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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64BBC it is the complementary color #39B443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64BBC shade: #CB4BB7, #DC5DCA, #ED6FDD, #FE81F0 and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64BBC shade: #C64BBC, #B539A9, #A42796, #931583 and #820370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64BBC shade: #C74DBD, #C74D9C, #C74D7B, #C74D5A and #C74D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64BBC shade: #C74DBD, #B04DC7, #8F4DC7, #6E4DC7 and #4D4DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64BBC shade matches the following richer shades: #C74DBD, #DA3ACD and #ED27DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64BBC shade: #C74DBD, #B460AD, #A1739D, #8E868D and #7B997D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64BBC shade: #8E4DC7, #AE4DC7, #C74DBF, #C74D9E and #C74D7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64BBC shade: #932E8A, #B238A8, #C74DBD, #D16CC8 and #DB8BD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64BBC shade: #C64BBC, #C76D4D and #4DC79E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64BBC shade: #C64BBC, #BFC74D and #4DBFC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64BBC shade: #C64BBC, #C76D4D, #4DC755 and #4DA6C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64BBC shade: #C64BBC, #C7924D, #4DC755 and #4D82C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 5 / 22

HEX #C64BBC

RGB 198 75 188

HSL 304.88, 0.52%, 0.54%

LAB 52.59, 62.35, -35.77

 

Complementary color

CMYK 68 / 0 / 63 / 29

HEX #39B443

RGB 57 180 67

HSL 124.88, 0.52%, 0.46%

LAB 64.9, -56.23, 46.74

 

CMYK 0 / 63 / 10 / 20

HEX #CB4BB7

RGB 203 75 183

HSL 309.38, 0.55%, 0.55%

LAB 53.11, 62.84, -31.99

 

CMYK 0 / 58 / 8 / 14

HEX #DC5DCA

RGB 220 93 202

HSL 308.5, 0.64%, 0.61%

LAB 59.26, 62.66, -33.13

 

CMYK 0 / 53 / 7 / 7

HEX #ED6FDD

RGB 237 111 221

HSL 307.62, 0.78%, 0.68%

LAB 65.43, 62.25, -34.05

 

CMYK 0 / 49 / 6 / 0

HEX #FE81F0

RGB 254 129 240

HSL 306.72, 0.98%, 0.75%

LAB 71.6, 61.7, -34.81

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 62 / 5 / 22

HEX #C64BBC

RGB 198 75 188

HSL 304.88, 0.52%, 0.54%

LAB 52.59, 62.35, -35.77

 

CMYK 0 / 69 / 7 / 29

HEX #B539A9

RGB 181 57 169

HSL 305.81, 0.52%, 0.47%

LAB 46.46, 62.18, -34.45

 

CMYK 0 / 76 / 9 / 36

HEX #A42796

RGB 164 39 150

HSL 306.72, 0.62%, 0.4%

LAB 40.48, 61.37, -32.68

 

CMYK 0 / 86 / 11 / 42

HEX #931583

RGB 147 21 131

HSL 307.62, 0.75%, 0.33%

LAB 34.76, 59.56, -30.25

 

CMYK 0 / 98 / 14 / 49

HEX #820370

RGB 130 3 112

HSL 308.5, 0.95%, 0.26%

LAB 29.36, 56.43, -26.98

 

CMYK 0 / 61 / 5 / 22

HEX #C74DBD

RGB 199 77 189

HSL 304.92, 0.52%, 0.54%

LAB 53.08, 61.94, -35.55

 

CMYK 0 / 61 / 22 / 22

HEX #C74D9C

RGB 199 77 156

HSL 321.15, 0.52%, 0.54%

LAB 51.67, 56.92, -18.47

 

CMYK 0 / 61 / 38 / 22

HEX #C74D7B

RGB 199 77 123

HSL 337.38, 0.52%, 0.54%

LAB 50.55, 52.77, -0.47

 

