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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C635E7 it is the complementary color #39CA18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C635E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C635E7 shade: #CB35E2, #DC47F5, #ED59FF, #FE6BFF and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C635E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C635E7 shade: #C635E7, #B523D4, #A411C1, #9300AE and #82009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C635E7 shade: #C636E7, #E736D8, #E736A8, #E73678 and #E73649

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C635E7 shade: #C636E7, #9636E7, #6636E7, #3736E7 and #3636E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C635E7 shade matches the following richer shades: #C636E7 and #D224F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C635E7 shade: #C636E7, #BB48D5, #AF5AC3, #A46CB0 and #987E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C635E7 shade: #6536E7, #9436E7, #C336E7, #E736DB and #E736AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C635E7 shade: #9815B5, #B619DA, #C636E7, #D05BEB and #DB80F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C635E7 shade: #C635E7, #E73636 and #36E77D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C635E7 shade: #C635E7, #E7C336 and #36E7C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C635E7 shade: #C635E7, #E73636, #59E736 and #36E7E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C635E7 shade: #C635E7, #E76B36, #59E736 and #36B2E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 77 / 0 / 9

HEX #C635E7

RGB 198 53 231

HSL 288.88, 0.79%, 0.56%

LAB 52.2, 77.54, -60.96

 

Complementary color

CMYK 72 / 0 / 88 / 21

HEX #39CA18

RGB 57 202 24

HSL 108.88, 0.79%, 0.44%

LAB 71.67, -66.45, 67.44

 

CMYK 10 / 77 / 0 / 11

HEX #CB35E2

RGB 203 53 226

HSL 292.02, 0.75%, 0.55%

LAB 52.66, 77.6, -57.36

 

CMYK 10 / 71 / 0 / 4

HEX #DC47F5

RGB 220 71 245

HSL 291.38, 0.9%, 0.62%

LAB 58.33, 78.45, -58.78

 

CMYK 7 / 65 / 0 / 0

HEX #ED59FF

RGB 237 89 255

HSL 293.49, 1%, 0.67%

LAB 63.65, 77.22, -55.7

 

CMYK 0 / 58 / 0 / 0

HEX #FE6BFF

RGB 254 107 255

HSL 299.59, 1%, 0.71%

LAB 68.61, 73.96, -47.69

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 14 / 77 / 0 / 9

HEX #C635E7

RGB 198 53 231

HSL 288.88, 0.79%, 0.56%

LAB 52.2, 77.54, -60.96

 

CMYK 15 / 83 / 0 / 17

HEX #B523D4

RGB 181 35 212

HSL 289.49, 0.72%, 0.48%

LAB 46.68, 75.98, -59.17

 

CMYK 15 / 91 / 0 / 24

HEX #A411C1

RGB 164 17 193

HSL 290.11, 0.84%, 0.41%

LAB 41.44, 73.34, -56.76

 

CMYK 16 / 100 / 0 / 32

HEX #9300AE

RGB 147 0 174

HSL 290.69, 1%, 0.34%

LAB 36.48, 69.56, -53.7

 

CMYK 16 / 100 / 0 / 39

HEX #82009B

RGB 130 0 155

HSL 290.32, 1%, 0.3%

LAB 32.06, 63.77, -49.53

 

CMYK 14 / 77 / 0 / 9

HEX #C636E7

RGB 198 54 231

HSL 288.81, 0.79%, 0.56%

LAB 52.3, 77.24, -60.8

 

CMYK 0 / 77 / 6 / 9

HEX #E736D8

RGB 231 54 216

HSL 305.08, 0.79%, 0.56%

LAB 56.67, 81.23, -45.03

 

CMYK 0 / 77 / 27 / 9

HEX #E736A8

RGB 231 54 168

HSL 321.36, 0.79%, 0.56%

LAB 54.51, 74.93, -20.72

 

CMYK 0 / 77 / 48 / 9

HEX #E73678

RGB 231 54 120

HSL 337.63, 0.79%, 0.56%

LAB 52.93, 70.14, 5.47

 

CMYK 0 / 77 / 68 / 9

HEX #E73649

RGB 231 54 73

HSL 353.56, 0.79%, 0.56%

LAB 51.96, 67.07, 32.32

 

CMYK 14 / 77 / 0 / 9

HEX #C636E7

RGB 198 54 231

HSL 288.81, 0.79%, 0.56%

LAB 52.3, 77.24, -60.8

 

CMYK 35 / 77 / 0 / 9

HEX #9636E7

RGB 150 54 231

HSL 272.54, 0.79%, 0.56%

LAB 45.49, 68.93, -72.16

 

CMYK 56 / 77 / 0 / 9

HEX #6636E7

RGB 102 54 231

HSL 256.27, 0.79%, 0.56%

LAB 39.97, 62.09, -81.42

 

CMYK 76 / 77 / 0 / 9

HEX #3736E7

RGB 55 54 231

HSL 240.34, 0.79%, 0.56%

LAB 36.4, 57.58, -87.42

 

CMYK 77 / 77 / 0 / 9

HEX #3636E7

RGB 54 54 231

HSL 240, 0.79%, 0.56%

LAB 36.35, 57.51, -87.51

 

CMYK 14 / 77 / 0 / 9

HEX #C636E7

RGB 198 54 231

HSL 288.81, 0.79%, 0.56%

LAB 52.3, 77.24, -60.8

 

CMYK 16 / 86 / 0 / 2

HEX #D224F9

RGB 210 36 249

HSL 289.01, 0.95%, 0.56%

LAB 53.82, 86.75, -68.36

 

