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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6366B it is the complementary color #39C994. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6366B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C6366B: #CB3666, #DC4879, #ED5A8C, #FE6C9F and #FF7EB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6366B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C6366B: #C6366B, #B52458, #A41245, #930032 and #82001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

Complementary color

CMYK 72 / 0 / 26 / 21

HEX #39C994

RGB 57 201 148

HSL 157.92, 0.57%, 0.51%

LAB 72.75, -50.16, 15.76

 

CMYK 0 / 73 / 50 / 20

HEX #CB3666

RGB 203 54 102

HSL 340.67, 0.59%, 0.5%

LAB 47.36, 60.96, 7.76

 

CMYK 0 / 67 / 45 / 14

HEX #DC4879

RGB 220 72 121

HSL 340.14, 0.68%, 0.57%

LAB 53.2, 61.07, 5.01

 

CMYK 0 / 62 / 41 / 7

HEX #ED5A8C

RGB 237 90 140

HSL 339.59, 0.8%, 0.64%

LAB 59.17, 60.77, 2.75

 

CMYK 0 / 57 / 37 / 0

HEX #FE6C9F

RGB 254 108 159

HSL 339.04, 0.99%, 0.71%

LAB 65.2, 60.23, 0.87

 

CMYK 0 / 51 / 30 / 0

HEX #FF7EB2

RGB 255 126 178

HSL 335.81, 1%, 0.75%

LAB 69.04, 54.46, -4.25

 

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

CMYK 0 / 80 / 51 / 29

HEX #B52458

RGB 181 36 88

HSL 338.48, 0.67%, 0.43%

LAB 40.88, 59.23, 6.71

 

CMYK 0 / 89 / 58 / 36

HEX #A41245

RGB 164 18 69

HSL 339.04, 0.8%, 0.36%

LAB 35.51, 57.47, 10.86

 

CMYK 0 / 100 / 66 / 42

HEX #930032

RGB 147 0 50

HSL 339.59, 1%, 0.29%

LAB 30.48, 54.66, 15.98

 

CMYK 0 / 100 / 76 / 49

HEX #82001F

RGB 130 0 31

HSL 345.69, 1%, 0.25%

LAB 26.29, 49.38, 22.6

 

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

CMYK 0 / 73 / 57 / 23

HEX #C43554

RGB 196 53 84

HSL 346.99, 0.57%, 0.49%

LAB 45.53, 57.86, 16.1

 

CMYK 0 / 73 / 69 / 23

HEX #C4353C

RGB 196 53 60

HSL 357.06, 0.57%, 0.49%

LAB 45.09, 56.4, 30.15

 

CMYK 0 / 64 / 73 / 23

HEX #C44635

RGB 196 70 53

HSL 7.13, 0.57%, 0.49%

LAB 47.46, 49.36, 36.95

 

CMYK 0 / 52 / 73 / 23

HEX #C45E35

RGB 196 94 53

HSL 17.2, 0.57%, 0.49%

LAB 51.84, 37.95, 41.78

 

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

CMYK 0 / 73 / 46 / 2

HEX #F94487

RGB 249 68 135

HSL 337.79, 0.94%, 0.62%

LAB 58.06, 71.94, 4.33

 

CMYK 0 / 73 / 47 / 82

HEX #2D0C18

RGB 45 12 24

HSL 338.18, 0.58%, 0.11%

LAB 8.01, 18.44, 0.04

 

CMYK 0 / 73 / 46 / 62

HEX #601A34

RGB 96 26 52

HSL 337.71, 0.57%, 0.24%

LAB 21.85, 33.86, 0.99

 

CMYK 0 / 73 / 46 / 42

HEX #93284F

RGB 147 40 79

HSL 338.13, 0.57%, 0.37%

LAB 34.57, 47.35, 2.57

 

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

CMYK 0 / 13 / 73 / 23

HEX #C4AA35

RGB 196 170 53

HSL 49.09, 0.57%, 0.49%

LAB 69.99, -3.03, 60.38

 

CMYK 73 / 16 / 0 / 23

HEX #35A5C4

RGB 53 165 196

HSL 193.01, 0.57%, 0.49%

LAB 63.05, -20.88, -24.91

 

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

CMYK 45 / 0 / 73 / 23

HEX #6CC435

RGB 108 196 53

HSL 96.92, 0.57%, 0.49%

LAB 71.5, -50.26, 59.88

 

CMYK 73 / 45 / 0 / 23

HEX #356CC4

RGB 53 108 196

HSL 216.92, 0.57%, 0.49%

LAB 46.27, 12.18, -51.27

 

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

CMYK 0 / 13 / 73 / 23

HEX #C4AA35

RGB 196 170 53

HSL 49.09, 0.57%, 0.49%

LAB 69.99, -3.03, 60.38

 

CMYK 73 / 0 / 28 / 23

HEX #35C48D

RGB 53 196 141

HSL 156.92, 0.57%, 0.49%

LAB 70.98, -50.28, 17.04

 

CMYK 73 / 60 / 0 / 23

HEX #354FC4

RGB 53 79 196

HSL 229.09, 0.57%, 0.49%

LAB 38.44, 30.85, -63.93

 

CMYK 0 / 73 / 46 / 22

HEX #C6366B

RGB 198 54 107

HSL 337.92, 0.57%, 0.49%

LAB 46.59, 59.98, 3.47

 

CMYK 9 / 0 / 73 / 23

HEX #B3C435

RGB 179 196 53

HSL 67.13, 0.57%, 0.49%

LAB 75.65, -23.59, 65.34

 

CMYK 73 / 0 / 28 / 23

HEX #35C48D

RGB 53 196 141

HSL 156.92, 0.57%, 0.49%

LAB 70.98, -50.28, 17.04

 

CMYK 64 / 73 / 0 / 23

HEX #4635C4

RGB 70 53 196

HSL 247.13, 0.57%, 0.49%

LAB 33.63, 48.62, -71.76

 

Description

Color code: HEX #C6366B | qconv.com Color code: HEX #C6366B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 54 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 54 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 46 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 46% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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