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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63862 it is the complementary color #39C79D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63862. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C63862 shade: #CB385D, #DC4A70, #ED5C83, #FE6E96 and #FF80A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63862. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C63862 shade: #C63862, #B5264F, #A4143C, #930229 and #820016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C63862 shade: #C73862, #C7383C and #C73838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C63862 shade: #C73862, #C73889, #C738AF, #B838C7 and #9138C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C63862 shade matches the following richer shades: #C73862, #DC235A and #F00F51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C63862 shade: #C73862, #B24D6B, #9E6173, #89767C and #748B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C63862 shade: #C738AF, #C73889, #C73863, #C7383D and #C75938

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C63862 shade: #872643, #A72F52, #C73862, #D0587C and #D97895

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C63862 shade: #C63862, #C7B938 and #389CC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C63862 shade: #C63862, #63C738 and #3863C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C63862 shade: #C63862, #C7B938, #38C79C and #3846C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C63862 shade: #C63862, #AAC738, #38C79C and #5538C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 51 / 22

HEX #C63862

RGB 198 56 98

HSL 342.25, 0.56%, 0.5%

LAB 46.6, 58.48, 9.02

 

Complementary color

CMYK 71 / 0 / 21 / 22

HEX #39C79D

RGB 57 199 157

HSL 162.25, 0.56%, 0.5%

LAB 72.33, -47.26, 10.34

 

CMYK 0 / 72 / 54 / 20

HEX #CB385D

RGB 203 56 93

HSL 344.9, 0.59%, 0.51%

LAB 47.39, 59.55, 13.32

 

CMYK 0 / 66 / 49 / 14

HEX #DC4A70

RGB 220 74 112

HSL 344.38, 0.68%, 0.58%

LAB 53.26, 59.48, 10.47

 

CMYK 0 / 61 / 45 / 7

HEX #ED5C83

RGB 237 92 131

HSL 343.86, 0.8%, 0.65%

LAB 59.25, 59.04, 8.12

 

CMYK 0 / 57 / 41 / 0

HEX #FE6E96

RGB 254 110 150

HSL 343.33, 0.99%, 0.71%

LAB 65.3, 58.39, 6.15

 

CMYK 0 / 50 / 34 / 0

HEX #FF80A9

RGB 255 128 169

HSL 340.63, 1%, 0.75%

LAB 69.16, 52.41, 0.99

 

CMYK 0 / 72 / 51 / 22

HEX #C63862

RGB 198 56 98

HSL 342.25, 0.56%, 0.5%

LAB 46.6, 58.48, 9.02

 

CMYK 0 / 79 / 56 / 29

HEX #B5264F

RGB 181 38 79

HSL 342.8, 0.65%, 0.43%

LAB 40.86, 57.97, 12.37

 

CMYK 0 / 88 / 63 / 36

HEX #A4143C

RGB 164 20 60

HSL 343.33, 0.78%, 0.36%

LAB 35.44, 56.51, 16.62

 

CMYK 0 / 99 / 72 / 42

HEX #930229

RGB 147 2 41

HSL 343.86, 0.97%, 0.29%

LAB 30.42, 53.89, 21.86

 

CMYK 0 / 100 / 83 / 49

HEX #820016

RGB 130 0 22

HSL 349.85, 1%, 0.25%

LAB 26.17, 49.06, 28.28

 

CMYK 0 / 72 / 51 / 22

HEX #C73862

RGB 199 56 98

HSL 342.38, 0.56%, 0.5%

LAB 46.78, 58.78, 9.3

 

CMYK 0 / 72 / 70 / 22

HEX #C7383C

RGB 199 56 60

HSL 358.32, 0.56%, 0.5%

LAB 46.04, 56.26, 31.41

 

CMYK 0 / 72 / 72 / 22

HEX #C73838

RGB 199 56 56

HSL 0, 0.56%, 0.5%

LAB 45.98, 56.08, 33.69

 

CMYK 0 / 72 / 51 / 22

HEX #C73862

RGB 199 56 98

HSL 342.38, 0.56%, 0.5%

LAB 46.78, 58.78, 9.3

 

CMYK 0 / 72 / 31 / 22

HEX #C73889

RGB 199 56 137

HSL 326.01, 0.56%, 0.5%

LAB 47.98, 62.7, -12.73

 

CMYK 0 / 72 / 12 / 22

HEX #C738AF

RGB 199 56 175

HSL 310.07, 0.56%, 0.5%

LAB 49.58, 67.72, -32.9

 

CMYK 8 / 72 / 0 / 22

HEX #B838C7

RGB 184 56 199

HSL 293.71, 0.56%, 0.5%

LAB 48.44, 68.23, -48.84

 

CMYK 27 / 72 / 0 / 22

HEX #9138C7

RGB 145 56 199

HSL 277.34, 0.56%, 0.5%

LAB 42.72, 60.27, -58.33

 

CMYK 0 / 72 / 51 / 22

HEX #C73862

RGB 199 56 98

HSL 342.38, 0.56%, 0.5%

LAB 46.78, 58.78, 9.3

 

CMYK 0 / 84 / 59 / 14

HEX #DC235A

RGB 220 35 90

HSL 342.16, 0.73%, 0.5%

LAB 48.46, 69.87, 17.14

 

CMYK 0 / 94 / 66 / 6

HEX #F00F51

RGB 240 15 81

HSL 342.4, 0.88%, 0.5%

LAB 51.22, 77.27, 27.01

 

