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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C61835 it is the complementary color #39E7CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C61835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C61835 shade: #CB1830, #DC2A43, #ED3C56, #FE4E69 and #FF607C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C61835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C61835 shade: #C61835, #B50622, #A4000F, #930000 and #820000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C61835 shade: #C81936 and #C81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C61835 shade: #C81936, #C81965, #C81994, #C819C3 and #9D19C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C61835 shade matches the following richer shades: #C81936 and #DA072A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C61835 shade: #C81936, #B62B42, #A33D4E, #914F5A and #7F6166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C61835 shade: #C81993, #C81965, #C81936, #C82A19 and #C85919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C61835 shade: #7E1022, #A3142C, #C81936, #E42645 and #E94A65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C61835 shade: #C61835, #C2C819 and #197CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C61835 shade: #C61835, #36C819 and #1936C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C61835 shade: #C61835, #C2C819, #19C8AB and #1F19C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C61835 shade: #C61835, #8DC819, #19C8AB and #5319C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 73 / 22

HEX #C61835

RGB 198 24 53

HSL 350, 0.78%, 0.44%

LAB 42.64, 64.41, 31.53

 

Complementary color

CMYK 75 / 0 / 13 / 9

HEX #39E7CA

RGB 57 231 202

HSL 170, 0.78%, 0.56%

LAB 83.07, -49.45, 1.76

 

CMYK 0 / 88 / 76 / 20

HEX #CB1830

RGB 203 24 48

HSL 351.96, 0.79%, 0.45%

LAB 43.6, 65.54, 35.88

 

CMYK 0 / 81 / 70 / 14

HEX #DC2A43

RGB 220 42 67

HSL 351.57, 0.72%, 0.51%

LAB 48.61, 67.01, 31.3

 

CMYK 0 / 75 / 64 / 7

HEX #ED3C56

RGB 237 60 86

HSL 351.19, 0.83%, 0.58%

LAB 53.93, 67.63, 27.37

 

CMYK 0 / 69 / 59 / 0

HEX #FE4E69

RGB 254 78 105

HSL 350.8, 0.99%, 0.65%

LAB 59.47, 67.68, 24.04

 

CMYK 0 / 62 / 51 / 0

HEX #FF607C

RGB 255 96 124

HSL 349.43, 1%, 0.69%

LAB 62.58, 62.4, 17.27

 

CMYK 0 / 88 / 73 / 22

HEX #C61835

RGB 198 24 53

HSL 350, 0.78%, 0.44%

LAB 42.64, 64.41, 31.53

 

CMYK 0 / 97 / 81 / 29

HEX #B50622

RGB 181 6 34

HSL 350.4, 0.94%, 0.37%

LAB 37.97, 61.83, 36.71

 

CMYK 0 / 100 / 91 / 36

HEX #A4000F

RGB 164 0 15

HSL 354.51, 1%, 0.32%

LAB 33.83, 57.77, 41.77

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 0 / 88 / 88 / 22

HEX #C81919

RGB 200 25 25

HSL 0, 0.78%, 0.44%

LAB 42.83, 63.95, 47.34

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 0 / 88 / 50 / 22

HEX #C81965

RGB 200 25 101

HSL 333.94, 0.78%, 0.44%

LAB 44.11, 67.61, 3.66

 

CMYK 0 / 88 / 26 / 22

HEX #C81994

RGB 200 25 148

HSL 317.83, 0.78%, 0.44%

LAB 45.79, 72.25, -22.71

 

CMYK 0 / 88 / 3 / 22

HEX #C819C3

RGB 200 25 195

HSL 301.71, 0.78%, 0.44%

LAB 48.15, 78.48, -46.82

 

CMYK 22 / 88 / 0 / 22

HEX #9D19C8

RGB 157 25 200

HSL 285.26, 0.78%, 0.44%

LAB 41.27, 72.13, -61.18

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 0 / 97 / 81 / 15

HEX #DA072A

RGB 218 7 42

HSL 350.05, 0.94%, 0.44%

LAB 45.94, 71.19, 42.73

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 0 / 76 / 64 / 29

HEX #B62B42

RGB 182 43 66

HSL 350.07, 0.62%, 0.44%

LAB 41.32, 55.86, 21.19

 

CMYK 0 / 63 / 52 / 36

HEX #A33D4E

RGB 163 61 78

HSL 350, 0.46%, 0.44%

LAB 40.69, 43.55, 12.25

 

CMYK 0 / 46 / 38 / 43

HEX #914F5A

RGB 145 79 90

HSL 350, 0.29%, 0.44%

LAB 41.77, 28.9, 5.9

 

