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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C60F4A it is the complementary color #39F0B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C60F4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C60F4A shade: #CB0F45, #DC2158, #ED336B, #FE457E and #FF5791

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C60F4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C60F4A shade: #C60F4A, #B50037, #A40024, #930011 and #820000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C60F4A shade: #C70F4A, #C70F19 and #C70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C60F4A shade: #C70F4A, #C70F7C, #C70FAE, #AF0FC7 and #7D0FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C60F4A shade matches the following richer shades: #C70F4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C60F4A shade: #C70F4A, #B62051, #A53257, #93435D and #825463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C60F4A shade: #C70FAF, #C70F7E, #C70F4C, #C70F1B and #C7340F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C60F4A shade: #7A092E, #A10C3C, #C70F4A, #ED1259 and #F03974

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C60F4A shade: #C60F4A, #C7AF0F and #0F96C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C60F4A shade: #C60F4A, #4CC70F and #0F4CC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C60F4A shade: #C60F4A, #C7AF0F, #0FC78A and #0F28C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C60F4A shade: #C60F4A, #A9C70F, #0FC78A and #2E0FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 63 / 22

HEX #C60F4A

RGB 198 15 74

HSL 340.66, 0.86%, 0.42%

LAB 42.52, 66.8, 18.36

 

Complementary color

CMYK 76 / 0 / 25 / 6

HEX #39F0B5

RGB 57 240 181

HSL 160.66, 0.86%, 0.58%

LAB 85.26, -58.12, 15.91

 

CMYK 0 / 93 / 66 / 20

HEX #CB0F45

RGB 203 15 69

HSL 342.77, 0.86%, 0.43%

LAB 43.46, 67.76, 22.91

 

CMYK 0 / 85 / 60 / 14

HEX #DC2158

RGB 220 33 88

HSL 342.35, 0.74%, 0.5%

LAB 48.27, 70.16, 18.12

 

CMYK 0 / 78 / 55 / 7

HEX #ED336B

RGB 237 51 107

HSL 341.94, 0.84%, 0.56%

LAB 53.42, 71.56, 14.14

 

CMYK 0 / 73 / 50 / 0

HEX #FE457E

RGB 254 69 126

HSL 341.51, 0.99%, 0.63%

LAB 58.82, 72.23, 10.84

 

CMYK 0 / 66 / 43 / 0

HEX #FF5791

RGB 255 87 145

HSL 339.29, 1%, 0.67%

LAB 61.76, 67.81, 3.95

 

CMYK 0 / 92 / 63 / 22

HEX #C60F4A

RGB 198 15 74

HSL 340.66, 0.86%, 0.42%

LAB 42.52, 66.8, 18.36

 

CMYK 0 / 100 / 70 / 29

HEX #B50037

RGB 181 0 55

HSL 341.77, 1%, 0.35%

LAB 38.02, 63.28, 23.87

 

CMYK 0 / 100 / 78 / 36

HEX #A40024

RGB 164 0 36

HSL 346.83, 1%, 0.32%

LAB 34.02, 58.3, 30.22

 

CMYK 0 / 100 / 88 / 42

HEX #930011

RGB 147 0 17

HSL 353.06, 1%, 0.29%

LAB 30.02, 53.41, 36.16

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 92 / 63 / 22

HEX #C70F4A

RGB 199 15 74

HSL 340.76, 0.86%, 0.42%

LAB 42.73, 67.04, 18.67

 

CMYK 0 / 92 / 87 / 22

HEX #C70F19

RGB 199 15 25

HSL 356.74, 0.86%, 0.42%

LAB 42.08, 65.23, 46.65

 

CMYK 0 / 92 / 92 / 22

HEX #C70F0F

RGB 199 15 15

HSL 0, 0.86%, 0.42%

LAB 42.03, 65.07, 50.93

 

CMYK 0 / 92 / 63 / 22

HEX #C70F4A

RGB 199 15 74

HSL 340.76, 0.86%, 0.42%

LAB 42.73, 67.04, 18.67

 

CMYK 0 / 92 / 38 / 22

HEX #C70F7C

RGB 199 15 124

HSL 324.46, 0.86%, 0.42%

LAB 44.15, 70.9, -10.59

 

CMYK 0 / 92 / 13 / 22

HEX #C70FAE

RGB 199 15 174

HSL 308.15, 0.86%, 0.42%

LAB 46.36, 76.7, -37.36

 

CMYK 12 / 92 / 0 / 22

HEX #AF0FC7

RGB 175 15 199

HSL 292.17, 0.86%, 0.42%

LAB 43.62, 76.32, -56.65

 

CMYK 37 / 92 / 0 / 22

HEX #7D0FC7

RGB 125 15 199

HSL 275.87, 0.86%, 0.42%

LAB 35.65, 69.42, -69.98

 

CMYK 0 / 92 / 63 / 22

HEX #C70F4A

RGB 199 15 74

HSL 340.76, 0.86%, 0.42%

LAB 42.73, 67.04, 18.67

 

CMYK 0 / 92 / 63 / 22

HEX #C70F4A

RGB 199 15 74

HSL 340.76, 0.86%, 0.42%

LAB 42.73, 67.04, 18.67

 

CMYK 0 / 82 / 55 / 29

HEX #B62051

RGB 182 32 81

HSL 340.4, 0.7%, 0.42%

LAB 40.53, 60.02, 10.68

 

