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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65C7B it is the complementary color #39A384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65C7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65C7B shade: #CB5C76, #DC6E89, #ED809C, #FE92AF and #FFA4C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65C7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65C7B shade: #C65C7B, #B54A68, #A43855, #932642 and #82142F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65C7B shade: #C65D7C, #C65D5F and #C65D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65C7B shade: #C65D7C, #C65D98, #C65DB4, #BB5DC6 and #9F5DC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65C7B shade matches the following richer shades: #C65D7C, #D84B74, #E9396D and #FB2765

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65C7B shade: #C65D7C, #B46E83, #A2808A, #919292 and #7FA499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65C7B shade: #C65DB4, #C65D98, #C65D7C, #C65D60 and #C6755D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65C7B shade: #9A3653, #B94164, #C65D7C, #D17B94 and #DB9AAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65C7B shade: #C65C7B, #C6BB5D and #5DA6C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65C7B shade: #C65C7B, #7CC65D and #5D7CC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65C7B shade: #C65C7B, #C6BB5D, #5DC6A6 and #5D67C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65C7B shade: #C65C7B, #B1C65D, #5DC6A6 and #725DC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 38 / 22

HEX #C65C7B

RGB 198 92 123

HSL 342.45, 0.48%, 0.57%

LAB 53.05, 45.41, 3.14

 

Complementary color

CMYK 65 / 0 / 19 / 36

HEX #39A384

RGB 57 163 132

HSL 162.45, 0.48%, 0.43%

LAB 60.54, -37.83, 7.29

 

CMYK 0 / 55 / 42 / 20

HEX #CB5C76

RGB 203 92 118

HSL 345.95, 0.52%, 0.58%

LAB 53.66, 46.57, 7.09

 

CMYK 0 / 50 / 38 / 14

HEX #DC6E89

RGB 220 110 137

HSL 345.27, 0.61%, 0.65%

LAB 60.05, 45.68, 5.43

 

CMYK 0 / 46 / 34 / 7

HEX #ED809C

RGB 237 128 156

HSL 344.59, 0.75%, 0.72%

LAB 66.4, 44.78, 4.02

 

CMYK 0 / 43 / 31 / 0

HEX #FE92AF

RGB 254 146 175

HSL 343.89, 0.98%, 0.78%

LAB 72.71, 43.89, 2.78

 

CMYK 0 / 36 / 24 / 0

HEX #FFA4C2

RGB 255 164 194

HSL 340.22, 1%, 0.82%

LAB 77.1, 37.51, -1.26

 

CMYK 0 / 54 / 38 / 22

HEX #C65C7B

RGB 198 92 123

HSL 342.45, 0.48%, 0.57%

LAB 53.05, 45.41, 3.14

 

CMYK 0 / 59 / 43 / 29

HEX #B54A68

RGB 181 74 104

HSL 343.18, 0.42%, 0.5%

LAB 46.61, 46.19, 4.96

 

CMYK 0 / 66 / 48 / 36

HEX #A43855

RGB 164 56 85

HSL 343.89, 0.49%, 0.43%

LAB 40.21, 46.78, 7.21

 

CMYK 0 / 74 / 55 / 42

HEX #932642

RGB 147 38 66

HSL 344.59, 0.59%, 0.36%

LAB 33.95, 46.93, 10.12

 

CMYK 0 / 85 / 64 / 49

HEX #82142F

RGB 130 20 47

HSL 345.27, 0.73%, 0.29%

LAB 27.98, 46.21, 14.01

 

CMYK 0 / 53 / 37 / 22

HEX #C65D7C

RGB 198 93 124

HSL 342.29, 0.48%, 0.57%

LAB 53.27, 45.03, 2.86

 

CMYK 0 / 53 / 52 / 22

HEX #C65D5F

RGB 198 93 95

HSL 358.86, 0.48%, 0.57%

LAB 52.58, 42.06, 19.07

 

