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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C642CA it is the complementary color #39BD35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C642CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C642CA shade: #CB42C5, #DC54D8, #ED66EB, #FE78FE and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C642CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C642CA shade: #C642CA, #B530B7, #A41EA4, #930C91 and #82007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C642CA shade: #C644CA, #CA44AA, #CA4486, #CA4462 and #CA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C642CA shade: #C644CA, #A244CA, #7E44CA, #5A44CA and #4444CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C642CA shade matches the following richer shades: #C644CA, #D931DE and #EB1DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C642CA shade: #C644CA, #B457B7, #A26BA3, #907E90 and #7D927D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C642CA shade: #7E44CA, #A244CA, #C644CA, #CA44AB and #CA4487

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C642CA shade: #8F2992, #AF32B3, #C644CA, #D064D3 and #DA84DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C642CA shade: #C642CA, #CA5A44 and #44CA90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C642CA shade: #C642CA, #CAC644 and #44CAC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C642CA shade: #C642CA, #CA5A44, #49CA44 and #44B4CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C642CA shade: #C642CA, #CA8344, #49CA44 and #448CCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 67 / 0 / 21

HEX #C642CA

RGB 198 66 202

HSL 298.24, 0.56%, 0.53%

LAB 52.02, 68.21, -44.73

 

Complementary color

CMYK 70 / 0 / 72 / 26

HEX #39BD35

RGB 57 189 53

HSL 118.24, 0.56%, 0.47%

LAB 67.67, -60.65, 55.46

 

CMYK 0 / 67 / 3 / 20

HEX #CB42C5

RGB 203 66 197

HSL 302.63, 0.57%, 0.53%

LAB 52.54, 68.53, -40.99

 

CMYK 0 / 62 / 2 / 14

HEX #DC54D8

RGB 220 84 216

HSL 301.76, 0.66%, 0.6%

LAB 58.52, 68.71, -42.22

 

CMYK 0 / 57 / 1 / 7

HEX #ED66EB

RGB 237 102 235

HSL 300.89, 0.79%, 0.66%

LAB 64.57, 68.55, -43.19

 

CMYK 0 / 53 / 0 / 0

HEX #FE78FE

RGB 254 120 254

HSL 300, 0.99%, 0.73%

LAB 70.64, 68.17, -43.96

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 2 / 67 / 0 / 21

HEX #C642CA

RGB 198 66 202

HSL 298.24, 0.56%, 0.53%

LAB 52.02, 68.21, -44.73

 

CMYK 1 / 74 / 0 / 28

HEX #B530B7

RGB 181 48 183

HSL 299.11, 0.58%, 0.45%

LAB 46.12, 67.53, -43.24

 

CMYK 0 / 82 / 0 / 36

HEX #A41EA4

RGB 164 30 164

HSL 300, 0.69%, 0.38%

LAB 40.41, 66.03, -41.23

 

CMYK 0 / 92 / 1 / 42

HEX #930C91

RGB 147 12 145

HSL 300.89, 0.85%, 0.31%

LAB 35.02, 63.29, -38.48

 

CMYK 0 / 100 / 3 / 49

HEX #82007E

RGB 130 0 126

HSL 301.85, 1%, 0.25%

LAB 30.04, 58.98, -34.8

 

CMYK 2 / 66 / 0 / 21

HEX #C644CA

RGB 198 68 202

HSL 298.21, 0.56%, 0.53%

LAB 52.29, 67.46, -44.31

 

CMYK 0 / 66 / 16 / 21

HEX #CA44AA

RGB 202 68 170

HSL 314.33, 0.56%, 0.53%

LAB 51.37, 63.41, -27.12

 

CMYK 0 / 66 / 34 / 21

HEX #CA4486

RGB 202 68 134

HSL 330.45, 0.56%, 0.53%

LAB 49.99, 58.71, -7.85

 

