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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C62F91 it is the complementary color #39D06E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C62F91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C62F91 shade: #CB2F8C, #DC419F, #ED53B2, #FE65C5 and #FF77D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C62F91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C62F91 shade: #C62F91, #B51D7E, #A40B6B, #930058 and #820045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C62F91 shade: #C62F91, #C62F68, #C62F3F and #C62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C62F91 shade: #C62F91, #C62FBA, #AA2FC6, #812FC6 and #582FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C62F91 shade matches the following richer shades: #C62F91, #DA1B97 and #EE079D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C62F91 shade: #C62F91, #B2428B, #9F5685, #8B6A7F and #777E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C62F91 shade: #AA2FC6, #C62FBA, #C62F91, #C62F69 and #C62F40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C62F91 shade: #831F60, #A52779, #C62F91, #D44AA4 and #DC6BB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C62F91 shade: #C62F91, #C6822F and #2FC6BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C62F91 shade: #C62F91, #91C62F and #2F91C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C62F91 shade: #C62F91, #C6822F, #2FC664 and #2F73C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C62F91 shade: #C62F91, #C6B02F, #2FC664 and #2F45C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

Complementary color

CMYK 73 / 0 / 47 / 18

HEX #39D06E

RGB 57 208 110

HSL 141.06, 0.62%, 0.52%

LAB 74.26, -60.13, 37.52

 

CMYK 0 / 77 / 31 / 20

HEX #CB2F8C

RGB 203 47 140

HSL 324.23, 0.62%, 0.49%

LAB 47.78, 66.94, -14.77

 

CMYK 0 / 70 / 28 / 14

HEX #DC419F

RGB 220 65 159

HSL 323.61, 0.69%, 0.56%

LAB 53.49, 67.72, -17.15

 

CMYK 0 / 65 / 25 / 7

HEX #ED53B2

RGB 237 83 178

HSL 322.99, 0.81%, 0.63%

LAB 59.35, 67.94, -19.05

 

CMYK 0 / 60 / 22 / 0

HEX #FE65C5

RGB 254 101 197

HSL 322.35, 0.99%, 0.7%

LAB 65.29, 67.81, -20.6

 

CMYK 0 / 53 / 15 / 0

HEX #FF77D8

RGB 255 119 216

HSL 317.21, 1%, 0.73%

LAB 69.05, 62.88, -25.48

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 84 / 30 / 29

HEX #B51D7E

RGB 181 29 126

HSL 321.71, 0.72%, 0.41%

LAB 41.55, 64.71, -16.1

 

CMYK 0 / 93 / 35 / 36

HEX #A40B6B

RGB 164 11 107

HSL 322.35, 0.87%, 0.34%

LAB 36.35, 61.91, -12.41

 

CMYK 0 / 100 / 40 / 42

HEX #930058

RGB 147 0 88

HSL 324.08, 1%, 0.29%

LAB 31.6, 57.6, -7.69

 

CMYK 0 / 100 / 47 / 49

HEX #820045

RGB 130 0 69

HSL 328.15, 1%, 0.25%

LAB 27.23, 51.89, -1.94

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 76 / 47 / 22

HEX #C62F68

RGB 198 47 104

HSL 337.35, 0.62%, 0.48%

LAB 45.69, 62, 4.02

 

CMYK 0 / 76 / 68 / 22

HEX #C62F3F

RGB 198 47 63

HSL 353.64, 0.62%, 0.48%

LAB 44.8, 59.16, 28.07

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 76 / 6 / 22

HEX #C62FBA

RGB 198 47 186

HSL 304.77, 0.62%, 0.48%

LAB 48.99, 71.9, -40.27

 

CMYK 14 / 76 / 0 / 22

HEX #AA2FC6

RGB 170 47 198

HSL 288.87, 0.62%, 0.48%

LAB 45.16, 68.23, -53.63

 

CMYK 35 / 76 / 0 / 22

HEX #812FC6

RGB 129 47 198

HSL 272.58, 0.62%, 0.48%

LAB 39.2, 60.75, -63.56

 

CMYK 56 / 76 / 0 / 22

HEX #582FC6

RGB 88 47 198

HSL 256.29, 0.62%, 0.48%

LAB 34.37, 54.51, -71.67

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 88 / 31 / 15

HEX #DA1B97

RGB 218 27 151

HSL 321.05, 0.78%, 0.48%

LAB 49.4, 76.1, -18.66

 

