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Color name
HEX #C629D7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C629D7 it is the complementary color #39D628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C629D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C629D7 shade: #CB29D2, #DC3BE5, #ED4DF8, #FE5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C629D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C629D7 shade: #C629D7, #B517C4, #A405B1, #93009E and #82008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C629D7 shade: #C628D7, #D728B9, #D7288A, #D7285A and #D7282B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C629D7 shade: #C628D7, #9728D7, #6728D7, #3828D7 and #2828D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C629D7 shade matches the following richer shades: #C628D7 and #D713EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C629D7 shade: #C628D7, #B63CC3, #A551AE, #94659A and #847A85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C629D7 shade: #6828D7, #9728D7, #C628D7, #D728BA and #D7288B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C629D7 shade: #861B92, #A621B5, #C628D7, #CF4ADE and #D96DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C629D7 shade: #C629D7, #D73928 and #28D780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C629D7 shade: #C629D7, #D7C628 and #28D7C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C629D7 shade: #C629D7, #D73928, #39D728 and #28C6D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C629D7 shade: #C629D7, #D76E28, #39D728 and #2891D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 81 / 0 / 16

HEX #C629D7

RGB 198 41 215

HSL 294.14, 0.69%, 0.5%

LAB 50.09, 78.03, -55.26

 

Complementary color

CMYK 73 / 0 / 81 / 16

HEX #39D628

RGB 57 214 40

HSL 114.14, 0.69%, 0.5%

LAB 75.52, -69.44, 67.23

 

CMYK 3 / 80 / 0 / 18

HEX #CB29D2

RGB 203 41 210

HSL 297.51, 0.67%, 0.49%

LAB 50.61, 78.14, -51.52

 

CMYK 4 / 74 / 0 / 10

HEX #DC3BE5

RGB 220 59 229

HSL 296.82, 0.77%, 0.56%

LAB 56.09, 79.61, -53.41

 

CMYK 4 / 69 / 0 / 3

HEX #ED4DF8

RGB 237 77 248

HSL 296.14, 0.92%, 0.64%

LAB 61.73, 80.4, -54.88

 

CMYK 0 / 63 / 0 / 0

HEX #FE5FFF

RGB 254 95 255

HSL 299.63, 1%, 0.69%

LAB 66.88, 78.74, -50.42

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 8 / 81 / 0 / 16

HEX #C629D7

RGB 198 41 215

HSL 294.14, 0.69%, 0.5%

LAB 50.09, 78.03, -55.26

 

CMYK 8 / 88 / 0 / 23

HEX #B517C4

RGB 181 23 196

HSL 294.8, 0.79%, 0.43%

LAB 44.83, 75.66, -52.9

 

CMYK 7 / 97 / 0 / 31

HEX #A405B1

RGB 164 5 177

HSL 295.47, 0.95%, 0.36%

LAB 39.87, 72.09, -49.86

 

CMYK 7 / 100 / 0 / 38

HEX #93009E

RGB 147 0 158

HSL 295.82, 1%, 0.31%

LAB 35.34, 66.9, -45.9

 

CMYK 6 / 100 / 0 / 45

HEX #82008B

RGB 130 0 139

HSL 296.12, 1%, 0.27%

LAB 30.9, 61.05, -41.56

 

CMYK 8 / 81 / 0 / 16

HEX #C628D7

RGB 198 40 215

HSL 294.17, 0.69%, 0.5%

LAB 50.01, 78.27, -55.39

 

CMYK 0 / 81 / 14 / 16

HEX #D728B9

RGB 215 40 185

HSL 310.29, 0.69%, 0.5%

LAB 51.23, 77.07, -35.96

 

CMYK 0 / 81 / 36 / 16

HEX #D7288A

RGB 215 40 138

HSL 326.4, 0.69%, 0.5%

LAB 49.25, 71.47, -11.13

 

CMYK 0 / 81 / 58 / 16

HEX #D7285A

RGB 215 40 90

HSL 342.86, 0.69%, 0.5%

LAB 47.88, 67.43, 16.2

 

CMYK 0 / 81 / 80 / 16

HEX #D7282B

RGB 215 40 43

HSL 358.97, 0.69%, 0.5%

LAB 47.16, 65.23, 43.19

 

CMYK 8 / 81 / 0 / 16

HEX #C628D7

RGB 198 40 215

HSL 294.17, 0.69%, 0.5%

LAB 50.01, 78.27, -55.39

 

CMYK 30 / 81 / 0 / 16

HEX #9728D7

RGB 151 40 215

HSL 278.06, 0.69%, 0.5%

LAB 42.77, 70.38, -67.46

 

CMYK 52 / 81 / 0 / 16

HEX #6728D7

RGB 103 40 215

HSL 261.6, 0.69%, 0.5%

LAB 36.57, 63.79, -77.86

 

CMYK 74 / 81 / 0 / 16

HEX #3828D7

RGB 56 40 215

HSL 245.49, 0.69%, 0.5%

LAB 32.4, 59.49, -84.88

 

CMYK 81 / 81 / 0 / 16

HEX #2828D7

RGB 40 40 215

HSL 240, 0.69%, 0.5%

LAB 31.52, 58.6, -86.37

 

CMYK 8 / 81 / 0 / 16

HEX #C628D7

RGB 198 40 215

HSL 294.17, 0.69%, 0.5%

LAB 50.01, 78.27, -55.39

 

CMYK 9 / 92 / 0 / 7

HEX #D713EC

RGB 215 19 236

HSL 294.19, 0.85%, 0.5%

LAB 52.92, 87.97, -62.49

 

CMYK 8 / 81 / 0 / 16

HEX #C628D7

RGB 198 40 215

HSL 294.17, 0.69%, 0.5%

LAB 50.01, 78.27, -55.39

 

