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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C66B7ACE it is the complementary color #399485CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C66B7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C66B7ACE shade: #CB6B75CE, #DC7D88CE, #ED8F9BCE, #FEA1AECE and #FFB3C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C66B7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C66B7ACE shade: #C66B7ACE, #B55967CE, #A44754CE, #933541CE and #82232ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C66B7ACE shade: #C66C7B and #C66C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C66B7ACE shade: #C66C7B, #C66C93, #C66CAB, #C66CC4 and #B06CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C66B7ACE shade matches the following richer shades: #C66C7B, #D65C70, #E74B65 and #F73B5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C66B7ACE shade: #C66C7B, #B57D86, #A58D91, #949E9C and #84AEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C66B7ACE shade: #C66CAB, #C66C93, #C66C7B, #C6756C and #C68D6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C66B7ACE shade: #A13F4F, #BA4E60, #C66C7B, #D18A96 and #DDA8B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C66B7ACE shade: #C66B7A, #C3C66C and #6C9FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C66B7ACE shade: #C66B7A, #7BC66C and #6C7BC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C66B7ACE shade: #C66B7A, #C3C66C, #6CC6B7 and #6F6CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C66B7ACE shade: #C66B7A, #A8C66C, #6CC6B7 and #8A6CC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 31 / 18

HEX #C66B7ACE

RGBA 198 107 122 0.81

HSLA 350.11, 0.44%, 0.6%, 0.81

LABA 56.01, 37.65, 7.99, 0.81

 

Complementary color

CMYK 50 / 0 / 8 / 34

HEX #399485CE

RGBA 57 148 133 0.81

HSLA 170.11, 0.44%, 0.4%, 0.81

LABA 55.83, -30.63, -0.08, 0.81

 

CMYK 0 / 38 / 34 / 17

HEX #CB6B75CE

RGBA 203 107 117 0.81

HSLA 353.75, 0.48%, 0.61%, 0.81

LABA 56.58, 38.92, 11.81, 0.81

 

CMYK 0 / 35 / 31 / 11

HEX #DC7D88CE

RGBA 220 125 136 0.81

HSLA 353.05, 0.58%, 0.68%, 0.81

LABA 63.06, 37.91, 10.31, 0.81

 

CMYK 0 / 32 / 28 / 6

HEX #ED8F9BCE

RGBA 237 143 155 0.81

HSLA 352.34, 0.72%, 0.75%, 0.81

LABA 69.48, 36.95, 9, 0.81

 

CMYK 0 / 30 / 26 / 0

HEX #FEA1AECE

RGBA 254 161 174 0.81

HSLA 351.61, 0.98%, 0.81%, 0.81

LABA 75.83, 36.06, 7.84, 0.81

 

CMYK 0 / 24 / 20 / 0

HEX #FFB3C1CE

RGBA 255 179 193 0.81

HSLA 348.95, 1%, 0.85%, 0.81

LABA 80.38, 29.54, 4.05, 0.81

 

CMYK 0 / 37 / 31 / 18

HEX #C66B7ACE

RGBA 198 107 122 0.81

HSLA 350.11, 0.44%, 0.6%, 0.81

LABA 56.01, 37.65, 7.99, 0.81

 

CMYK 0 / 41 / 35 / 24

HEX #B55967CE

RGBA 181 89 103 0.81

HSLA 350.87, 0.38%, 0.53%, 0.81

LABA 49.43, 38.65, 9.58, 0.81

 

CMYK 0 / 46 / 40 / 29

HEX #A44754CE

RGBA 164 71 84 0.81

HSLA 351.61, 0.4%, 0.46%, 0.81

LABA 42.82, 39.65, 11.5, 0.81

 

CMYK 0 / 52 / 45 / 34

HEX #933541CE

RGBA 147 53 65 0.81

HSLA 352.34, 0.47%, 0.39%, 0.81

LABA 36.24, 40.53, 13.9, 0.81

 

