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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C657ED it is the complementary color #39A812. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C657ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C657ED shade: #CB57E8, #DC69FB, #ED7BFF, #FE8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C657ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C657ED shade: #C657ED, #B545DA, #A433C7, #9321B4 and #820FA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C657ED shade: #C759EE, #EE59EC, #EE59C4, #EE599C and #EE5974

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C657ED shade: #C759EE, #9F59EE, #7759EE and #5959EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C657ED shade matches the following richer shades: #C759EE and #CE4AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C657ED shade: #C759EE, #C068DF, #B977D0, #B285C1 and #AA94B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C657ED shade: #7759EE, #9E59EE, #C659EE, #EE59EE and #EE59C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C657ED shade: #A917DD, #BA34EA, #C759EE, #D47EF1 and #E0A4F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C657ED shade: #C657ED, #EE5963 and #59EE8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C657ED shade: #C657ED, #EEC659 and #59EEC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C657ED shade: #C657ED, #EE5963, #80EE59 and #59EEE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C657ED shade: #C657ED, #EE7C59, #80EE59 and #59CBEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 63 / 0 / 7

HEX #C657ED

RGB 198 87 237

HSL 284.4, 0.81%, 0.64%

LAB 57.01, 66.07, -56.61

 

Complementary color

CMYK 66 / 0 / 89 / 34

HEX #39A812

RGB 57 168 18

HSL 104.4, 0.81%, 0.36%

LAB 60.71, -55.73, 59.14

 

CMYK 13 / 63 / 0 / 9

HEX #CB57E8

RGB 203 87 232

HSL 288, 0.76%, 0.63%

LAB 57.4, 66.25, -53.15

 

CMYK 12 / 58 / 0 / 2

HEX #DC69FB

RGB 220 105 251

HSL 287.26, 0.95%, 0.7%

LAB 63.58, 65.88, -53.75

 

CMYK 7 / 52 / 0 / 0

HEX #ED7BFF

RGB 237 123 255

HSL 291.82, 1%, 0.74%

LAB 69.03, 62.53, -47.18

 

CMYK 0 / 45 / 0 / 0

HEX #FE8DFF

RGB 254 141 255

HSL 299.47, 1%, 0.78%

LAB 74.41, 58.49, -38.62

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 16 / 63 / 0 / 7

HEX #C657ED

RGB 198 87 237

HSL 284.4, 0.81%, 0.64%

LAB 57.01, 66.07, -56.61

 

CMYK 17 / 68 / 0 / 15

HEX #B545DA

RGB 181 69 218

HSL 285.1, 0.67%, 0.56%

LAB 50.85, 66.22, -55.89

 

CMYK 18 / 74 / 0 / 22

HEX #A433C7

RGB 164 51 199

HSL 285.81, 0.59%, 0.49%

LAB 44.78, 65.91, -54.87

 

CMYK 18 / 82 / 0 / 29

HEX #9321B4

RGB 147 33 180

HSL 286.53, 0.69%, 0.42%

LAB 38.87, 64.85, -53.39

 

CMYK 19 / 91 / 0 / 37

HEX #820FA1

RGB 130 15 161

HSL 287.26, 0.83%, 0.35%

LAB 33.27, 62.63, -51.23

 

CMYK 16 / 63 / 0 / 7

HEX #C759EE

RGB 199 89 238

HSL 284.3, 0.81%, 0.64%

LAB 57.52, 65.62, -56.35

 

CMYK 0 / 63 / 1 / 7

HEX #EE59EC

RGB 238 89 236

HSL 300.81, 0.81%, 0.64%

LAB 62.83, 74.28, -46.48

 

CMYK 0 / 63 / 18 / 7

HEX #EE59C4

RGB 238 89 196

HSL 316.91, 0.81%, 0.64%

LAB 61.05, 68.24, -26.73

 

CMYK 0 / 63 / 34 / 7

HEX #EE599C

RGB 238 89 156

HSL 333.02, 0.81%, 0.64%

LAB 59.64, 63.19, -5.86

 

CMYK 0 / 63 / 51 / 7

HEX #EE5974

RGB 238 89 116

HSL 349.13, 0.81%, 0.64%

LAB 58.59, 59.3, 15.98

 

CMYK 16 / 63 / 0 / 7

HEX #C759EE

RGB 199 89 238

HSL 284.3, 0.81%, 0.64%

LAB 57.52, 65.62, -56.35

 

CMYK 33 / 63 / 0 / 7

HEX #9F59EE

RGB 159 89 238

HSL 268.19, 0.81%, 0.64%

LAB 52.61, 56.77, -64.5

 

CMYK 50 / 63 / 0 / 7

HEX #7759EE

RGB 119 89 238

HSL 252.08, 0.81%, 0.64%

LAB 48.56, 48.83, -71.25

 

CMYK 63 / 63 / 0 / 7

HEX #5959EE

RGB 89 89 238

HSL 240, 0.81%, 0.64%

LAB 46.23, 43.89, -75.14

 

CMYK 16 / 63 / 0 / 7

HEX #C759EE

RGB 199 89 238

HSL 284.3, 0.81%, 0.64%

LAB 57.52, 65.62, -56.35

 

CMYK 18 / 71 / 0 / 1

HEX #CE4AFC

RGB 206 74 252

HSL 284.49, 0.97%, 0.64%

LAB 57.12, 75.88, -64.73

 

CMYK 16 / 63 / 0 / 7

HEX #C759EE

RGB 199 89 238

HSL 284.3, 0.81%, 0.64%

LAB 57.52, 65.62, -56.35

 

