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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C62B15 it is the complementary color #39D4EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C62B15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C62B15 shade: #CB2B10, #DC3D23, #ED4F36, #FE6149 and #FF735C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C62B15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C62B15 shade: #C62B15, #B51902, #A40700, #930000 and #820000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C62B15 shade: #C62B15 and #C61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C62B15 shade: #C62B15, #C65B15, #C68B15, #C6BB15 and #A2C615

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C62B15 shade matches the following richer shades: #C62B15 and #D81E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C62B15 shade: #C62B15, #B53827, #A34638, #91534A and #80605C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C62B15 shade: #C6155F, #C6152F, #C62A15, #C65915 and #C68815

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C62B15 shade: #7C1B0D, #A12311, #C62B15, #E7361D and #EB5843

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C62B15 shade: #C62B15, #8EC615 and #1547C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C62B15 shade: #C62B15, #15C62A and #2A15C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C62B15 shade: #C62B15, #8EC615, #15B2C6 and #4D15C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C62B15 shade: #C62B15, #59C615, #15B2C6 and #8215C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

Complementary color

CMYK 76 / 9 / 0 / 8

HEX #39D4EA

RGB 57 212 234

HSL 187.46, 0.81%, 0.57%

LAB 78.4, -31.95, -22.21

 

CMYK 0 / 79 / 92 / 20

HEX #CB2B10

RGB 203 43 16

HSL 8.66, 0.85%, 0.43%

LAB 44.89, 60.4, 52.8

 

CMYK 0 / 72 / 84 / 14

HEX #DC3D23

RGB 220 61 35

HSL 8.43, 0.73%, 0.5%

LAB 50.3, 60.17, 50.51

 

CMYK 0 / 67 / 77 / 7

HEX #ED4F36

RGB 237 79 54

HSL 8.2, 0.84%, 0.57%

LAB 55.95, 59.46, 47.64

 

CMYK 0 / 62 / 71 / 0

HEX #FE6149

RGB 254 97 73

HSL 7.96, 0.99%, 0.64%

LAB 61.74, 58.46, 44.8

 

CMYK 0 / 55 / 64 / 0

HEX #FF735C

RGB 255 115 92

HSL 8.47, 1%, 0.68%

LAB 65.2, 51.76, 38.7

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 0 / 86 / 99 / 29

HEX #B51902

RGB 181 25 2

HSL 7.71, 0.98%, 0.36%

LAB 38.77, 58.41, 51.65

 

CMYK 0 / 96 / 100 / 36

HEX #A40700

RGB 164 7 0

HSL 2.56, 1%, 0.32%

LAB 34.08, 56.66, 48.14

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 0 / 89 / 89 / 22

HEX #C61515

RGB 198 21 21

HSL 0, 0.81%, 0.43%

LAB 42.15, 64.03, 48.45

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 0 / 54 / 89 / 22

HEX #C65B15

RGB 198 91 21

HSL 23.73, 0.81%, 0.43%

LAB 51.32, 39.2, 55.32

 

CMYK 0 / 30 / 89 / 22

HEX #C68B15

RGB 198 139 21

HSL 40, 0.81%, 0.43%

LAB 62.1, 13.54, 63.62

 

CMYK 0 / 6 / 89 / 22

HEX #C6BB15

RGB 198 187 21

HSL 56.27, 0.81%, 0.43%

LAB 74.57, -12.01, 73.36

 

CMYK 18 / 0 / 89 / 22

HEX #A2C615

RGB 162 198 21

HSL 72.2, 0.81%, 0.43%

LAB 74.9, -32.66, 72.47

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 0 / 86 / 99 / 15

HEX #D81E03

RGB 216 30 3

HSL 7.61, 0.97%, 0.43%

LAB 46.36, 67.05, 58.87

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 0 / 69 / 78 / 29

HEX #B53827

RGB 181 56 39

HSL 7.18, 0.65%, 0.43%

LAB 42.46, 49.51, 38.49

 

CMYK 0 / 57 / 66 / 36

HEX #A34638

RGB 163 70 56

HSL 7.85, 0.49%, 0.43%

LAB 41.93, 37.49, 27.33

 

CMYK 0 / 43 / 49 / 43

HEX #91534A

RGB 145 83 74

HSL 7.61, 0.32%, 0.43%

LAB 42.31, 24.78, 16.46

 

