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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C64348 it is the complementary color #39BCB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C64348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C64348 shade: #CB4343, #DC5556, #ED6769, #FE797C and #FF8B8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C64348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C64348 shade: #C64348, #B53135, #A41F22, #930D0F and #820000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C64348 shade: #C54449 and #C54444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C64348 shade: #C54449, #C5446C, #C5448F, #C544B2 and #B644C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C64348 shade matches the following richer shades: #C54449, #D93036 and #ED1C24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C64348 shade: #C54449, #B2585B, #9E6B6D, #8A7F80 and #769392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C64348 shade: #C5448F, #C5446D, #C5444A, #C56044 and #C58244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C64348 shade: #8C2B2F, #AB3539, #C54449, #CF6367 and #D98386

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C64348 shade: #C64348, #B2C544 and #447EC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C64348 shade: #C64348, #4AC544 and #444AC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C64348 shade: #C64348, #B2C544, #44C5BF and #5744C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C64348 shade: #C64348, #8BC544, #44C5BF and #7E44C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 64 / 22

HEX #C64348

RGB 198 67 72

HSL 357.71, 0.53%, 0.52%

LAB 47.61, 52.33, 26.19

 

Complementary color

CMYK 70 / 0 / 3 / 26

HEX #39BCB7

RGB 57 188 183

HSL 177.71, 0.53%, 0.48%

LAB 69.65, -35.63, -7.73

 

CMYK 0 / 67 / 67 / 20

HEX #CB4343

RGB 203 67 67

HSL 0, 0.57%, 0.53%

LAB 48.41, 53.68, 30.33

 

CMYK 0 / 61 / 61 / 14

HEX #DC5556

RGB 220 85 86

HSL 359.56, 0.66%, 0.6%

LAB 54.43, 52.88, 27.42

 

CMYK 0 / 57 / 56 / 7

HEX #ED6769

RGB 237 103 105

HSL 359.1, 0.79%, 0.67%

LAB 60.54, 51.91, 24.95

 

CMYK 0 / 52 / 51 / 0

HEX #FE797C

RGB 254 121 124

HSL 358.65, 0.99%, 0.74%

LAB 66.67, 50.87, 22.83

 

CMYK 0 / 45 / 44 / 0

HEX #FF8B8F

RGB 255 139 143

HSL 357.93, 1%, 0.77%

LAB 70.67, 44.17, 17.69

 

CMYK 0 / 66 / 64 / 22

HEX #C64348

RGB 198 67 72

HSL 357.71, 0.53%, 0.52%

LAB 47.61, 52.33, 26.19

 

CMYK 0 / 73 / 71 / 29

HEX #B53135

RGB 181 49 53

HSL 358.18, 0.57%, 0.45%

LAB 41.65, 52.79, 29.54

 

CMYK 0 / 81 / 79 / 36

HEX #A41F22

RGB 164 31 34

HSL 358.65, 0.68%, 0.38%

LAB 35.96, 52.62, 33.51

 

CMYK 0 / 91 / 90 / 42

HEX #930D0F

RGB 147 13 15

HSL 359.1, 0.84%, 0.31%

LAB 30.7, 51.35, 37.75

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 65 / 63 / 23

HEX #C54449

RGB 197 68 73

HSL 357.67, 0.53%, 0.52%

LAB 47.61, 51.64, 25.55

 

CMYK 0 / 65 / 65 / 23

HEX #C54444

RGB 197 68 68

HSL 0, 0.53%, 0.52%

LAB 47.52, 51.33, 28.42

 

CMYK 0 / 65 / 63 / 23

HEX #C54449

RGB 197 68 73

HSL 357.67, 0.53%, 0.52%

LAB 47.61, 51.64, 25.55

 

CMYK 0 / 65 / 45 / 23

HEX #C5446C

RGB 197 68 108

HSL 341.4, 0.53%, 0.52%

LAB 48.37, 54.44, 5.4

 

CMYK 0 / 65 / 27 / 23

HEX #C5448F

RGB 197 68 143

HSL 325.12, 0.53%, 0.52%

LAB 49.48, 58.38, -14.09

 

CMYK 0 / 65 / 10 / 23

HEX #C544B2

RGB 197 68 178

HSL 308.84, 0.53%, 0.52%

LAB 50.94, 63.33, -32.54

 

CMYK 8 / 65 / 0 / 23

HEX #B644C5

RGB 182 68 197

HSL 293.02, 0.53%, 0.52%

LAB 49.63, 62.89, -45.8

 

CMYK 0 / 65 / 63 / 23

HEX #C54449

RGB 197 68 73

HSL 357.67, 0.53%, 0.52%

LAB 47.61, 51.64, 25.55

 

CMYK 0 / 78 / 75 / 15

HEX #D93036

RGB 217 48 54

HSL 357.87, 0.69%, 0.52%

LAB 48.43, 64.01, 38.53

 

CMYK 0 / 88 / 85 / 7

HEX #ED1C24

RGB 237 28 36

HSL 357.7, 0.85%, 0.52%

LAB 50.64, 73.36, 51.62

 

CMYK 0 / 65 / 63 / 23

HEX #C54449

RGB 197 68 73

HSL 357.67, 0.53%, 0.52%

LAB 47.61, 51.64, 25.55

 

CMYK 0 / 51 / 49 / 30

HEX #B2585B

RGB 178 88 91

HSL 358, 0.37%, 0.52%

LAB 48.51, 36.81, 15.43

 