CMYK 0 / 53 / 53 / 22

HEX #C65D5D

RGB 198 93 93

HSL 0, 0.48%, 0.57%

LAB 52.54, 41.88, 20.19

 

CMYK 0 / 53 / 37 / 22

HEX #C65D7C

RGB 198 93 124

HSL 342.29, 0.48%, 0.57%

LAB 53.27, 45.03, 2.86

 

CMYK 0 / 53 / 23 / 22

HEX #C65D98

RGB 198 93 152

HSL 326.29, 0.48%, 0.57%

LAB 54.13, 48.66, -12.38

 

CMYK 0 / 53 / 9 / 22

HEX #C65DB4

RGB 198 93 180

HSL 310.29, 0.48%, 0.57%

LAB 55.21, 52.96, -27.06

 

CMYK 6 / 53 / 0 / 22

HEX #BB5DC6

RGB 187 93 198

HSL 293.71, 0.48%, 0.57%

LAB 54.52, 53.04, -38.59

 

CMYK 20 / 53 / 0 / 22

HEX #9F5DC6

RGB 159 93 198

HSL 277.71, 0.48%, 0.57%

LAB 51.01, 45.46, -44.37

 

CMYK 0 / 53 / 37 / 22

HEX #C65D7C

RGB 198 93 124

HSL 342.29, 0.48%, 0.57%

LAB 53.27, 45.03, 2.86

 

CMYK 0 / 65 / 46 / 15

HEX #D84B74

RGB 216 75 116

HSL 342.55, 0.64%, 0.57%

LAB 52.83, 58.21, 7.38

 

CMYK 0 / 76 / 53 / 9

HEX #E9396D

RGB 233 57 109

HSL 342.27, 0.8%, 0.57%

LAB 53.33, 68.93, 12.71

 

CMYK 0 / 84 / 60 / 2

HEX #FB2765

RGB 251 39 101

HSL 342.45, 0.96%, 0.57%

LAB 54.97, 77.51, 20.29

 

CMYK 0 / 53 / 37 / 22

HEX #C65D7C

RGB 198 93 124

HSL 342.29, 0.48%, 0.57%

LAB 53.27, 45.03, 2.86

 

CMYK 0 / 39 / 27 / 29

HEX #B46E83

RGB 180 110 131

HSL 342, 0.32%, 0.57%

LAB 54.55, 30.56, 0.3

 

CMYK 0 / 21 / 15 / 36

HEX #A2808A

RGB 162 128 138

HSL 342.35, 0.15%, 0.57%

LAB 57.03, 14.73, -0.39

 

CMYK 1 / 0 / 0 / 43

HEX #919292

RGB 145 146 146

HSL 180, 0%, 0.57%

LAB 60.47, -0.36, -0.14

 

CMYK 23 / 0 / 7 / 36

HEX #7FA499

RGB 127 164 153

HSL 162.16, 0.17%, 0.57%

LAB 64.45, -14.97, 1.56

 

CMYK 0 / 53 / 9 / 22

HEX #C65DB4

RGB 198 93 180

HSL 310.29, 0.48%, 0.57%

LAB 55.21, 52.96, -27.06

 

CMYK 0 / 53 / 23 / 22

HEX #C65D98

RGB 198 93 152

HSL 326.29, 0.48%, 0.57%

LAB 54.13, 48.66, -12.38

 

CMYK 0 / 53 / 37 / 22

HEX #C65D7C

RGB 198 93 124

HSL 342.29, 0.48%, 0.57%

LAB 53.27, 45.03, 2.86

 

CMYK 0 / 53 / 52 / 22

HEX #C65D60

RGB 198 93 96

HSL 358.29, 0.48%, 0.57%

LAB 52.6, 42.14, 18.51

 

CMYK 0 / 41 / 53 / 22

HEX #C6755D

RGB 198 117 93

HSL 13.71, 0.48%, 0.57%

LAB 57.58, 29.33, 26.85

 

