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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64BF6 it is the complementary color #39B409. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64BF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64BF6 shade: #CB4BF1, #DC5DFF, #ED6FFF, #FE81FF and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64BF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64BF6 shade: #C64BF6, #B539E3, #A427D0, #9315BD and #8203AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64BF6 shade: #C64CF6, #F44CF6, #F64CCA, #F64C9C and #F64C6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64BF6 shade: #C64CF6, #984CF6, #6A4CF6 and #4C4CF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64BF6 shade matches the following richer shades: #C64CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64BF6 shade: #C64CF6, #BF5BE6, #B96AD7, #B27AC8 and #AB89B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64BF6 shade: #6B4CF6, #984CF6, #C54CF6, #F34CF6 and #F64CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64BF6 shade: #A70CE3, #B925F4, #C64CF6, #D273F8 and #DF9AFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64BF6 shade: #C64BF6, #F64C5A and #4CF682

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64BF6 shade: #C64BF6, #F6C54C and #4CF6C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64BF6 shade: #C64BF6, #F64C5A, #7CF64C and #4CF6E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64BF6 shade: #C64BF6, #F6714C, #7CF64C and #4CD1F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 70 / 0 / 4

HEX #C64BF6

RGB 198 75 246

HSL 283.16, 0.9%, 0.63%

LAB 55.78, 72.77, -63.61

 

Complementary color

CMYK 68 / 0 / 95 / 29

HEX #39B409

RGB 57 180 9

HSL 103.16, 0.9%, 0.37%

LAB 64.59, -59.93, 63.79

 

CMYK 16 / 69 / 0 / 5

HEX #CB4BF1

RGB 203 75 241

HSL 286.27, 0.86%, 0.62%

LAB 56.17, 72.84, -60.16

 

CMYK 14 / 64 / 0 / 0

HEX #DC5DFF

RGB 220 93 255

HSL 287.04, 1%, 0.68%

LAB 61.88, 71.87, -58.65

 

CMYK 7 / 56 / 0 / 0

HEX #ED6FFF

RGB 237 111 255

HSL 292.5, 1%, 0.72%

LAB 66.97, 68.07, -50.43

 

CMYK 0 / 49 / 0 / 0

HEX #FE81FF

RGB 254 129 255

HSL 299.52, 1%, 0.75%

LAB 72.22, 64.22, -42.03

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 20 / 70 / 0 / 4

HEX #C64BF6

RGB 198 75 246

HSL 283.16, 0.9%, 0.63%

LAB 55.78, 72.77, -63.61

 

CMYK 20 / 75 / 0 / 11

HEX #B539E3

RGB 181 57 227

HSL 283.76, 0.75%, 0.56%

LAB 49.85, 72.42, -62.61

 

CMYK 21 / 81 / 0 / 18

HEX #A427D0

RGB 164 39 208

HSL 284.38, 0.68%, 0.48%

LAB 44.09, 71.39, -61.2

 

CMYK 22 / 89 / 0 / 26

HEX #9315BD

RGB 147 21 189

HSL 285, 0.8%, 0.41%

LAB 38.57, 69.35, -59.19

 

CMYK 24 / 98 / 0 / 33

HEX #8203AA

RGB 130 3 170

HSL 285.63, 0.97%, 0.34%

LAB 33.38, 66.05, -56.47

 

CMYK 20 / 69 / 0 / 4

HEX #C64CF6

RGB 198 76 246

HSL 283.06, 0.9%, 0.63%

LAB 55.92, 72.39, -63.39

 

CMYK 1 / 69 / 0 / 4

HEX #F44CF6

RGB 244 76 246

HSL 299.29, 0.9%, 0.63%

LAB 62.55, 81.88, -52.4

 

CMYK 0 / 69 / 18 / 4

HEX #F64CCA

RGB 246 76 202

HSL 315.53, 0.9%, 0.63%

LAB 60.8, 75.91, -30.43

 

CMYK 0 / 69 / 37 / 4

HEX #F64C9C

RGB 246 76 156

HSL 331.76, 0.9%, 0.63%

LAB 59.12, 70.43, -6.48

 

CMYK 0 / 69 / 55 / 4

HEX #F64C6E

RGB 246 76 110

HSL 348, 0.9%, 0.63%

LAB 57.93, 66.37, 18.81

 

CMYK 20 / 69 / 0 / 4

HEX #C64CF6

RGB 198 76 246

HSL 283.06, 0.9%, 0.63%

LAB 55.92, 72.39, -63.39

 

CMYK 38 / 69 / 0 / 4

HEX #984CF6

RGB 152 76 246

HSL 266.82, 0.9%, 0.63%

LAB 50.09, 63.55, -73.09

 

CMYK 57 / 69 / 0 / 4

HEX #6A4CF6

RGB 106 76 246

HSL 250.59, 0.9%, 0.63%

LAB 45.48, 56.06, -80.82

 

CMYK 69 / 69 / 0 / 4

HEX #4C4CF6

RGB 76 76 246

HSL 240, 0.9%, 0.63%

LAB 43.3, 52.32, -84.48

 

CMYK 20 / 69 / 0 / 4

HEX #C64CF6

RGB 198 76 246

HSL 283.06, 0.9%, 0.63%

LAB 55.92, 72.39, -63.39

 

CMYK 20 / 69 / 0 / 4

HEX #C64CF6

RGB 198 76 246

HSL 283.06, 0.9%, 0.63%

LAB 55.92, 72.39, -63.39

 

CMYK 17 / 60 / 0 / 10

HEX #BF5BE6

RGB 191 91 230

HSL 283.17, 0.74%, 0.63%

LAB 56.36, 61.27, -53.79

 

