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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64FD2 it is the complementary color #39B02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64FD2 shade: #CB4FCD, #DC61E0, #ED73F3, #FE85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64FD2 shade: #C64FD2, #B53DBF, #A42BAC, #931999 and #820786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64FD2 shade: #C651D2, #D251BB, #D25198, #D25175 and #D25152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64FD2 shade: #C651D2, #A351D2, #8051D2, #5E51D2 and #5151D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64FD2 shade matches the following richer shades: #C651D2, #D53FE4 and #E32DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64FD2 shade: #C651D2, #B862C0, #A974AF, #9B869D and #8C988B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64FD2 shade: #8051D2, #A351D2, #C551D2, #D251BC and #D2519A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64FD2 shade: #9A2BA6, #B933C6, #C651D2, #D171DB and #DC92E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64FD2 shade: #C64FD2, #D25E51 and #51D291

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64FD2 shade: #C64FD2, #D2C551 and #51D2C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64FD2 shade: #C64FD2, #D25E51, #5ED251 and #51C5D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64FD2 shade: #C64FD2, #D28451, #5ED251 and #519ED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 62 / 0 / 18

HEX #C64FD2

RGB 198 79 210

HSL 294.5, 0.59%, 0.57%

LAB 54.29, 64.44, -45.71

 

Complementary color

CMYK 68 / 0 / 74 / 31

HEX #39B02D

RGB 57 176 45

HSL 114.5, 0.59%, 0.43%

LAB 63.43, -56.93, 54.08

 

CMYK 1 / 61 / 0 / 20

HEX #CB4FCD

RGB 203 79 205

HSL 299.05, 0.56%, 0.56%

LAB 54.76, 64.78, -42.07

 

CMYK 2 / 57 / 0 / 12

HEX #DC61E0

RGB 220 97 224

HSL 298.11, 0.67%, 0.63%

LAB 60.91, 64.56, -42.96

 

CMYK 2 / 53 / 0 / 5

HEX #ED73F3

RGB 237 115 243

HSL 297.19, 0.84%, 0.7%

LAB 67.08, 64.12, -43.67

 

CMYK 0 / 48 / 0 / 0

HEX #FE85FF

RGB 254 133 255

HSL 299.51, 1%, 0.76%

LAB 72.94, 62.33, -40.91

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 6 / 62 / 0 / 18

HEX #C64FD2

RGB 198 79 210

HSL 294.5, 0.59%, 0.57%

LAB 54.29, 64.44, -45.71

 

CMYK 5 / 68 / 0 / 25

HEX #B53DBF

RGB 181 61 191

HSL 295.38, 0.52%, 0.49%

LAB 48.16, 64.36, -44.67

 

CMYK 5 / 75 / 0 / 33

HEX #A42BAC

RGB 164 43 172

HSL 296.28, 0.6%, 0.42%

LAB 42.15, 63.7, -43.23

 

CMYK 4 / 84 / 0 / 40

HEX #931999

RGB 147 25 153

HSL 297.19, 0.72%, 0.35%

LAB 36.36, 62.12, -41.23

 

CMYK 3 / 95 / 0 / 47

HEX #820786

RGB 130 7 134

HSL 298.11, 0.9%, 0.28%

LAB 30.92, 59.17, -38.41

 

CMYK 6 / 61 / 0 / 18

HEX #C651D2

RGB 198 81 210

HSL 294.42, 0.59%, 0.57%

LAB 54.6, 63.6, -45.22

 

CMYK 0 / 61 / 11 / 18

HEX #D251BB

RGB 210 81 187

HSL 310.7, 0.59%, 0.57%

LAB 55.25, 62.8, -30.89

 

CMYK 0 / 61 / 28 / 18

HEX #D25198

RGB 210 81 152

HSL 326.98, 0.59%, 0.57%

LAB 53.87, 57.85, -12.6

 

