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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C65A56 it is the complementary color #39A5A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C65A56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C65A56 shade: #CB5A51, #DC6C64, #ED7E77, #FE908A and #FFA29D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C65A56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C65A56 shade: #C65A56, #B54843, #A43630, #93241D and #82120A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C65A56 shade: #C75B57 and #C75757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C65A56 shade: #C75B57, #C77957, #C79757, #C7B557 and #BAC757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C65A56 shade matches the following richer shades: #C75B57, #D94A45, #EB3932 and #FD2820

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C65A56 shade: #C75B57, #B56C69, #A37C7B, #908D8D and #7E9E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C65A56 shade: #C7578F, #C75771, #C75A57, #C77857 and #C79657

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C65A56 shade: #983633, #B7413D, #C75B57, #D17976 and #DC9795

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C65A56 shade: #C65A56, #ADC757 and #5780C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C65A56 shade: #C65A56, #57C75A and #5A57C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C65A56 shade: #C65A56, #ADC757, #57C3C7 and #7157C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C65A56 shade: #C65A56, #8BC757, #57C3C7 and #9357C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

Complementary color

CMYK 66 / 2 / 0 / 34

HEX #39A5A9

RGB 57 165 169

HSL 182.14, 0.5%, 0.44%

LAB 62.21, -28.69, -11.07

 

CMYK 0 / 56 / 60 / 20

HEX #CB5A51

RGB 203 90 81

HSL 4.43, 0.54%, 0.56%

LAB 52.51, 44.25, 27.31

 

CMYK 0 / 51 / 55 / 14

HEX #DC6C64

RGB 220 108 100

HSL 4, 0.63%, 0.63%

LAB 58.85, 43.06, 25.11

 

CMYK 0 / 47 / 50 / 7

HEX #ED7E77

RGB 237 126 119

HSL 3.56, 0.77%, 0.7%

LAB 65.17, 41.9, 23.2

 

CMYK 0 / 43 / 46 / 0

HEX #FE908A

RGB 254 144 138

HSL 3.1, 0.98%, 0.77%

LAB 71.45, 40.79, 21.52

 

CMYK 0 / 36 / 38 / 0

HEX #FFA29D

RGB 255 162 157

HSL 3.06, 1%, 0.81%

LAB 75.78, 33.89, 17.08

 

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

CMYK 0 / 60 / 63 / 29

HEX #B54843

RGB 181 72 67

HSL 2.63, 0.46%, 0.49%

LAB 45.45, 43.92, 25.83

 

CMYK 0 / 67 / 71 / 36

HEX #A43630

RGB 164 54 48

HSL 3.1, 0.55%, 0.42%

LAB 39.15, 44.91, 28.79

 

CMYK 0 / 76 / 80 / 42

HEX #93241D

RGB 147 36 29

HSL 3.56, 0.67%, 0.35%

LAB 33.04, 45.5, 32.3

 

CMYK 0 / 86 / 92 / 49

HEX #82120A

RGB 130 18 10

HSL 4, 0.86%, 0.27%

LAB 27.3, 45.22, 35.75

 

CMYK 0 / 54 / 56 / 22

HEX #C75B57

RGB 199 91 87

HSL 2.14, 0.5%, 0.56%

LAB 52.19, 42.75, 23.28

 

CMYK 0 / 56 / 56 / 22

HEX #C75757

RGB 199 87 87

HSL 0, 0.5%, 0.56%

LAB 51.44, 44.7, 22.29

 

CMYK 0 / 54 / 56 / 22

HEX #C75B57

RGB 199 91 87

HSL 2.14, 0.5%, 0.56%

LAB 52.19, 42.75, 23.28

 

CMYK 0 / 39 / 56 / 22

HEX #C77957

RGB 199 121 87

HSL 18.21, 0.5%, 0.56%

LAB 58.51, 27.06, 31.42

 

CMYK 0 / 24 / 56 / 22

HEX #C79757

RGB 199 151 87

HSL 34.29, 0.5%, 0.56%

LAB 65.72, 10.66, 40.31

 

CMYK 0 / 9 / 56 / 22

HEX #C7B557

RGB 199 181 87

HSL 50.36, 0.5%, 0.56%

LAB 73.47, -5.41, 49.44

 

CMYK 7 / 0 / 56 / 22

HEX #BAC757

RGB 186 199 87

HSL 66.96, 0.5%, 0.56%

LAB 77.27, -19.98, 53.5

 

CMYK 0 / 54 / 56 / 22

HEX #C75B57

RGB 199 91 87

HSL 2.14, 0.5%, 0.56%

LAB 52.19, 42.75, 23.28

 

CMYK 0 / 66 / 68 / 15

HEX #D94A45

RGB 217 74 69

HSL 2.03, 0.66%, 0.56%

LAB 51.93, 55.55, 34.01

 

CMYK 0 / 76 / 79 / 8

HEX #EB3932

RGB 235 57 50

HSL 2.27, 0.82%, 0.56%

LAB 52.75, 66.43, 46.33

 

CMYK 0 / 84 / 87 / 1

HEX #FD2820

RGB 253 40 32

HSL 2.17, 0.98%, 0.56%

LAB 54.56, 75.27, 57.93

 