CMYK 0 / 97 / 34 / 7

HEX #EE079D

RGB 238 7 157

HSL 321.04, 0.94%, 0.48%

LAB 52.69, 83.01, -16.89

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 63 / 22 / 30

HEX #B2428B

RGB 178 66 139

HSL 320.89, 0.46%, 0.48%

LAB 45.94, 53.24, -17.36

 

CMYK 0 / 46 / 16 / 38

HEX #9F5685

RGB 159 86 133

HSL 321.37, 0.3%, 0.48%

LAB 46.6, 36.49, -12.99

 

CMYK 0 / 24 / 9 / 45

HEX #8B6A7F

RGB 139 106 127

HSL 321.82, 0.13%, 0.48%

LAB 48.67, 16.8, -6.54

 

CMYK 6 / 0 / 4 / 51

HEX #777E79

RGB 119 126 121

HSL 137.14, 0.03%, 0.48%

LAB 52.09, -3.62, 1.81

 

CMYK 14 / 76 / 0 / 22

HEX #AA2FC6

RGB 170 47 198

HSL 288.87, 0.62%, 0.48%

LAB 45.16, 68.23, -53.63

 

CMYK 0 / 76 / 6 / 22

HEX #C62FBA

RGB 198 47 186

HSL 304.77, 0.62%, 0.48%

LAB 48.99, 71.9, -40.27

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 76 / 47 / 22

HEX #C62F69

RGB 198 47 105

HSL 336.95, 0.62%, 0.48%

LAB 45.71, 62.08, 3.44

 

CMYK 0 / 76 / 68 / 22

HEX #C62F40

RGB 198 47 64

HSL 353.25, 0.62%, 0.48%

LAB 44.81, 59.21, 27.49

 

CMYK 0 / 76 / 27 / 49

HEX #831F60

RGB 131 31 96

HSL 321, 0.62%, 0.32%

LAB 31, 47.99, -14.11

 

CMYK 0 / 76 / 27 / 35

HEX #A52779

RGB 165 39 121

HSL 320.95, 0.62%, 0.4%

LAB 39.29, 57.53, -16.7

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 65 / 23 / 17

HEX #D44AA4

RGB 212 74 164

HSL 320.87, 0.62%, 0.56%

LAB 53.57, 62.88, -20.08

 

CMYK 0 / 51 / 18 / 14

HEX #DC6BB5

RGB 220 107 181

HSL 320.71, 0.62%, 0.64%

LAB 60.84, 52.96, -18.72

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 34 / 76 / 22

HEX #C6822F

RGB 198 130 47

HSL 32.98, 0.62%, 0.48%

LAB 60.05, 19.26, 53.14

 

CMYK 76 / 0 / 4 / 22

HEX #2FC6BF

RGB 47 198 191

HSL 177.22, 0.62%, 0.48%

LAB 72.73, -39.13, -7.55

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 27 / 0 / 76 / 22

HEX #91C62F

RGB 145 198 47

HSL 81.06, 0.62%, 0.48%

LAB 73.94, -38.46, 64.9

 

CMYK 76 / 27 / 0 / 22

HEX #2F91C6

RGB 47 145 198

HSL 201.06, 0.62%, 0.48%

LAB 57.01, -10.09, -35.41

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 34 / 76 / 22

HEX #C6822F

RGB 198 130 47

HSL 32.98, 0.62%, 0.48%

LAB 60.05, 19.26, 53.14

 

CMYK 76 / 0 / 49 / 22

HEX #2FC664

RGB 47 198 100

HSL 141.06, 0.62%, 0.48%

LAB 70.81, -59.62, 38.11

 

CMYK 76 / 42 / 0 / 22

HEX #2F73C6

RGB 47 115 198

HSL 212.98, 0.62%, 0.48%

LAB 48.19, 7.75, -49.36

 

CMYK 0 / 76 / 27 / 22

HEX #C62F91

RGB 198 47 145

HSL 321.06, 0.62%, 0.48%

LAB 47.08, 66.3, -18.93

 

CMYK 0 / 11 / 76 / 22

HEX #C6B02F

RGB 198 176 47

HSL 51.26, 0.62%, 0.48%

LAB 71.73, -5.57, 64.25

 

CMYK 76 / 0 / 49 / 22

HEX #2FC664

RGB 47 198 100

HSL 141.06, 0.62%, 0.48%

LAB 70.81, -59.62, 38.11

 

CMYK 76 / 65 / 0 / 22

HEX #2F45C6

RGB 47 69 198

HSL 231.26, 0.62%, 0.48%

LAB 35.86, 37.28, -69.32

 

Description

Color code: HEX #C62F91 | qconv.com Color code: HEX #C62F91 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 47 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 47 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 27 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 27% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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