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Color name
HEX #C64FAF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64FAF it is the complementary color #39B050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64FAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64FAF shade: #CB4FAA, #DC61BD, #ED73D0, #FE85E3 and #FF97F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64FAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64FAF shade: #C64FAF, #B53D9C, #A42B89, #931976 and #820763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64FAF shade: #C64EAE, #C64E8E, #C64E6E and #C64E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64FAF shade: #C64EAE, #BC4EC6, #9C4EC6, #7C4EC6 and #5C4EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64FAF shade matches the following richer shades: #C64EAE, #D93BBA, #EB28C6 and #FE15D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64FAF shade: #C64EAE, #B361A3, #A07497, #8D878B and #7A9A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64FAF shade: #9C4EC6, #BC4EC6, #C64EB0, #C64E90 and #C64E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64FAF shade: #922F7F, #B1399A, #C64EAE, #D06DBD and #DA8CCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64FAF shade: #C64FAF, #C67C4E and #4EC6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64FAF shade: #C64FAF, #B0C64E and #4EB0C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64FAF shade: #C64FAF, #C67C4E, #4EC664 and #4E98C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64FAF shade: #C64FAF, #C6A04E, #4EC664 and #4E74C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 12 / 22

HEX #C64FAF

RGB 198 79 175

HSL 311.6, 0.51%, 0.54%

LAB 52.61, 58.58, -28.18

 

Complementary color

CMYK 68 / 0 / 55 / 31

HEX #39B050

RGB 57 176 80

HSL 131.6, 0.51%, 0.46%

LAB 63.75, -53.16, 39.33

 

CMYK 0 / 61 / 16 / 20

HEX #CB4FAA

RGB 203 79 170

HSL 315.97, 0.54%, 0.55%

LAB 53.16, 59.19, -24.35

 

CMYK 0 / 56 / 14 / 14

HEX #DC61BD

RGB 220 97 189

HSL 315.12, 0.64%, 0.62%

LAB 59.38, 58.86, -25.54

 

CMYK 0 / 51 / 12 / 7

HEX #ED73D0

RGB 237 115 208

HSL 314.26, 0.77%, 0.69%

LAB 65.61, 58.33, -26.51

 

CMYK 0 / 48 / 11 / 0

HEX #FE85E3

RGB 254 133 227

HSL 313.39, 0.98%, 0.76%

LAB 71.82, 57.71, -27.33

 

CMYK 0 / 41 / 4 / 0

HEX #FF97F6

RGB 255 151 246

HSL 305.19, 1%, 0.8%

LAB 76.1, 52.27, -31.12

 

CMYK 0 / 60 / 12 / 22

HEX #C64FAF

RGB 198 79 175

HSL 311.6, 0.51%, 0.54%

LAB 52.61, 58.58, -28.18

 

CMYK 0 / 66 / 14 / 29

HEX #B53D9C

RGB 181 61 156

HSL 312.5, 0.5%, 0.47%

LAB 46.39, 58.63, -26.83

 

CMYK 0 / 74 / 16 / 36

HEX #A42B89

RGB 164 43 137

HSL 313.39, 0.58%, 0.41%

LAB 40.29, 58.14, -25.06

 

CMYK 0 / 83 / 20 / 42

HEX #931976

RGB 147 25 118

HSL 314.26, 0.71%, 0.34%

LAB 34.41, 56.77, -22.65

 

CMYK 0 / 95 / 24 / 49

HEX #820763

RGB 130 7 99

HSL 315.12, 0.9%, 0.27%

LAB 28.9, 54.01, -19.31

 

CMYK 0 / 61 / 12 / 22

HEX #C64EAE

RGB 198 78 174

HSL 312, 0.51%, 0.54%

LAB 52.41, 58.86, -27.91

 

CMYK 0 / 61 / 28 / 22

HEX #C64E8E

RGB 198 78 142

HSL 328, 0.51%, 0.54%

LAB 51.16, 54.3, -10.95

 

