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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64EB6 it is the complementary color #39B149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64EB6 shade: #CB4EB1, #DC60C4, #ED72D7, #FE84EA and #FF96FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64EB6 shade: #C64EB6, #B53CA3, #A42A90, #93187D and #82066A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64EB6 shade: #C64EB6, #C64E95, #C64E75, #C64E55 and #C64E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64EB6 shade: #C64EB6, #B54EC6, #954EC6, #754EC6 and #544EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64EB6 shade matches the following richer shades: #C64EB6, #D93BC3, #EB28D1 and #FE15DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64EB6 shade: #C64EB6, #B361A8, #A0749A, #8D878C and #7A9A7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64EB6 shade: #964EC6, #B64EC6, #C64EB6, #C64E96 and #C64E76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64EB6 shade: #922F85, #B139A1, #C64EB6, #D06DC2 and #DA8CCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64EB6 shade: #C64EB6, #C6764E and #4EC6A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64EB6 shade: #C64EB6, #B6C64E and #4EB6C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64EB6 shade: #C64EB6, #C6764E, #4EC65E and #4E9EC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64EB6 shade: #C64EB6, #C69A4E, #4EC65E and #4E7AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

Complementary color

CMYK 68 / 0 / 59 / 31

HEX #39B149

RGB 57 177 73

HSL 128, 0.51%, 0.46%

LAB 63.99, -54.45, 42.97

 

CMYK 0 / 62 / 13 / 20

HEX #CB4EB1

RGB 203 78 177

HSL 312.48, 0.55%, 0.55%

LAB 53.3, 60.67, -28.22

 

CMYK 0 / 56 / 11 / 14

HEX #DC60C4

RGB 220 96 196

HSL 311.61, 0.64%, 0.62%

LAB 59.5, 60.38, -29.35

 

CMYK 0 / 52 / 9 / 7

HEX #ED72D7

RGB 237 114 215

HSL 310.73, 0.77%, 0.69%

LAB 65.71, 59.9, -30.27

 

CMYK 0 / 48 / 8 / 0

HEX #FE84EA

RGB 254 132 234

HSL 309.84, 0.98%, 0.76%

LAB 71.9, 59.3, -31.05

 

CMYK 0 / 41 / 1 / 0

HEX #FF96FD

RGB 255 150 253

HSL 301.14, 1%, 0.79%

LAB 76.17, 53.98, -34.8

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 67 / 10 / 29

HEX #B53CA3

RGB 181 60 163

HSL 308.93, 0.5%, 0.47%

LAB 46.58, 60.09, -30.71

 

CMYK 0 / 74 / 12 / 36

HEX #A42A90

RGB 164 42 144

HSL 309.84, 0.59%, 0.4%

LAB 40.51, 59.51, -28.99

 

CMYK 0 / 84 / 15 / 42

HEX #93187D

RGB 147 24 125

HSL 310.73, 0.72%, 0.34%

LAB 34.68, 58, -26.63

 

CMYK 0 / 95 / 18 / 49

HEX #82066A

RGB 130 6 106

HSL 311.61, 0.91%, 0.27%

LAB 29.2, 55.11, -23.38

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 61 / 25 / 22

HEX #C64E95

RGB 198 78 149

HSL 324.5, 0.51%, 0.54%

LAB 51.41, 55.23, -14.73

 

CMYK 0 / 61 / 41 / 22

HEX #C64E75

RGB 198 78 117

HSL 340.5, 0.51%, 0.54%

LAB 50.38, 51.35, 2.87

 

CMYK 0 / 61 / 57 / 22

HEX #C64E55

RGB 198 78 85

HSL 356.5, 0.51%, 0.54%

LAB 49.63, 48.42, 21.06

 

CMYK 0 / 61 / 61 / 22

HEX #C64E4E

RGB 198 78 78

HSL 0, 0.51%, 0.54%

LAB 49.5, 47.92, 25.05

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 9 / 61 / 0 / 22

HEX #B54EC6

RGB 181 78 198

HSL 291.5, 0.51%, 0.54%

LAB 51.09, 58.54, -44.06

 

CMYK 25 / 61 / 0 / 22

HEX #954EC6

RGB 149 78 198

HSL 275.5, 0.51%, 0.54%

LAB 46.86, 50.72, -51.05

 

CMYK 41 / 61 / 0 / 22

HEX #754EC6

RGB 117 78 198

HSL 259.5, 0.51%, 0.54%

LAB 43.22, 43.37, -57.1

 

CMYK 58 / 61 / 0 / 22

HEX #544EC6

RGB 84 78 198

HSL 243, 0.51%, 0.54%

LAB 40.26, 36.82, -62.04

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 73 / 10 / 15

HEX #D93BC3

RGB 217 59 195

HSL 308.35, 0.68%, 0.54%

LAB 53.84, 73.77, -37.64

 

