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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6280ACE it is the complementary color #39D7F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6280ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6280ACE shade: #CB2805CE, #DC3A18CE, #ED4C2BCE, #FE5E3ECE and #FF7051CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6280ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6280ACE shade: #C6280ACE, #B51600CE, #A40400CE, #930000CE and #820000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6280ACE shade: #C7280A and #C70A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6280ACE shade: #C7280A, #C75B0A, #C78E0A, #C7C10A and #9AC70A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6280ACE shade matches the following richer shades: #C7280A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6280ACE shade: #C7280A, #B6341B, #A5402C, #944B3D and #83574E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6280ACE shade: #C70A53, #C70A20, #C7270A, #C7590A and #C78B0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6280ACE shade: #781806, #9F2008, #C7280A, #EE300D and #F44F30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6280ACE shade: #C6280A, #85C70A and #0A3AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6280ACE shade: #C6280A, #0AC727 and #270AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6280ACE shade: #C6280A, #85C70A, #0AAAC7 and #4C0AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6280ACE shade: #C6280A, #4CC70A, #0AAAC7 and #850AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 77 / 18

HEX #C6280ACE

RGBA 198 40 10 0.81

HSLA 9.57, 0.9%, 0.41%, 0.81

LABA 43.57, 59.7, 53.41, 0.81

 

Complementary color

CMYK 62 / 10 / 0 / 3

HEX #39D7F5CE

RGBA 57 215 245 0.81

HSLA 189.57, 0.9%, 0.59%, 0.81

LABA 79.65, -30.03, -26.18, 0.81

 

CMYK 0 / 65 / 79 / 17

HEX #CB2805CE

RGBA 203 40 5 0.81

HSLA 10.61, 0.95%, 0.41%, 0.81

LABA 44.55, 61.11, 55.93, 0.81

 

CMYK 0 / 60 / 72 / 11

HEX #DC3A18CE

RGBA 220 58 24 0.81

HSLA 10.41, 0.8%, 0.48%, 0.81

LABA 49.87, 60.98, 54.86, 0.81

 

CMYK 0 / 55 / 66 / 6

HEX #ED4C2BCE

RGBA 237 76 43 0.81

HSLA 10.21, 0.84%, 0.55%, 0.81

LABA 55.43, 60.28, 52.54, 0.81

 

CMYK 0 / 51 / 61 / 0

HEX #FE5E3ECE

RGBA 254 94 62 0.81

HSLA 10, 0.99%, 0.62%, 0.81

LABA 61.15, 59.28, 49.87, 0.81

 

CMYK 0 / 45 / 55 / 0

HEX #FF7051CE

RGBA 255 112 81 0.81

HSLA 10.69, 1%, 0.66%, 0.81

LABA 64.52, 52.54, 43.79, 0.81

 

CMYK 0 / 65 / 77 / 18

HEX #C6280ACE

RGBA 198 40 10 0.81

HSLA 9.57, 0.9%, 0.41%, 0.81

LABA 43.57, 59.7, 53.41, 0.81

 

CMYK 0 / 71 / 81 / 24

HEX #B51600CE

RGBA 181 22 0 0.81

HSLA 7.29, 1%, 0.35%, 0.81

LABA 38.55, 58.99, 52.34, 0.81

 

CMYK 0 / 79 / 81 / 29

HEX #A40400CE

RGBA 164 4 0 0.81

HSLA 1.46, 1%, 0.32%, 0.81

LABA 33.94, 57.05, 48.06, 0.81

 

CMYK 0 / 81 / 81 / 34

HEX #930000CE

RGBA 147 0 0 0.81

HSLA 0, 1%, 0.29%, 0.81

LABA 29.92, 53.13, 43.53, 0.81

 

CMYK 0 / 81 / 81 / 40

HEX #820000CE

RGBA 130 0 0 0.81

HSLA 0, 1%, 0.25%, 0.81

LABA 26, 48.6, 38.66, 0.81

 

CMYK 0 / 80 / 95 / 22

HEX #C7280A

RGB 199 40 10

HSL 9.52, 0.9%, 0.41%

LAB 43.77, 59.99, 53.63

 

CMYK 0 / 95 / 95 / 22

HEX #C70A0A

RGB 199 10 10

HSL 0, 0.9%, 0.41%

LAB 41.82, 65.58, 52.53

 

CMYK 0 / 80 / 95 / 22

HEX #C7280A

RGB 199 40 10

HSL 9.52, 0.9%, 0.41%

LAB 43.77, 59.99, 53.63

 

CMYK 0 / 54 / 95 / 22

HEX #C75B0A

RGB 199 91 10

HSL 25.71, 0.9%, 0.41%

LAB 51.43, 39.43, 58.4

 

CMYK 0 / 29 / 95 / 22

HEX #C78E0A

RGB 199 142 10

HSL 41.9, 0.9%, 0.41%

LAB 62.94, 12.18, 66.36

 

CMYK 0 / 3 / 95 / 22

HEX #C7C10A

RGB 199 193 10

HSL 58.1, 0.9%, 0.41%

LAB 76.26, -14.78, 76.19

 

CMYK 23 / 0 / 95 / 22

HEX #9AC70A

RGB 154 199 10

HSL 74.29, 0.9%, 0.41%

LAB 74.66, -36.52, 73.53

 

CMYK 0 / 80 / 95 / 22

HEX #C7280A

RGB 199 40 10

HSL 9.52, 0.9%, 0.41%

LAB 43.77, 59.99, 53.63

 

CMYK 0 / 80 / 95 / 22

HEX #C7280A

RGB 199 40 10

HSL 9.52, 0.9%, 0.41%

LAB 43.77, 59.99, 53.63

 