CMYK 0 / 61 / 44 / 22

HEX #C64E6E

RGB 198 78 110

HSL 344, 0.51%, 0.54%

LAB 50.19, 50.63, 6.81

 

CMYK 0 / 61 / 61 / 22

HEX #C64E4E

RGB 198 78 78

HSL 0, 0.51%, 0.54%

LAB 49.5, 47.92, 25.05

 

CMYK 0 / 61 / 12 / 22

HEX #C64EAE

RGB 198 78 174

HSL 312, 0.51%, 0.54%

LAB 52.41, 58.86, -27.91

 

CMYK 5 / 61 / 0 / 22

HEX #BC4EC6

RGB 188 78 198

HSL 295, 0.51%, 0.54%

LAB 52.08, 60.28, -42.43

 

CMYK 21 / 61 / 0 / 22

HEX #9C4EC6

RGB 156 78 198

HSL 279, 0.51%, 0.54%

LAB 47.74, 52.41, -49.59

 

CMYK 37 / 61 / 0 / 22

HEX #7C4EC6

RGB 124 78 198

HSL 263, 0.51%, 0.54%

LAB 43.96, 44.92, -55.87

 

CMYK 54 / 61 / 0 / 22

HEX #5C4EC6

RGB 92 78 198

HSL 247, 0.51%, 0.54%

LAB 40.9, 38.28, -60.98

 

CMYK 0 / 61 / 12 / 22

HEX #C64EAE

RGB 198 78 174

HSL 312, 0.51%, 0.54%

LAB 52.41, 58.86, -27.91

 

CMYK 0 / 73 / 14 / 15

HEX #D93BBA

RGB 217 59 186

HSL 311.77, 0.68%, 0.54%

LAB 53.41, 72.49, -33.1

 

CMYK 0 / 83 / 16 / 8

HEX #EB28C6

RGB 235 40 198

HSL 311.38, 0.83%, 0.54%

LAB 55.34, 82.83, -36.8

 

CMYK 0 / 92 / 18 / 0

HEX #FE15D1

RGB 254 21 209

HSL 311.59, 0.99%, 0.54%

LAB 58.24, 90.65, -38.31

 

CMYK 0 / 61 / 12 / 22

HEX #C64EAE

RGB 198 78 174

HSL 312, 0.51%, 0.54%

LAB 52.41, 58.86, -27.91

 

CMYK 0 / 46 / 9 / 30

HEX #B361A3

RGB 179 97 163

HSL 311.71, 0.35%, 0.54%

LAB 52.71, 42.3, -21.24

 

CMYK 0 / 28 / 6 / 37

HEX #A07497

RGB 160 116 151

HSL 312.27, 0.19%, 0.54%

LAB 54.24, 23.19, -12.12

 

CMYK 0 / 4 / 1 / 45

HEX #8D878B

RGB 141 135 139

HSL 320, 0.03%, 0.54%

LAB 56.93, 3.01, -1.35

 

CMYK 21 / 0 / 17 / 40

HEX #7A9A80

RGB 122 154 128

HSL 131.25, 0.14%, 0.54%

LAB 60.61, -16.5, 10.04

 

CMYK 21 / 61 / 0 / 22

HEX #9C4EC6

RGB 156 78 198

HSL 279, 0.51%, 0.54%

LAB 47.74, 52.41, -49.59

 

CMYK 5 / 61 / 0 / 22

HEX #BC4EC6

RGB 188 78 198

HSL 295, 0.51%, 0.54%

LAB 52.08, 60.28, -42.43

 

CMYK 0 / 61 / 11 / 22

HEX #C64EB0

RGB 198 78 176

HSL 311, 0.51%, 0.54%

LAB 52.5, 59.17, -28.94

 

CMYK 0 / 61 / 27 / 22

HEX #C64E90

RGB 198 78 144

HSL 327, 0.51%, 0.54%

LAB 51.23, 54.56, -12.03

 

