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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6675A it is the complementary color #3998A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6675A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6675A shade: #CB6755, #DC7968, #ED8B7B, #FE9D8E and #FFAFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6675A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6675A shade: #C6675A, #B55547, #A44334, #933121 and #821F0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6675A shade: #C66558 and #C65858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6675A shade: #C66558, #C68358, #C6A058, #C6BE58 and #B0C658

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6675A shade matches the following richer shades: #C66558, #D85746, #EA4934 and #FC3C21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6675A shade: #C66558, #B4736A, #A1817C, #8F8E8E and #7D9CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6675A shade: #C65886, #C65868, #C66558, #C68258 and #C69F58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6675A shade: #974034, #B64D3E, #C66558, #D08177 and #DB9E95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6675A shade: #C6675A, #A3C658 and #5877C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6675A shade: #C6675A, #58C665 and #6558C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6675A shade: #C6675A, #A3C658, #58B9C6 and #7B58C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6675A shade: #C6675A, #82C658, #58B9C6 and #9C58C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 55 / 22

HEX #C6675A

RGB 198 103 90

HSL 7.22, 0.49%, 0.56%

LAB 54.5, 36.51, 24.54

 

Complementary color

CMYK 65 / 8 / 0 / 35

HEX #3998A5

RGB 57 152 165

HSL 187.22, 0.49%, 0.44%

LAB 58.08, -23.36, -15.02

 

CMYK 0 / 49 / 58 / 20

HEX #CB6755

RGB 203 103 85

HSL 9.15, 0.53%, 0.56%

LAB 55.13, 38.03, 28.36

 

CMYK 0 / 45 / 53 / 14

HEX #DC7968

RGB 220 121 104

HSL 8.79, 0.62%, 0.64%

LAB 61.56, 36.77, 26.41

 

CMYK 0 / 41 / 48 / 7

HEX #ED8B7B

RGB 237 139 123

HSL 8.42, 0.76%, 0.71%

LAB 67.95, 35.59, 24.7

 

CMYK 0 / 38 / 44 / 0

HEX #FE9D8E

RGB 254 157 142

HSL 8.04, 0.98%, 0.78%

LAB 74.28, 34.51, 23.18

 

CMYK 0 / 31 / 37 / 0

HEX #FFAFA1

RGB 255 175 161

HSL 8.94, 1%, 0.82%

LAB 78.75, 27.56, 19.03

 

CMYK 0 / 48 / 55 / 22

HEX #C6675A

RGB 198 103 90

HSL 7.22, 0.49%, 0.56%

LAB 54.5, 36.51, 24.54

 

CMYK 0 / 53 / 61 / 29

HEX #B55547

RGB 181 85 71

HSL 7.64, 0.44%, 0.49%

LAB 47.98, 37.8, 26.66

 

CMYK 0 / 59 / 68 / 36

HEX #A44334

RGB 164 67 52

HSL 8.04, 0.52%, 0.42%

LAB 41.46, 39.12, 29.16

 

CMYK 0 / 67 / 78 / 42

HEX #933121

RGB 147 49 33

HSL 8.42, 0.63%, 0.35%

LAB 35.02, 40.34, 32.09

 

CMYK 0 / 76 / 89 / 49

HEX #821F0E

RGB 130 31 14

HSL 8.79, 0.81%, 0.28%

LAB 28.79, 41.19, 35.18

 

CMYK 0 / 49 / 56 / 22

HEX #C66558

RGB 198 101 88

HSL 7.09, 0.49%, 0.56%

LAB 54.05, 37.39, 25.1

 

CMYK 0 / 56 / 56 / 22

HEX #C65858

RGB 198 88 88

HSL 0, 0.49%, 0.56%

LAB 51.48, 43.94, 21.74

 

CMYK 0 / 49 / 56 / 22

HEX #C66558

RGB 198 101 88

HSL 7.09, 0.49%, 0.56%

LAB 54.05, 37.39, 25.1

 

CMYK 0 / 34 / 56 / 22

HEX #C68358

RGB 198 131 88

HSL 23.45, 0.49%, 0.56%

LAB 60.73, 21.27, 33.63

 

CMYK 0 / 19 / 56 / 22

HEX #C6A058

RGB 198 160 88

HSL 39.27, 0.49%, 0.56%

LAB 67.91, 5.43, 42.41

 

CMYK 0 / 4 / 56 / 22

HEX #C6BE58

RGB 198 190 88

HSL 55.64, 0.49%, 0.56%

LAB 75.78, -10.41, 51.61

 

CMYK 11 / 0 / 56 / 22

HEX #B0C658

RGB 176 198 88

HSL 72, 0.49%, 0.56%

LAB 76.27, -23.45, 51.72

 

CMYK 0 / 49 / 56 / 22

HEX #C66558

RGB 198 101 88

HSL 7.09, 0.49%, 0.56%

LAB 54.05, 37.39, 25.1

 

CMYK 0 / 60 / 68 / 15

HEX #D85746

RGB 216 87 70

HSL 6.99, 0.65%, 0.56%

LAB 53.88, 49.64, 35.73

 

CMYK 0 / 69 / 78 / 8

HEX #EA4934

RGB 234 73 52

HSL 6.92, 0.81%, 0.56%

LAB 54.56, 60.73, 47.07

 

CMYK 0 / 76 / 87 / 1

HEX #FC3C21

RGB 252 60 33

HSL 7.4, 0.97%, 0.56%

LAB 56.12, 70.06, 58.64

 