CMYK 0 / 66 / 51 / 21

HEX #CA4462

RGB 202 68 98

HSL 346.57, 0.56%, 0.53%

LAB 48.97, 55.11, 12.45

 

CMYK 0 / 66 / 66 / 21

HEX #CA4444

RGB 202 68 68

HSL 0, 0.56%, 0.53%

LAB 48.4, 53, 29.69

 

CMYK 2 / 66 / 0 / 21

HEX #C644CA

RGB 198 68 202

HSL 298.21, 0.56%, 0.53%

LAB 52.29, 67.46, -44.31

 

CMYK 20 / 66 / 0 / 21

HEX #A244CA

RGB 162 68 202

HSL 282.09, 0.56%, 0.53%

LAB 47.08, 59.32, -52.92

 

CMYK 38 / 66 / 0 / 21

HEX #7E44CA

RGB 126 68 202

HSL 265.97, 0.56%, 0.53%

LAB 42.51, 51.65, -60.52

 

CMYK 55 / 66 / 0 / 21

HEX #5A44CA

RGB 90 68 202

HSL 249.85, 0.56%, 0.53%

LAB 38.85, 44.98, -66.64

 

CMYK 66 / 66 / 0 / 21

HEX #4444CA

RGB 68 68 202

HSL 240, 0.56%, 0.53%

LAB 37.17, 41.71, -69.47

 

CMYK 2 / 66 / 0 / 21

HEX #C644CA

RGB 198 68 202

HSL 298.21, 0.56%, 0.53%

LAB 52.29, 67.46, -44.31

 

CMYK 2 / 78 / 0 / 13

HEX #D931DE

RGB 217 49 222

HSL 298.27, 0.72%, 0.53%

LAB 54.26, 80.68, -52.4

 

CMYK 2 / 88 / 0 / 5

HEX #EB1DF1

RGB 235 29 241

HSL 298.3, 0.88%, 0.53%

LAB 56.97, 90.65, -58.6

 

CMYK 2 / 66 / 0 / 21

HEX #C644CA

RGB 198 68 202

HSL 298.21, 0.56%, 0.53%

LAB 52.29, 67.46, -44.31

 

CMYK 2 / 52 / 0 / 28

HEX #B457B7

RGB 180 87 183

HSL 298.13, 0.4%, 0.53%

LAB 51.77, 51.25, -34.34

 

CMYK 1 / 34 / 0 / 36

HEX #A26BA3

RGB 162 107 163

HSL 298.93, 0.23%, 0.53%

LAB 52.78, 31.3, -21.32

 

CMYK 0 / 13 / 0 / 44

HEX #907E90

RGB 144 126 144

HSL 300, 0.08%, 0.53%

LAB 54.93, 10.27, -7.17

 

CMYK 14 / 0 / 14 / 43

HEX #7D927D

RGB 125 146 125

HSL 120, 0.09%, 0.53%

LAB 58.41, -11.73, 8.65

 

CMYK 38 / 66 / 0 / 21

HEX #7E44CA

RGB 126 68 202

HSL 265.97, 0.56%, 0.53%

LAB 42.51, 51.65, -60.52

 

CMYK 20 / 66 / 0 / 21

HEX #A244CA

RGB 162 68 202

HSL 282.09, 0.56%, 0.53%

LAB 47.08, 59.32, -52.92

 

CMYK 2 / 66 / 0 / 21

HEX #C644CA

RGB 198 68 202

HSL 298.21, 0.56%, 0.53%

LAB 52.29, 67.46, -44.31

 

CMYK 0 / 66 / 15 / 21

HEX #CA44AB

RGB 202 68 171

HSL 313.88, 0.56%, 0.53%

LAB 51.42, 63.56, -27.64

 

CMYK 0 / 66 / 33 / 21

HEX #CA4487

RGB 202 68 135

HSL 330, 0.56%, 0.53%

LAB 50.03, 58.83, -8.4

 