CMYK 0 / 61 / 43 / 22

HEX #C64E70

RGB 198 78 112

HSL 343, 0.51%, 0.54%

LAB 50.24, 50.83, 5.69

 

CMYK 0 / 68 / 13 / 43

HEX #922F7F

RGB 146 47 127

HSL 311.52, 0.51%, 0.38%

LAB 37.26, 50.51, -23.86

 

CMYK 0 / 68 / 13 / 31

HEX #B1399A

RGB 177 57 154

HSL 311.5, 0.51%, 0.46%

LAB 45.09, 58.85, -27.71

 

CMYK 0 / 61 / 12 / 22

HEX #C64EAE

RGB 198 78 174

HSL 312, 0.51%, 0.54%

LAB 52.41, 58.86, -27.91

 

CMYK 0 / 48 / 9 / 18

HEX #D06DBD

RGB 208 109 189

HSL 311.52, 0.51%, 0.62%

LAB 59.91, 49.57, -24.86

 

CMYK 0 / 36 / 7 / 15

HEX #DA8CCB

RGB 218 140 203

HSL 311.54, 0.51%, 0.7%

LAB 68, 39.04, -20.26

 

CMYK 0 / 60 / 12 / 22

HEX #C64FAF

RGB 198 79 175

HSL 311.6, 0.51%, 0.54%

LAB 52.61, 58.58, -28.18

 

CMYK 0 / 37 / 61 / 22

HEX #C67C4E

RGB 198 124 78

HSL 23, 0.51%, 0.54%

LAB 58.95, 24.32, 36.83

 

CMYK 61 / 0 / 13 / 22

HEX #4EC6AC

RGB 78 198 172

HSL 167, 0.51%, 0.54%

LAB 72.88, -39.75, 3.08

 

CMYK 0 / 60 / 12 / 22

HEX #C64FAF

RGB 198 79 175

HSL 311.6, 0.51%, 0.54%

LAB 52.61, 58.58, -28.18

 

CMYK 11 / 0 / 61 / 22

HEX #B0C64E

RGB 176 198 78

HSL 71, 0.51%, 0.54%

LAB 76.17, -24.25, 56.06

 

CMYK 61 / 11 / 0 / 22

HEX #4EB0C6

RGB 78 176 198

HSL 191, 0.51%, 0.54%

LAB 67.09, -22.07, -19.8

 

CMYK 0 / 60 / 12 / 22

HEX #C64FAF

RGB 198 79 175

HSL 311.6, 0.51%, 0.54%

LAB 52.61, 58.58, -28.18

 

CMYK 0 / 37 / 61 / 22

HEX #C67C4E

RGB 198 124 78

HSL 23, 0.51%, 0.54%

LAB 58.95, 24.32, 36.83

 

CMYK 61 / 0 / 49 / 22

HEX #4EC664

RGB 78 198 100

HSL 131, 0.51%, 0.54%

LAB 71.51, -54.13, 39.13

 

CMYK 61 / 23 / 0 / 22

HEX #4E98C6

RGB 78 152 198

HSL 203, 0.51%, 0.54%

LAB 60.03, -9.22, -30.64

 

CMYK 0 / 60 / 12 / 22

HEX #C64FAF

RGB 198 79 175

HSL 311.6, 0.51%, 0.54%

LAB 52.61, 58.58, -28.18

 

CMYK 0 / 19 / 61 / 22

HEX #C6A04E

RGB 198 160 78

HSL 41, 0.51%, 0.54%

LAB 67.8, 4.66, 47.22

 

CMYK 61 / 0 / 49 / 22

HEX #4EC664

RGB 78 198 100

HSL 131, 0.51%, 0.54%

LAB 71.51, -54.13, 39.13

 

CMYK 61 / 41 / 0 / 22

HEX #4E74C6

RGB 78 116 198

HSL 221, 0.51%, 0.54%

LAB 49.72, 12.01, -46.83

 

Description

Color code: HEX #C64FAF | qconv.com Color code: HEX #C64FAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 79 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 79 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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