CMYK 14 / 53 / 0 / 13

HEX #C068DF

RGB 192 104 223

HSL 284.37, 0.65%, 0.64%

LAB 58.45, 53.82, -46.53

 

CMYK 11 / 43 / 0 / 18

HEX #B977D0

RGB 185 119 208

HSL 284.49, 0.49%, 0.64%

LAB 59.94, 40.96, -35.8

 

CMYK 8 / 31 / 0 / 24

HEX #B285C1

RGB 178 133 193

HSL 285, 0.33%, 0.64%

LAB 61.73, 27.96, -24.62

 

CMYK 4 / 17 / 0 / 30

HEX #AA94B2

RGB 170 148 178

HSL 284, 0.16%, 0.64%

LAB 64.11, 13.76, -12.62

 

CMYK 50 / 63 / 0 / 7

HEX #7759EE

RGB 119 89 238

HSL 252.08, 0.81%, 0.64%

LAB 48.56, 48.83, -71.25

 

CMYK 34 / 63 / 0 / 7

HEX #9E59EE

RGB 158 89 238

HSL 267.79, 0.81%, 0.64%

LAB 52.49, 56.56, -64.69

 

CMYK 17 / 63 / 0 / 7

HEX #C659EE

RGB 198 89 238

HSL 283.89, 0.81%, 0.64%

LAB 57.39, 65.39, -56.57

 

CMYK 0 / 63 / 0 / 7

HEX #EE59EE

RGB 238 89 238

HSL 300, 0.81%, 0.64%

LAB 62.92, 74.61, -47.43

 

CMYK 0 / 63 / 17 / 7

HEX #EE59C6

RGB 238 89 198

HSL 316.11, 0.81%, 0.64%

LAB 61.13, 68.52, -27.75

 

CMYK 24 / 90 / 0 / 13

HEX #A917DD

RGB 169 23 221

HSL 284.24, 0.81%, 0.48%

LAB 44.62, 78.1, -67.77

 

CMYK 21 / 78 / 0 / 8

HEX #BA34EA

RGB 186 52 234

HSL 284.18, 0.81%, 0.56%

LAB 50.49, 76.25, -65.5

 

CMYK 16 / 63 / 0 / 7

HEX #C759EE

RGB 199 89 238

HSL 284.3, 0.81%, 0.64%

LAB 57.52, 65.62, -56.35

 

CMYK 12 / 48 / 0 / 5

HEX #D47EF1

RGB 212 126 241

HSL 284.87, 0.8%, 0.72%

LAB 65.96, 51.67, -44.54

 

CMYK 9 / 33 / 0 / 4

HEX #E0A4F5

RGB 224 164 245

HSL 284.44, 0.8%, 0.8%

LAB 75.45, 35.94, -31.86

 

CMYK 16 / 63 / 0 / 7

HEX #C657ED

RGB 198 87 237

HSL 284.4, 0.81%, 0.64%

LAB 57.01, 66.07, -56.61

 

CMYK 0 / 63 / 58 / 7

HEX #EE5963

RGB 238 89 99

HSL 355.97, 0.81%, 0.64%

LAB 58.25, 58.02, 25.41

 

CMYK 63 / 0 / 42 / 7

HEX #59EE8A

RGB 89 238 138

HSL 139.73, 0.81%, 0.64%

LAB 84.54, -60.92, 36.94

 

CMYK 16 / 63 / 0 / 7

HEX #C657ED

RGB 198 87 237

HSL 284.4, 0.81%, 0.64%

LAB 57.01, 66.07, -56.61

 

CMYK 0 / 17 / 63 / 7

HEX #EEC659

RGB 238 198 89

HSL 43.89, 0.81%, 0.64%

LAB 81.45, 2.24, 58.5

 

CMYK 63 / 0 / 17 / 7

HEX #59EEC6

RGB 89 238 198

HSL 163.89, 0.81%, 0.64%

LAB 85.68, -48.91, 7.72

 

CMYK 16 / 63 / 0 / 7

HEX #C657ED

RGB 198 87 237

HSL 284.4, 0.81%, 0.64%

LAB 57.01, 66.07, -56.61

 

CMYK 0 / 63 / 58 / 7

HEX #EE5963

RGB 238 89 99

HSL 355.97, 0.81%, 0.64%

LAB 58.25, 58.02, 25.41

 

CMYK 46 / 0 / 63 / 7

HEX #80EE59

RGB 128 238 89

HSL 104.3, 0.81%, 0.64%

LAB 85.23, -57.69, 60.65

 

CMYK 63 / 0 / 4 / 7

HEX #59EEE4

RGB 89 238 228

HSL 175.97, 0.81%, 0.64%

LAB 86.44, -41.47, -6.9

 

CMYK 16 / 63 / 0 / 7

HEX #C657ED

RGB 198 87 237

HSL 284.4, 0.81%, 0.64%

LAB 57.01, 66.07, -56.61

 

CMYK 0 / 48 / 63 / 7

HEX #EE7C59

RGB 238 124 89

HSL 14.09, 0.81%, 0.64%

LAB 64.41, 40.97, 38.8

 

CMYK 46 / 0 / 63 / 7

HEX #80EE59

RGB 128 238 89

HSL 104.3, 0.81%, 0.64%

LAB 85.23, -57.69, 60.65

 

CMYK 63 / 15 / 0 / 7

HEX #59CBEE

RGB 89 203 238

HSL 194.09, 0.81%, 0.64%

LAB 76.68, -21.99, -26.9

 

Description

Color code: HEX #C657ED | qconv.com Color code: HEX #C657ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 87 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 87 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 63 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 63% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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