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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C650EA it is the complementary color #39AF15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C650EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C650EA shade: #CB50E5, #DC62F8, #ED74FF, #FE86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C650EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C650EA shade: #C650EA, #B53ED7, #A42CC4, #931AB1 and #82089E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C650EA shade: #C752EB, #EB52E5, #EB52BC, #EB5293 and #EB5269

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C650EA shade: #C752EB, #9E52EB, #7452EB and #5252EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C650EA shade matches the following richer shades: #C752EB and #CF42FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C650EA shade: #C752EB, #BF61DB, #B671CB, #AE81BC and #A590AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C650EA shade: #7352EB, #9C52EB, #C452EB, #EB52E8 and #EB52BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C650EA shade: #A619D1, #BB2DE6, #C752EB, #D376EF and #DF9BF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C650EA shade: #C650EA, #EB5259 and #52EB87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C650EA shade: #C650EA, #EBC452 and #52EBC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C650EA shade: #C650EA, #EB5259, #78EB52 and #52EBE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C650EA shade: #C650EA, #EB7852, #78EB52 and #52C4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 66 / 0 / 8

HEX #C650EA

RGB 198 80 234

HSL 285.97, 0.79%, 0.62%

LAB 55.77, 68.47, -56.92

 

Complementary color

CMYK 67 / 0 / 88 / 31

HEX #39AF15

RGB 57 175 21

HSL 105.97, 0.79%, 0.38%

LAB 63, -57.95, 60.51

 

CMYK 11 / 65 / 0 / 10

HEX #CB50E5

RGB 203 80 229

HSL 289.53, 0.74%, 0.61%

LAB 56.18, 68.63, -53.42

 

CMYK 11 / 60 / 0 / 3

HEX #DC62F8

RGB 220 98 248

HSL 288.8, 0.91%, 0.68%

LAB 62.28, 68.43, -54.16

 

CMYK 7 / 55 / 0 / 0

HEX #ED74FF

RGB 237 116 255

HSL 292.23, 1%, 0.73%

LAB 67.81, 65.8, -49.1

 

CMYK 0 / 47 / 0 / 0

HEX #FE86FF

RGB 254 134 255

HSL 299.5, 1%, 0.76%

LAB 73.12, 61.86, -40.63

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 15 / 66 / 0 / 8

HEX #C650EA

RGB 198 80 234

HSL 285.97, 0.79%, 0.62%

LAB 55.77, 68.47, -56.92

 

CMYK 16 / 71 / 0 / 16

HEX #B53ED7

RGB 181 62 215

HSL 286.67, 0.66%, 0.54%

LAB 49.71, 68.35, -56.02

 

CMYK 16 / 78 / 0 / 23

HEX #A42CC4

RGB 164 44 196

HSL 287.37, 0.63%, 0.47%

LAB 43.77, 67.67, -54.75

 

CMYK 17 / 85 / 0 / 31

HEX #931AB1

RGB 147 26 177

HSL 288.08, 0.74%, 0.4%

LAB 38.05, 66.09, -52.95

 

CMYK 18 / 95 / 0 / 38

HEX #82089E

RGB 130 8 158

HSL 288.8, 0.9%, 0.33%

LAB 32.67, 63.16, -50.37

 

CMYK 15 / 65 / 0 / 8

HEX #C752EB

RGB 199 82 235

HSL 285.88, 0.79%, 0.62%

LAB 56.26, 68.05, -56.68

 

CMYK 0 / 65 / 3 / 8

HEX #EB52E5

RGB 235 82 229

HSL 302.35, 0.79%, 0.62%

LAB 61.09, 75.12, -45.33

 

CMYK 0 / 65 / 20 / 8

HEX #EB52BC

RGB 235 82 188

HSL 318.43, 0.79%, 0.62%

LAB 59.28, 69.1, -24.93

 

CMYK 0 / 65 / 37 / 8

HEX #EB5293

RGB 235 82 147

HSL 334.51, 0.79%, 0.62%

LAB 57.85, 64.16, -3.31

 

CMYK 0 / 65 / 55 / 8

HEX #EB5269

RGB 235 82 105

HSL 350.98, 0.79%, 0.62%

LAB 56.8, 60.37, 19.89

 

CMYK 15 / 65 / 0 / 8

HEX #C752EB

RGB 199 82 235

HSL 285.88, 0.79%, 0.62%

LAB 56.26, 68.05, -56.68

 

CMYK 33 / 65 / 0 / 8

HEX #9E52EB

RGB 158 82 235

HSL 269.8, 0.79%, 0.62%

LAB 51.04, 59.29, -65.36

 

CMYK 51 / 65 / 0 / 8

HEX #7452EB

RGB 116 82 235

HSL 253.33, 0.79%, 0.62%

LAB 46.64, 51.28, -72.7

 

CMYK 65 / 65 / 0 / 8

HEX #5252EB

RGB 82 82 235

HSL 240, 0.79%, 0.62%

LAB 43.98, 46.07, -77.15

 

CMYK 15 / 65 / 0 / 8

HEX #C752EB

RGB 199 82 235

HSL 285.88, 0.79%, 0.62%

LAB 56.26, 68.05, -56.68

 

CMYK 17 / 74 / 0 / 2

HEX #CF42FA

RGB 207 66 250

HSL 285.98, 0.95%, 0.62%

LAB 56.15, 78.51, -65.17

 

CMYK 15 / 65 / 0 / 8

HEX #C752EB

RGB 199 82 235

HSL 285.88, 0.79%, 0.62%

LAB 56.26, 68.05, -56.68

 

