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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66D32 it is the complementary color #3992CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66D32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66D32 shade: #CB6D2D, #DC7F40, #ED9153, #FEA366 and #FFB579

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66D32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66D32 shade: #C66D32, #B55B1F, #A4490C, #933700 and #822500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66D32 shade: #C86E32, #C84532 and #C83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66D32 shade: #C86E32, #C89632, #C8BF32, #A9C832 and #80C832

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66D32 shade matches the following richer shades: #C86E32, #DC6A1E and #F0660A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66D32 shade: #C86E32, #B47246, #9F765A, #8B7A6F and #777E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66D32 shade: #C83248, #C84332, #C86B32, #C89332 and #C8BB32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66D32 shade: #864A21, #A75C2A, #C86E32, #D38450 and #DB9B71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66D32 shade: #C66D32, #70C832 and #3234C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66D32 shade: #C66D32, #32C86B and #6B32C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66D32 shade: #C66D32, #70C832, #328EC8 and #8932C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66D32 shade: #C66D32, #43C832, #328EC8 and #B632C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 75 / 22

HEX #C66D32

RGB 198 109 50

HSL 23.92, 0.6%, 0.49%

LAB 55.25, 30.78, 46.97

 

Complementary color

CMYK 72 / 29 / 0 / 20

HEX #3992CD

RGB 57 146 205

HSL 203.92, 0.6%, 0.51%

LAB 57.88, -6.94, -37.97

 

CMYK 0 / 46 / 78 / 20

HEX #CB6D2D

RGB 203 109 45

HSL 24.3, 0.64%, 0.49%

LAB 55.91, 32.62, 50.19

 

CMYK 0 / 42 / 71 / 14

HEX #DC7F40

RGB 220 127 64

HSL 24.23, 0.69%, 0.56%

LAB 62.31, 30.9, 48.6

 

CMYK 0 / 39 / 65 / 7

HEX #ED9153

RGB 237 145 83

HSL 24.16, 0.81%, 0.63%

LAB 68.66, 29.36, 46.91

 

CMYK 0 / 36 / 60 / 0

HEX #FEA366

RGB 254 163 102

HSL 24.08, 0.99%, 0.7%

LAB 74.97, 27.99, 45.26

 

CMYK 0 / 29 / 53 / 0

HEX #FFB579

RGB 255 181 121

HSL 26.87, 1%, 0.74%

LAB 79.44, 20.43, 41.09

 

CMYK 0 / 45 / 75 / 22

HEX #C66D32

RGB 198 109 50

HSL 23.92, 0.6%, 0.49%

LAB 55.25, 30.78, 46.97

 

CMYK 0 / 50 / 83 / 29

HEX #B55B1F

RGB 181 91 31

HSL 24, 0.71%, 0.42%

LAB 48.77, 32.61, 48.43

 

CMYK 0 / 55 / 93 / 36

HEX #A4490C

RGB 164 73 12

HSL 24.08, 0.86%, 0.35%

LAB 42.28, 34.62, 48.98

 

CMYK 0 / 63 / 100 / 42

HEX #933700

RGB 147 55 0

HSL 22.45, 1%, 0.29%

LAB 35.86, 36.69, 47.27

 

CMYK 0 / 72 / 100 / 49

HEX #822500

RGB 130 37 0

HSL 17.08, 1%, 0.25%

LAB 29.59, 38.5, 41.69

 

CMYK 0 / 45 / 75 / 22

HEX #C86E32

RGB 200 110 50

HSL 24, 0.6%, 0.49%

LAB 55.75, 31.07, 47.57

 

CMYK 0 / 66 / 75 / 22

HEX #C84532

RGB 200 69 50

HSL 7.6, 0.6%, 0.49%

LAB 47.96, 51.03, 39.36

 

CMYK 0 / 75 / 75 / 22

HEX #C83232

RGB 200 50 50

HSL 0, 0.6%, 0.49%

LAB 45.35, 58.21, 36.49

 

CMYK 0 / 45 / 75 / 22

HEX #C86E32

RGB 200 110 50

HSL 24, 0.6%, 0.49%

LAB 55.75, 31.07, 47.57

 

CMYK 0 / 25 / 75 / 22

HEX #C89632

RGB 200 150 50

HSL 40, 0.6%, 0.49%

LAB 65.22, 9.33, 57.03

 

CMYK 0 / 5 / 75 / 22

HEX #C8BF32

RGB 200 191 50

HSL 56.4, 0.6%, 0.49%

LAB 75.93, -12.33, 67.2

 

CMYK 16 / 0 / 75 / 22

HEX #A9C832

RGB 169 200 50

HSL 72.4, 0.6%, 0.49%

LAB 76.05, -29.76, 66.47

 

CMYK 36 / 0 / 75 / 22

HEX #80C832

RGB 128 200 50

HSL 88.8, 0.6%, 0.49%

LAB 73.63, -45.4, 63.31

 

CMYK 0 / 45 / 75 / 22

HEX #C86E32

RGB 200 110 50

HSL 24, 0.6%, 0.49%

LAB 55.75, 31.07, 47.57

 

CMYK 0 / 52 / 86 / 14

HEX #DC6A1E

RGB 220 106 30

HSL 24, 0.76%, 0.49%

LAB 57.67, 40.5, 58.74

 

CMYK 0 / 58 / 96 / 6

HEX #F0660A

RGB 240 102 10

HSL 24, 0.92%, 0.49%

LAB 59.93, 49.69, 67

 

CMYK 0 / 45 / 75 / 22

HEX #C86E32

RGB 200 110 50

HSL 24, 0.6%, 0.49%

LAB 55.75, 31.07, 47.57

 