CMYK 0 / 61 / 55 / 22

HEX #C74D5A

RGB 199 77 90

HSL 353.61, 0.52%, 0.54%

LAB 49.72, 49.61, 18.22

 

CMYK 0 / 61 / 61 / 22

HEX #C74D4D

RGB 199 77 77

HSL 0, 0.52%, 0.54%

LAB 49.48, 48.65, 25.64

 

CMYK 0 / 61 / 5 / 22

HEX #C74DBD

RGB 199 77 189

HSL 304.92, 0.52%, 0.54%

LAB 53.08, 61.94, -35.55

 

CMYK 12 / 61 / 0 / 22

HEX #B04DC7

RGB 176 77 199

HSL 288.69, 0.52%, 0.54%

LAB 50.29, 57.95, -45.96

 

CMYK 28 / 61 / 0 / 22

HEX #8F4DC7

RGB 143 77 199

HSL 272.46, 0.52%, 0.54%

LAB 46, 50.04, -53.05

 

CMYK 45 / 61 / 0 / 22

HEX #6E4DC7

RGB 110 77 199

HSL 256.23, 0.52%, 0.54%

LAB 42.38, 42.72, -59.08

 

CMYK 61 / 61 / 0 / 22

HEX #4D4DC7

RGB 77 77 199

HSL 240, 0.52%, 0.54%

LAB 39.6, 36.57, -63.73

 

CMYK 0 / 61 / 5 / 22

HEX #C74DBD

RGB 199 77 189

HSL 304.92, 0.52%, 0.54%

LAB 53.08, 61.94, -35.55

 

CMYK 0 / 73 / 6 / 15

HEX #DA3ACD

RGB 218 58 205

HSL 304.88, 0.68%, 0.54%

LAB 54.39, 75.77, -42.51

 

CMYK 0 / 84 / 7 / 7

HEX #ED27DD

RGB 237 39 221

HSL 304.85, 0.85%, 0.54%

LAB 56.76, 86.49, -47.66

 

CMYK 0 / 61 / 5 / 22

HEX #C74DBD

RGB 199 77 189

HSL 304.92, 0.52%, 0.54%

LAB 53.08, 61.94, -35.55

 

CMYK 0 / 47 / 4 / 29

HEX #B460AD

RGB 180 96 173

HSL 305, 0.36%, 0.54%

LAB 53.04, 44.89, -26.54

 

CMYK 0 / 29 / 2 / 37

HEX #A1739D

RGB 161 115 157

HSL 305.22, 0.2%, 0.54%

LAB 54.32, 25.25, -15.48

 

CMYK 0 / 6 / 1 / 44

HEX #8E868D

RGB 142 134 141

HSL 307.5, 0.03%, 0.54%

LAB 56.81, 4.34, -2.68

 

CMYK 20 / 0 / 18 / 40

HEX #7B997D

RGB 123 153 125

HSL 124, 0.13%, 0.54%

LAB 60.31, -16.19, 11.32

 

CMYK 29 / 61 / 0 / 22

HEX #8E4DC7

RGB 142 77 199

HSL 271.97, 0.52%, 0.54%

LAB 45.88, 49.81, -53.25

 

CMYK 13 / 61 / 0 / 22

HEX #AE4DC7

RGB 174 77 199

HSL 287.7, 0.52%, 0.54%

LAB 50.01, 57.47, -46.41

 

CMYK 0 / 61 / 4 / 22

HEX #C74DBF

RGB 199 77 191

HSL 303.93, 0.52%, 0.54%

LAB 53.18, 62.27, -36.56

 

CMYK 0 / 61 / 21 / 22

HEX #C74D9E

RGB 199 77 158

HSL 320.16, 0.52%, 0.54%

LAB 51.74, 57.2, -19.53

 

CMYK 0 / 61 / 37 / 22

HEX #C74D7E

RGB 199 77 126

HSL 335.9, 0.52%, 0.54%

LAB 50.64, 53.11, -2.14

 

