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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65E80 it is the complementary color #39A17F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65E80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65E80 shade: #CB5E7B, #DC708E, #ED82A1, #FE94B4 and #FFA6C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65E80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65E80 shade: #C65E80, #B54C6D, #A43A5A, #932847 and #821634

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65E80 shade: #C65D7F, #C65D63 and #C65D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65E80 shade: #C65D7F, #C65D9C, #C65DB8, #B85DC6 and #9B5DC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65E80 shade matches the following richer shades: #C65D7F, #D84B79, #E93973 and #FB276D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65E80 shade: #C65D7F, #B46E85, #A2808B, #919292 and #7FA498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65E80 shade: #C65DB8, #C65D9C, #C65D80, #C65D64 and #C6725D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65E80 shade: #9A3657, #B94168, #C65D7F, #D17B97 and #DB9AAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65E80 shade: #C65E80, #C6B85D and #5DAAC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65E80 shade: #C65E80, #80C65D and #5D80C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65E80 shade: #C65E80, #C6B85D, #5DC6A3 and #5D6BC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65E80 shade: #C65E80, #B4C65D, #5DC6A3 and #6E5DC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 35 / 22

HEX #C65E80

RGB 198 94 128

HSL 340.38, 0.48%, 0.57%

LAB 53.57, 45.01, 0.93

 

Complementary color

CMYK 65 / 0 / 21 / 37

HEX #39A17F

RGB 57 161 127

HSL 160.38, 0.48%, 0.43%

LAB 59.79, -38.16, 9.03

 

CMYK 0 / 54 / 39 / 20

HEX #CB5E7B

RGB 203 94 123

HSL 344.04, 0.51%, 0.58%

LAB 54.17, 46.14, 4.85

 

CMYK 0 / 49 / 35 / 14

HEX #DC708E

RGB 220 112 142

HSL 343.33, 0.61%, 0.65%

LAB 60.57, 45.26, 3.3

 

CMYK 0 / 45 / 32 / 7

HEX #ED82A1

RGB 237 130 161

HSL 342.62, 0.75%, 0.72%

LAB 66.93, 44.38, 1.96

 

CMYK 0 / 42 / 29 / 0

HEX #FE94B4

RGB 254 148 180

HSL 341.89, 0.98%, 0.79%

LAB 73.25, 43.51, 0.8

 

CMYK 0 / 35 / 22 / 0

HEX #FFA6C7

RGB 255 166 199

HSL 337.75, 1%, 0.83%

LAB 77.67, 37.18, -3.16

 

CMYK 0 / 53 / 35 / 22

HEX #C65E80

RGB 198 94 128

HSL 340.38, 0.48%, 0.57%

LAB 53.57, 45.01, 0.93

 

CMYK 0 / 58 / 40 / 29

HEX #B54C6D

RGB 181 76 109

HSL 341.14, 0.42%, 0.5%

LAB 47.1, 45.79, 2.62

 

CMYK 0 / 65 / 45 / 36

HEX #A43A5A

RGB 164 58 90

HSL 341.89, 0.48%, 0.44%

LAB 40.67, 46.4, 4.72

 

CMYK 0 / 73 / 52 / 42

HEX #932847

RGB 147 40 71

HSL 342.62, 0.57%, 0.37%

LAB 34.35, 46.6, 7.43

 

CMYK 0 / 83 / 60 / 49

HEX #821634

RGB 130 22 52

HSL 343.33, 0.71%, 0.3%

LAB 28.29, 46, 11.07

 

CMYK 0 / 53 / 36 / 22

HEX #C65D7F

RGB 198 93 127

HSL 340.57, 0.48%, 0.57%

LAB 53.35, 45.38, 1.21

 

CMYK 0 / 53 / 50 / 22

HEX #C65D63

RGB 198 93 99

HSL 356.57, 0.48%, 0.57%

LAB 52.66, 42.42, 16.82

 