CMYK 0 / 24 / 20 / 50

HEX #7F6166

RGB 127 97 102

HSL 350, 0.13%, 0.44%

LAB 44.26, 12.98, 1.85

 

CMYK 0 / 88 / 27 / 22

HEX #C81993

RGB 200 25 147

HSL 318.17, 0.78%, 0.44%

LAB 45.75, 72.13, -22.17

 

CMYK 0 / 88 / 50 / 22

HEX #C81965

RGB 200 25 101

HSL 333.94, 0.78%, 0.44%

LAB 44.11, 67.61, 3.66

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 0 / 79 / 88 / 22

HEX #C82A19

RGB 200 42 25

HSL 5.83, 0.78%, 0.44%

LAB 44.24, 59.94, 48.46

 

CMYK 0 / 56 / 88 / 22

HEX #C85919

RGB 200 89 25

HSL 21.94, 0.78%, 0.44%

LAB 51.26, 41.05, 54.06

 

CMYK 0 / 87 / 73 / 51

HEX #7E1022

RGB 126 16 34

HSL 350.18, 0.77%, 0.28%

LAB 26.51, 45.32, 20.66

 

CMYK 0 / 88 / 73 / 36

HEX #A3142C

RGB 163 20 44

HSL 349.93, 0.78%, 0.36%

LAB 34.94, 55.4, 26.21

 

CMYK 0 / 88 / 73 / 22

HEX #C81936

RGB 200 25 54

HSL 350.06, 0.78%, 0.44%

LAB 43.12, 64.8, 31.6

 

CMYK 0 / 83 / 70 / 11

HEX #E42645

RGB 228 38 69

HSL 350.21, 0.78%, 0.52%

LAB 49.87, 70.19, 32.01

 

CMYK 0 / 68 / 57 / 9

HEX #E94A65

RGB 233 74 101

HSL 349.81, 0.78%, 0.6%

LAB 55.24, 62.58, 20.09

 

CMYK 0 / 88 / 73 / 22

HEX #C61835

RGB 198 24 53

HSL 350, 0.78%, 0.44%

LAB 42.64, 64.41, 31.53

 

CMYK 3 / 0 / 88 / 22

HEX #C2C819

RGB 194 200 25

HSL 62.06, 0.78%, 0.44%

LAB 77.79, -20.18, 75.06

 

CMYK 88 / 38 / 0 / 22

HEX #197CC8

RGB 25 124 200

HSL 206.06, 0.78%, 0.44%

LAB 50.44, 0.92, -46.93

 

CMYK 0 / 88 / 73 / 22

HEX #C61835

RGB 198 24 53

HSL 350, 0.78%, 0.44%

LAB 42.64, 64.41, 31.53

 

CMYK 73 / 0 / 88 / 22

HEX #36C819

RGB 54 200 25

HSL 110.06, 0.78%, 0.44%

LAB 70.98, -66.31, 66.63

 

CMYK 88 / 73 / 0 / 22

HEX #1936C8

RGB 25 54 200

HSL 230.06, 0.78%, 0.44%

LAB 31.84, 45.63, -77.14

 

CMYK 0 / 88 / 73 / 22

HEX #C61835

RGB 198 24 53

HSL 350, 0.78%, 0.44%

LAB 42.64, 64.41, 31.53

 

CMYK 3 / 0 / 88 / 22

HEX #C2C819

RGB 194 200 25

HSL 62.06, 0.78%, 0.44%

LAB 77.79, -20.18, 75.06

 

CMYK 88 / 0 / 15 / 22

HEX #19C8AB

RGB 25 200 171

HSL 170.06, 0.78%, 0.44%

LAB 72.53, -47.31, 2.99

 

CMYK 85 / 88 / 0 / 22

HEX #1F19C8

RGB 31 25 200

HSL 242.06, 0.78%, 0.44%

LAB 27.18, 60.03, -84.88

 

CMYK 0 / 88 / 73 / 22

HEX #C61835

RGB 198 24 53

HSL 350, 0.78%, 0.44%

LAB 42.64, 64.41, 31.53

 

CMYK 30 / 0 / 88 / 22

HEX #8DC819

RGB 141 200 25

HSL 80.23, 0.78%, 0.44%

LAB 74.22, -41.7, 70.67

 

CMYK 88 / 0 / 15 / 22

HEX #19C8AB

RGB 25 200 171

HSL 170.06, 0.78%, 0.44%

LAB 72.53, -47.31, 2.99

 

CMYK 59 / 88 / 0 / 22

HEX #5319C8

RGB 83 25 200

HSL 259.89, 0.78%, 0.44%

LAB 31.12, 63.06, -78.21

 

Description

Color code: HEX #C61835 | qconv.com Color code: HEX #C61835 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 24 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 24 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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