CMYK 0 / 32 / 31 / 38

HEX #9E6B6D

RGB 158 107 109

HSL 357.65, 0.21%, 0.52%

LAB 50.56, 20.66, 7.17

 

CMYK 0 / 8 / 7 / 46

HEX #8A7F80

RGB 138 127 128

HSL 354.55, 0.04%, 0.52%

LAB 54.18, 4.36, 0.96

 

CMYK 20 / 0 / 1 / 42

HEX #769392

RGB 118 147 146

HSL 177.93, 0.12%, 0.52%

LAB 58.78, -10.34, -2.85

 

CMYK 0 / 65 / 27 / 23

HEX #C5448F

RGB 197 68 143

HSL 325.12, 0.53%, 0.52%

LAB 49.48, 58.38, -14.09

 

CMYK 0 / 65 / 45 / 23

HEX #C5446D

RGB 197 68 109

HSL 340.93, 0.53%, 0.52%

LAB 48.4, 54.54, 4.83

 

CMYK 0 / 65 / 62 / 23

HEX #C5444A

RGB 197 68 74

HSL 357.21, 0.53%, 0.52%

LAB 47.62, 51.7, 24.98

 

CMYK 0 / 51 / 65 / 23

HEX #C56044

RGB 197 96 68

HSL 13.02, 0.53%, 0.52%

LAB 52.57, 38.14, 34.57

 

CMYK 0 / 34 / 65 / 23

HEX #C58244

RGB 197 130 68

HSL 28.84, 0.53%, 0.52%

LAB 60.12, 19.94, 43.37

 

CMYK 0 / 69 / 66 / 45

HEX #8C2B2F

RGB 140 43 47

HSL 357.53, 0.53%, 0.36%

LAB 32.94, 41.23, 20.81

 

CMYK 0 / 69 / 67 / 33

HEX #AB3539

RGB 171 53 57

HSL 357.97, 0.53%, 0.44%

LAB 40.41, 48.21, 25.17

 

CMYK 0 / 65 / 63 / 23

HEX #C54449

RGB 197 68 73

HSL 357.67, 0.53%, 0.52%

LAB 47.61, 51.64, 25.55

 

CMYK 0 / 52 / 50 / 19

HEX #CF6367

RGB 207 99 103

HSL 357.78, 0.53%, 0.6%

LAB 55.25, 43.05, 18.22

 

CMYK 0 / 40 / 38 / 15

HEX #D98386

RGB 217 131 134

HSL 357.91, 0.53%, 0.68%

LAB 63.92, 33.41, 12.61

 

CMYK 0 / 66 / 64 / 22

HEX #C64348

RGB 198 67 72

HSL 357.71, 0.53%, 0.52%

LAB 47.61, 52.33, 26.19

 

CMYK 10 / 0 / 65 / 23

HEX #B2C544

RGB 178 197 68

HSL 68.84, 0.53%, 0.52%

LAB 75.96, -23.64, 60.04

 

CMYK 65 / 36 / 0 / 23

HEX #447EC5

RGB 68 126 197

HSL 213.02, 0.53%, 0.52%

LAB 52.04, 3.73, -42.61

 

CMYK 0 / 66 / 64 / 22

HEX #C64348

RGB 198 67 72

HSL 357.71, 0.53%, 0.52%

LAB 47.61, 52.33, 26.19

 

CMYK 62 / 0 / 65 / 23

HEX #4AC544

RGB 74 197 68

HSL 117.21, 0.53%, 0.52%

LAB 70.74, -58.57, 52.91

 

CMYK 65 / 62 / 0 / 23

HEX #444AC5

RGB 68 74 197

HSL 237.21, 0.53%, 0.52%

LAB 38.12, 36.37, -64.99

 

CMYK 0 / 66 / 64 / 22

HEX #C64348

RGB 198 67 72

HSL 357.71, 0.53%, 0.52%

LAB 47.61, 52.33, 26.19

 

CMYK 10 / 0 / 65 / 23

HEX #B2C544

RGB 178 197 68

HSL 68.84, 0.53%, 0.52%

LAB 75.96, -23.64, 60.04

 

CMYK 65 / 0 / 3 / 23

HEX #44C5BF

RGB 68 197 191

HSL 177.21, 0.53%, 0.52%

LAB 72.84, -35.99, -7.34

 

CMYK 56 / 65 / 0 / 23

HEX #5744C5

RGB 87 68 197

HSL 248.84, 0.53%, 0.52%

LAB 38.18, 42.96, -64.83

 

CMYK 0 / 66 / 64 / 22

HEX #C64348

RGB 198 67 72

HSL 357.71, 0.53%, 0.52%

LAB 47.61, 52.33, 26.19

 

CMYK 29 / 0 / 65 / 23

HEX #8BC544

RGB 139 197 68

HSL 86.98, 0.53%, 0.52%

LAB 73.44, -38.93, 56.62

 

CMYK 65 / 0 / 3 / 23

HEX #44C5BF

RGB 68 197 191

HSL 177.21, 0.53%, 0.52%

LAB 72.84, -35.99, -7.34

 

CMYK 36 / 65 / 0 / 23

HEX #7E44C5

RGB 126 68 197

HSL 266.98, 0.53%, 0.52%

LAB 42.16, 50.39, -58.2

 

Description

Color code: HEX #C64348 | qconv.com Color code: HEX #C64348 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 67 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 67 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 64 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 64% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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