CMYK 13 / 56 / 0 / 14

HEX #BF61DB

RGB 191 97 219

HSL 286.23, 0.63%, 0.62%

LAB 56.82, 56.22, -46.86

 

CMYK 10 / 44 / 0 / 20

HEX #B671CB

RGB 182 113 203

HSL 286, 0.46%, 0.62%

LAB 58.1, 42.28, -35.88

 

CMYK 7 / 31 / 0 / 26

HEX #AE81BC

RGB 174 129 188

HSL 285.76, 0.31%, 0.62%

LAB 60.19, 27.88, -24.2

 

CMYK 4 / 16 / 0 / 33

HEX #A590AC

RGB 165 144 172

HSL 285, 0.14%, 0.62%

LAB 62.44, 13.08, -11.79

 

CMYK 51 / 65 / 0 / 8

HEX #7352EB

RGB 115 82 235

HSL 252.94, 0.79%, 0.62%

LAB 46.55, 51.11, -72.85

 

CMYK 34 / 65 / 0 / 8

HEX #9C52EB

RGB 156 82 235

HSL 269.02, 0.79%, 0.62%

LAB 50.8, 58.88, -65.75

 

CMYK 17 / 65 / 0 / 8

HEX #C452EB

RGB 196 82 235

HSL 284.71, 0.79%, 0.62%

LAB 55.86, 67.39, -57.36

 

CMYK 0 / 65 / 1 / 8

HEX #EB52E8

RGB 235 82 232

HSL 301.18, 0.79%, 0.62%

LAB 61.24, 75.6, -46.78

 

CMYK 0 / 65 / 19 / 8

HEX #EB52BF

RGB 235 82 191

HSL 317.25, 0.79%, 0.62%

LAB 59.4, 69.51, -26.47

 

CMYK 21 / 88 / 0 / 18

HEX #A619D1

RGB 166 25 209

HSL 285.98, 0.79%, 0.46%

LAB 43.37, 75.13, -62.92

 

CMYK 19 / 80 / 0 / 10

HEX #BB2DE6

RGB 187 45 230

HSL 286.05, 0.79%, 0.54%

LAB 49.68, 77.69, -64.54

 

CMYK 15 / 65 / 0 / 8

HEX #C752EB

RGB 199 82 235

HSL 285.88, 0.79%, 0.62%

LAB 56.26, 68.05, -56.68

 

CMYK 12 / 51 / 0 / 6

HEX #D376EF

RGB 211 118 239

HSL 286.12, 0.79%, 0.7%

LAB 64.19, 55.05, -46.23

 

CMYK 8 / 36 / 0 / 5

HEX #DF9BF3

RGB 223 155 243

HSL 286.36, 0.79%, 0.78%

LAB 73.29, 40.05, -34.12

 

CMYK 15 / 66 / 0 / 8

HEX #C650EA

RGB 198 80 234

HSL 285.97, 0.79%, 0.62%

LAB 55.77, 68.47, -56.92

 

CMYK 0 / 65 / 62 / 8

HEX #EB5259

RGB 235 82 89

HSL 357.25, 0.79%, 0.62%

LAB 56.5, 59.29, 28.84

 

CMYK 65 / 0 / 43 / 8

HEX #52EB87

RGB 82 235 135

HSL 140.78, 0.79%, 0.62%

LAB 83.42, -61.62, 36.94

 

CMYK 15 / 66 / 0 / 8

HEX #C650EA

RGB 198 80 234

HSL 285.97, 0.79%, 0.62%

LAB 55.77, 68.47, -56.92

 

CMYK 0 / 17 / 65 / 8

HEX #EBC452

RGB 235 196 82

HSL 44.71, 0.79%, 0.62%

LAB 80.6, 1.59, 60.57

 

CMYK 65 / 0 / 17 / 8

HEX #52EBC4

RGB 82 235 196

HSL 164.71, 0.79%, 0.62%

LAB 84.58, -49.27, 7.18

 

CMYK 15 / 66 / 0 / 8

HEX #C650EA

RGB 198 80 234

HSL 285.97, 0.79%, 0.62%

LAB 55.77, 68.47, -56.92

 

CMYK 0 / 65 / 62 / 8

HEX #EB5259

RGB 235 82 89

HSL 357.25, 0.79%, 0.62%

LAB 56.5, 59.29, 28.84

 

CMYK 49 / 0 / 65 / 8

HEX #78EB52

RGB 120 235 82

HSL 105.1, 0.79%, 0.62%

LAB 83.98, -59.46, 62.03

 

CMYK 65 / 0 / 3 / 8

HEX #52EBE3

RGB 82 235 227

HSL 176.86, 0.79%, 0.62%

LAB 85.38, -41.45, -7.96

 

CMYK 15 / 66 / 0 / 8

HEX #C650EA

RGB 198 80 234

HSL 285.97, 0.79%, 0.62%

LAB 55.77, 68.47, -56.92

 

CMYK 0 / 49 / 65 / 8

HEX #EB7852

RGB 235 120 82

HSL 14.9, 0.79%, 0.62%

LAB 63.1, 41.41, 40.85

 

CMYK 49 / 0 / 65 / 8

HEX #78EB52

RGB 120 235 82

HSL 105.1, 0.79%, 0.62%

LAB 83.98, -59.46, 62.03

 

CMYK 65 / 17 / 0 / 8

HEX #52C4EB

RGB 82 196 235

HSL 195.29, 0.79%, 0.62%

LAB 74.36, -20.46, -28.87

 

Description

Color code: HEX #C650EA | qconv.com Color code: HEX #C650EA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 80 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 80 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 66 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 66% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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