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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C620BE it is the complementary color #39DF41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C620BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C620BE shade: #CB20B9, #DC32CC, #ED44DF, #FE56F2 and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C620BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C620BE shade: #C620BE, #B50EAB, #A40098, #930085 and #820072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C620BE shade: #C520BD, #C52091, #C52064, #C52038 and #C52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C620BE shade: #C520BD, #A120C5, #7420C5, #4820C5 and #2020C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C620BE shade matches the following richer shades: #C520BD and #D80ECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C620BE shade: #C520BD, #B333AD, #A0459C, #8E588B and #7B6A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C620BE shade: #7320C5, #9F20C5, #C520C0, #C52094 and #C52068

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C620BE shade: #7E1579, #A21A9B, #C520BD, #DE31D5 and #E355DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C620BE shade: #C620BE, #C54720 and #20C589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C620BE shade: #C620BE, #C0C520 and #20C0C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C620BE shade: #C620BE, #C54720, #20C526 and #209FC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C620BE shade: #C620BE, #C57820, #20C526 and #206DC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 4 / 22

HEX #C620BE

RGB 198 32 190

HSL 302.89, 0.72%, 0.45%

LAB 47.95, 76.12, -44.25

 

Complementary color

CMYK 74 / 0 / 71 / 13

HEX #39DF41

RGB 57 223 65

HSL 122.89, 0.72%, 0.55%

LAB 78.48, -70.51, 62.19

 

CMYK 0 / 84 / 9 / 20

HEX #CB20B9

RGB 203 32 185

HSL 306.32, 0.73%, 0.46%

LAB 48.55, 76.36, -40.32

 

CMYK 0 / 77 / 7 / 14

HEX #DC32CC

RGB 220 50 204

HSL 305.65, 0.71%, 0.53%

LAB 53.87, 78.31, -42.72

 

CMYK 0 / 71 / 6 / 7

HEX #ED44DF

RGB 237 68 223

HSL 304.97, 0.82%, 0.6%

LAB 59.4, 79.45, -44.61

 

CMYK 0 / 66 / 5 / 0

HEX #FE56F2

RGB 254 86 242

HSL 304.29, 0.99%, 0.67%

LAB 65.07, 80.01, -46.11

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 84 / 4 / 22

HEX #C620BE

RGB 198 32 190

HSL 302.89, 0.72%, 0.45%

LAB 47.95, 76.12, -44.25

 

CMYK 0 / 92 / 6 / 29

HEX #B50EAB

RGB 181 14 171

HSL 303.59, 0.86%, 0.38%

LAB 42.88, 73.11, -41.31

 

CMYK 0 / 100 / 7 / 36

HEX #A40098

RGB 164 0 152

HSL 304.39, 1%, 0.32%

LAB 38.13, 68.86, -37.63

 

CMYK 0 / 100 / 10 / 42

HEX #930085

RGB 147 0 133

HSL 305.71, 1%, 0.29%

LAB 33.77, 63.09, -33.06

 

CMYK 0 / 100 / 12 / 49

HEX #820072

RGB 130 0 114

HSL 307.38, 1%, 0.25%

LAB 29.31, 57.2, -28.34

 

CMYK 0 / 84 / 4 / 23

HEX #C520BD

RGB 197 32 189

HSL 302.91, 0.72%, 0.45%

LAB 47.72, 75.78, -44.04

 

CMYK 0 / 84 / 26 / 23

HEX #C52091

RGB 197 32 145

HSL 318.91, 0.72%, 0.45%

LAB 45.56, 69.9, -21.29

 

CMYK 0 / 84 / 49 / 23

HEX #C52064

RGB 197 32 100

HSL 335.27, 0.72%, 0.45%

LAB 43.98, 65.39, 4.02

 

CMYK 0 / 84 / 72 / 23

HEX #C52038

RGB 197 32 56

HSL 351.27, 0.72%, 0.45%

LAB 43.05, 62.64, 30.14

 

CMYK 0 / 84 / 84 / 23

HEX #C52020

RGB 197 32 32

HSL 0, 0.72%, 0.45%

LAB 42.77, 61.82, 43.58

 

CMYK 0 / 84 / 4 / 23

HEX #C520BD

RGB 197 32 189

HSL 302.91, 0.72%, 0.45%

LAB 47.72, 75.78, -44.04

 

CMYK 18 / 84 / 0 / 23

HEX #A120C5

RGB 161 32 197

HSL 286.91, 0.72%, 0.45%

LAB 42.22, 70.67, -57.87

 

CMYK 41 / 84 / 0 / 23

HEX #7420C5

RGB 116 32 197

HSL 270.55, 0.72%, 0.45%

LAB 35.55, 63.84, -69.02

 

CMYK 63 / 84 / 0 / 23

HEX #4820C5

RGB 72 32 197

HSL 254.55, 0.72%, 0.45%

LAB 30.5, 58.93, -77.51

 

CMYK 84 / 84 / 0 / 23

HEX #2020C5

RGB 32 32 197

HSL 240, 0.72%, 0.45%

LAB 27.77, 56.41, -82.13

 

CMYK 0 / 84 / 4 / 23

HEX #C520BD

RGB 197 32 189

HSL 302.91, 0.72%, 0.45%

LAB 47.72, 75.78, -44.04

 

CMYK 0 / 94 / 5 / 15

HEX #D80ECE

RGB 216 14 206

HSL 302.97, 0.88%, 0.45%

LAB 51.12, 84.2, -48.29

 

CMYK 0 / 84 / 4 / 23

HEX #C520BD

RGB 197 32 189

HSL 302.91, 0.72%, 0.45%

LAB 47.72, 75.78, -44.04

 