CMYK 14 / 51 / 0 / 16

HEX #B96AD7

RGB 185 106 215

HSL 283.49, 0.58%, 0.63%

LAB 57.59, 49.3, -43.44

 

CMYK 11 / 39 / 0 / 22

HEX #B27AC8

RGB 178 122 200

HSL 283.08, 0.41%, 0.63%

LAB 59.48, 35.55, -32.05

 

CMYK 8 / 26 / 0 / 27

HEX #AB89B9

RGB 171 137 185

HSL 282.5, 0.26%, 0.63%

LAB 61.7, 21.75, -20.21

 

CMYK 57 / 69 / 0 / 4

HEX #6B4CF6

RGB 107 76 246

HSL 250.94, 0.9%, 0.63%

LAB 45.56, 56.2, -80.67

 

CMYK 38 / 69 / 0 / 4

HEX #984CF6

RGB 152 76 246

HSL 266.82, 0.9%, 0.63%

LAB 50.09, 63.55, -73.09

 

CMYK 20 / 69 / 0 / 4

HEX #C54CF6

RGB 197 76 246

HSL 282.71, 0.9%, 0.63%

LAB 55.78, 72.18, -63.62

 

CMYK 1 / 69 / 0 / 4

HEX #F34CF6

RGB 243 76 246

HSL 298.94, 0.9%, 0.63%

LAB 62.4, 81.67, -52.65

 

CMYK 0 / 69 / 17 / 4

HEX #F64CCB

RGB 246 76 203

HSL 315.18, 0.9%, 0.63%

LAB 60.85, 76.05, -30.93

 

CMYK 26 / 95 / 0 / 11

HEX #A70CE3

RGB 167 12 227

HSL 283.26, 0.9%, 0.47%

LAB 44.27, 80.4, -71.77

 

CMYK 24 / 85 / 0 / 4

HEX #B925F4

RGB 185 37 244

HSL 282.9, 0.9%, 0.55%

LAB 49.7, 81.88, -72.41

 

CMYK 20 / 69 / 0 / 4

HEX #C64CF6

RGB 198 76 246

HSL 283.06, 0.9%, 0.63%

LAB 55.92, 72.39, -63.39

 

CMYK 15 / 54 / 0 / 3

HEX #D273F8

RGB 210 115 248

HSL 282.86, 0.9%, 0.71%

LAB 63.95, 58.08, -51.58

 

CMYK 11 / 38 / 0 / 2

HEX #DF9AFA

RGB 223 154 250

HSL 283.13, 0.91%, 0.79%

LAB 73.35, 41.97, -37.82

 

CMYK 20 / 70 / 0 / 4

HEX #C64BF6

RGB 198 75 246

HSL 283.16, 0.9%, 0.63%

LAB 55.78, 72.77, -63.61

 

CMYK 0 / 69 / 63 / 4

HEX #F64C5A

RGB 246 76 90

HSL 355.06, 0.9%, 0.63%

LAB 57.56, 65.09, 29.99

 

CMYK 69 / 0 / 47 / 4

HEX #4CF682

RGB 76 246 130

HSL 139.06, 0.9%, 0.63%

LAB 86.53, -67.37, 43.34

 

CMYK 20 / 70 / 0 / 4

HEX #C64BF6

RGB 198 75 246

HSL 283.16, 0.9%, 0.63%

LAB 55.78, 72.77, -63.61

 

CMYK 0 / 20 / 69 / 4

HEX #F6C54C

RGB 246 197 76

HSL 42.71, 0.9%, 0.63%

LAB 81.86, 5.36, 64.74

 

CMYK 69 / 0 / 20 / 4

HEX #4CF6C5

RGB 76 246 197

HSL 162.71, 0.9%, 0.63%

LAB 87.72, -54.45, 11.12

 

CMYK 20 / 70 / 0 / 4

HEX #C64BF6

RGB 198 75 246

HSL 283.16, 0.9%, 0.63%

LAB 55.78, 72.77, -63.61

 

CMYK 0 / 69 / 63 / 4

HEX #F64C5A

RGB 246 76 90

HSL 355.06, 0.9%, 0.63%

LAB 57.56, 65.09, 29.99

 

CMYK 50 / 0 / 69 / 4

HEX #7CF64C

RGB 124 246 76

HSL 103.06, 0.9%, 0.63%

LAB 87.35, -62.91, 67.93

 

CMYK 69 / 0 / 6 / 4

HEX #4CF6E7

RGB 76 246 231

HSL 174.71, 0.9%, 0.63%

LAB 88.55, -46.06, -5.38

 

CMYK 20 / 70 / 0 / 4

HEX #C64BF6

RGB 198 75 246

HSL 283.16, 0.9%, 0.63%

LAB 55.78, 72.77, -63.61

 

CMYK 0 / 54 / 69 / 4

HEX #F6714C

RGB 246 113 76

HSL 13.06, 0.9%, 0.63%

LAB 63.28, 48.59, 44.64

 

CMYK 50 / 0 / 69 / 4

HEX #7CF64C

RGB 124 246 76

HSL 103.06, 0.9%, 0.63%

LAB 87.35, -62.91, 67.93

 

CMYK 69 / 15 / 0 / 4

HEX #4CD1F6

RGB 76 209 246

HSL 193.06, 0.9%, 0.63%

LAB 78.34, -24.55, -28.68

 

Description

Color code: HEX #C64BF6 | qconv.com Color code: HEX #C64BF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 75 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 75 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 70 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 70% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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