 

CMYK 65 / 0 / 74 / 23

HEX #45C534

RGB 69 197 52

HSL 112.97, 0.58%, 0.49%

LAB 70.49, -61.03, 58.78

 

CMYK 74 / 28 / 0 / 23

HEX #348EC5

RGB 52 142 197

HSL 202.76, 0.58%, 0.49%

LAB 56.2, -8.11, -36.11

 

CMYK 8 / 74 / 0 / 23

HEX #B534C5

RGB 181 52 197

HSL 293.38, 0.58%, 0.49%

LAB 47.38, 68.61, -49.4

 

Description

Color code: HEX #C66D35 | qconv.com Color code: HEX #C66D35 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 109 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 109 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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