CMYK 0 / 53 / 53 / 22

HEX #C65D5D

RGB 198 93 93

HSL 0, 0.48%, 0.57%

LAB 52.54, 41.88, 20.19

 

CMYK 0 / 53 / 36 / 22

HEX #C65D7F

RGB 198 93 127

HSL 340.57, 0.48%, 0.57%

LAB 53.35, 45.38, 1.21

 

CMYK 0 / 53 / 21 / 22

HEX #C65D9C

RGB 198 93 156

HSL 324, 0.48%, 0.57%

LAB 54.28, 49.23, -14.51

 

CMYK 0 / 53 / 7 / 22

HEX #C65DB8

RGB 198 93 184

HSL 308, 0.48%, 0.57%

LAB 55.38, 53.63, -29.11

 

CMYK 7 / 53 / 0 / 22

HEX #B85DC6

RGB 184 93 198

HSL 292, 0.48%, 0.57%

LAB 54.13, 52.22, -39.24

 

CMYK 22 / 53 / 0 / 22

HEX #9B5DC6

RGB 155 93 198

HSL 275.43, 0.48%, 0.57%

LAB 50.54, 44.39, -45.15

 

CMYK 0 / 53 / 36 / 22

HEX #C65D7F

RGB 198 93 127

HSL 340.57, 0.48%, 0.57%

LAB 53.35, 45.38, 1.21

 

CMYK 0 / 65 / 44 / 15

HEX #D84B79

RGB 216 75 121

HSL 340.43, 0.64%, 0.57%

LAB 52.96, 58.68, 4.57

 

CMYK 0 / 76 / 51 / 9

HEX #E93973

RGB 233 57 115

HSL 340.23, 0.8%, 0.57%

LAB 53.48, 69.39, 9.31

 

CMYK 0 / 84 / 57 / 2

HEX #FB276D

RGB 251 39 109

HSL 340.19, 0.96%, 0.57%

LAB 55.14, 78.01, 15.73

 

CMYK 0 / 53 / 36 / 22

HEX #C65D7F

RGB 198 93 127

HSL 340.57, 0.48%, 0.57%

LAB 53.35, 45.38, 1.21

 

CMYK 0 / 39 / 26 / 29

HEX #B46E85

RGB 180 110 133

HSL 340.29, 0.32%, 0.57%

LAB 54.6, 30.85, -0.79

 

CMYK 0 / 21 / 14 / 36

HEX #A2808B

RGB 162 128 139

HSL 340.59, 0.15%, 0.57%

LAB 57.06, 14.9, -0.93

 

CMYK 1 / 0 / 0 / 43

HEX #919292

RGB 145 146 146

HSL 180, 0%, 0.57%

LAB 60.47, -0.36, -0.14

 

CMYK 23 / 0 / 7 / 36

HEX #7FA498

RGB 127 164 152

HSL 160.54, 0.17%, 0.57%

LAB 64.43, -15.19, 2.08

 

CMYK 0 / 53 / 7 / 22

HEX #C65DB8

RGB 198 93 184

HSL 308, 0.48%, 0.57%

LAB 55.38, 53.63, -29.11

 

CMYK 0 / 53 / 21 / 22

HEX #C65D9C

RGB 198 93 156

HSL 324, 0.48%, 0.57%

LAB 54.28, 49.23, -14.51

 

CMYK 0 / 53 / 35 / 22

HEX #C65D80

RGB 198 93 128

HSL 340, 0.48%, 0.57%

LAB 53.38, 45.5, 0.66

 

CMYK 0 / 53 / 49 / 22

HEX #C65D64

RGB 198 93 100

HSL 356, 0.48%, 0.57%

LAB 52.68, 42.51, 16.26

 

CMYK 0 / 42 / 53 / 22

HEX #C6725D

RGB 198 114 93

HSL 12, 0.48%, 0.57%

LAB 56.91, 30.95, 25.98

 

