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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C62395 it is the complementary color #39DC6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C62395. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C62395 shade: #CB2390, #DC35A3, #ED47B6, #FE59C9 and #FF6BDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C62395. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C62395 shade: #C62395, #B51182, #A4006F, #93005C and #820049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C62395 shade: #C72396, #C7236A, #C7233D and #C72323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C62395 shade: #C72396, #C723C2, #A023C7, #7423C7 and #4823C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C62395 shade matches the following richer shades: #C72396 and #DA109E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C62395 shade: #C72396, #B4368E, #A14987, #8E5C7F and #7B6F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C62395 shade: #A123C7, #C723C2, #C72396, #C7236A and #C7233F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C62395 shade: #811761, #A41D7C, #C72396, #DC38AB and #E25BB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C62395 shade: #C62395, #C77523 and #23C7B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C62395 shade: #C62395, #96C723 and #2396C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C62395 shade: #C62395, #C77523, #23C754 and #2375C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C62395 shade: #C62395, #C7A723, #23C754 and #2344C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 25 / 22

HEX #C62395

RGB 198 35 149

HSL 318.04, 0.7%, 0.46%

LAB 46.15, 69.94, -22.78

 

Complementary color

CMYK 74 / 0 / 52 / 14

HEX #39DC6A

RGB 57 220 106

HSL 138.04, 0.7%, 0.54%

LAB 77.93, -64.89, 44.04

 

CMYK 0 / 83 / 29 / 20

HEX #CB2390

RGB 203 35 144

HSL 321.07, 0.71%, 0.47%

LAB 46.86, 70.48, -18.6

 

CMYK 0 / 76 / 26 / 14

HEX #DC35A3

RGB 220 53 163

HSL 320.48, 0.7%, 0.54%

LAB 52.29, 72.02, -21.34

 

CMYK 0 / 70 / 23 / 7

HEX #ED47B6

RGB 237 71 182

HSL 319.88, 0.82%, 0.6%

LAB 57.93, 72.82, -23.52

 

CMYK 0 / 65 / 21 / 0

HEX #FE59C9

RGB 254 89 201

HSL 319.27, 0.99%, 0.67%

LAB 63.7, 73.1, -25.29

 

CMYK 0 / 58 / 14 / 0

HEX #FF6BDC

RGB 255 107 220

HSL 314.19, 1%, 0.71%

LAB 67.23, 68.75, -30.5

 

CMYK 0 / 82 / 25 / 22

HEX #C62395

RGB 198 35 149

HSL 318.04, 0.7%, 0.46%

LAB 46.15, 69.94, -22.78

 

CMYK 0 / 91 / 28 / 29

HEX #B51182

RGB 181 17 130

HSL 318.66, 0.83%, 0.39%

LAB 40.95, 67.37, -19.47

 

CMYK 0 / 100 / 32 / 36

HEX #A4006F

RGB 164 0 111

HSL 319.39, 1%, 0.32%

LAB 36.06, 63.68, -15.39

 

CMYK 0 / 100 / 37 / 42

HEX #93005C

RGB 147 0 92

HSL 322.45, 1%, 0.29%

LAB 31.75, 58.01, -10.07

 

CMYK 0 / 100 / 44 / 49

HEX #820049

RGB 130 0 73

HSL 326.31, 1%, 0.25%

LAB 27.37, 52.27, -4.43

 

CMYK 0 / 82 / 25 / 22

HEX #C72396

RGB 199 35 150

HSL 317.93, 0.7%, 0.46%

LAB 46.37, 70.29, -23.02

 

CMYK 0 / 82 / 47 / 22

HEX #C7236A

RGB 199 35 106

HSL 334.02, 0.7%, 0.46%

LAB 44.78, 65.71, 1.49

 

CMYK 0 / 82 / 69 / 22

HEX #C7233D

RGB 199 35 61

HSL 350.49, 0.7%, 0.46%

LAB 43.77, 62.71, 28.07

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 82 / 25 / 22

HEX #C72396

RGB 199 35 150

HSL 317.93, 0.7%, 0.46%

LAB 46.37, 70.29, -23.02

 

CMYK 0 / 82 / 3 / 22

HEX #C723C2

RGB 199 35 194

HSL 301.83, 0.7%, 0.46%

LAB 48.56, 76.28, -45.6

 

CMYK 20 / 82 / 0 / 22

HEX #A023C7

RGB 160 35 199

HSL 285.73, 0.7%, 0.46%

LAB 42.46, 70.11, -58.65

 

CMYK 42 / 82 / 0 / 22

HEX #7423C7

RGB 116 35 199

HSL 269.63, 0.7%, 0.46%

LAB 36.06, 63.34, -69.35

 

CMYK 64 / 82 / 0 / 22

HEX #4823C7

RGB 72 35 199

HSL 253.54, 0.7%, 0.46%

LAB 31.12, 58.3, -77.66

 

CMYK 0 / 82 / 25 / 22

HEX #C72396

RGB 199 35 150

HSL 317.93, 0.7%, 0.46%

LAB 46.37, 70.29, -23.02

 

CMYK 0 / 93 / 28 / 15

HEX #DA109E

RGB 218 16 158

HSL 317.82, 0.86%, 0.46%

LAB 49.18, 78.33, -23.18

 

CMYK 0 / 82 / 25 / 22

HEX #C72396

RGB 199 35 150

HSL 317.93, 0.7%, 0.46%

LAB 46.37, 70.29, -23.02

 