CMYK 0 / 59 / 52 / 40

HEX #82232ECE

RGBA 130 35 46 0.81

HSLA 353.05, 0.58%, 0.32%, 0.81

LABA 29.78, 41.07, 17.02, 0.81

 

CMYK 0 / 45 / 38 / 22

HEX #C66C7B

RGB 198 108 123

HSL 350, 0.44%, 0.6%

LAB 56.25, 37.24, 7.74

 

CMYK 0 / 45 / 45 / 22

HEX #C66C6C

RGB 198 108 108

HSL 0, 0.44%, 0.6%

LAB 55.9, 35.58, 16

 

CMYK 0 / 45 / 38 / 22

HEX #C66C7B

RGB 198 108 123

HSL 350, 0.44%, 0.6%

LAB 56.25, 37.24, 7.74

 

CMYK 0 / 45 / 26 / 22

HEX #C66C93

RGB 198 108 147

HSL 334, 0.44%, 0.6%

LAB 56.92, 40.35, -5.3

 

CMYK 0 / 45 / 14 / 22

HEX #C66CAB

RGB 198 108 171

HSL 318, 0.44%, 0.6%

LAB 57.72, 44, -18

 

CMYK 0 / 45 / 1 / 22

HEX #C66CC4

RGB 198 108 196

HSL 301.33, 0.44%, 0.6%

LAB 58.71, 48.29, -30.8

 

CMYK 11 / 45 / 0 / 22

HEX #B06CC6

RGB 176 108 198

HSL 285.33, 0.44%, 0.6%

LAB 56.12, 42.18, -36.18

 

CMYK 0 / 45 / 38 / 22

HEX #C66C7B

RGB 198 108 123

HSL 350, 0.44%, 0.6%

LAB 56.25, 37.24, 7.74

 

CMYK 0 / 57 / 48 / 16

HEX #D65C70

RGB 214 92 112

HSL 350.16, 0.6%, 0.6%

LAB 55.2, 49.73, 13.04

 

CMYK 0 / 68 / 56 / 9

HEX #E74B65

RGB 231 75 101

HSL 350, 0.76%, 0.6%

LAB 55.03, 61.59, 19.75

 

CMYK 0 / 76 / 64 / 3

HEX #F73B5A

RGB 247 59 90

HSL 350.11, 0.92%, 0.6%

LAB 55.73, 70.97, 27.68

 

CMYK 0 / 45 / 38 / 22

HEX #C66C7B

RGB 198 108 123

HSL 350, 0.44%, 0.6%

LAB 56.25, 37.24, 7.74

 

CMYK 0 / 31 / 26 / 29

HEX #B57D86

RGB 181 125 134

HSL 350.36, 0.27%, 0.6%

LAB 58.24, 23.04, 3.92

 

CMYK 0 / 15 / 12 / 35

HEX #A58D91

RGB 165 141 145

HSL 350, 0.12%, 0.6%

LAB 60.86, 9.7, 1.22

 

CMYK 6 / 0 / 1 / 38

HEX #949E9C

RGB 148 158 156

HSL 168, 0.05%, 0.6%

LAB 64.28, -3.95, -0.19

 

CMYK 24 / 0 / 4 / 32

HEX #84AEA7

RGB 132 174 167

HSL 170, 0.21%, 0.6%

LAB 68, -15.58, -1.02

 

CMYK 0 / 45 / 14 / 22

HEX #C66CAB

RGB 198 108 171

HSL 318, 0.44%, 0.6%

LAB 57.72, 44, -18

 

CMYK 0 / 45 / 26 / 22

HEX #C66C93

RGB 198 108 147

HSL 334, 0.44%, 0.6%

LAB 56.92, 40.35, -5.3

 

CMYK 0 / 45 / 38 / 22

HEX #C66C7B

RGB 198 108 123

HSL 350, 0.44%, 0.6%

LAB 56.25, 37.24, 7.74

 

CMYK 0 / 41 / 45 / 22

HEX #C6756C

RGB 198 117 108

HSL 6, 0.44%, 0.6%

LAB 57.86, 30.77, 18.67

 