CMYK 0 / 61 / 44 / 18

HEX #D25175

RGB 210 81 117

HSL 343.26, 0.59%, 0.57%

LAB 52.81, 53.88, 6.61

 

CMYK 0 / 61 / 61 / 18

HEX #D25152

RGB 210 81 82

HSL 359.53, 0.59%, 0.57%

LAB 52.06, 50.98, 26.38

 

CMYK 6 / 61 / 0 / 18

HEX #C651D2

RGB 198 81 210

HSL 294.42, 0.59%, 0.57%

LAB 54.6, 63.6, -45.22

 

CMYK 22 / 61 / 0 / 18

HEX #A351D2

RGB 163 81 210

HSL 278.14, 0.59%, 0.57%

LAB 49.89, 55.22, -53.01

 

CMYK 39 / 61 / 0 / 18

HEX #8051D2

RGB 128 81 210

HSL 261.86, 0.59%, 0.57%

LAB 45.81, 47.31, -59.79

 

CMYK 55 / 61 / 0 / 18

HEX #5E51D2

RGB 94 81 210

HSL 246.05, 0.59%, 0.57%

LAB 42.64, 40.58, -65.07

 

CMYK 61 / 61 / 0 / 18

HEX #5151D2

RGB 81 81 210

HSL 240, 0.59%, 0.57%

LAB 41.67, 38.39, -66.69

 

CMYK 6 / 61 / 0 / 18

HEX #C651D2

RGB 198 81 210

HSL 294.42, 0.59%, 0.57%

LAB 54.6, 63.6, -45.22

 

CMYK 7 / 72 / 0 / 11

HEX #D53FE4

RGB 213 63 228

HSL 294.55, 0.75%, 0.57%

LAB 55.38, 76.81, -54.04

 

CMYK 8 / 82 / 0 / 4

HEX #E32DF6

RGB 227 45 246

HSL 294.33, 0.92%, 0.57%

LAB 56.94, 87.21, -61.51

 

CMYK 6 / 61 / 0 / 18

HEX #C651D2

RGB 198 81 210

HSL 294.42, 0.59%, 0.57%

LAB 54.6, 63.6, -45.22

 

CMYK 4 / 49 / 0 / 25

HEX #B862C0

RGB 184 98 192

HSL 294.89, 0.43%, 0.57%

LAB 54.79, 48.56, -34.75

 

CMYK 3 / 34 / 0 / 31

HEX #A974AF

RGB 169 116 175

HSL 293.9, 0.27%, 0.57%

LAB 56.11, 30.92, -23.08

 

CMYK 1 / 15 / 0 / 38

HEX #9B869D

RGB 155 134 157

HSL 294.78, 0.11%, 0.57%

LAB 58.46, 12.23, -9.29

 

CMYK 8 / 0 / 9 / 40

HEX #8C988B

RGB 140 152 139

HSL 115.38, 0.06%, 0.57%

LAB 61.56, -6.85, 5.36

 

CMYK 39 / 61 / 0 / 18

HEX #8051D2

RGB 128 81 210

HSL 261.86, 0.59%, 0.57%

LAB 45.81, 47.31, -59.79

 

CMYK 22 / 61 / 0 / 18

HEX #A351D2

RGB 163 81 210

HSL 278.14, 0.59%, 0.57%

LAB 49.89, 55.22, -53.01

 

CMYK 6 / 61 / 0 / 18

HEX #C551D2

RGB 197 81 210

HSL 293.95, 0.59%, 0.57%

LAB 54.46, 63.35, -45.46

 

CMYK 0 / 61 / 10 / 18

HEX #D251BC

RGB 210 81 188

HSL 310.23, 0.59%, 0.57%

LAB 55.3, 62.96, -31.4

 

CMYK 0 / 61 / 27 / 18

HEX #D2519A

RGB 210 81 154

HSL 326.05, 0.59%, 0.57%

LAB 53.94, 58.11, -13.67

 