CMYK 0 / 70 / 47 / 35

HEX #A53257

RGB 165 50 87

HSL 340.7, 0.53%, 0.42%

LAB 39.53, 49.78, 5.01

 

CMYK 0 / 54 / 37 / 42

HEX #93435D

RGB 147 67 93

HSL 340.5, 0.37%, 0.42%

LAB 39.59, 36.54, 0.94

 

CMYK 0 / 35 / 24 / 49

HEX #825463

RGB 130 84 99

HSL 340.43, 0.21%, 0.42%

LAB 41.2, 21.42, -0.74

 

CMYK 0 / 92 / 12 / 22

HEX #C70FAF

RGB 199 15 175

HSL 307.83, 0.86%, 0.42%

LAB 46.42, 76.84, -37.86

 

CMYK 0 / 92 / 37 / 22

HEX #C70F7E

RGB 199 15 126

HSL 323.8, 0.86%, 0.42%

LAB 44.22, 71.1, -11.71

 

CMYK 0 / 92 / 62 / 22

HEX #C70F4C

RGB 199 15 76

HSL 340.11, 0.86%, 0.42%

LAB 42.77, 67.15, 17.46

 

CMYK 0 / 92 / 86 / 22

HEX #C70F1B

RGB 199 15 27

HSL 356.09, 0.86%, 0.42%

LAB 42.1, 65.27, 45.69

 

CMYK 0 / 74 / 92 / 22

HEX #C7340F

RGB 199 52 15

HSL 12.07, 0.86%, 0.42%

LAB 45.13, 56.31, 52.92

 

CMYK 0 / 93 / 62 / 52

HEX #7A092E

RGB 122 9 46

HSL 340.35, 0.86%, 0.26%

LAB 25.35, 46.37, 10.86

 

CMYK 0 / 93 / 63 / 37

HEX #A10C3C

RGB 161 12 60

HSL 340.67, 0.86%, 0.34%

LAB 34.33, 57.09, 15.02

 

CMYK 0 / 92 / 63 / 22

HEX #C70F4A

RGB 199 15 74

HSL 340.76, 0.86%, 0.42%

LAB 42.73, 67.04, 18.67

 

CMYK 0 / 92 / 62 / 7

HEX #ED1259

RGB 237 18 89

HSL 340.55, 0.86%, 0.5%

LAB 50.87, 76.66, 21.58

 

CMYK 0 / 76 / 52 / 6

HEX #F03974

RGB 240 57 116

HSL 340.66, 0.86%, 0.58%

LAB 54.77, 71.34, 10.72

 

CMYK 0 / 92 / 63 / 22

HEX #C60F4A

RGB 198 15 74

HSL 340.66, 0.86%, 0.42%

LAB 42.52, 66.8, 18.36

 

CMYK 0 / 12 / 92 / 22

HEX #C7AF0F

RGB 199 175 15

HSL 52.17, 0.86%, 0.42%

LAB 71.44, -5.47, 71.94

 

CMYK 92 / 25 / 0 / 22

HEX #0F96C7

RGB 15 150 199

HSL 195.98, 0.86%, 0.42%

LAB 58.07, -15.04, -34.35

 

CMYK 0 / 92 / 63 / 22

HEX #C60F4A

RGB 198 15 74

HSL 340.66, 0.86%, 0.42%

LAB 42.52, 66.8, 18.36

 

CMYK 62 / 0 / 92 / 22

HEX #4CC70F

RGB 76 199 15

HSL 100.11, 0.86%, 0.42%

LAB 71.16, -61.91, 68.65

 

CMYK 92 / 62 / 0 / 22

HEX #0F4CC7

RGB 15 76 199

HSL 220.11, 0.86%, 0.42%

LAB 36.73, 30.92, -68.51

 

CMYK 0 / 92 / 63 / 22

HEX #C60F4A

RGB 198 15 74

HSL 340.66, 0.86%, 0.42%

LAB 42.52, 66.8, 18.36

 

CMYK 0 / 12 / 92 / 22

HEX #C7AF0F

RGB 199 175 15

HSL 52.17, 0.86%, 0.42%

LAB 71.44, -5.47, 71.94

 

CMYK 92 / 0 / 31 / 22

HEX #0FC78A

RGB 15 199 138

HSL 160.11, 0.86%, 0.42%

LAB 71.41, -55.51, 19.17

 

CMYK 92 / 80 / 0 / 22

HEX #0F28C7

RGB 15 40 199

HSL 231.85, 0.86%, 0.42%

LAB 28.75, 52.7, -81.68

 

CMYK 0 / 92 / 63 / 22

HEX #C60F4A

RGB 198 15 74

HSL 340.66, 0.86%, 0.42%

LAB 42.52, 66.8, 18.36

 

CMYK 15 / 0 / 92 / 22

HEX #A9C70F

RGB 169 199 15

HSL 69.78, 0.86%, 0.42%

LAB 75.65, -30.37, 74.15

 

CMYK 92 / 0 / 31 / 22

HEX #0FC78A

RGB 15 199 138

HSL 160.11, 0.86%, 0.42%

LAB 71.41, -55.51, 19.17

 

CMYK 77 / 92 / 0 / 22

HEX #2E0FC7

RGB 46 15 199

HSL 250.11, 0.86%, 0.42%

LAB 26.87, 63.29, -84.79

 

Description

Color code: HEX #C60F4A | qconv.com Color code: HEX #C60F4A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 15 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 15 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 63 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 63% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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