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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C63663 it is the complementary color #39C99C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C63663. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C63663: #CB365E, #DC4871, #ED5A84, #FE6C97 and #FF7EAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C63663. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C63663: #C63663, #B52450, #A4123D, #93002A and #820017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Complementary color

CMYK 72 / 0 / 22 / 21

HEX #39C99C

RGB 57 201 156

HSL 161.25, 0.57%, 0.51%

LAB 72.92, -48.32, 11.71

 

CMYK 0 / 73 / 54 / 20

HEX #CB365E

RGB 203 54 94

HSL 343.89, 0.59%, 0.5%

LAB 47.16, 60.32, 12.4

 

CMYK 0 / 67 / 49 / 14

HEX #DC4871

RGB 220 72 113

HSL 343.38, 0.68%, 0.57%

LAB 53, 60.35, 9.5

 

CMYK 0 / 62 / 44 / 7

HEX #ED5A84

RGB 237 90 132

HSL 342.86, 0.8%, 0.64%

LAB 58.96, 59.98, 7.12

 

CMYK 0 / 57 / 41 / 0

HEX #FE6C97

RGB 254 108 151

HSL 342.33, 0.99%, 0.71%

LAB 64.99, 59.39, 5.13

 

CMYK 0 / 51 / 33 / 0

HEX #FF7EAA

RGB 255 126 170

HSL 339.53, 1%, 0.75%

LAB 68.81, 53.49, -0.08

 

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Pantone® 7635 C

CMYK 0 / 80 / 56 / 29

HEX #B52450

RGB 181 36 80

HSL 341.79, 0.67%, 0.43%

LAB 40.68, 58.61, 11.49

 

CMYK 0 / 89 / 63 / 36

HEX #A4123D

RGB 164 18 61

HSL 342.33, 0.8%, 0.36%

LAB 35.33, 56.95, 15.82

 

CMYK 0 / 100 / 71 / 42

HEX #93002A

RGB 147 0 42

HSL 342.86, 1%, 0.29%

LAB 30.33, 54.24, 21.1

 

CMYK 0 / 100 / 82 / 49

HEX #820017

RGB 130 0 23

HSL 349.38, 1%, 0.25%

LAB 26.18, 49.09, 27.66

 

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Pantone® 7635 C

CMYK 0 / 73 / 62 / 23

HEX #C4354B

RGB 196 53 75

HSL 350.77, 0.57%, 0.49%

LAB 45.35, 57.25, 21.39

 

CMYK 0 / 71 / 73 / 23

HEX #C43835

RGB 196 56 53

HSL 1.26, 0.57%, 0.49%

LAB 45.39, 54.99, 34.6

 

CMYK 0 / 60 / 73 / 23

HEX #C44F35

RGB 196 79 53

HSL 10.91, 0.57%, 0.49%

LAB 48.99, 45.3, 38.65

 

CMYK 0 / 47 / 73 / 23

HEX #C46735

RGB 196 103 53

HSL 20.98, 0.57%, 0.49%

LAB 53.7, 33.28, 43.79

 

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Pantone® 7635 C

CMYK 0 / 73 / 50 / 2

HEX #F9447D

RGB 249 68 125

HSL 341.1, 0.94%, 0.62%

LAB 57.8, 71.1, 9.87

 

CMYK 0 / 73 / 49 / 82

HEX #2D0C17

RGB 45 12 23

HSL 340, 0.58%, 0.11%

LAB 7.97, 18.3, 0.75

 

CMYK 0 / 73 / 50 / 62

HEX #601A30

RGB 96 26 48

HSL 341.14, 0.57%, 0.24%

LAB 21.72, 33.42, 3.59

 

CMYK 0 / 73 / 50 / 42

HEX #93284A

RGB 147 40 74

HSL 340.93, 0.57%, 0.37%

LAB 34.43, 46.87, 5.6

 

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Pantone® 7635 C

CMYK 0 / 9 / 73 / 23

HEX #C4B335

RGB 196 179 53

HSL 52.87, 0.57%, 0.49%

LAB 72.38, -7.75, 62.69

 

CMYK 73 / 21 / 0 / 23

HEX #359BC4

RGB 53 155 196

HSL 197.2, 0.57%, 0.49%

LAB 60.06, -15.56, -29.53

 

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Pantone® 7635 C

CMYK 50 / 0 / 73 / 23

HEX #62C435

RGB 98 196 53

HSL 101.12, 0.57%, 0.49%

LAB 71.1, -53.29, 59.34

 

CMYK 73 / 50 / 0 / 23

HEX #3562C4

RGB 53 98 196

HSL 221.12, 0.57%, 0.49%

LAB 43.47, 18.56, -55.76

 

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Pantone® 7635 C

CMYK 0 / 9 / 73 / 23

HEX #C4B335

RGB 196 179 53

HSL 52.87, 0.57%, 0.49%

LAB 72.38, -7.75, 62.69

 

CMYK 73 / 0 / 23 / 23

HEX #35C497

RGB 53 196 151

HSL 161.12, 0.57%, 0.49%

LAB 71.19, -47.99, 11.96

 

CMYK 73 / 64 / 0 / 23

HEX #3546C4

RGB 53 70 196

HSL 232.87, 0.57%, 0.49%

LAB 36.22, 36.58, -67.56

 

CMYK 0 / 73 / 50 / 22

HEX #C63663

RGB 198 54 99

HSL 341.25, 0.57%, 0.49%

LAB 46.37, 59.27, 8.08

Pantone® 7635 C

CMYK 13 / 0 / 73 / 23

HEX #AAC435

RGB 170 196 53

HSL 70.91, 0.57%, 0.49%

LAB 75, -27.3, 64.49

 

CMYK 73 / 0 / 23 / 23

HEX #35C497

RGB 53 196 151

HSL 161.12, 0.57%, 0.49%

LAB 71.19, -47.99, 11.96

 

CMYK 60 / 73 / 0 / 23

HEX #4F35C4

RGB 79 53 196

HSL 250.91, 0.57%, 0.49%

LAB 34.38, 49.76, -70.5

 

Description

Color code: HEX #C63663 | qconv.com Color code: HEX #C63663 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 54 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 54 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 50 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 50% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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