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Color name
HEX #C614C8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C614C8 it is the complementary color #39EB37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C614C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C614C8 shade: #CB14C3, #DC26D6, #ED38E9, #FE4AFC and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C614C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C614C8 shade: #C614C8, #B502B5, #A400A2, #93008F and #82007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C614C8 shade: #C614C8, #C81499, #C81469, #C81438 and #C81414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C614C8 shade: #C614C8, #9514C8, #6514C8, #3414C8 and #1414C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C614C8 shade matches the following richer shades: #C614C8 and #D702D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C614C8 shade: #C614C8, #B425B6, #A337A4, #924992 and #805B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C614C8 shade: #6514C8, #9514C8, #C514C8, #C8149B and #C8146B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C614C8 shade: #7B0C7C, #A010A2, #C614C8, #E61CE9 and #EA42EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C614C8 shade: #C614C8, #C83514 and #14C87D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C614C8 shade: #C614C8, #C8C514 and #14C8C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C614C8 shade: #C614C8, #C83514, #17C814 and #14A7C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C614C8 shade: #C614C8, #C86B14, #17C814 and #1471C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

Complementary color

CMYK 76 / 0 / 77 / 8

HEX #39EB37

RGB 57 235 55

HSL 119.33, 0.82%, 0.57%

LAB 82.14, -74.89, 69.21

 

CMYK 0 / 90 / 4 / 20

HEX #CB14C3

RGB 203 20 195

HSL 302.62, 0.82%, 0.44%

LAB 48.43, 79.73, -46.34

 

CMYK 0 / 83 / 3 / 14

HEX #DC26D6

RGB 220 38 214

HSL 301.98, 0.72%, 0.51%

LAB 53.45, 82.54, -49.12

 

CMYK 0 / 76 / 2 / 7

HEX #ED38E9

RGB 237 56 233

HSL 301.33, 0.83%, 0.57%

LAB 58.71, 84.4, -51.33

 

CMYK 0 / 71 / 1 / 0

HEX #FE4AFC

RGB 254 74 252

HSL 300.67, 0.99%, 0.64%

LAB 64.16, 85.52, -53.08

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 0 / 99 / 0 / 29

HEX #B502B5

RGB 181 2 181

HSL 300, 0.98%, 0.36%

LAB 43.07, 75.77, -46.93

 

CMYK 0 / 100 / 1 / 36

HEX #A400A2

RGB 164 0 162

HSL 300.73, 1%, 0.32%

LAB 38.73, 70.32, -42.72

 

CMYK 0 / 100 / 3 / 42

HEX #93008F

RGB 147 0 143

HSL 301.63, 1%, 0.29%

LAB 34.37, 64.56, -38.3

 

CMYK 0 / 100 / 5 / 49

HEX #82007C

RGB 130 0 124

HSL 302.77, 1%, 0.25%

LAB 29.91, 58.67, -33.74

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 0 / 90 / 24 / 22

HEX #C81499

RGB 200 20 153

HSL 315.67, 0.82%, 0.43%

LAB 45.74, 73.61, -25.79

 

CMYK 0 / 90 / 48 / 22

HEX #C81469

RGB 200 20 105

HSL 331.67, 0.82%, 0.43%

LAB 43.94, 68.75, 0.93

 

CMYK 0 / 90 / 72 / 22

HEX #C81438

RGB 200 20 56

HSL 348, 0.82%, 0.43%

LAB 42.86, 65.72, 30.07

 

CMYK 0 / 90 / 90 / 22

HEX #C81414

RGB 200 20 20

HSL 0, 0.82%, 0.43%

LAB 42.51, 64.7, 49.34

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 26 / 90 / 0 / 22

HEX #9514C8

RGB 149 20 200

HSL 283, 0.82%, 0.43%

LAB 39.68, 71.89, -63.82

 

CMYK 50 / 90 / 0 / 22

HEX #6514C8

RGB 101 20 200

HSL 267, 0.82%, 0.43%

LAB 32.78, 66.05, -75.4

 

CMYK 74 / 90 / 0 / 22

HEX #3414C8

RGB 52 20 200

HSL 250.67, 0.82%, 0.43%

LAB 27.85, 62.48, -83.73

 

CMYK 90 / 90 / 0 / 22

HEX #1414C8

RGB 20 20 200

HSL 240, 0.82%, 0.43%

LAB 26.21, 61.44, -86.5

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 1 / 99 / 0 / 15

HEX #D702D9

RGB 215 2 217

HSL 299.44, 0.98%, 0.43%

LAB 51.27, 86.52, -54.36

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 1 / 80 / 0 / 29

HEX #B425B6

RGB 180 37 182

HSL 299.17, 0.66%, 0.43%

LAB 44.81, 70.31, -44.76

 