CMYK 0 / 71 / 85 / 29

HEX #B6341B

RGB 182 52 27

HSL 9.68, 0.74%, 0.41%

LAB 41.97, 51.04, 44.23

 

CMYK 0 / 61 / 73 / 35

HEX #A5402C

RGB 165 64 44

HSL 9.92, 0.58%, 0.41%

LAB 40.97, 40.52, 33.27

 

CMYK 0 / 49 / 59 / 42

HEX #944B3D

RGB 148 75 61

HSL 9.66, 0.42%, 0.41%

LAB 40.68, 29.28, 22.27

 

CMYK 0 / 34 / 40 / 49

HEX #83574E

RGB 131 87 78

HSL 10.19, 0.25%, 0.41%

LAB 41.52, 17.03, 12.65

 

CMYK 0 / 95 / 58 / 22

HEX #C70A53

RGB 199 10 83

HSL 336.83, 0.9%, 0.41%

LAB 42.74, 68.13, 13

 

CMYK 0 / 95 / 84 / 22

HEX #C70A20

RGB 199 10 32

HSL 353.02, 0.9%, 0.41%

LAB 41.94, 65.93, 42.97

 

CMYK 0 / 80 / 95 / 22

HEX #C7270A

RGB 199 39 10

HSL 9.21, 0.9%, 0.41%

LAB 43.68, 60.26, 53.57

 

CMYK 0 / 55 / 95 / 22

HEX #C7590A

RGB 199 89 10

HSL 25.08, 0.9%, 0.41%

LAB 51.05, 40.42, 58.14

 

CMYK 0 / 30 / 95 / 22

HEX #C78B0A

RGB 199 139 10

HSL 40.95, 0.9%, 0.41%

LAB 62.19, 13.81, 65.83

 

CMYK 0 / 80 / 95 / 53

HEX #781806

RGB 120 24 6

HSL 9.47, 0.9%, 0.25%

LAB 25.74, 40.16, 35.16

 

CMYK 0 / 80 / 95 / 38

HEX #9F2008

RGB 159 32 8

HSL 9.54, 0.9%, 0.33%

LAB 34.85, 50.19, 44.8

 

CMYK 0 / 80 / 95 / 22

HEX #C7280A

RGB 199 40 10

HSL 9.52, 0.9%, 0.41%

LAB 43.77, 59.99, 53.63

 

CMYK 0 / 80 / 95 / 7

HEX #EE300D

RGB 238 48 13

HSL 9.33, 0.9%, 0.49%

LAB 52.2, 69.11, 61.62

 

CMYK 0 / 68 / 80 / 4

HEX #F44F30

RGB 244 79 48

HSL 9.49, 0.9%, 0.57%

LAB 57.11, 61.53, 52.18

 

CMYK 0 / 80 / 95 / 22

HEX #C6280A

RGB 198 40 10

HSL 9.57, 0.9%, 0.41%

LAB 43.57, 59.7, 53.41

 

CMYK 33 / 0 / 95 / 22

HEX #85C70A

RGB 133 199 10

HSL 80.95, 0.9%, 0.41%

LAB 73.45, -44.56, 72.06

 

CMYK 95 / 71 / 0 / 22

HEX #0A3AC7

RGB 10 58 199

HSL 224.76, 0.9%, 0.41%

LAB 32.29, 42.32, -75.83

 

CMYK 0 / 80 / 95 / 22

HEX #C6280A

RGB 198 40 10

HSL 9.57, 0.9%, 0.41%

LAB 43.57, 59.7, 53.41

 

CMYK 95 / 0 / 80 / 22

HEX #0AC727

RGB 10 199 39

HSL 129.21, 0.9%, 0.41%

LAB 70.22, -69.76, 62.37

 

CMYK 80 / 95 / 0 / 22

HEX #270AC7

RGB 39 10 199

HSL 249.21, 0.9%, 0.41%

LAB 26.07, 64.17, -86.12

 

CMYK 0 / 80 / 95 / 22

HEX #C6280A

RGB 198 40 10

HSL 9.57, 0.9%, 0.41%

LAB 43.57, 59.7, 53.41

 

CMYK 33 / 0 / 95 / 22

HEX #85C70A

RGB 133 199 10

HSL 80.95, 0.9%, 0.41%

LAB 73.45, -44.56, 72.06

 

CMYK 95 / 15 / 0 / 22

HEX #0AAAC7

RGB 10 170 199

HSL 189.21, 0.9%, 0.41%

LAB 64.11, -25.76, -25.01

 

CMYK 62 / 95 / 0 / 22

HEX #4C0AC7

RGB 76 10 199

HSL 260.95, 0.9%, 0.41%

LAB 29.1, 65.82, -81

 

CMYK 0 / 80 / 95 / 22

HEX #C6280A

RGB 198 40 10

HSL 9.57, 0.9%, 0.41%

LAB 43.57, 59.7, 53.41

 

CMYK 62 / 0 / 95 / 22

HEX #4CC70A

RGB 76 199 10

HSL 99.05, 0.9%, 0.41%

LAB 71.15, -62.01, 69.25

 

CMYK 95 / 15 / 0 / 22

HEX #0AAAC7

RGB 10 170 199

HSL 189.21, 0.9%, 0.41%

LAB 64.11, -25.76, -25.01

 

CMYK 33 / 95 / 0 / 22

HEX #850AC7

RGB 133 10 199

HSL 279.05, 0.9%, 0.41%

LAB 36.61, 71.09, -68.36

 

Description

Color code: HEX #C6280ACE | qconv.com Color code: HEX #C6280ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 40 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 40 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 77 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 77% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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