CMYK 14 / 77 / 0 / 9

HEX #C636E7

RGB 198 54 231

HSL 288.81, 0.79%, 0.56%

LAB 52.3, 77.24, -60.8

 

CMYK 12 / 66 / 0 / 16

HEX #BB48D5

RGB 187 72 213

HSL 288.94, 0.63%, 0.56%

LAB 51.84, 65.35, -51.41

 

CMYK 10 / 54 / 0 / 24

HEX #AF5AC3

RGB 175 90 195

HSL 288.57, 0.47%, 0.56%

LAB 52.25, 50.68, -40.56

 

CMYK 7 / 39 / 0 / 31

HEX #A46CB0

RGB 164 108 176

HSL 289.41, 0.3%, 0.56%

LAB 53.76, 33.99, -27.32

 

CMYK 4 / 20 / 0 / 38

HEX #987E9E

RGB 152 126 158

HSL 288.75, 0.14%, 0.56%

LAB 56.15, 15.97, -13.37

 

CMYK 56 / 77 / 0 / 9

HEX #6536E7

RGB 101 54 231

HSL 255.93, 0.79%, 0.56%

LAB 39.87, 61.97, -81.58

 

CMYK 36 / 77 / 0 / 9

HEX #9436E7

RGB 148 54 231

HSL 271.86, 0.79%, 0.56%

LAB 45.23, 68.61, -72.6

 

CMYK 16 / 77 / 0 / 9

HEX #C336E7

RGB 195 54 231

HSL 287.8, 0.79%, 0.56%

LAB 51.85, 76.69, -61.55

 

CMYK 0 / 77 / 5 / 9

HEX #E736DB

RGB 231 54 219

HSL 304.07, 0.79%, 0.56%

LAB 56.82, 81.67, -46.49

 

CMYK 0 / 77 / 26 / 9

HEX #E736AC

RGB 231 54 172

HSL 320, 0.79%, 0.56%

LAB 54.66, 75.41, -22.82

 

CMYK 16 / 88 / 0 / 29

HEX #9815B5

RGB 152 21 181

HSL 289.13, 0.79%, 0.4%

LAB 38.81, 68.68, -54.05

 

CMYK 17 / 89 / 0 / 15

HEX #B619DA

RGB 182 25 218

HSL 288.81, 0.79%, 0.48%

LAB 46.58, 79.15, -62.77

 

CMYK 14 / 77 / 0 / 9

HEX #C636E7

RGB 198 54 231

HSL 288.81, 0.79%, 0.56%

LAB 52.3, 77.24, -60.8

 

CMYK 11 / 61 / 0 / 8

HEX #D05BEB

RGB 208 91 235

HSL 288.75, 0.78%, 0.64%

LAB 58.87, 66.25, -52.45

 

CMYK 9 / 47 / 0 / 6

HEX #DB80F0

RGB 219 128 240

HSL 288.75, 0.79%, 0.72%

LAB 67.12, 52.39, -42.11

 

CMYK 14 / 77 / 0 / 9

HEX #C635E7

RGB 198 53 231

HSL 288.88, 0.79%, 0.56%

LAB 52.2, 77.54, -60.96

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 77 / 0 / 46 / 9

HEX #36E77D

RGB 54 231 125

HSL 144.07, 0.79%, 0.56%

LAB 81.52, -66.11, 39.33

 

CMYK 14 / 77 / 0 / 9

HEX #C635E7

RGB 198 53 231

HSL 288.88, 0.79%, 0.56%

LAB 52.2, 77.54, -60.96

 

CMYK 0 / 16 / 77 / 9

HEX #E7C336

RGB 231 195 54

HSL 47.8, 0.79%, 0.56%

LAB 79.78, -0.93, 70.45

 

CMYK 77 / 0 / 16 / 9

HEX #36E7C3

RGB 54 231 195

HSL 167.8, 0.79%, 0.56%

LAB 82.85, -51.54, 5.13

 

CMYK 14 / 77 / 0 / 9

HEX #C635E7

RGB 198 53 231

HSL 288.88, 0.79%, 0.56%

LAB 52.2, 77.54, -60.96

 

CMYK 0 / 77 / 77 / 9

HEX #E73636

RGB 231 54 54

HSL 0, 0.79%, 0.56%

LAB 51.72, 66.3, 42.87

 

CMYK 61 / 0 / 77 / 9

HEX #59E736

RGB 89 231 54

HSL 108.14, 0.79%, 0.56%

LAB 81.59, -67.94, 69.21

 

CMYK 77 / 0 / 0 / 9

HEX #36E7E7

RGB 54 231 231

HSL 180, 0.79%, 0.56%

LAB 83.81, -41.91, -12.46

 

CMYK 14 / 77 / 0 / 9

HEX #C635E7

RGB 198 53 231

HSL 288.88, 0.79%, 0.56%

LAB 52.2, 77.54, -60.96

 

CMYK 0 / 54 / 77 / 9

HEX #E76B36

RGB 231 107 54

HSL 17.97, 0.79%, 0.56%

LAB 59.68, 44.95, 51.13

 

CMYK 61 / 0 / 77 / 9

HEX #59E736

RGB 89 231 54

HSL 108.14, 0.79%, 0.56%

LAB 81.59, -67.94, 69.21

 

CMYK 77 / 23 / 0 / 9

HEX #36B2E7

RGB 54 178 231

HSL 197.97, 0.79%, 0.56%

LAB 68.31, -16.06, -36.1

 

Description

Color code: HEX #C635E7 | qconv.com Color code: HEX #C635E7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 53 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 53 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 77 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 77% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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