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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63ABC it is the complementary color #39C543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63ABC shade: #CB3AB7, #DC4CCA, #ED5EDD, #FE70F0 and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63ABC shade: #C63ABC, #B528A9, #A41696, #930483 and #820070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63ABC shade: #C639BC, #C63996, #C63970, #C6394A and #C63939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63ABC shade: #C639BC, #AA39C6, #8439C6, #5E39C6 and #3939C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63ABC shade matches the following richer shades: #C639BC, #DA25CD and #EF10DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63ABC shade: #C639BC, #B14EAA, #9C6398, #887787 and #738C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63ABC shade: #8439C6, #AA39C6, #C639BC, #C63997 and #C63971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63ABC shade: #86277F, #A6309D, #C639BC, #CF59C7 and #D879D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63ABC shade: #C63ABC, #C65F39 and #39C697

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63ABC shade: #C63ABC, #BCC639 and #39BCC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63ABC shade: #C63ABC, #C65F39, #39C643 and #39A0C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63ABC shade: #C63ABC, #C68939, #39C643 and #3976C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 5 / 22

HEX #C63ABC

RGB 198 58 188

HSL 304.29, 0.55%, 0.5%

LAB 50.29, 68.78, -39.38

 

Complementary color

CMYK 71 / 0 / 66 / 23

HEX #39C543

RGB 57 197 67

HSL 124.29, 0.55%, 0.5%

LAB 70.32, -62.01, 52.76

 

CMYK 0 / 71 / 10 / 20

HEX #CB3AB7

RGB 203 58 183

HSL 308.28, 0.58%, 0.51%

LAB 50.85, 69.16, -35.53

 

CMYK 0 / 65 / 8 / 14

HEX #DC4CCA

RGB 220 76 202

HSL 307.5, 0.67%, 0.58%

LAB 56.73, 69.62, -37.08

 

CMYK 0 / 60 / 7 / 7

HEX #ED5EDD

RGB 237 94 221

HSL 306.71, 0.8%, 0.65%

LAB 62.7, 69.65, -38.3

 

CMYK 0 / 56 / 6 / 0

HEX #FE70F0

RGB 254 112 240

HSL 305.92, 0.99%, 0.72%

LAB 68.72, 69.4, -39.29

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 71 / 5 / 22

HEX #C63ABC

RGB 198 58 188

HSL 304.29, 0.55%, 0.5%

LAB 50.29, 68.78, -39.38

 

CMYK 0 / 78 / 7 / 29

HEX #B528A9

RGB 181 40 169

HSL 305.11, 0.64%, 0.43%

LAB 44.53, 67.7, -37.5

 

CMYK 0 / 87 / 9 / 36

HEX #A41696

RGB 164 22 150

HSL 305.92, 0.76%, 0.36%

LAB 39.02, 65.62, -35

 

CMYK 0 / 97 / 11 / 42

HEX #930483

RGB 147 4 131

HSL 306.71, 0.95%, 0.3%

LAB 33.83, 62.27, -31.71

 

CMYK 0 / 100 / 14 / 49

HEX #820070

RGB 130 0 112

HSL 308.31, 1%, 0.25%

LAB 29.2, 56.92, -27.24

 

CMYK 0 / 71 / 5 / 22

HEX #C639BC

RGB 198 57 188

HSL 304.26, 0.55%, 0.5%

LAB 50.17, 69.12, -39.57

 

CMYK 0 / 71 / 24 / 22

HEX #C63996

RGB 198 57 150

HSL 320.43, 0.55%, 0.5%

LAB 48.43, 63.69, -19.87

 

CMYK 0 / 71 / 43 / 22

HEX #C63970

RGB 198 57 112

HSL 336.6, 0.55%, 0.5%

LAB 47.11, 59.39, 1.16

 

CMYK 0 / 71 / 63 / 22

HEX #C6394A

RGB 198 57 74

HSL 352.77, 0.55%, 0.5%

LAB 46.21, 56.37, 23.2

 

CMYK 0 / 71 / 71 / 22

HEX #C63939

RGB 198 57 57

HSL 0, 0.55%, 0.5%

LAB 45.94, 55.44, 33.02

 

CMYK 0 / 71 / 5 / 22

HEX #C639BC

RGB 198 57 188

HSL 304.26, 0.55%, 0.5%

LAB 50.17, 69.12, -39.57

 

CMYK 14 / 71 / 0 / 22

HEX #AA39C6

RGB 170 57 198

HSL 288.09, 0.55%, 0.5%

LAB 46.38, 64.75, -51.67

 

CMYK 33 / 71 / 0 / 22

HEX #8439C6

RGB 132 57 198

HSL 271.91, 0.55%, 0.5%

LAB 41.07, 57.1, -60.5

 

CMYK 53 / 71 / 0 / 22

HEX #5E39C6

RGB 94 57 198

HSL 255.74, 0.55%, 0.5%

LAB 36.71, 50.43, -67.8

 

CMYK 71 / 71 / 0 / 22

HEX #3939C6

RGB 57 57 198

HSL 240, 0.55%, 0.5%

LAB 33.72, 45.56, -72.83

 

CMYK 0 / 71 / 5 / 22

HEX #C639BC

RGB 198 57 188

HSL 304.26, 0.55%, 0.5%

LAB 50.17, 69.12, -39.57

 

CMYK 0 / 83 / 6 / 15

HEX #DA25CD

RGB 218 37 205

HSL 304.31, 0.71%, 0.5%

LAB 52.55, 81.07, -45.42

 

CMYK 0 / 93 / 7 / 6

HEX #EF10DF

RGB 239 16 223

HSL 304.3, 0.87%, 0.5%

LAB 56.14, 90.26, -49.76

 