CMYK 0 / 65 / 44 / 40

HEX #9A3657

RGB 154 54 87

HSL 340.2, 0.48%, 0.41%

LAB 38.19, 44.58, 2.83

 

CMYK 0 / 65 / 44 / 27

HEX #B94168

RGB 185 65 104

HSL 340.5, 0.48%, 0.49%

LAB 45.76, 51.54, 3.83

 

CMYK 0 / 53 / 36 / 22

HEX #C65D7F

RGB 198 93 127

HSL 340.57, 0.48%, 0.57%

LAB 53.35, 45.38, 1.21

 

CMYK 0 / 41 / 28 / 18

HEX #D17B97

RGB 209 123 151

HSL 340.47, 0.48%, 0.65%

LAB 61.62, 36.88, -0.53

 

CMYK 0 / 30 / 20 / 14

HEX #DB9AAF

RGB 219 154 175

HSL 340.62, 0.47%, 0.73%

LAB 70.36, 27.32, -1.13

 

CMYK 0 / 53 / 35 / 22

HEX #C65E80

RGB 198 94 128

HSL 340.38, 0.48%, 0.57%

LAB 53.57, 45.01, 0.93

 

CMYK 0 / 7 / 53 / 22

HEX #C6B85D

RGB 198 184 93

HSL 52, 0.48%, 0.57%

LAB 74.24, -6.9, 47.45

 

CMYK 53 / 14 / 0 / 22

HEX #5DAAC6

RGB 93 170 198

HSL 196, 0.48%, 0.57%

LAB 65.87, -15.96, -21.6

 

CMYK 0 / 53 / 35 / 22

HEX #C65E80

RGB 198 94 128

HSL 340.38, 0.48%, 0.57%

LAB 53.57, 45.01, 0.93

 

CMYK 35 / 0 / 53 / 22

HEX #80C65D

RGB 128 198 93

HSL 100, 0.48%, 0.57%

LAB 73.39, -40.88, 45.28

 

CMYK 53 / 35 / 0 / 22

HEX #5D80C6

RGB 93 128 198

HSL 220, 0.48%, 0.57%

LAB 53.86, 7.85, -40.23

 

CMYK 0 / 53 / 35 / 22

HEX #C65E80

RGB 198 94 128

HSL 340.38, 0.48%, 0.57%

LAB 53.57, 45.01, 0.93

 

CMYK 0 / 7 / 53 / 22

HEX #C6B85D

RGB 198 184 93

HSL 52, 0.48%, 0.57%

LAB 74.24, -6.9, 47.45

 

CMYK 53 / 0 / 18 / 22

HEX #5DC6A3

RGB 93 198 163

HSL 160, 0.48%, 0.57%

LAB 73.13, -38.82, 8.36

 

CMYK 53 / 46 / 0 / 22

HEX #5D6BC6

RGB 93 107 198

HSL 232, 0.48%, 0.57%

LAB 48.16, 20.67, -49.28

 

CMYK 0 / 53 / 35 / 22

HEX #C65E80

RGB 198 94 128

HSL 340.38, 0.48%, 0.57%

LAB 53.57, 45.01, 0.93

 

CMYK 9 / 0 / 53 / 22

HEX #B4C65D

RGB 180 198 93

HSL 70.29, 0.48%, 0.57%

LAB 76.61, -21.4, 49.87

 

CMYK 53 / 0 / 18 / 22

HEX #5DC6A3

RGB 93 198 163

HSL 160, 0.48%, 0.57%

LAB 73.13, -38.82, 8.36

 

CMYK 44 / 53 / 0 / 22

HEX #6E5DC6

RGB 110 93 198

HSL 249.71, 0.48%, 0.57%

LAB 45.94, 33.07, -52.77

 

Description

Color code: HEX #C65E80 | qconv.com Color code: HEX #C65E80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 94 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 94 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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