CMYK 0 / 70 / 21 / 29

HEX #B4368E

RGB 180 54 142

HSL 318.1, 0.54%, 0.46%

LAB 44.65, 59.03, -21.13

 

CMYK 0 / 55 / 16 / 37

HEX #A14987

RGB 161 73 135

HSL 317.73, 0.38%, 0.46%

LAB 44.36, 44.24, -17.59

 

CMYK 0 / 35 / 11 / 44

HEX #8E5C7F

RGB 142 92 127

HSL 318, 0.21%, 0.46%

LAB 45.55, 26.1, -11.19

 

CMYK 0 / 10 / 2 / 52

HEX #7B6F78

RGB 123 111 120

HSL 315, 0.05%, 0.46%

LAB 48.18, 6.41, -3.28

 

CMYK 19 / 82 / 0 / 22

HEX #A123C7

RGB 161 35 199

HSL 286.1, 0.7%, 0.46%

LAB 42.62, 70.28, -58.39

 

CMYK 0 / 82 / 3 / 22

HEX #C723C2

RGB 199 35 194

HSL 301.83, 0.7%, 0.46%

LAB 48.56, 76.28, -45.6

 

CMYK 0 / 82 / 25 / 22

HEX #C72396

RGB 199 35 150

HSL 317.93, 0.7%, 0.46%

LAB 46.37, 70.29, -23.02

 

CMYK 0 / 82 / 47 / 22

HEX #C7236A

RGB 199 35 106

HSL 334.02, 0.7%, 0.46%

LAB 44.78, 65.71, 1.49

 

CMYK 0 / 82 / 68 / 22

HEX #C7233F

RGB 199 35 63

HSL 349.76, 0.7%, 0.46%

LAB 43.8, 62.8, 26.89

 

CMYK 0 / 82 / 25 / 49

HEX #811761

RGB 129 23 97

HSL 318.11, 0.7%, 0.3%

LAB 29.77, 50.14, -16.68

 

CMYK 0 / 82 / 24 / 36

HEX #A41D7C

RGB 164 29 124

HSL 317.78, 0.7%, 0.38%

LAB 38.25, 60.51, -20.2

 

CMYK 0 / 82 / 25 / 22

HEX #C72396

RGB 199 35 150

HSL 317.93, 0.7%, 0.46%

LAB 46.37, 70.29, -23.02

 

CMYK 0 / 75 / 22 / 14

HEX #DC38AB

RGB 220 56 171

HSL 317.93, 0.7%, 0.54%

LAB 52.93, 72.12, -25.06

 

CMYK 0 / 60 / 18 / 11

HEX #E25BB9

RGB 226 91 185

HSL 318.22, 0.7%, 0.62%

LAB 59.12, 62.61, -23.57

 

CMYK 0 / 82 / 25 / 22

HEX #C62395

RGB 198 35 149

HSL 318.04, 0.7%, 0.46%

LAB 46.15, 69.94, -22.78

 

CMYK 0 / 41 / 82 / 22

HEX #C77523

RGB 199 117 35

HSL 30, 0.7%, 0.46%

LAB 57.06, 26.33, 55.22

 

CMYK 82 / 0 / 8 / 22

HEX #23C7B7

RGB 35 199 183

HSL 174.15, 0.7%, 0.46%

LAB 72.64, -42.93, -3.35

 

CMYK 0 / 82 / 25 / 22

HEX #C62395

RGB 198 35 149

HSL 318.04, 0.7%, 0.46%

LAB 46.15, 69.94, -22.78

 

CMYK 25 / 0 / 82 / 22

HEX #96C723

RGB 150 199 35

HSL 77.93, 0.7%, 0.46%

LAB 74.48, -37.49, 68.89

 

CMYK 82 / 25 / 0 / 22

HEX #2396C7

RGB 35 150 199

HSL 197.93, 0.7%, 0.46%

LAB 58.31, -13.75, -33.95

 

CMYK 0 / 82 / 25 / 22

HEX #C62395

RGB 198 35 149

HSL 318.04, 0.7%, 0.46%

LAB 46.15, 69.94, -22.78

 

CMYK 0 / 41 / 82 / 22

HEX #C77523

RGB 199 117 35

HSL 30, 0.7%, 0.46%

LAB 57.06, 26.33, 55.22

 

CMYK 82 / 0 / 58 / 22

HEX #23C754

RGB 35 199 84

HSL 137.93, 0.7%, 0.46%

LAB 70.76, -63.69, 45.69

 

CMYK 82 / 41 / 0 / 22

HEX #2375C7

RGB 35 117 199

HSL 210, 0.7%, 0.46%

LAB 48.52, 5.62, -49.42

 

CMYK 0 / 82 / 25 / 22

HEX #C62395

RGB 198 35 149

HSL 318.04, 0.7%, 0.46%

LAB 46.15, 69.94, -22.78

 

CMYK 0 / 16 / 82 / 22

HEX #C7A723

RGB 199 167 35

HSL 48.29, 0.7%, 0.46%

LAB 69.4, -0.81, 65.97

 

CMYK 82 / 0 / 58 / 22

HEX #23C754

RGB 35 199 84

HSL 137.93, 0.7%, 0.46%

LAB 70.76, -63.69, 45.69

 

CMYK 82 / 66 / 0 / 22

HEX #2344C7

RGB 35 68 199

HSL 227.93, 0.7%, 0.46%

LAB 35.23, 37.24, -70.96

 

Description

Color code: HEX #C62395 | qconv.com Color code: HEX #C62395 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 35 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 35 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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