CMYK 0 / 71 / 5 / 22

HEX #C639BC

RGB 198 57 188

HSL 304.26, 0.55%, 0.5%

LAB 50.17, 69.12, -39.57

 

CMYK 0 / 56 / 4 / 31

HEX #B14EAA

RGB 177 78 170

HSL 304.24, 0.39%, 0.5%

LAB 49.13, 52.41, -30.91

 

CMYK 0 / 37 / 3 / 39

HEX #9C6398

RGB 156 99 152

HSL 304.21, 0.22%, 0.5%

LAB 49.81, 31.67, -19.47

 

CMYK 0 / 13 / 1 / 47

HEX #887787

RGB 136 119 135

HSL 303.53, 0.07%, 0.5%

LAB 52.04, 9.6, -6.3

 

CMYK 18 / 0 / 16 / 45

HEX #738C75

RGB 115 140 117

HSL 124.8, 0.1%, 0.5%

LAB 55.77, -13.66, 9.37

 

CMYK 33 / 71 / 0 / 22

HEX #8439C6

RGB 132 57 198

HSL 271.91, 0.55%, 0.5%

LAB 41.07, 57.1, -60.5

 

CMYK 14 / 71 / 0 / 22

HEX #AA39C6

RGB 170 57 198

HSL 288.09, 0.55%, 0.5%

LAB 46.38, 64.75, -51.67

 

CMYK 0 / 71 / 5 / 22

HEX #C639BC

RGB 198 57 188

HSL 304.26, 0.55%, 0.5%

LAB 50.17, 69.12, -39.57

 

CMYK 0 / 71 / 24 / 22

HEX #C63997

RGB 198 57 151

HSL 320, 0.55%, 0.5%

LAB 48.47, 63.82, -20.41

 

CMYK 0 / 71 / 43 / 22

HEX #C63971

RGB 198 57 113

HSL 336.17, 0.55%, 0.5%

LAB 47.14, 59.49, 0.59

 

CMYK 0 / 71 / 5 / 47

HEX #86277F

RGB 134 39 127

HSL 304.42, 0.55%, 0.34%

LAB 34.09, 50.57, -28.96

 

CMYK 0 / 71 / 5 / 35

HEX #A6309D

RGB 166 48 157

HSL 304.58, 0.55%, 0.42%

LAB 42.24, 59.95, -34.11

 

CMYK 0 / 71 / 5 / 22

HEX #C639BC

RGB 198 57 188

HSL 304.26, 0.55%, 0.5%

LAB 50.17, 69.12, -39.57

 

CMYK 0 / 57 / 4 / 19

HEX #CF59C7

RGB 207 89 199

HSL 304.07, 0.55%, 0.58%

LAB 56.62, 60.47, -35.68

 

CMYK 0 / 44 / 3 / 15

HEX #D879D1

RGB 216 121 209

HSL 304.42, 0.55%, 0.66%

LAB 64.06, 49.35, -29.68

 

CMYK 0 / 71 / 5 / 22

HEX #C63ABC

RGB 198 58 188

HSL 304.29, 0.55%, 0.5%

LAB 50.29, 68.78, -39.38

 

CMYK 0 / 52 / 71 / 22

HEX #C65F39

RGB 198 95 57

HSL 16.17, 0.55%, 0.5%

LAB 52.38, 38.42, 40.37

 

CMYK 71 / 0 / 24 / 22

HEX #39C697

RGB 57 198 151

HSL 160, 0.55%, 0.5%

LAB 71.89, -48.26, 12.95

 

CMYK 0 / 71 / 5 / 22

HEX #C63ABC

RGB 198 58 188

HSL 304.29, 0.55%, 0.5%

LAB 50.29, 68.78, -39.38

 

CMYK 5 / 0 / 71 / 22

HEX #BCC639

RGB 188 198 57

HSL 64.26, 0.55%, 0.5%

LAB 76.91, -20.61, 65.39

 

CMYK 71 / 5 / 0 / 22

HEX #39BCC6

RGB 57 188 198

HSL 184.26, 0.55%, 0.5%

LAB 70.12, -31.27, -15.27

 

CMYK 0 / 71 / 5 / 22

HEX #C63ABC

RGB 198 58 188

HSL 304.29, 0.55%, 0.5%

LAB 50.29, 68.78, -39.38

 

CMYK 0 / 52 / 71 / 22

HEX #C65F39

RGB 198 95 57

HSL 16.17, 0.55%, 0.5%

LAB 52.38, 38.42, 40.37

 

CMYK 71 / 0 / 66 / 22

HEX #39C643

RGB 57 198 67

HSL 124.26, 0.55%, 0.5%

LAB 70.64, -62.34, 53.1

 

CMYK 71 / 19 / 0 / 22

HEX #39A0C6

RGB 57 160 198

HSL 196.17, 0.55%, 0.5%

LAB 61.73, -17.05, -28.06

 

CMYK 0 / 71 / 5 / 22

HEX #C63ABC

RGB 198 58 188

HSL 304.29, 0.55%, 0.5%

LAB 50.29, 68.78, -39.38

 

CMYK 0 / 31 / 71 / 22

HEX #C68939

RGB 198 137 57

HSL 34.04, 0.55%, 0.5%

LAB 61.82, 15.89, 50.54

 

CMYK 71 / 0 / 66 / 22

HEX #39C643

RGB 57 198 67

HSL 124.26, 0.55%, 0.5%

LAB 70.64, -62.34, 53.1

 

CMYK 71 / 40 / 0 / 22

HEX #3976C6

RGB 57 118 198

HSL 214.04, 0.55%, 0.5%

LAB 49.38, 7.22, -47.44

 

Description

Color code: HEX #C63ABC | qconv.com Color code: HEX #C63ABC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 58 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 58 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 5 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 5% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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