CMYK 0 / 83 / 11 / 8

HEX #EB28D1

RGB 235 40 209

HSL 308, 0.83%, 0.54%

LAB 55.87, 84.28, -42.27

 

CMYK 0 / 92 / 12 / 0

HEX #FE15DF

RGB 254 21 223

HSL 307.98, 0.99%, 0.54%

LAB 58.91, 92.38, -45.19

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 46 / 6 / 30

HEX #B361A8

RGB 179 97 168

HSL 308.05, 0.35%, 0.54%

LAB 52.91, 43.17, -23.85

 

CMYK 0 / 28 / 4 / 37

HEX #A0749A

RGB 160 116 154

HSL 308.18, 0.19%, 0.54%

LAB 54.34, 23.76, -13.71

 

CMYK 0 / 4 / 1 / 45

HEX #8D878C

RGB 141 135 140

HSL 310, 0.03%, 0.54%

LAB 56.96, 3.21, -1.88

 

CMYK 21 / 0 / 18 / 40

HEX #7A9A7E

RGB 122 154 126

HSL 127.5, 0.14%, 0.54%

LAB 60.56, -16.88, 11.1

 

CMYK 24 / 61 / 0 / 22

HEX #964EC6

RGB 150 78 198

HSL 276, 0.51%, 0.54%

LAB 46.99, 50.96, -50.85

 

CMYK 8 / 61 / 0 / 22

HEX #B64EC6

RGB 182 78 198

HSL 292, 0.51%, 0.54%

LAB 51.23, 58.79, -43.83

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 61 / 24 / 22

HEX #C64E96

RGB 198 78 150

HSL 324, 0.51%, 0.54%

LAB 51.45, 55.36, -15.27

 

CMYK 0 / 61 / 40 / 22

HEX #C64E76

RGB 198 78 118

HSL 340, 0.51%, 0.54%

LAB 50.41, 51.46, 2.31

 

CMYK 0 / 68 / 9 / 43

HEX #922F85

RGB 146 47 133

HSL 307.88, 0.51%, 0.38%

LAB 37.55, 51.47, -27.11

 

CMYK 0 / 68 / 9 / 31

HEX #B139A1

RGB 177 57 161

HSL 308, 0.51%, 0.46%

LAB 45.42, 59.93, -31.38

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 48 / 7 / 18

HEX #D06DC2

RGB 208 109 194

HSL 308.48, 0.51%, 0.62%

LAB 60.11, 50.41, -27.4

 

CMYK 0 / 36 / 5 / 15

HEX #DA8CCF

RGB 218 140 207

HSL 308.46, 0.51%, 0.7%

LAB 68.14, 39.74, -22.27

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 40 / 61 / 22

HEX #C6764E

RGB 198 118 78

HSL 20, 0.51%, 0.54%

LAB 57.57, 27.58, 35.16

 

CMYK 61 / 0 / 16 / 22

HEX #4EC6A6

RGB 78 198 166

HSL 164, 0.51%, 0.54%

LAB 72.73, -41.22, 6.12

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 8 / 0 / 61 / 22

HEX #B6C64E

RGB 182 198 78

HSL 68, 0.51%, 0.54%

LAB 76.61, -21.81, 56.66

 

CMYK 61 / 8 / 0 / 22

HEX #4EB6C6

RGB 78 182 198

HSL 188, 0.51%, 0.54%

LAB 68.86, -25.11, -17.11

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 40 / 61 / 22

HEX #C6764E

RGB 198 118 78

HSL 20, 0.51%, 0.54%

LAB 57.57, 27.58, 35.16

 

CMYK 61 / 0 / 53 / 22

HEX #4EC65E

RGB 78 198 94

HSL 128, 0.51%, 0.54%

LAB 71.43, -54.98, 41.96

 

CMYK 61 / 20 / 0 / 22

HEX #4E9EC6

RGB 78 158 198

HSL 200, 0.51%, 0.54%

LAB 61.78, -12.53, -27.92

 

CMYK 0 / 61 / 8 / 22

HEX #C64EB6

RGB 198 78 182

HSL 308, 0.51%, 0.54%

LAB 52.77, 60.12, -32.01

 

CMYK 0 / 22 / 61 / 22

HEX #C69A4E

RGB 198 154 78

HSL 38, 0.51%, 0.54%

LAB 66.26, 7.91, 45.46

 

CMYK 61 / 0 / 53 / 22

HEX #4EC65E

RGB 78 198 94

HSL 128, 0.51%, 0.54%

LAB 71.43, -54.98, 41.96

 

CMYK 61 / 38 / 0 / 22

HEX #4E7AC6

RGB 78 122 198

HSL 218, 0.51%, 0.54%

LAB 51.4, 8.33, -44.17

 

Description

Color code: HEX #C64EB6 | qconv.com Color code: HEX #C64EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 78 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 78 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 8 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 8% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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