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Color name
HEX #C648384C

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C648384C it is the complementary color #39B7C74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #C648384C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C648384C shade: #CB48334C, #DC5A464C, #ED6C594C, #FE7E6C4C and #FF907F4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #C648384C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C648384C shade: #C648384C, #B536254C, #A424124C, #9312004C and #8200004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C648384C shade: #C74838 and #C73838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C648384C shade: #C74838, #C76F38, #C79538, #C7BC38 and #ACC738

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C648384C shade matches the following richer shades: #C74838, #DC3823 and #F0280F

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C648384C shade: #C74838, #B2584D, #9E6861, #897876 and #74888B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C648384C shade: #C73876, #C73850, #C74638, #C76C38 and #C79338

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C648384C shade: #873126, #A73D2F, #C74838, #D06658 and #D98378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C648384C shade: #C64838, #9CC738 and #3863C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C648384C shade: #C64838, #38C746 and #4638C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C648384C shade: #C64838, #9CC738, #38B9C7 and #6338C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C648384C shade: #C64838, #71C738, #38B9C7 and #8E38C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 22 / 7

RGBA 198 72 56 0.3

HSLA 6.76, 0.56%, 0.5%, 0.3

LABA 48.17, 49.32, 36.16, 0.3

Complementary color

CMYK 21 / 2 / 0 / 7

RGBA 57 183 199 0.3

HSLA 186.76, 0.56%, 0.5%, 0.3

LABA 68.65, -28.54, -18.03, 0.3

Lighter colors

CMYK 0 / 19 / 22 / 6

RGBA 203 72 51 0.3

HSLA 8.29, 0.6%, 0.5%, 0.3

LABA 48.97, 50.83, 40.06, 0.3

CMYK 0 / 18 / 20 / 4

RGBA 220 90 70 0.3

HSLA 8, 0.68%, 0.57%, 0.3

LABA 55.04, 49.68, 37.27, 0.3

CMYK 0 / 16 / 19 / 2

RGBA 237 108 89 0.3

HSLA 7.7, 0.8%, 0.64%, 0.3

LABA 61.18, 48.45, 34.79, 0.3

CMYK 0 / 15 / 17 / 0

RGBA 254 126 108 0.3

HSLA 7.4, 0.99%, 0.71%, 0.3

LABA 67.33, 47.21, 32.6, 0.3

CMYK 0 / 13 / 15 / 0

RGBA 255 144 127 0.3

HSLA 7.97, 1%, 0.75%, 0.3

LABA 71.38, 40.14, 27.49, 0.3

Darker colors

CMYK 0 / 19 / 22 / 7

RGBA 198 72 56 0.3

HSLA 6.76, 0.56%, 0.5%, 0.3

LABA 48.17, 49.32, 36.16, 0.3

CMYK 0 / 21 / 24 / 9

RGBA 181 54 37 0.3

HSLA 7.08, 0.66%, 0.43%, 0.3

LABA 42.15, 50.23, 39.25, 0.3

CMYK 0 / 23 / 27 / 11

RGBA 164 36 18 0.3

HSLA 7.4, 0.8%, 0.36%, 0.3

LABA 36.36, 50.66, 42.32, 0.3

CMYK 0 / 26 / 30 / 13

RGBA 147 18 0 0.3

HSLA 7.35, 1%, 0.29%, 0.3

LABA 30.96, 50.13, 44.3, 0.3

CMYK 0 / 30 / 30 / 15

RGBA 130 0 0 0.3

HSLA 0, 1%, 0.25%, 0.3

LABA 26, 48.6, 38.66, 0.3

Warmer colors

CMYK 0 / 64 / 72 / 22

HSL 6.71, 0.56%, 0.5%

LAB 48.34, 49.67, 36.4

CMYK 0 / 72 / 72 / 22

HSL 0, 0.56%, 0.5%

LAB 45.98, 56.08, 33.69