CMYK 7 / 74 / 0 / 35

HEX #9A2BA6

RGB 154 43 166

HSL 294.15, 0.59%, 0.41%

LAB 40.17, 60.53, -42.93

 

CMYK 7 / 74 / 0 / 22

HEX #B933C6

RGB 185 51 198

HSL 294.69, 0.59%, 0.49%

LAB 47.96, 69.92, -49.02

 

CMYK 6 / 61 / 0 / 18

HEX #C651D2

RGB 198 81 210

HSL 294.42, 0.59%, 0.57%

LAB 54.6, 63.6, -45.22

 

CMYK 5 / 48 / 0 / 14

HEX #D171DB

RGB 209 113 219

HSL 294.34, 0.6%, 0.65%

LAB 62.07, 53.16, -38.45

 

CMYK 3 / 36 / 0 / 11

HEX #DC92E3

RGB 220 146 227

HSL 294.81, 0.59%, 0.73%

LAB 70.4, 40.83, -29.85

 

CMYK 6 / 62 / 0 / 18

HEX #C64FD2

RGB 198 79 210

HSL 294.5, 0.59%, 0.57%

LAB 54.29, 64.44, -45.71

 

CMYK 0 / 55 / 61 / 18

HEX #D25E51

RGB 210 94 81

HSL 6.05, 0.59%, 0.57%

LAB 54.35, 44.86, 29.86

 

CMYK 61 / 0 / 31 / 18

HEX #51D291

RGB 81 210 145

HSL 149.77, 0.59%, 0.57%

LAB 76, -50.35, 21.94

 

CMYK 6 / 62 / 0 / 18

HEX #C64FD2

RGB 198 79 210

HSL 294.5, 0.59%, 0.57%

LAB 54.29, 64.44, -45.71

 

CMYK 0 / 6 / 61 / 18

HEX #D2C551

RGB 210 197 81

HSL 53.95, 0.59%, 0.57%

LAB 78.59, -9.48, 58.17

 

CMYK 61 / 0 / 6 / 18

HEX #51D2C5

RGB 81 210 197

HSL 173.95, 0.59%, 0.57%

LAB 77.21, -38.26, -4.1

 

CMYK 6 / 62 / 0 / 18

HEX #C64FD2

RGB 198 79 210

HSL 294.5, 0.59%, 0.57%

LAB 54.29, 64.44, -45.71

 

CMYK 0 / 55 / 61 / 18

HEX #D25E51

RGB 210 94 81

HSL 6.05, 0.59%, 0.57%

LAB 54.35, 44.86, 29.86

 

CMYK 55 / 0 / 61 / 18

HEX #5ED251

RGB 94 210 81

HSL 113.95, 0.59%, 0.57%

LAB 75.49, -57.19, 52.83

 

CMYK 61 / 6 / 0 / 18

HEX #51C5D2

RGB 81 197 210

HSL 186.05, 0.59%, 0.57%

LAB 73.76, -28.55, -16.25

 

CMYK 6 / 62 / 0 / 18

HEX #C64FD2

RGB 198 79 210

HSL 294.5, 0.59%, 0.57%

LAB 54.29, 64.44, -45.71

 

CMYK 0 / 37 / 61 / 18

HEX #D28451

RGB 210 132 81

HSL 23.72, 0.59%, 0.57%

LAB 62.34, 25.16, 39.67

 

CMYK 55 / 0 / 61 / 18

HEX #5ED251

RGB 94 210 81

HSL 113.95, 0.59%, 0.57%

LAB 75.49, -57.19, 52.83

 

CMYK 61 / 25 / 0 / 18

HEX #519ED2

RGB 81 158 210

HSL 204.19, 0.59%, 0.57%

LAB 62.39, -8.16, -33.68

 

Description

Color code: HEX #C64FD2 | qconv.com Color code: HEX #C64FD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 79 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 79 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 62 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 62% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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