CMYK 0 / 37 / 61 / 29

HEX #B47246

RGB 180 114 70

HSL 24, 0.44%, 0.49%

LAB 54.22, 21.68, 34.9

 

CMYK 0 / 26 / 43 / 38

HEX #9F765A

RGB 159 118 90

HSL 24.35, 0.28%, 0.49%

LAB 53.02, 12.35, 21.68

 

CMYK 0 / 12 / 20 / 45

HEX #8B7A6F

RGB 139 122 111

HSL 23.57, 0.11%, 0.49%

LAB 52.46, 4.65, 8.42

 

CMYK 9 / 4 / 0 / 49

HEX #777E83

RGB 119 126 131

HSL 205, 0.05%, 0.49%

LAB 52.38, -1.53, -3.61

 

CMYK 0 / 75 / 64 / 22

HEX #C83248

RGB 200 50 72

HSL 351.2, 0.6%, 0.49%

LAB 45.67, 59.28, 23.79

 

CMYK 0 / 67 / 75 / 22

HEX #C84332

RGB 200 67 50

HSL 6.8, 0.6%, 0.49%

LAB 47.65, 51.87, 39.02

 

CMYK 0 / 47 / 75 / 22

HEX #C86B32

RGB 200 107 50

HSL 22.8, 0.6%, 0.49%

LAB 55.1, 32.66, 46.9

 

CMYK 0 / 27 / 75 / 22

HEX #C89332

RGB 200 147 50

HSL 38.8, 0.6%, 0.49%

LAB 64.47, 10.96, 56.3

 

CMYK 0 / 7 / 75 / 22

HEX #C8BB32

RGB 200 187 50

HSL 54.8, 0.6%, 0.49%

LAB 74.86, -10.29, 66.2

 

CMYK 0 / 45 / 75 / 47

HEX #864A21

RGB 134 74 33

HSL 24.36, 0.6%, 0.33%

LAB 37.98, 21.98, 34.59

 

CMYK 0 / 45 / 75 / 35

HEX #A75C2A

RGB 167 92 42

HSL 24, 0.6%, 0.41%

LAB 47.02, 26.64, 40.96

 

CMYK 0 / 45 / 75 / 22

HEX #C86E32

RGB 200 110 50

HSL 24, 0.6%, 0.49%

LAB 55.75, 31.07, 47.57

 

CMYK 0 / 37 / 62 / 17

HEX #D38450

RGB 211 132 80

HSL 23.82, 0.6%, 0.57%

LAB 62.45, 25.5, 40.36

 

CMYK 0 / 29 / 48 / 14

HEX #DB9B71

RGB 219 155 113

HSL 23.77, 0.6%, 0.65%

LAB 69.25, 19.08, 31.49

 

CMYK 0 / 45 / 75 / 22

HEX #C66D32

RGB 198 109 50

HSL 23.92, 0.6%, 0.49%

LAB 55.25, 30.78, 46.97

 

CMYK 44 / 0 / 75 / 22

HEX #70C832

RGB 112 200 50

HSL 95.2, 0.6%, 0.49%

LAB 72.88, -50.76, 62.32

 

CMYK 75 / 74 / 0 / 22

HEX #3234C8

RGB 50 52 200

HSL 239.2, 0.6%, 0.49%

LAB 32.49, 48.4, -76.03

 

CMYK 0 / 45 / 75 / 22

HEX #C66D32

RGB 198 109 50

HSL 23.92, 0.6%, 0.49%

LAB 55.25, 30.78, 46.97

 

CMYK 75 / 0 / 47 / 22

HEX #32C86B

RGB 50 200 107

HSL 142.8, 0.6%, 0.49%

LAB 71.59, -58.79, 35.6

 

CMYK 47 / 75 / 0 / 22

HEX #6B32C8

RGB 107 50 200

HSL 262.8, 0.6%, 0.49%

LAB 37.07, 56.39, -68.32

 

CMYK 0 / 45 / 75 / 22

HEX #C66D32

RGB 198 109 50

HSL 23.92, 0.6%, 0.49%

LAB 55.25, 30.78, 46.97

 

CMYK 44 / 0 / 75 / 22

HEX #70C832

RGB 112 200 50

HSL 95.2, 0.6%, 0.49%

LAB 72.88, -50.76, 62.32

 

CMYK 75 / 29 / 0 / 22

HEX #328EC8

RGB 50 142 200

HSL 203.2, 0.6%, 0.49%

LAB 56.28, -7.32, -37.67

 

CMYK 32 / 75 / 0 / 22

HEX #8932C8

RGB 137 50 200

HSL 274.8, 0.6%, 0.49%

LAB 40.85, 61.41, -62

 

CMYK 0 / 45 / 75 / 22

HEX #C66D32

RGB 198 109 50

HSL 23.92, 0.6%, 0.49%

LAB 55.25, 30.78, 46.97

 

CMYK 67 / 0 / 75 / 22

HEX #43C832

RGB 67 200 50

HSL 113.2, 0.6%, 0.49%

LAB 71.37, -62.59, 60.33

 

CMYK 75 / 29 / 0 / 22

HEX #328EC8

RGB 50 142 200

HSL 203.2, 0.6%, 0.49%

LAB 56.28, -7.32, -37.67

 

CMYK 9 / 75 / 0 / 22

HEX #B632C8

RGB 182 50 200

HSL 292.8, 0.6%, 0.49%

LAB 47.49, 69.98, -50.95

 

Description

Color code: HEX #C66D32 | qconv.com Color code: HEX #C66D32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 109 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 109 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 75% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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