CMYK 0 / 72 / 3 / 30

HEX #B333AD

RGB 179 51 173

HSL 302.81, 0.56%, 0.45%

LAB 45.59, 64.49, -38.21

 

CMYK 0 / 57 / 2 / 37

HEX #A0459C

RGB 160 69 156

HSL 302.64, 0.4%, 0.45%

LAB 44.42, 49.45, -30.16

 

CMYK 0 / 38 / 2 / 44

HEX #8E588B

RGB 142 88 139

HSL 303.33, 0.23%, 0.45%

LAB 45.07, 30.66, -19.14

 

CMYK 0 / 14 / 1 / 52

HEX #7B6A7A

RGB 123 106 122

HSL 303.53, 0.07%, 0.45%

LAB 46.87, 9.79, -6.41

 

CMYK 42 / 84 / 0 / 23

HEX #7320C5

RGB 115 32 197

HSL 270.18, 0.72%, 0.45%

LAB 35.42, 63.71, -69.24

 

CMYK 19 / 84 / 0 / 23

HEX #9F20C5

RGB 159 32 197

HSL 286.18, 0.72%, 0.45%

LAB 41.9, 70.33, -58.4

 

CMYK 0 / 84 / 3 / 23

HEX #C520C0

RGB 197 32 192

HSL 301.82, 0.72%, 0.45%

LAB 47.89, 76.23, -45.52

 

CMYK 0 / 84 / 25 / 23

HEX #C52094

RGB 197 32 148

HSL 317.82, 0.72%, 0.45%

LAB 45.69, 70.26, -22.9

 

CMYK 0 / 84 / 47 / 23

HEX #C52068

RGB 197 32 104

HSL 333.82, 0.72%, 0.45%

LAB 44.09, 65.72, 1.69

 

CMYK 0 / 83 / 4 / 51

HEX #7E1579

RGB 126 21 121

HSL 302.86, 0.71%, 0.29%

LAB 30.28, 53.56, -31.3

 

CMYK 0 / 84 / 4 / 36

HEX #A21A9B

RGB 162 26 155

HSL 303.09, 0.72%, 0.37%

LAB 39.22, 65.15, -37.73

 

CMYK 0 / 84 / 4 / 23

HEX #C520BD

RGB 197 32 189

HSL 302.91, 0.72%, 0.45%

LAB 47.72, 75.78, -44.04

 

CMYK 0 / 78 / 4 / 13

HEX #DE31D5

RGB 222 49 213

HSL 303.12, 0.72%, 0.53%

LAB 54.59, 80.28, -46.72

 

CMYK 0 / 63 / 3 / 11

HEX #E355DC

RGB 227 85 220

HSL 302.96, 0.72%, 0.61%

LAB 59.88, 70.66, -42.26

 

CMYK 0 / 84 / 4 / 22

HEX #C620BE

RGB 198 32 190

HSL 302.89, 0.72%, 0.45%

LAB 47.95, 76.12, -44.25

 

CMYK 0 / 64 / 84 / 23

HEX #C54720

RGB 197 71 32

HSL 14.18, 0.72%, 0.45%

LAB 47.6, 48.51, 47.92

 

CMYK 84 / 0 / 30 / 23

HEX #20C589

RGB 32 197 137

HSL 158.18, 0.72%, 0.45%

LAB 70.9, -53.89, 19.03

 

CMYK 0 / 84 / 4 / 22

HEX #C620BE

RGB 198 32 190

HSL 302.89, 0.72%, 0.45%

LAB 47.95, 76.12, -44.25

 

CMYK 3 / 0 / 84 / 23

HEX #C0C520

RGB 192 197 32

HSL 61.82, 0.72%, 0.45%

LAB 76.83, -19.38, 72.78

 

CMYK 84 / 3 / 0 / 23

HEX #20C0C5

RGB 32 192 197

HSL 181.82, 0.72%, 0.45%

LAB 70.9, -35.94, -13.58

 

CMYK 0 / 84 / 4 / 22

HEX #C620BE

RGB 198 32 190

HSL 302.89, 0.72%, 0.45%

LAB 47.95, 76.12, -44.25

 

CMYK 0 / 64 / 84 / 23

HEX #C54720

RGB 197 71 32

HSL 14.18, 0.72%, 0.45%

LAB 47.6, 48.51, 47.92

 

CMYK 84 / 0 / 81 / 23

HEX #20C526

RGB 32 197 38

HSL 122.18, 0.72%, 0.45%

LAB 69.74, -67.72, 62.26

 

CMYK 84 / 19 / 0 / 23

HEX #209FC5

RGB 32 159 197

HSL 193.82, 0.72%, 0.45%

LAB 60.9, -19.56, -28.82

 

CMYK 0 / 84 / 4 / 22

HEX #C620BE

RGB 198 32 190

HSL 302.89, 0.72%, 0.45%

LAB 47.95, 76.12, -44.25

 

CMYK 0 / 39 / 84 / 23

HEX #C57820

RGB 197 120 32

HSL 32, 0.72%, 0.45%

LAB 57.47, 23.76, 56.57

 

CMYK 84 / 0 / 81 / 23

HEX #20C526

RGB 32 197 38

HSL 122.18, 0.72%, 0.45%

LAB 69.74, -67.72, 62.26

 

CMYK 84 / 45 / 0 / 23

HEX #206DC5

RGB 32 109 197

HSL 212, 0.72%, 0.45%

LAB 46.01, 9.61, -52.29

 

Description

Color code: HEX #C620BE | qconv.com Color code: HEX #C620BE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 32 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 32 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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