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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63FD2 it is the complementary color #39C02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63FD2 shade: #CB3FCD, #DC51E0, #ED63F3, #FE75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63FD2 shade: #C63FD2, #B52DBF, #A41BAC, #930999 and #820086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63FD2 shade: #C741D2, #D241B7, #D24190, #D24169 and #D24141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63FD2 shade: #C741D2, #9F41D2, #7841D2, #5141D2 and #4141D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63FD2 shade matches the following richer shades: #C741D2, #D62EE5 and #E61BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63FD2 shade: #C741D2, #B754BF, #A767AC, #977A99 and #878D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63FD2 shade: #7941D2, #A041D2, #C641D2, #D241B8 and #D24191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63FD2 shade: #92259C, #B22CBE, #C741D2, #D062DA and #DA84E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63FD2 shade: #C63FD2, #D25241 and #41D28C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63FD2 shade: #C63FD2, #D2C641 and #41D2C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63FD2 shade: #C63FD2, #D25241, #4DD241 and #41C1D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63FD2 shade: #C63FD2, #D27E41, #4DD241 and #4196D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 70 / 0 / 18

HEX #C63FD2

RGB 198 63 210

HSL 295.1, 0.62%, 0.54%

LAB 52.08, 70.65, -49.23

 

Complementary color

CMYK 70 / 0 / 77 / 25

HEX #39C02D

RGB 57 192 45

HSL 115.1, 0.62%, 0.46%

LAB 68.58, -62.23, 59.17

 

CMYK 1 / 69 / 0 / 20

HEX #CB3FCD

RGB 203 63 205

HSL 299.15, 0.59%, 0.53%

LAB 52.57, 70.9, -45.53

 

CMYK 2 / 64 / 0 / 12

HEX #DC51E0

RGB 220 81 224

HSL 298.32, 0.7%, 0.6%

LAB 58.49, 71.23, -46.78

 

CMYK 2 / 59 / 0 / 5

HEX #ED63F3

RGB 237 99 243

HSL 297.5, 0.86%, 0.67%

LAB 64.48, 71.17, -47.75

 

CMYK 0 / 54 / 0 / 0

HEX #FE75FF

RGB 254 117 255

HSL 299.57, 1%, 0.73%

LAB 70.19, 69.67, -45.21

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 6 / 70 / 0 / 18

HEX #C63FD2

RGB 198 63 210

HSL 295.1, 0.62%, 0.54%

LAB 52.08, 70.65, -49.23

 

CMYK 5 / 76 / 0 / 25

HEX #B52DBF

RGB 181 45 191

HSL 295.89, 0.62%, 0.46%

LAB 46.26, 69.78, -47.7

 

CMYK 5 / 84 / 0 / 33

HEX #A41BAC

RGB 164 27 172

HSL 296.69, 0.73%, 0.39%

LAB 40.66, 68.01, -45.62

 

CMYK 4 / 94 / 0 / 40

HEX #930999

RGB 147 9 153

HSL 297.5, 0.89%, 0.32%

LAB 35.4, 64.95, -42.78

 

CMYK 3 / 100 / 0 / 47

HEX #820086

RGB 130 0 134

HSL 298.21, 1%, 0.26%

LAB 30.56, 60.24, -38.99

 

CMYK 5 / 69 / 0 / 18

HEX #C741D2

RGB 199 65 210

HSL 295.45, 0.62%, 0.54%

LAB 52.48, 70.15, -48.58

 

CMYK 0 / 69 / 13 / 18

HEX #D241B7

RGB 210 65 183

HSL 311.17, 0.62%, 0.54%

LAB 52.84, 68.41, -32.33

 

CMYK 0 / 69 / 31 / 18

HEX #D24190

RGB 210 65 144

HSL 327.31, 0.62%, 0.54%

LAB 51.26, 63.27, -11.79

 

CMYK 0 / 69 / 50 / 18

HEX #D24169

RGB 210 65 105

HSL 343.45, 0.62%, 0.54%

LAB 50.1, 59.33, 9.98

 

CMYK 0 / 69 / 69 / 18

HEX #D24141

RGB 210 65 65

HSL 0, 0.62%, 0.54%

LAB 49.33, 56.64, 32.91

 

CMYK 5 / 69 / 0 / 18

HEX #C741D2

RGB 199 65 210

HSL 295.45, 0.62%, 0.54%

LAB 52.48, 70.15, -48.58

 

CMYK 24 / 69 / 0 / 18

HEX #9F41D2

RGB 159 65 210

HSL 278.9, 0.62%, 0.54%

LAB 46.72, 61.65, -58.13

 

CMYK 43 / 69 / 0 / 18

HEX #7841D2

RGB 120 65 210

HSL 262.76, 0.62%, 0.54%

LAB 41.89, 54.04, -66.19

 

CMYK 61 / 69 / 0 / 18

HEX #5141D2

RGB 81 65 210

HSL 246.62, 0.62%, 0.54%

LAB 38.17, 47.76, -72.42

 

CMYK 69 / 69 / 0 / 18

HEX #4141D2

RGB 65 65 210

HSL 240, 0.62%, 0.54%

LAB 37.04, 45.75, -74.32

 

CMYK 5 / 69 / 0 / 18

HEX #C741D2

RGB 199 65 210

HSL 295.45, 0.62%, 0.54%

LAB 52.48, 70.15, -48.58

 

CMYK 7 / 80 / 0 / 10

HEX #D62EE5

RGB 214 46 229

HSL 295.08, 0.78%, 0.54%

LAB 53.93, 81.98, -56.92

 

CMYK 7 / 89 / 0 / 3

HEX #E61BF8

RGB 230 27 248

HSL 295.11, 0.94%, 0.54%

LAB 56.47, 91.17, -63.36

 