CMYK 0 / 72 / 51 / 22

HEX #C73862

RGB 199 56 98

HSL 342.38, 0.56%, 0.5%

LAB 46.78, 58.78, 9.3

 

CMYK 0 / 57 / 40 / 30

HEX #B24D6B

RGB 178 77 107

HSL 342.18, 0.4%, 0.5%

LAB 46.76, 44.06, 3.28

 

CMYK 0 / 39 / 27 / 38

HEX #9E6173

RGB 158 97 115

HSL 342.3, 0.24%, 0.5%

LAB 48.33, 27.22, 0.38

 

CMYK 0 / 14 / 9 / 46

HEX #89767C

RGB 137 118 124

HSL 341.05, 0.07%, 0.5%

LAB 51.53, 8.44, -0.57

 

CMYK 17 / 0 / 5 / 45

HEX #748B84

RGB 116 139 132

HSL 161.74, 0.09%, 0.5%

LAB 55.93, -9.71, 0.99

 

CMYK 0 / 72 / 12 / 22

HEX #C738AF

RGB 199 56 175

HSL 310.07, 0.56%, 0.5%

LAB 49.58, 67.72, -32.9

 

CMYK 0 / 72 / 31 / 22

HEX #C73889

RGB 199 56 137

HSL 326.01, 0.56%, 0.5%

LAB 47.98, 62.7, -12.73

 

CMYK 0 / 72 / 50 / 22

HEX #C73863

RGB 199 56 99

HSL 341.96, 0.56%, 0.5%

LAB 46.81, 58.86, 8.72

 

CMYK 0 / 72 / 69 / 22

HEX #C7383D

RGB 199 56 61

HSL 357.9, 0.56%, 0.5%

LAB 46.05, 56.31, 30.84

 

CMYK 0 / 55 / 72 / 22

HEX #C75938

RGB 199 89 56

HSL 13.85, 0.56%, 0.5%

LAB 51.35, 41.75, 39.79

 

CMYK 0 / 72 / 50 / 47

HEX #872643

RGB 135 38 67

HSL 342.06, 0.56%, 0.34%

LAB 31.68, 43.21, 5.95

 

CMYK 0 / 72 / 51 / 35

HEX #A72F52

RGB 167 47 82

HSL 342.5, 0.56%, 0.42%

LAB 39.34, 51.11, 7.96

 

CMYK 0 / 72 / 51 / 22

HEX #C73862

RGB 199 56 98

HSL 342.38, 0.56%, 0.5%

LAB 46.78, 58.78, 9.3

 

CMYK 0 / 58 / 40 / 18

HEX #D0587C

RGB 208 88 124

HSL 342, 0.56%, 0.58%

LAB 53.86, 50.79, 3.92

 

CMYK 0 / 45 / 31 / 15

HEX #D97895

RGB 217 120 149

HSL 342.06, 0.56%, 0.66%

LAB 61.96, 41.01, 1.24

 

CMYK 0 / 72 / 51 / 22

HEX #C63862

RGB 198 56 98

HSL 342.25, 0.56%, 0.5%

LAB 46.6, 58.48, 9.02

 

CMYK 0 / 7 / 72 / 22

HEX #C7B938

RGB 199 185 56

HSL 54.13, 0.56%, 0.5%

LAB 74.27, -9.42, 63.51

 

CMYK 72 / 22 / 0 / 22

HEX #389CC7

RGB 56 156 199

HSL 198.04, 0.56%, 0.5%

LAB 60.55, -14.69, -30.44

 

CMYK 0 / 72 / 51 / 22

HEX #C63862

RGB 198 56 98

HSL 342.25, 0.56%, 0.5%

LAB 46.6, 58.48, 9.02

 

CMYK 50 / 0 / 72 / 22

HEX #63C738

RGB 99 199 56

HSL 101.96, 0.56%, 0.5%

LAB 72.08, -53.93, 59.27

 

CMYK 72 / 50 / 0 / 22

HEX #3863C7

RGB 56 99 199

HSL 221.96, 0.56%, 0.5%

LAB 44.07, 19.44, -56.52

 

CMYK 0 / 72 / 51 / 22

HEX #C63862

RGB 198 56 98

HSL 342.25, 0.56%, 0.5%

LAB 46.6, 58.48, 9.02

 

CMYK 0 / 7 / 72 / 22

HEX #C7B938

RGB 199 185 56

HSL 54.13, 0.56%, 0.5%

LAB 74.27, -9.42, 63.51

 

CMYK 72 / 0 / 22 / 22

HEX #38C79C

RGB 56 199 156

HSL 161.96, 0.56%, 0.5%

LAB 72.29, -47.64, 10.81

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 0 / 72 / 51 / 22

HEX #C63862

RGB 198 56 98

HSL 342.25, 0.56%, 0.5%

LAB 46.6, 58.48, 9.02

 

CMYK 15 / 0 / 72 / 22

HEX #AAC738

RGB 170 199 56

HSL 72.17, 0.56%, 0.5%

LAB 75.87, -28.58, 64.29

 

CMYK 72 / 0 / 22 / 22

HEX #38C79C

RGB 56 199 156

HSL 161.96, 0.56%, 0.5%

LAB 72.29, -47.64, 10.81

 

CMYK 57 / 72 / 0 / 22

HEX #5538C7

RGB 85 56 199

HSL 252.17, 0.56%, 0.5%

LAB 35.76, 49.89, -69.98

 

Description

Color code: HEX #C63862 | qconv.com Color code: HEX #C63862 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 56 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 56 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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