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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6537A it is the complementary color #39AC85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6537A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6537A shade: #CB5375, #DC6588, #ED779B, #FE89AE and #FF9BC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6537A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6537A shade: #C6537A, #B54167, #A42F54, #931D41 and #820B2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6537A shade: #C6537A, #C6535B and #C65353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6537A shade: #C6537A, #C65399, #C653B8, #B553C6 and #9653C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6537A shade matches the following richer shades: #C6537A, #D84074, #EB2E6E and #FD1B68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6537A shade: #C6537A, #B36580, #A07886, #8E8B8C and #7B9D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6537A shade: #C653B8, #C6539A, #C6537B, #C6535C and #C66853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6537A shade: #943153, #B33C64, #C6537A, #D07292 and #DA91AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6537A shade: #C6537A, #C6B453 and #53A9C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6537A shade: #C6537A, #7BC653 and #537BC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6537A shade: #C6537A, #C6B453, #53C69D and #5364C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6537A shade: #C6537A, #B4C653, #53C69D and #6453C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

Complementary color

CMYK 67 / 0 / 23 / 33

HEX #39AC85

RGB 57 172 133

HSL 159.65, 0.5%, 0.45%

LAB 63.4, -41.54, 10.8

 

CMYK 0 / 59 / 42 / 20

HEX #CB5375

RGB 203 83 117

HSL 343, 0.54%, 0.56%

LAB 52.03, 50.71, 5.34

 

CMYK 0 / 54 / 38 / 14

HEX #DC6588

RGB 220 101 136

HSL 342.35, 0.63%, 0.63%

LAB 58.32, 49.96, 3.53

 

CMYK 0 / 50 / 35 / 7

HEX #ED779B

RGB 237 119 155

HSL 341.69, 0.77%, 0.7%

LAB 64.62, 49.13, 2

 

CMYK 0 / 46 / 31 / 0

HEX #FE89AE

RGB 254 137 174

HSL 341.03, 0.98%, 0.77%

LAB 70.88, 48.28, 0.68

 

CMYK 0 / 39 / 24 / 0

HEX #FF9BC1

RGB 255 155 193

HSL 337.2, 1%, 0.8%

LAB 75.17, 42.01, -3.55

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 64 / 43 / 29

HEX #B54167

RGB 181 65 103

HSL 340.34, 0.47%, 0.48%

LAB 45.06, 50.17, 3.34

 

CMYK 0 / 71 / 49 / 36

HEX #A42F54

RGB 164 47 84

HSL 341.03, 0.55%, 0.41%

LAB 38.84, 50.37, 5.9

 

CMYK 0 / 80 / 56 / 42

HEX #931D41

RGB 147 29 65

HSL 341.69, 0.67%, 0.35%

LAB 32.84, 49.88, 9.24

 

CMYK 0 / 92 / 65 / 49

HEX #820B2E

RGB 130 11 46

HSL 342.35, 0.84%, 0.28%

LAB 27.25, 48.19, 13.71

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 58 / 54 / 22

HEX #C6535B

RGB 198 83 91

HSL 355.83, 0.5%, 0.55%

LAB 50.63, 46.58, 18.81

 

CMYK 0 / 58 / 58 / 22

HEX #C65353

RGB 198 83 83

HSL 0, 0.5%, 0.55%

LAB 50.47, 45.95, 23.35

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 58 / 23 / 22

HEX #C65399

RGB 198 83 153

HSL 323.48, 0.5%, 0.55%

LAB 52.39, 53.53, -15.61

 

CMYK 0 / 58 / 7 / 22

HEX #C653B8

RGB 198 83 184

HSL 307.3, 0.5%, 0.55%

LAB 53.66, 58.25, -31.78

 

CMYK 9 / 58 / 0 / 22

HEX #B553C6

RGB 181 83 198

HSL 291.13, 0.5%, 0.55%

LAB 51.94, 56.24, -42.73

 

CMYK 24 / 58 / 0 / 22

HEX #9653C6

RGB 150 83 198

HSL 274.96, 0.5%, 0.55%

LAB 47.94, 48.4, -49.32

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 70 / 46 / 15

HEX #D84074

RGB 216 64 116

HSL 339.47, 0.66%, 0.55%

LAB 51.3, 62.42, 5.18

 

CMYK 0 / 80 / 53 / 8

HEX #EB2E6E

RGB 235 46 110

HSL 339.68, 0.83%, 0.55%

LAB 52.67, 72.54, 11.23

 

CMYK 0 / 89 / 59 / 1

HEX #FD1B68

RGB 253 27 104

HSL 339.56, 0.98%, 0.55%

LAB 54.73, 80.16, 18.23

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 44 / 28 / 30

HEX #B36580

RGB 179 101 128

HSL 339.23, 0.34%, 0.55%

LAB 52.34, 34.68, -1.17

 