CMYK 5 / 69 / 0 / 18

HEX #C741D2

RGB 199 65 210

HSL 295.45, 0.62%, 0.54%

LAB 52.48, 70.15, -48.58

 

CMYK 4 / 56 / 0 / 25

HEX #B754BF

RGB 183 84 191

HSL 295.51, 0.46%, 0.54%

LAB 52.03, 54.98, -38.53

 

CMYK 3 / 40 / 0 / 33

HEX #A767AC

RGB 167 103 172

HSL 295.65, 0.29%, 0.54%

LAB 52.83, 36.92, -26.42

 

CMYK 1 / 20 / 0 / 40

HEX #977A99

RGB 151 122 153

HSL 296.13, 0.13%, 0.54%

LAB 54.86, 16.91, -12.43

 

CMYK 4 / 0 / 4 / 45

HEX #878D87

RGB 135 141 135

HSL 120, 0.03%, 0.54%

LAB 57.99, -3.38, 2.43

 

CMYK 42 / 69 / 0 / 18

HEX #7941D2

RGB 121 65 210

HSL 263.17, 0.62%, 0.54%

LAB 42, 54.23, -66

 

CMYK 24 / 69 / 0 / 18

HEX #A041D2

RGB 160 65 210

HSL 279.31, 0.62%, 0.54%

LAB 46.85, 61.86, -57.91

 

CMYK 6 / 69 / 0 / 18

HEX #C641D2

RGB 198 65 210

HSL 295.03, 0.62%, 0.54%

LAB 52.33, 69.93, -48.83

 

CMYK 0 / 69 / 12 / 18

HEX #D241B8

RGB 210 65 184

HSL 310.76, 0.62%, 0.54%

LAB 52.89, 68.55, -32.84

 

CMYK 0 / 69 / 31 / 18

HEX #D24191

RGB 210 65 145

HSL 326.9, 0.62%, 0.54%

LAB 51.3, 63.39, -12.33

 

CMYK 6 / 76 / 0 / 39

HEX #92259C

RGB 146 37 156

HSL 294.96, 0.62%, 0.38%

LAB 37.54, 59.06, -41.17

 

CMYK 6 / 77 / 0 / 25

HEX #B22CBE

RGB 178 44 190

HSL 295.07, 0.62%, 0.46%

LAB 45.61, 69.31, -48.18

 

CMYK 5 / 69 / 0 / 18

HEX #C741D2

RGB 199 65 210

HSL 295.45, 0.62%, 0.54%

LAB 52.48, 70.15, -48.58

 

CMYK 5 / 55 / 0 / 15

HEX #D062DA

RGB 208 98 218

HSL 295, 0.62%, 0.62%

LAB 59.17, 59.95, -42.45

 

CMYK 4 / 42 / 0 / 11

HEX #DA84E2

RGB 218 132 226

HSL 294.89, 0.62%, 0.7%

LAB 67.2, 47.39, -34.27

 

CMYK 6 / 70 / 0 / 18

HEX #C63FD2

RGB 198 63 210

HSL 295.1, 0.62%, 0.54%

LAB 52.08, 70.65, -49.23

 

CMYK 0 / 61 / 69 / 18

HEX #D25241

RGB 210 82 65

HSL 7.03, 0.62%, 0.54%

LAB 51.97, 49.52, 36.04

 

CMYK 69 / 0 / 33 / 18

HEX #41D28C

RGB 65 210 140

HSL 151.03, 0.62%, 0.54%

LAB 75.52, -54.2, 23.84

 

CMYK 6 / 70 / 0 / 18

HEX #C63FD2

RGB 198 63 210

HSL 295.1, 0.62%, 0.54%

LAB 52.08, 70.65, -49.23

 

CMYK 0 / 6 / 69 / 18

HEX #D2C641

RGB 210 198 65

HSL 55.03, 0.62%, 0.54%

LAB 78.74, -10.93, 64.86

 

CMYK 69 / 0 / 6 / 18

HEX #41D2C6

RGB 65 210 198

HSL 175.03, 0.62%, 0.54%

LAB 76.86, -40.44, -5.19

 

CMYK 6 / 70 / 0 / 18

HEX #C63FD2

RGB 198 63 210

HSL 295.1, 0.62%, 0.54%

LAB 52.08, 70.65, -49.23

 

CMYK 0 / 61 / 69 / 18

HEX #D25241

RGB 210 82 65

HSL 7.03, 0.62%, 0.54%

LAB 51.97, 49.52, 36.04

 

CMYK 63 / 0 / 69 / 18

HEX #4DD241

RGB 77 210 65

HSL 115.03, 0.62%, 0.54%

LAB 74.86, -62.7, 58.55

 

CMYK 69 / 8 / 0 / 18

HEX #41C1D2

RGB 65 193 210

HSL 187.03, 0.62%, 0.54%

LAB 72.17, -29.05, -18.69

 

CMYK 6 / 70 / 0 / 18

HEX #C63FD2

RGB 198 63 210

HSL 295.1, 0.62%, 0.54%

LAB 52.08, 70.65, -49.23

 

CMYK 0 / 40 / 69 / 18

HEX #D27E41

RGB 210 126 65

HSL 25.24, 0.62%, 0.54%

LAB 60.79, 27.39, 46.07

 

CMYK 63 / 0 / 69 / 18

HEX #4DD241

RGB 77 210 65

HSL 115.03, 0.62%, 0.54%

LAB 74.86, -62.7, 58.55

 

CMYK 69 / 29 / 0 / 18

HEX #4196D2

RGB 65 150 210

HSL 204.83, 0.62%, 0.54%

LAB 59.52, -6.35, -38.2

 

Description

Color code: HEX #C63FD2 | qconv.com Color code: HEX #C63FD2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 63 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 63 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 70 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 70% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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