CMYK 0 / 29 / 45 / 22

HEX #C68D6C

RGB 198 141 108

HSL 22, 0.44%, 0.6%

LAB 63.46, 17.66, 26.18

 

CMYK 0 / 61 / 51 / 37

HEX #A13F4F

RGB 161 63 79

HSL 350.2, 0.44%, 0.44%

LAB 40.73, 42, 11.63

 

CMYK 0 / 58 / 48 / 27

HEX #BA4E60

RGB 186 78 96

HSL 350, 0.44%, 0.52%

LAB 47.92, 45.2, 11.79

 

CMYK 0 / 45 / 38 / 22

HEX #C66C7B

RGB 198 108 123

HSL 350, 0.44%, 0.6%

LAB 56.25, 37.24, 7.74

 

CMYK 0 / 34 / 28 / 18

HEX #D18A96

RGB 209 138 150

HSL 349.86, 0.44%, 0.68%

LAB 64.91, 28.7, 4.82

 

CMYK 0 / 24 / 20 / 13

HEX #DDA8B0

RGB 221 168 176

HSL 350.94, 0.44%, 0.76%

LAB 73.88, 20.64, 3.46

 

CMYK 0 / 46 / 38 / 22

HEX #C66B7A

RGB 198 107 122

HSL 350.11, 0.44%, 0.6%

LAB 56.01, 37.65, 7.99

 

CMYK 2 / 0 / 45 / 22

HEX #C3C66C

RGB 195 198 108

HSL 62, 0.44%, 0.6%

LAB 77.92, -13.95, 44.5

 

CMYK 45 / 20 / 0 / 22

HEX #6C9FC6

RGB 108 159 198

HSL 206, 0.44%, 0.6%

LAB 63.39, -6.48, -25.33

 

CMYK 0 / 46 / 38 / 22

HEX #C66B7A

RGB 198 107 122

HSL 350.11, 0.44%, 0.6%

LAB 56.01, 37.65, 7.99

 

CMYK 38 / 0 / 45 / 22

HEX #7BC66C

RGB 123 198 108

HSL 110, 0.44%, 0.6%

LAB 73.34, -40.65, 37.81

 

CMYK 45 / 38 / 0 / 22

HEX #6C7BC6

RGB 108 123 198

HSL 230, 0.44%, 0.6%

LAB 53.42, 14.43, -40.86

 

CMYK 0 / 46 / 38 / 22

HEX #C66B7A

RGB 198 107 122

HSL 350.11, 0.44%, 0.6%

LAB 56.01, 37.65, 7.99

 

CMYK 2 / 0 / 45 / 22

HEX #C3C66C

RGB 195 198 108

HSL 62, 0.44%, 0.6%

LAB 77.92, -13.95, 44.5

 

CMYK 45 / 0 / 8 / 22

HEX #6CC6B7

RGB 108 198 183

HSL 170, 0.44%, 0.6%

LAB 74.19, -30.61, -0.87

 

CMYK 44 / 45 / 0 / 22

HEX #6F6CC6

RGB 111 108 198

HSL 242, 0.44%, 0.6%

LAB 49.72, 24.25, -46.72

 

CMYK 0 / 46 / 38 / 22

HEX #C66B7A

RGB 198 107 122

HSL 350.11, 0.44%, 0.6%

LAB 56.01, 37.65, 7.99

 

CMYK 15 / 0 / 45 / 22

HEX #A8C66C

RGB 168 198 108

HSL 80, 0.44%, 0.6%

LAB 75.94, -24.61, 41.63

 

CMYK 45 / 0 / 8 / 22

HEX #6CC6B7

RGB 108 198 183

HSL 170, 0.44%, 0.6%

LAB 74.19, -30.61, -0.87

 

CMYK 30 / 45 / 0 / 22

HEX #8A6CC6

RGB 138 108 198

HSL 260, 0.44%, 0.6%

LAB 52.07, 31.33, -42.84

 

Description

Color code: HEX #C66B7ACE | qconv.com Color code: HEX #C66B7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 107 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 107 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 31% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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