CMYK 0 / 65 / 46 / 40

HEX #9A3653

RGB 154 54 83

HSL 342.6, 0.48%, 0.41%

LAB 38.08, 44.16, 5.21

 

CMYK 0 / 65 / 46 / 27

HEX #B94164

RGB 185 65 100

HSL 342.5, 0.48%, 0.49%

LAB 45.65, 51.14, 6.13

 

CMYK 0 / 53 / 37 / 22

HEX #C65D7C

RGB 198 93 124

HSL 342.29, 0.48%, 0.57%

LAB 53.27, 45.03, 2.86

 

CMYK 0 / 41 / 29 / 18

HEX #D17B94

RGB 209 123 148

HSL 342.56, 0.48%, 0.65%

LAB 61.53, 36.47, 1.07

 

CMYK 0 / 30 / 21 / 14

HEX #DB9AAD

RGB 219 154 173

HSL 342.46, 0.47%, 0.73%

LAB 70.31, 27.02, -0.1

 

CMYK 0 / 54 / 38 / 22

HEX #C65C7B

RGB 198 92 123

HSL 342.45, 0.48%, 0.57%

LAB 53.05, 45.41, 3.14

 

CMYK 0 / 6 / 53 / 22

HEX #C6BB5D

RGB 198 187 93

HSL 53.71, 0.48%, 0.57%

LAB 75.04, -8.46, 48.39

 

CMYK 53 / 16 / 0 / 22

HEX #5DA6C6

RGB 93 166 198

HSL 198.29, 0.48%, 0.57%

LAB 64.71, -13.82, -23.38

 

CMYK 0 / 54 / 38 / 22

HEX #C65C7B

RGB 198 92 123

HSL 342.45, 0.48%, 0.57%

LAB 53.05, 45.41, 3.14

 

CMYK 37 / 0 / 53 / 22

HEX #7CC65D

RGB 124 198 93

HSL 102.29, 0.48%, 0.57%

LAB 73.2, -42.22, 45

 

CMYK 53 / 37 / 0 / 22

HEX #5D7CC6

RGB 93 124 198

HSL 222.29, 0.48%, 0.57%

LAB 52.75, 10.26, -41.98

 

CMYK 0 / 54 / 38 / 22

HEX #C65C7B

RGB 198 92 123

HSL 342.45, 0.48%, 0.57%

LAB 53.05, 45.41, 3.14

 

CMYK 0 / 6 / 53 / 22

HEX #C6BB5D

RGB 198 187 93

HSL 53.71, 0.48%, 0.57%

LAB 75.04, -8.46, 48.39

 

CMYK 53 / 0 / 16 / 22

HEX #5DC6A6

RGB 93 198 166

HSL 161.71, 0.48%, 0.57%

LAB 73.2, -38.13, 6.84

 

CMYK 53 / 48 / 0 / 22

HEX #5D67C6

RGB 93 103 198

HSL 234.29, 0.48%, 0.57%

LAB 47.11, 23.15, -50.95

 

CMYK 0 / 54 / 38 / 22

HEX #C65C7B

RGB 198 92 123

HSL 342.45, 0.48%, 0.57%

LAB 53.05, 45.41, 3.14

 

CMYK 11 / 0 / 53 / 22

HEX #B1C65D

RGB 177 198 93

HSL 72, 0.48%, 0.57%

LAB 76.39, -22.6, 49.56

 

CMYK 53 / 0 / 16 / 22

HEX #5DC6A6

RGB 93 198 166

HSL 161.71, 0.48%, 0.57%

LAB 73.2, -38.13, 6.84

 

CMYK 42 / 53 / 0 / 22

HEX #725DC6

RGB 114 93 198

HSL 252, 0.48%, 0.57%

LAB 46.29, 34.01, -52.18

 

Description

Color code: HEX #C65C7B | qconv.com Color code: HEX #C65C7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 92 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 92 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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