CMYK 0 / 25 / 28 / 50

HEX #80605C

RGB 128 96 92

HSL 6.67, 0.16%, 0.43%

LAB 43.84, 12.37, 7.33

 

CMYK 0 / 89 / 52 / 22

HEX #C6155F

RGB 198 21 95

HSL 334.92, 0.81%, 0.43%

LAB 43.31, 67.34, 6.22

 

CMYK 0 / 89 / 76 / 22

HEX #C6152F

RGB 198 21 47

HSL 351.19, 0.81%, 0.43%

LAB 42.38, 64.7, 34.83

 

CMYK 0 / 79 / 89 / 22

HEX #C62A15

RGB 198 42 21

HSL 7.12, 0.81%, 0.43%

LAB 43.82, 59.28, 49.69

 

CMYK 0 / 55 / 89 / 22

HEX #C65915

RGB 198 89 21

HSL 23.05, 0.81%, 0.43%

LAB 50.93, 40.2, 55.03

 

CMYK 0 / 31 / 89 / 22

HEX #C68815

RGB 198 136 21

HSL 38.98, 0.81%, 0.43%

LAB 61.37, 15.18, 63.05

 

CMYK 0 / 78 / 90 / 51

HEX #7C1B0D

RGB 124 27 13

HSL 7.57, 0.81%, 0.27%

LAB 27.01, 40.6, 33.67

 

CMYK 0 / 78 / 89 / 37

HEX #A12311

RGB 161 35 17

HSL 7.5, 0.81%, 0.35%

LAB 35.63, 50.02, 41.94

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 0 / 77 / 87 / 9

HEX #E7361D

RGB 231 54 29

HSL 7.43, 0.81%, 0.51%

LAB 51.51, 65.64, 55.01

 

CMYK 0 / 63 / 71 / 8

HEX #EB5843

RGB 235 88 67

HSL 7.5, 0.81%, 0.59%

LAB 57.12, 55.62, 41.95

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 28 / 0 / 89 / 22

HEX #8EC615

RGB 142 198 21

HSL 78.98, 0.81%, 0.43%

LAB 73.67, -40.55, 70.96

 

CMYK 89 / 64 / 0 / 22

HEX #1547C6

RGB 21 71 198

HSL 223.05, 0.81%, 0.43%

LAB 35.48, 34.07, -69.97

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 89 / 0 / 79 / 22

HEX #15C62A

RGB 21 198 42

HSL 127.12, 0.81%, 0.43%

LAB 69.98, -68.69, 61.29

 

CMYK 79 / 89 / 0 / 22

HEX #2A15C6

RGB 42 21 198

HSL 247.12, 0.81%, 0.43%

LAB 27.03, 61.2, -83.93

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 28 / 0 / 89 / 22

HEX #8EC615

RGB 142 198 21

HSL 78.98, 0.81%, 0.43%

LAB 73.67, -40.55, 70.96

 

CMYK 89 / 10 / 0 / 22

HEX #15B2C6

RGB 21 178 198

HSL 186.78, 0.81%, 0.43%

LAB 66.58, -29.62, -20.67

 

CMYK 61 / 89 / 0 / 22

HEX #4D15C6

RGB 77 21 198

HSL 258.98, 0.81%, 0.43%

LAB 29.89, 63.21, -79.1

 

CMYK 0 / 78 / 89 / 22

HEX #C62B15

RGB 198 43 21

HSL 7.46, 0.81%, 0.43%

LAB 43.93, 58.98, 49.77

 

CMYK 55 / 0 / 89 / 22

HEX #59C615

RGB 89 198 21

HSL 96.95, 0.81%, 0.43%

LAB 71.26, -58.13, 67.97

 

CMYK 89 / 10 / 0 / 22

HEX #15B2C6

RGB 21 178 198

HSL 186.78, 0.81%, 0.43%

LAB 66.58, -29.62, -20.67

 

CMYK 34 / 89 / 0 / 22

HEX #8215C6

RGB 130 21 198

HSL 276.95, 0.81%, 0.43%

LAB 36.67, 68.72, -67.7

 

Description

Color code: HEX #C62B15 | qconv.com Color code: HEX #C62B15 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 43 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 43 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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