CMYK 2 / 72 / 0 / 43

HEX #8F2992

RGB 143 41 146

HSL 298.29, 0.56%, 0.37%

LAB 36.93, 55.26, -36.1

 

CMYK 2 / 72 / 0 / 30

HEX #AF32B3

RGB 175 50 179

HSL 298.14, 0.56%, 0.45%

LAB 45.15, 64.93, -42.49

 

CMYK 2 / 66 / 0 / 21

HEX #C644CA

RGB 198 68 202

HSL 298.21, 0.56%, 0.53%

LAB 52.29, 67.46, -44.31

 

CMYK 1 / 53 / 0 / 17

HEX #D064D3

RGB 208 100 211

HSL 298.38, 0.56%, 0.61%

LAB 59.18, 57.76, -38.47

 

CMYK 1 / 40 / 0 / 14

HEX #DA84DC

RGB 218 132 220

HSL 298.64, 0.56%, 0.69%

LAB 66.96, 46.28, -31.32

 

CMYK 2 / 67 / 0 / 21

HEX #C642CA

RGB 198 66 202

HSL 298.24, 0.56%, 0.53%

LAB 52.02, 68.21, -44.73

 

CMYK 0 / 55 / 66 / 21

HEX #CA5A44

RGB 202 90 68

HSL 9.85, 0.56%, 0.53%

LAB 52.16, 43.04, 34.27

 

CMYK 66 / 0 / 29 / 21

HEX #44CA90

RGB 68 202 144

HSL 154.03, 0.56%, 0.53%

LAB 73.21, -49.71, 18.58

 

CMYK 2 / 67 / 0 / 21

HEX #C642CA

RGB 198 66 202

HSL 298.24, 0.56%, 0.53%

LAB 52.02, 68.21, -44.73

 

CMYK 0 / 2 / 66 / 21

HEX #CAC644

RGB 202 198 68

HSL 58.21, 0.56%, 0.53%

LAB 78.09, -14.15, 62.82

 

CMYK 66 / 0 / 2 / 21

HEX #44CAC6

RGB 68 202 198

HSL 178.21, 0.56%, 0.53%

LAB 74.54, -36.37, -8.62

 

CMYK 2 / 67 / 0 / 21

HEX #C642CA

RGB 198 66 202

HSL 298.24, 0.56%, 0.53%

LAB 52.02, 68.21, -44.73

 

CMYK 0 / 55 / 66 / 21

HEX #CA5A44

RGB 202 90 68

HSL 9.85, 0.56%, 0.53%

LAB 52.16, 43.04, 34.27

 

CMYK 64 / 0 / 66 / 21

HEX #49CA44

RGB 73 202 68

HSL 117.76, 0.56%, 0.53%

LAB 72.28, -60.53, 54.58

 

CMYK 66 / 11 / 0 / 21

HEX #44B4CA

RGB 68 180 202

HSL 189.85, 0.56%, 0.53%

LAB 68.12, -24.57, -20.46

 

CMYK 2 / 67 / 0 / 21

HEX #C642CA

RGB 198 66 202

HSL 298.24, 0.56%, 0.53%

LAB 52.02, 68.21, -44.73

 

CMYK 0 / 35 / 66 / 21

HEX #CA8344

RGB 202 131 68

HSL 28.21, 0.56%, 0.53%

LAB 60.96, 21.51, 44.49

 

CMYK 64 / 0 / 66 / 21

HEX #49CA44

RGB 73 202 68

HSL 117.76, 0.56%, 0.53%

LAB 72.28, -60.53, 54.58

 

CMYK 66 / 31 / 0 / 21

HEX #448CCA

RGB 68 140 202

HSL 207.76, 0.56%, 0.53%

LAB 56.34, -2.85, -38.68

 

Description

Color code: HEX #C642CA | qconv.com Color code: HEX #C642CA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 66 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 66 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 67 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 67% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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