CMYK 0 / 49 / 56 / 22

HEX #C66558

RGB 198 101 88

HSL 7.09, 0.49%, 0.56%

LAB 54.05, 37.39, 25.1

 

CMYK 0 / 36 / 41 / 29

HEX #B4736A

RGB 180 115 106

HSL 7.3, 0.33%, 0.56%

LAB 55.08, 24.55, 15.65

 

CMYK 0 / 20 / 23 / 37

HEX #A1817C

RGB 161 129 124

HSL 8.11, 0.16%, 0.56%

LAB 56.81, 11.49, 7.37

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 22 / 2 / 0 / 37

HEX #7D9CA0

RGB 125 156 160

HSL 186.86, 0.16%, 0.56%

LAB 62.23, -9.78, -5.65

 

CMYK 0 / 56 / 32 / 22

HEX #C65886

RGB 198 88 134

HSL 334.91, 0.49%, 0.56%

LAB 52.63, 48.67, -4

 

CMYK 0 / 56 / 47 / 22

HEX #C65868

RGB 198 88 104

HSL 351.27, 0.49%, 0.56%

LAB 51.82, 45.35, 12.7

 

CMYK 0 / 49 / 56 / 22

HEX #C66558

RGB 198 101 88

HSL 7.09, 0.49%, 0.56%

LAB 54.05, 37.39, 25.1

 

CMYK 0 / 34 / 56 / 22

HEX #C68258

RGB 198 130 88

HSL 22.91, 0.49%, 0.56%

LAB 60.49, 21.82, 33.34

 

CMYK 0 / 20 / 56 / 22

HEX #C69F58

RGB 198 159 88

HSL 38.73, 0.49%, 0.56%

LAB 67.66, 5.97, 42.1

 

CMYK 0 / 58 / 66 / 41

HEX #974034

RGB 151 64 52

HSL 7.27, 0.49%, 0.4%

LAB 38.71, 35.65, 25.33

 

CMYK 0 / 58 / 66 / 29

HEX #B64D3E

RGB 182 77 62

HSL 7.5, 0.49%, 0.48%

LAB 46.45, 41.57, 30.04

 

CMYK 0 / 49 / 56 / 22

HEX #C66558

RGB 198 101 88

HSL 7.09, 0.49%, 0.56%

LAB 54.05, 37.39, 25.1

 

CMYK 0 / 38 / 43 / 18

HEX #D08177

RGB 208 129 119

HSL 6.74, 0.49%, 0.64%

LAB 62.03, 29.36, 18.32

 

CMYK 0 / 28 / 32 / 14

HEX #DB9E95

RGB 219 158 149

HSL 7.71, 0.49%, 0.72%

LAB 70.65, 21.51, 13.7

 

CMYK 0 / 48 / 55 / 22

HEX #C6675A

RGB 198 103 90

HSL 7.22, 0.49%, 0.56%

LAB 54.5, 36.51, 24.54

 

CMYK 18 / 0 / 56 / 22

HEX #A3C658

RGB 163 198 88

HSL 79.09, 0.49%, 0.56%

LAB 75.38, -28.58, 50.46

 

CMYK 56 / 40 / 0 / 22

HEX #5877C6

RGB 88 119 198

HSL 223.09, 0.49%, 0.56%

LAB 51.09, 12.2, -44.63

 

CMYK 0 / 48 / 55 / 22

HEX #C6675A

RGB 198 103 90

HSL 7.22, 0.49%, 0.56%

LAB 54.5, 36.51, 24.54

 

CMYK 56 / 0 / 49 / 22

HEX #58C665

RGB 88 198 101

HSL 127.09, 0.49%, 0.56%

LAB 71.83, -51.65, 39.1

 

CMYK 49 / 56 / 0 / 22

HEX #6558C6

RGB 101 88 198

HSL 247.09, 0.49%, 0.56%

LAB 43.98, 34.08, -55.96

 

CMYK 0 / 48 / 55 / 22

HEX #C6675A

RGB 198 103 90

HSL 7.22, 0.49%, 0.56%

LAB 54.5, 36.51, 24.54

 

CMYK 18 / 0 / 56 / 22

HEX #A3C658

RGB 163 198 88

HSL 79.09, 0.49%, 0.56%

LAB 75.38, -28.58, 50.46

 

CMYK 56 / 7 / 0 / 22

HEX #58B9C6

RGB 88 185 198

HSL 187.09, 0.49%, 0.56%

LAB 70.07, -24.74, -15.25

 

CMYK 38 / 56 / 0 / 22

HEX #7B58C6

RGB 123 88 198

HSL 259.09, 0.49%, 0.56%

LAB 46, 39.07, -52.6

 

CMYK 0 / 48 / 55 / 22

HEX #C6675A

RGB 198 103 90

HSL 7.22, 0.49%, 0.56%

LAB 54.5, 36.51, 24.54

 

CMYK 34 / 0 / 56 / 22

HEX #82C658

RGB 130 198 88

HSL 97.09, 0.49%, 0.56%

LAB 73.44, -40.75, 47.71

 

CMYK 56 / 7 / 0 / 22

HEX #58B9C6

RGB 88 185 198

HSL 187.09, 0.49%, 0.56%

LAB 70.07, -24.74, -15.25

 

CMYK 21 / 56 / 0 / 22

HEX #9C58C6

RGB 156 88 198

HSL 277.09, 0.49%, 0.56%

LAB 49.65, 47.31, -46.56

 

Description

Color code: HEX #C6675A | qconv.com Color code: HEX #C6675A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 103 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 103 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 55 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 55% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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