Colder colors

CMYK 0 / 64 / 72 / 22

HSL 6.71, 0.56%, 0.5%

LAB 48.34, 49.67, 36.4

CMYK 0 / 44 / 72 / 22

HSL 23.08, 0.56%, 0.5%

LAB 55.88, 30.41, 44.76

CMYK 0 / 25 / 72 / 22

HSL 39.02, 0.56%, 0.5%

LAB 64.9, 9.72, 54.2

CMYK 0 / 6 / 72 / 22

HSL 55.38, 0.56%, 0.5%

LAB 75.07, -10.96, 64.28

CMYK 14 / 0 / 72 / 22

HSL 71.33, 0.56%, 0.5%

LAB 76.01, -27.77, 64.48

Richer colors

CMYK 0 / 64 / 72 / 22

HSL 6.71, 0.56%, 0.5%

LAB 48.34, 49.67, 36.4

CMYK 0 / 75 / 84 / 14

HSL 6.81, 0.73%, 0.5%

LAB 49.7, 61.86, 49.98

CMYK 0 / 83 / 94 / 6

HSL 6.67, 0.88%, 0.5%

LAB 51.92, 71.58, 61.12

Paler colors

CMYK 0 / 64 / 72 / 22

HSL 6.71, 0.56%, 0.5%

LAB 48.34, 49.67, 36.4

CMYK 0 / 51 / 57 / 30

HSL 6.53, 0.4%, 0.5%

LAB 48.24, 35.56, 23.38

CMYK 0 / 34 / 39 / 38

HSL 6.89, 0.24%, 0.5%

LAB 49.54, 20.79, 12.84

CMYK 0 / 12 / 14 / 46

RGB 137 120 118

HSL 6.32, 0.07%, 0.5%

LAB 51.9, 6.2, 3.5

CMYK 17 / 2 / 0 / 45

RGB 116 136 139

HSL 187.83, 0.09%, 0.5%

LAB 55.26, -6.5, -4.03

Analogue colors

CMYK 0 / 72 / 41 / 22

HSL 333.99, 0.56%, 0.5%

LAB 47.34, 60.62, -2.15

CMYK 0 / 72 / 60 / 22

HSL 349.93, 0.56%, 0.5%

LAB 46.38, 57.42, 19.79

CMYK 0 / 65 / 72 / 22

HSL 5.87, 0.56%, 0.5%

LAB 48.02, 50.53, 36.04

CMYK 0 / 46 / 72 / 22

HSL 21.82, 0.56%, 0.5%

LAB 55.23, 32, 44.05

CMYK 0 / 26 / 72 / 22

HSL 38.18, 0.56%, 0.5%

LAB 64.4, 10.81, 53.69

Monochromatic colors

CMYK 0 / 64 / 72 / 47

HSL 6.8, 0.56%, 0.34%

LAB 32.89, 36.13, 26.15

CMYK 0 / 63 / 72 / 35

HSL 7, 0.56%, 0.42%

LAB 40.83, 42.81, 31.47

CMYK 0 / 64 / 72 / 22

HSL 6.71, 0.56%, 0.5%

LAB 48.34, 49.67, 36.4

CMYK 0 / 51 / 58 / 18

HSL 7, 0.56%, 0.58%

LAB 55.7, 40.67, 27.53

CMYK 0 / 40 / 45 / 15

RGB 217 131 120

HSL 6.8, 0.56%, 0.66%

LAB 63.62, 31.87, 20.11

Partial complementary colors

CMYK 0 / 64 / 72 / 22

HSL 6.76, 0.56%, 0.5%

LAB 48.17, 49.32, 36.16

CMYK 22 / 0 / 72 / 22

HSL 78.04, 0.56%, 0.5%

LAB 74.95, -34.17, 63.08

CMYK 72 / 50 / 0 / 22

HSL 221.96, 0.56%, 0.5%

LAB 44.07, 19.44, -56.52

Triadic colors

CMYK 0 / 64 / 72 / 22

HSL 6.76, 0.56%, 0.5%

LAB 48.17, 49.32, 36.16

CMYK 72 / 0 / 65 / 22

HSL 125.87, 0.56%, 0.5%

LAB 70.96, -62.53, 52.2

CMYK 65 / 72 / 0 / 22

HSL 245.87, 0.56%, 0.5%

LAB 34.51, 47.91, -72.08

Rectangular (tetradic) colors

CMYK 0 / 64 / 72 / 22

HSL 6.76, 0.56%, 0.5%

LAB 48.17, 49.32, 36.16

CMYK 22 / 0 / 72 / 22

HSL 78.04, 0.56%, 0.5%

LAB 74.95, -34.17, 63.08

CMYK 72 / 7 / 0 / 22

HSL 185.87, 0.56%, 0.5%

LAB 69.23, -29.64, -17.15

CMYK 50 / 72 / 0 / 22

HSL 258.04, 0.56%, 0.5%

LAB 37.12, 52.01, -67.69

Square colors

CMYK 0 / 64 / 72 / 22

HSL 6.76, 0.56%, 0.5%

LAB 48.17, 49.32, 36.16

CMYK 43 / 0 / 72 / 22

HSL 96.08, 0.56%, 0.5%

LAB 72.66, -49.66, 60.03

CMYK 72 / 7 / 0 / 22

HSL 185.87, 0.56%, 0.5%

LAB 69.23, -29.64, -17.15

CMYK 29 / 72 / 0 / 22

HSL 276.08, 0.56%, 0.5%

LAB 42.31, 59.68, -59.01

Description

Color code: HEX #C648384C | qconv.com

Color code: HEX #C648384C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 72 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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