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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63CF8 it is the complementary color #39C307. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63CF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63CF8 shade: #CB3CF3, #DC4EFF, #ED60FF, #FE72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63CF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63CF8 shade: #C63CF8, #B52AE5, #A418D2, #9306BF and #8200AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63CF8 shade: #C53AF8, #F83AF7, #F83AC4, #F83A91 and #F83A5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63CF8 shade: #C53AF8, #923AF8, #5F3AF8 and #3A3AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63CF8 shade matches the following richer shades: #C53AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63CF8 shade: #C53AF8, #BE4BE7, #B65BD7, #AE6CC6 and #A67CB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63CF8 shade: #603AF8, #933AF8, #C53AF8, #F83AF8 and #F83AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63CF8 shade: #A008D8, #BA12F6, #C53AF8, #D162F9 and #DD8AFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63CF8 shade: #C63CF8, #F83A47 and #3AF879

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63CF8 shade: #C63CF8, #F8C53A and #3AF8C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63CF8 shade: #C63CF8, #F83A47, #6DF83A and #3AF8EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63CF8 shade: #C63CF8, #F8663A, #6DF83A and #3ACCF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 76 / 0 / 3

HEX #C63CF8

RGB 198 60 248

HSL 284.04, 0.93%, 0.6%

LAB 54.04, 78.47, -67.52

 

Complementary color

CMYK 71 / 0 / 96 / 24

HEX #39C307

RGB 57 195 7

HSL 104.04, 0.93%, 0.4%

LAB 69.41, -64.72, 67.96

 

CMYK 16 / 75 / 0 / 5

HEX #CB3CF3

RGB 203 60 243

HSL 286.89, 0.88%, 0.59%

LAB 54.45, 78.45, -64.04

 

CMYK 14 / 69 / 0 / 0

HEX #DC4EFF

RGB 220 78 255

HSL 288.14, 1%, 0.65%

LAB 59.78, 77.75, -62

 

CMYK 7 / 62 / 0 / 0

HEX #ED60FF

RGB 237 96 255

HSL 293.21, 1%, 0.69%

LAB 64.64, 74.47, -54.13

 

CMYK 0 / 55 / 0 / 0

HEX #FE72FF

RGB 254 114 255

HSL 299.57, 1%, 0.72%

LAB 69.7, 70.98, -45.98

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 20 / 76 / 0 / 3

HEX #C63CF8

RGB 198 60 248

HSL 284.04, 0.93%, 0.6%

LAB 54.04, 78.47, -67.52

 

CMYK 21 / 82 / 0 / 10

HEX #B52AE5

RGB 181 42 229

HSL 284.6, 0.78%, 0.53%

LAB 48.43, 77.31, -66.04

 

CMYK 22 / 89 / 0 / 18

HEX #A418D2

RGB 164 24 210

HSL 285.16, 0.79%, 0.46%

LAB 43.06, 75.2, -64.01

 

CMYK 23 / 97 / 0 / 25

HEX #9306BF

RGB 147 6 191

HSL 285.73, 0.94%, 0.39%

LAB 38.01, 71.85, -61.28

 

CMYK 24 / 100 / 0 / 33

HEX #8200AC

RGB 130 0 172

HSL 285.35, 1%, 0.34%

LAB 33.4, 66.84, -57.64

 

CMYK 21 / 77 / 0 / 3

HEX #C53AF8

RGB 197 58 248

HSL 283.89, 0.93%, 0.6%

LAB 53.68, 78.93, -68.12

 

CMYK 0 / 77 / 0 / 3

HEX #F83AF7

RGB 248 58 247

HSL 300.32, 0.93%, 0.6%

LAB 61.39, 88.09, -54.76

 

CMYK 0 / 77 / 21 / 3

HEX #F83AC4

RGB 248 58 196

HSL 316.42, 0.93%, 0.6%

LAB 58.94, 81.1, -29.86

 

CMYK 0 / 77 / 42 / 3

HEX #F83A91

RGB 248 58 145

HSL 332.53, 0.93%, 0.6%

LAB 57.1, 75.57, -2.98

 

CMYK 0 / 77 / 62 / 3

HEX #F83A5E

RGB 248 58 94

HSL 348.63, 0.93%, 0.6%

LAB 55.88, 71.76, 25.56

 

CMYK 21 / 77 / 0 / 3

HEX #C53AF8

RGB 197 58 248

HSL 283.89, 0.93%, 0.6%

LAB 53.68, 78.93, -68.12

 

CMYK 41 / 77 / 0 / 3

HEX #923AF8

RGB 146 58 248

HSL 267.79, 0.93%, 0.6%

LAB 46.86, 70.65, -79.51

 

CMYK 62 / 77 / 0 / 3

HEX #5F3AF8

RGB 95 58 248

HSL 251.68, 0.93%, 0.6%

LAB 41.59, 64.14, -88.37

 

CMYK 77 / 77 / 0 / 3

HEX #3A3AF8

RGB 58 58 248

HSL 240, 0.93%, 0.6%

LAB 39.08, 60.99, -92.61

 

CMYK 21 / 77 / 0 / 3

HEX #C53AF8

RGB 197 58 248

HSL 283.89, 0.93%, 0.6%

LAB 53.68, 78.93, -68.12

 

CMYK 21 / 77 / 0 / 3

HEX #C53AF8

RGB 197 58 248

HSL 283.89, 0.93%, 0.6%

LAB 53.68, 78.93, -68.12

 

CMYK 18 / 68 / 0 / 9

HEX #BE4BE7

RGB 190 75 231

HSL 284.23, 0.76%, 0.6%

LAB 53.76, 68.22, -58.52

 