CMYK 7 / 69 / 0 / 24

HEX #B63CC3

RGB 182 60 195

HSL 294.22, 0.53%, 0.5%

LAB 48.41, 65.66, -46.59

 

CMYK 5 / 53 / 0 / 32

HEX #A551AE

RGB 165 81 174

HSL 294.19, 0.36%, 0.5%

LAB 48.18, 48.33, -34.85

 

CMYK 4 / 34 / 0 / 40

HEX #94659A

RGB 148 101 154

HSL 293.21, 0.21%, 0.5%

LAB 49.42, 28.24, -21.33

 

CMYK 1 / 8 / 0 / 48

HEX #847A85

RGB 132 122 133

HSL 294.55, 0.04%, 0.5%

LAB 52.42, 5.96, -4.6

 

CMYK 52 / 81 / 0 / 16

HEX #6828D7

RGB 104 40 215

HSL 261.94, 0.69%, 0.5%

LAB 36.68, 63.91, -77.67

 

CMYK 30 / 81 / 0 / 16

HEX #9728D7

RGB 151 40 215

HSL 278.06, 0.69%, 0.5%

LAB 42.77, 70.38, -67.46

 

CMYK 8 / 81 / 0 / 16

HEX #C628D7

RGB 198 40 215

HSL 294.17, 0.69%, 0.5%

LAB 50.01, 78.27, -55.39

 

CMYK 0 / 81 / 13 / 16

HEX #D728BA

RGB 215 40 186

HSL 309.94, 0.69%, 0.5%

LAB 51.28, 77.2, -36.47

 

CMYK 0 / 81 / 35 / 16

HEX #D7288B

RGB 215 40 139

HSL 326.06, 0.69%, 0.5%

LAB 49.29, 71.58, -11.68

 

CMYK 8 / 82 / 0 / 43

HEX #861B92

RGB 134 27 146

HSL 293.95, 0.69%, 0.34%

LAB 33.83, 57.86, -41.13

 

CMYK 8 / 82 / 0 / 29

HEX #A621B5

RGB 166 33 181

HSL 293.92, 0.69%, 0.42%

LAB 42.05, 68.48, -48.71

 

CMYK 8 / 81 / 0 / 16

HEX #C628D7

RGB 198 40 215

HSL 294.17, 0.69%, 0.5%

LAB 50.01, 78.27, -55.39

 

CMYK 7 / 67 / 0 / 13

HEX #CF4ADE

RGB 207 74 222

HSL 293.92, 0.69%, 0.58%

LAB 55.52, 70.64, -50.49

 

CMYK 5 / 52 / 0 / 11

HEX #D96DE4

RGB 217 109 228

HSL 294.45, 0.69%, 0.66%

LAB 62.75, 58.97, -42.33

 

CMYK 8 / 81 / 0 / 16

HEX #C629D7

RGB 198 41 215

HSL 294.14, 0.69%, 0.5%

LAB 50.09, 78.03, -55.26

 

CMYK 0 / 73 / 81 / 16

HEX #D73928

RGB 215 57 40

HSL 5.83, 0.69%, 0.5%

LAB 48.92, 60.13, 46.47

 

CMYK 81 / 0 / 40 / 16

HEX #28D780

RGB 40 215 128

HSL 150.17, 0.69%, 0.5%

LAB 76.44, -61.57, 31.21

 

CMYK 8 / 81 / 0 / 16

HEX #C629D7

RGB 198 41 215

HSL 294.14, 0.69%, 0.5%

LAB 50.09, 78.03, -55.26

 

CMYK 0 / 8 / 81 / 16

HEX #D7C628

RGB 215 198 40

HSL 54.17, 0.69%, 0.5%

LAB 79.03, -9.8, 73.44

 

CMYK 81 / 0 / 8 / 16

HEX #28D7C6

RGB 40 215 198

HSL 174.17, 0.69%, 0.5%

LAB 77.95, -45.33, -3.62

 

CMYK 8 / 81 / 0 / 16

HEX #C629D7

RGB 198 41 215

HSL 294.14, 0.69%, 0.5%

LAB 50.09, 78.03, -55.26

 

CMYK 0 / 73 / 81 / 16

HEX #D73928

RGB 215 57 40

HSL 5.83, 0.69%, 0.5%

LAB 48.92, 60.13, 46.47

 

CMYK 73 / 0 / 81 / 16

HEX #39D728

RGB 57 215 40

HSL 114.17, 0.69%, 0.5%

LAB 75.84, -69.74, 67.52

 

CMYK 81 / 8 / 0 / 16

HEX #28C6D7

RGB 40 198 215

HSL 185.83, 0.69%, 0.5%

LAB 73.38, -32.65, -19.62

 

CMYK 8 / 81 / 0 / 16

HEX #C629D7

RGB 198 41 215

HSL 294.14, 0.69%, 0.5%

LAB 50.09, 78.03, -55.26

 

CMYK 0 / 49 / 81 / 16

HEX #D76E28

RGB 215 110 40

HSL 24, 0.69%, 0.5%

LAB 57.8, 36.77, 54.74

 

CMYK 73 / 0 / 81 / 16

HEX #39D728

RGB 57 215 40

HSL 114.17, 0.69%, 0.5%

LAB 75.84, -69.74, 67.52

 

CMYK 81 / 33 / 0 / 16

HEX #2891D7

RGB 40 145 215

HSL 204, 0.69%, 0.5%

LAB 57.66, -4.74, -43.95

 

Description

Color code: HEX #C629D7 | qconv.com Color code: HEX #C629D7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 41 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 41 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 81 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 81% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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