CMYK 0 / 25 / 16 / 37

HEX #A07886

RGB 160 120 134

HSL 339, 0.17%, 0.55%

LAB 54.69, 17.87, -1.53

 

CMYK 0 / 2 / 1 / 44

HEX #8E8B8C

RGB 142 139 140

HSL 340, 0.01%, 0.55%

LAB 58.14, 1.31, -0.15

 

CMYK 22 / 0 / 7 / 38

HEX #7B9D92

RGB 123 157 146

HSL 160.59, 0.15%, 0.55%

LAB 62, -14.08, 1.89

 

CMYK 0 / 58 / 7 / 22

HEX #C653B8

RGB 198 83 184

HSL 307.3, 0.5%, 0.55%

LAB 53.66, 58.25, -31.78

 

CMYK 0 / 58 / 22 / 22

HEX #C6539A

RGB 198 83 154

HSL 322.96, 0.5%, 0.55%

LAB 52.43, 53.67, -16.14

 

CMYK 0 / 58 / 38 / 22

HEX #C6537B

RGB 198 83 123

HSL 339.13, 0.5%, 0.55%

LAB 51.41, 49.72, 0.76

 

CMYK 0 / 58 / 54 / 22

HEX #C6535C

RGB 198 83 92

HSL 355.3, 0.5%, 0.55%

LAB 50.65, 46.66, 18.24

 

CMYK 0 / 47 / 58 / 22

HEX #C66853

RGB 198 104 83

HSL 10.96, 0.5%, 0.55%

LAB 54.59, 35.43, 28.66

 

CMYK 0 / 67 / 44 / 42

HEX #943153

RGB 148 49 83

HSL 339.39, 0.5%, 0.39%

LAB 36.21, 44.4, 2.38

 

CMYK 0 / 66 / 44 / 30

HEX #B33C64

RGB 179 60 100

HSL 339.83, 0.5%, 0.47%

LAB 43.85, 51.35, 3.41

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 45 / 30 / 18

HEX #D07292

RGB 208 114 146

HSL 339.57, 0.5%, 0.63%

LAB 59.45, 40.57, -0.83

 

CMYK 0 / 33 / 22 / 15

HEX #DA91AA

RGB 218 145 170

HSL 339.45, 0.5%, 0.71%

LAB 68.06, 31.06, -1.72

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 9 / 58 / 22

HEX #C6B453

RGB 198 180 83

HSL 50.61, 0.5%, 0.55%

LAB 73.07, -5.61, 50.85

 

CMYK 58 / 15 / 0 / 22

HEX #53A9C6

RGB 83 169 198

HSL 195.13, 0.5%, 0.55%

LAB 65.19, -17.49, -22.67

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 38 / 0 / 58 / 22

HEX #7BC653

RGB 123 198 83

HSL 99.13, 0.5%, 0.55%

LAB 73.04, -43.64, 49.46

 

CMYK 58 / 38 / 0 / 22

HEX #537BC6

RGB 83 123 198

HSL 219.13, 0.5%, 0.55%

LAB 51.93, 8.72, -43.31

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 0 / 9 / 58 / 22

HEX #C6B453

RGB 198 180 83

HSL 50.61, 0.5%, 0.55%

LAB 73.07, -5.61, 50.85

 

CMYK 58 / 0 / 21 / 22

HEX #53C69D

RGB 83 198 157

HSL 158.61, 0.5%, 0.55%

LAB 72.67, -42.34, 10.91

 

CMYK 58 / 49 / 0 / 22

HEX #5364C6

RGB 83 100 198

HSL 231.13, 0.5%, 0.55%

LAB 45.68, 22.97, -53.29

 

CMYK 0 / 58 / 38 / 22

HEX #C6537A

RGB 198 83 122

HSL 339.65, 0.5%, 0.55%

LAB 51.38, 49.61, 1.32

 

CMYK 9 / 0 / 58 / 22

HEX #B4C653

RGB 180 198 83

HSL 69.39, 0.5%, 0.55%

LAB 76.51, -22.25, 54.32

 

CMYK 58 / 0 / 21 / 22

HEX #53C69D

RGB 83 198 157

HSL 158.61, 0.5%, 0.55%

LAB 72.67, -42.34, 10.91

 

CMYK 49 / 58 / 0 / 22

HEX #6453C6

RGB 100 83 198

HSL 248.87, 0.5%, 0.55%

LAB 42.72, 36.87, -57.99

 

Description

Color code: HEX #C6537A | qconv.com Color code: HEX #C6537A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 83 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 83 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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