CMYK 15 / 58 / 0 / 16

HEX #B65BD7

RGB 182 91 215

HSL 284.03, 0.61%, 0.6%

LAB 54.38, 56.04, -48.55

 

CMYK 12 / 45 / 0 / 22

HEX #AE6CC6

RGB 174 108 198

HSL 284, 0.44%, 0.6%

LAB 55.89, 41.6, -36.56

 

CMYK 9 / 32 / 0 / 29

HEX #A67CB6

RGB 166 124 182

HSL 283.45, 0.28%, 0.6%

LAB 57.94, 26.85, -24.31

 

CMYK 61 / 77 / 0 / 3

HEX #603AF8

RGB 96 58 248

HSL 252, 0.93%, 0.6%

LAB 41.67, 64.24, -88.23

 

CMYK 41 / 77 / 0 / 3

HEX #933AF8

RGB 147 58 248

HSL 268.11, 0.93%, 0.6%

LAB 46.98, 70.79, -79.31

 

CMYK 21 / 77 / 0 / 3

HEX #C53AF8

RGB 197 58 248

HSL 283.89, 0.93%, 0.6%

LAB 53.68, 78.93, -68.12

 

CMYK 0 / 77 / 0 / 3

HEX #F83AF8

RGB 248 58 248

HSL 300, 0.93%, 0.6%

LAB 61.45, 88.24, -55.23

 

CMYK 0 / 77 / 21 / 3

HEX #F83AC5

RGB 248 58 197

HSL 316.11, 0.93%, 0.6%

LAB 58.99, 81.22, -30.37

 

CMYK 26 / 96 / 0 / 15

HEX #A008D8

RGB 160 8 216

HSL 283.85, 0.93%, 0.44%

LAB 42.16, 77.9, -68.96

 

CMYK 24 / 93 / 0 / 4

HEX #BA12F6

RGB 186 18 246

HSL 284.21, 0.93%, 0.52%

LAB 48.92, 85.6, -74.81

 

CMYK 21 / 77 / 0 / 3

HEX #C53AF8

RGB 197 58 248

HSL 283.89, 0.93%, 0.6%

LAB 53.68, 78.93, -68.12

 

CMYK 16 / 61 / 0 / 2

HEX #D162F9

RGB 209 98 249

HSL 284.11, 0.93%, 0.68%

LAB 60.9, 66.06, -56.99

 

CMYK 12 / 45 / 0 / 2

HEX #DD8AFB

RGB 221 138 251

HSL 284.07, 0.93%, 0.76%

LAB 69.83, 49.99, -43.87

 

CMYK 20 / 76 / 0 / 3

HEX #C63CF8

RGB 198 60 248

HSL 284.04, 0.93%, 0.6%

LAB 54.04, 78.47, -67.52

 

CMYK 0 / 77 / 71 / 3

HEX #F83A47

RGB 248 58 71

HSL 355.89, 0.93%, 0.6%

LAB 55.52, 70.62, 38.49

 

CMYK 77 / 0 / 51 / 3

HEX #3AF879

RGB 58 248 121

HSL 139.89, 0.93%, 0.6%

LAB 86.71, -71.92, 47.75

 

CMYK 20 / 76 / 0 / 3

HEX #C63CF8

RGB 198 60 248

HSL 284.04, 0.93%, 0.6%

LAB 54.04, 78.47, -67.52

 

CMYK 0 / 21 / 77 / 3

HEX #F8C53A

RGB 248 197 58

HSL 43.89, 0.93%, 0.6%

LAB 81.94, 5.41, 71.69

 

CMYK 77 / 0 / 21 / 3

HEX #3AF8C5

RGB 58 248 197

HSL 163.89, 0.93%, 0.6%

LAB 88, -57.45, 11.48

 

CMYK 20 / 76 / 0 / 3

HEX #C63CF8

RGB 198 60 248

HSL 284.04, 0.93%, 0.6%

LAB 54.04, 78.47, -67.52

 

CMYK 0 / 77 / 71 / 3

HEX #F83A47

RGB 248 58 71

HSL 355.89, 0.93%, 0.6%

LAB 55.52, 70.62, 38.49

 

CMYK 56 / 0 / 77 / 3

HEX #6DF83A

RGB 109 248 58

HSL 103.89, 0.93%, 0.6%

LAB 87.33, -68.73, 73.72

 

CMYK 77 / 0 / 5 / 3

HEX #3AF8EB

RGB 58 248 235

HSL 175.89, 0.93%, 0.6%

LAB 88.94, -47.86, -6.93

 

CMYK 20 / 76 / 0 / 3

HEX #C63CF8

RGB 198 60 248

HSL 284.04, 0.93%, 0.6%

LAB 54.04, 78.47, -67.52

 

CMYK 0 / 59 / 77 / 3

HEX #F8663A

RGB 248 102 58

HSL 13.89, 0.93%, 0.6%

LAB 61.45, 53.61, 51.85

 

CMYK 56 / 0 / 77 / 3

HEX #6DF83A

RGB 109 248 58

HSL 103.89, 0.93%, 0.6%

LAB 87.33, -68.73, 73.72

 

CMYK 77 / 18 / 0 / 3

HEX #3ACCF8

RGB 58 204 248

HSL 193.89, 0.93%, 0.6%

LAB 76.6, -23.55, -32.46

 

Description

Color code: HEX #C63CF8 | qconv.com Color code: HEX #C63CF8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 60 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 60 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 76 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 76% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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