CMYK 0 / 54 / 56 / 22

HEX #C75B57

RGB 199 91 87

HSL 2.14, 0.5%, 0.56%

LAB 52.19, 42.75, 23.28

 

CMYK 0 / 40 / 42 / 29

HEX #B56C69

RGB 181 108 105

HSL 2.37, 0.34%, 0.56%

LAB 53.57, 28.7, 14.17

 

CMYK 0 / 24 / 25 / 36

HEX #A37C7B

RGB 163 124 123

HSL 1.5, 0.18%, 0.56%

LAB 55.72, 14.98, 6.41

 

CMYK 0 / 2 / 2 / 44

HEX #908D8D

RGB 144 141 141

HSL 0, 0.01%, 0.56%

LAB 58.88, 1.11, 0.39

 

CMYK 21 / 1 / 0 / 38

HEX #7E9E9F

RGB 126 158 159

HSL 181.82, 0.15%, 0.56%

LAB 62.84, -10.77, -4.18

 

CMYK 0 / 56 / 28 / 22

HEX #C7578F

RGB 199 87 143

HSL 330, 0.5%, 0.56%

LAB 52.89, 50.62, -8.94

 

CMYK 0 / 56 / 43 / 22

HEX #C75771

RGB 199 87 113

HSL 346.07, 0.5%, 0.56%

LAB 52.01, 47.08, 7.62

 

CMYK 0 / 55 / 56 / 22

HEX #C75A57

RGB 199 90 87

HSL 1.61, 0.5%, 0.56%

LAB 52, 43.24, 23.03

 

CMYK 0 / 40 / 56 / 22

HEX #C77857

RGB 199 120 87

HSL 17.68, 0.5%, 0.56%

LAB 58.29, 27.6, 31.14

 

CMYK 0 / 25 / 56 / 22

HEX #C79657

RGB 199 150 87

HSL 33.75, 0.5%, 0.56%

LAB 65.47, 11.2, 40.01

 

CMYK 0 / 64 / 66 / 40

HEX #983633

RGB 152 54 51

HSL 1.78, 0.5%, 0.4%

LAB 37.03, 40.83, 23.89

 

CMYK 0 / 64 / 67 / 28

HEX #B7413D

RGB 183 65 61

HSL 1.97, 0.5%, 0.48%

LAB 44.5, 47.44, 28.28

 

CMYK 0 / 54 / 56 / 22

HEX #C75B57

RGB 199 91 87

HSL 2.14, 0.5%, 0.56%

LAB 52.19, 42.75, 23.28

 

CMYK 0 / 42 / 44 / 18

HEX #D17976

RGB 209 121 118

HSL 1.98, 0.5%, 0.64%

LAB 60.37, 33.92, 16.62

 

CMYK 0 / 31 / 32 / 14

HEX #DC9795

RGB 220 151 149

HSL 1.69, 0.5%, 0.72%

LAB 69.13, 25.66, 11.57

 

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

CMYK 13 / 0 / 56 / 22

HEX #ADC757

RGB 173 199 87

HSL 73.93, 0.5%, 0.56%

LAB 76.33, -25.22, 52.18

 

CMYK 56 / 36 / 0 / 22

HEX #5780C7

RGB 87 128 199

HSL 218.04, 0.5%, 0.56%

LAB 53.59, 6.86, -41.25

 

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

CMYK 56 / 0 / 55 / 22

HEX #57C75A

RGB 87 199 90

HSL 121.61, 0.5%, 0.56%

LAB 71.97, -53.77, 44.59

 

CMYK 55 / 56 / 0 / 22

HEX #5A57C7

RGB 90 87 199

HSL 241.61, 0.5%, 0.56%

LAB 42.93, 32.75, -58.27

 

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

CMYK 13 / 0 / 56 / 22

HEX #ADC757

RGB 173 199 87

HSL 73.93, 0.5%, 0.56%

LAB 76.33, -25.22, 52.18

 

CMYK 56 / 2 / 0 / 22

HEX #57C3C7

RGB 87 195 199

HSL 182.14, 0.5%, 0.56%

LAB 73.01, -29.59, -11.39

 

CMYK 43 / 56 / 0 / 22

HEX #7157C7

RGB 113 87 199

HSL 253.93, 0.5%, 0.56%

LAB 44.87, 37.6, -55.04

 

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

CMYK 30 / 0 / 56 / 22

HEX #8BC757

RGB 139 199 87

HSL 92.14, 0.5%, 0.56%

LAB 74.21, -38.14, 49.19

 

CMYK 56 / 2 / 0 / 22

HEX #57C3C7

RGB 87 195 199

HSL 182.14, 0.5%, 0.56%

LAB 73.01, -29.59, -11.39

 

CMYK 26 / 56 / 0 / 22

HEX #9357C7

RGB 147 87 199

HSL 272.14, 0.5%, 0.56%

LAB 48.44, 45.77, -49.12

 

Description

Color code: HEX #C65A56 | qconv.com Color code: HEX #C65A56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 90 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 90 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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