CMYK 0 / 69 / 6 / 42

HEX #932E8A

RGB 147 46 138

HSL 305.35, 0.52%, 0.38%

LAB 37.83, 52.96, -29.74

 

CMYK 0 / 69 / 6 / 30

HEX #B238A8

RGB 178 56 168

HSL 304.92, 0.52%, 0.46%

LAB 45.8, 61.67, -34.94

 

CMYK 0 / 61 / 5 / 22

HEX #C74DBD

RGB 199 77 189

HSL 304.92, 0.52%, 0.54%

LAB 53.08, 61.94, -35.55

 

CMYK 0 / 48 / 4 / 18

HEX #D16CC8

RGB 209 108 200

HSL 305.35, 0.52%, 0.62%

LAB 60.29, 52.24, -30.51

 

CMYK 0 / 37 / 3 / 14

HEX #DB8BD4

RGB 219 139 212

HSL 305.25, 0.53%, 0.7%

LAB 68.23, 41.47, -24.92

 

CMYK 0 / 62 / 5 / 22

HEX #C64BBC

RGB 198 75 188

HSL 304.88, 0.52%, 0.54%

LAB 52.59, 62.35, -35.77

 

CMYK 0 / 45 / 61 / 22

HEX #C76D4D

RGB 199 109 77

HSL 15.74, 0.52%, 0.54%

LAB 55.7, 32.74, 33.45

 

CMYK 61 / 0 / 21 / 22

HEX #4DC79E

RGB 77 199 158

HSL 159.84, 0.52%, 0.54%

LAB 72.82, -43.73, 10.56

 

CMYK 0 / 62 / 5 / 22

HEX #C64BBC

RGB 198 75 188

HSL 304.88, 0.52%, 0.54%

LAB 52.59, 62.35, -35.77

 

CMYK 4 / 0 / 61 / 22

HEX #BFC74D

RGB 191 199 77

HSL 63.93, 0.52%, 0.54%

LAB 77.55, -18.68, 58.31

 

CMYK 61 / 4 / 0 / 22

HEX #4DBFC7

RGB 77 191 199

HSL 183.93, 0.52%, 0.54%

LAB 71.53, -29.45, -13.64

 

CMYK 0 / 62 / 5 / 22

HEX #C64BBC

RGB 198 75 188

HSL 304.88, 0.52%, 0.54%

LAB 52.59, 62.35, -35.77

 

CMYK 0 / 45 / 61 / 22

HEX #C76D4D

RGB 199 109 77

HSL 15.74, 0.52%, 0.54%

LAB 55.7, 32.74, 33.45

 

CMYK 61 / 0 / 57 / 22

HEX #4DC755

RGB 77 199 85

HSL 123.93, 0.52%, 0.54%

LAB 71.61, -56.74, 46.43

 

CMYK 61 / 17 / 0 / 22

HEX #4DA6C7

RGB 77 166 199

HSL 196.23, 0.52%, 0.54%

LAB 64.14, -16.72, -24.86

 

CMYK 0 / 62 / 5 / 22

HEX #C64BBC

RGB 198 75 188

HSL 304.88, 0.52%, 0.54%

LAB 52.59, 62.35, -35.77

 

CMYK 0 / 27 / 61 / 22

HEX #C7924D

RGB 199 146 77

HSL 33.93, 0.52%, 0.54%

LAB 64.35, 12.63, 43.77

 

CMYK 61 / 0 / 57 / 22

HEX #4DC755

RGB 77 199 85

HSL 123.93, 0.52%, 0.54%

LAB 71.61, -56.74, 46.43

 

CMYK 61 / 35 / 0 / 22

HEX #4D82C7

RGB 77 130 199

HSL 213.93, 0.52%, 0.54%

LAB 53.67, 3.64, -41.15

 

Description

Color code: HEX #C64BBC | qconv.com Color code: HEX #C64BBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 75 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 75 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 5 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 5% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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