CMYK 1 / 66 / 0 / 36

HEX #A337A4

RGB 163 55 164

HSL 299.45, 0.5%, 0.43%

LAB 43.06, 57.77, -37.04

 

CMYK 0 / 50 / 0 / 43

HEX #924992

RGB 146 73 146

HSL 300, 0.33%, 0.43%

LAB 42.69, 41.54, -27

 

CMYK 1 / 29 / 0 / 49

HEX #805B81

RGB 128 91 129

HSL 298.42, 0.17%, 0.43%

LAB 43.74, 22.03, -15.3

 

CMYK 50 / 90 / 0 / 22

HEX #6514C8

RGB 101 20 200

HSL 267, 0.82%, 0.43%

LAB 32.78, 66.05, -75.4

 

CMYK 26 / 90 / 0 / 22

HEX #9514C8

RGB 149 20 200

HSL 283, 0.82%, 0.43%

LAB 39.68, 71.89, -63.82

 

CMYK 1 / 90 / 0 / 22

HEX #C514C8

RGB 197 20 200

HSL 299, 0.82%, 0.43%

LAB 47.68, 79.43, -50.51

 

CMYK 0 / 90 / 23 / 22

HEX #C8149B

RGB 200 20 155

HSL 315, 0.82%, 0.43%

LAB 45.83, 73.85, -26.85

 

CMYK 0 / 90 / 47 / 22

HEX #C8146B

RGB 200 20 107

HSL 331, 0.82%, 0.43%

LAB 44, 68.92, -0.23

 

CMYK 1 / 90 / 0 / 51

HEX #7B0C7C

RGB 123 12 124

HSL 299.46, 0.82%, 0.27%

LAB 29.23, 55.43, -34.91

 

CMYK 1 / 90 / 0 / 36

HEX #A010A2

RGB 160 16 162

HSL 299.18, 0.82%, 0.35%

LAB 38.64, 67.72, -42.9

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 1 / 88 / 0 / 9

HEX #E61CE9

RGB 230 28 233

HSL 299.12, 0.82%, 0.51%

LAB 55.62, 88.79, -56.32

 

CMYK 1 / 72 / 0 / 7

HEX #EA42EC

RGB 234 66 236

HSL 299.29, 0.82%, 0.59%

LAB 59.38, 81.42, -51.96

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 0 / 74 / 90 / 22

HEX #C83514

RGB 200 53 20

HSL 11, 0.82%, 0.43%

LAB 45.46, 56.36, 51.47

 

CMYK 90 / 0 / 38 / 22

HEX #14C87D

RGB 20 200 125

HSL 155, 0.82%, 0.43%

LAB 71.51, -58.38, 26.19

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 0 / 1 / 90 / 22

HEX #C8C514

RGB 200 197 20

HSL 59, 0.82%, 0.43%

LAB 77.44, -16.22, 75.84

 

CMYK 90 / 0 / 1 / 22

HEX #14C8C5

RGB 20 200 197

HSL 179, 0.82%, 0.43%

LAB 73.21, -40.29, -10.13

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 0 / 74 / 90 / 22

HEX #C83514

RGB 200 53 20

HSL 11, 0.82%, 0.43%

LAB 45.46, 56.36, 51.47

 

CMYK 89 / 0 / 90 / 22

HEX #17C814

RGB 23 200 20

HSL 119, 0.82%, 0.43%

LAB 70.55, -70.16, 67.01

 

CMYK 90 / 17 / 0 / 22

HEX #14A7C8

RGB 20 167 200

HSL 191, 0.82%, 0.43%

LAB 63.31, -23.49, -26.79

 

CMYK 1 / 90 / 0 / 22

HEX #C614C8

RGB 198 20 200

HSL 299.33, 0.82%, 0.43%

LAB 47.85, 79.6, -50.22

 

CMYK 0 / 47 / 90 / 22

HEX #C86B14

RGB 200 107 20

HSL 29, 0.82%, 0.43%

LAB 54.91, 31.73, 58.48

 

CMYK 89 / 0 / 90 / 22

HEX #17C814

RGB 23 200 20

HSL 119, 0.82%, 0.43%

LAB 70.55, -70.16, 67.01

 

CMYK 90 / 44 / 0 / 22

HEX #1471C8

RGB 20 113 200

HSL 209, 0.82%, 0.43%

LAB 47.14, 7.42, -52.21

 

Description

Color code: HEX #C614C8 | qconv.com Color code: HEX #C614C8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 20 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 20 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 90 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 90% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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