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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C60ACE it is the complementary color #39F531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C60ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C60ACE shade: #CB0AC9, #DC1CDC, #ED2EEF, #FE40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C60ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C60ACE shade: #C60ACE, #B500BB, #A400A8, #930095 and #820082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C60ACE shade: #C50ACD, #CD0AA0, #CD0A6B, #CD0A37 and #CD0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C60ACE shade: #C50ACD, #900ACD, #5B0ACD, #270ACD and #0A0ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C60ACE shade matches the following richer shades: #C50ACD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C60ACE shade: #C50ACD, #B51BBB, #A52CAA, #953E99 and #854F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C60ACE shade: #5B0ACD, #8F0ACD, #C30ACD, #CD0AA2 and #CD0A6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C60ACE shade: #79067E, #9F08A5, #C50ACD, #EA0CF4 and #ED33F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C60ACE shade: #C60ACE, #CD270A and #0ACD75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C60ACE shade: #C60ACE, #CDC30A and #0ACDC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C60ACE shade: #C60ACE, #CD270A, #13CD0A and #0AAFCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C60ACE shade: #C60ACE, #CD610A, #13CD0A and #0A75CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 95 / 0 / 19

HEX #C60ACE

RGB 198 10 206

HSL 297.55, 0.91%, 0.42%

LAB 47.85, 81.57, -53.69

 

Complementary color

CMYK 77 / 0 / 80 / 4

HEX #39F531

RGB 57 245 49

HSL 117.55, 0.91%, 0.58%

LAB 85.2, -78.18, 73.82

 

CMYK 0 / 95 / 1 / 20

HEX #CB0AC9

RGB 203 10 201

HSL 300.62, 0.91%, 0.42%

LAB 48.42, 81.64, -49.83

 

CMYK 0 / 87 / 0 / 14

HEX #DC1CDC

RGB 220 28 220

HSL 300, 0.77%, 0.49%

LAB 53.18, 85.19, -52.96

 

CMYK 1 / 81 / 0 / 6

HEX #ED2EEF

RGB 237 46 239

HSL 299.38, 0.86%, 0.56%

LAB 58.22, 87.67, -55.47

 

CMYK 0 / 75 / 0 / 0

HEX #FE40FF

RGB 254 64 255

HSL 299.69, 1%, 0.63%

LAB 63.31, 88.87, -56.08

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 4 / 95 / 0 / 19

HEX #C60ACE

RGB 198 10 206

HSL 297.55, 0.91%, 0.42%

LAB 47.85, 81.57, -53.69

 

CMYK 3 / 100 / 0 / 27

HEX #B500BB

RGB 181 0 187

HSL 298.07, 1%, 0.37%

LAB 43.38, 76.86, -49.97

 

CMYK 2 / 100 / 0 / 34

HEX #A400A8

RGB 164 0 168

HSL 298.57, 1%, 0.33%

LAB 39.1, 71.22, -45.72

 

CMYK 1 / 100 / 0 / 42

HEX #930095

RGB 147 0 149

HSL 299.19, 1%, 0.29%

LAB 34.75, 65.48, -41.37

 

CMYK 0 / 100 / 0 / 49

HEX #820082

RGB 130 0 130

HSL 300, 1%, 0.25%

LAB 30.3, 59.6, -36.91

 

CMYK 4 / 95 / 0 / 20

HEX #C50ACD

RGB 197 10 205

HSL 297.54, 0.91%, 0.42%

LAB 47.62, 81.26, -53.5

 

CMYK 0 / 95 / 22 / 20

HEX #CD0AA0

RGB 205 10 160

HSL 313.85, 0.91%, 0.42%

LAB 46.62, 76.56, -28.54

 

CMYK 0 / 95 / 48 / 20

HEX #CD0A6B

RGB 205 10 107

HSL 330.15, 0.91%, 0.42%

LAB 44.6, 71.24, 0.76

 

CMYK 0 / 95 / 73 / 20

HEX #CD0A37

RGB 205 10 55

HSL 346.15, 0.91%, 0.42%

LAB 43.47, 68.15, 31.65

 

CMYK 0 / 95 / 95 / 20

HEX #CD0A0A

RGB 205 10 10

HSL 0, 0.91%, 0.42%

LAB 43.09, 67.11, 53.9

 

CMYK 4 / 95 / 0 / 20

HEX #C50ACD

RGB 197 10 205

HSL 297.54, 0.91%, 0.42%

LAB 47.62, 81.26, -53.5

 

CMYK 30 / 95 / 0 / 20

HEX #900ACD

RGB 144 10 205

HSL 281.23, 0.91%, 0.42%

LAB 38.82, 73.61, -68.17

 

CMYK 56 / 95 / 0 / 20

HEX #5B0ACD

RGB 91 10 205

HSL 264.92, 0.91%, 0.42%

LAB 31.46, 68.26, -80.54

 

CMYK 81 / 95 / 0 / 20

HEX #270ACD

RGB 39 10 205

HSL 248.92, 0.91%, 0.42%

LAB 26.89, 65.7, -88.27

 

CMYK 95 / 95 / 0 / 20

HEX #0A0ACD

RGB 10 10 205

HSL 240, 0.91%, 0.42%

LAB 25.83, 65.21, -90.07

 

CMYK 4 / 95 / 0 / 20

HEX #C50ACD

RGB 197 10 205

HSL 297.54, 0.91%, 0.42%

LAB 47.62, 81.26, -53.5

 

CMYK 4 / 95 / 0 / 20

HEX #C50ACD

RGB 197 10 205

HSL 297.54, 0.91%, 0.42%

LAB 47.62, 81.26, -53.5

 

CMYK 3 / 86 / 0 / 27

HEX #B51BBB

RGB 181 27 187

HSL 297.75, 0.75%, 0.42%

LAB 44.51, 73.51, -48.15

 

CMYK 3 / 74 / 0 / 33

HEX #A52CAA

RGB 165 44 170

HSL 297.62, 0.59%, 0.42%

LAB 42.31, 63.24, -41.78

 

CMYK 3 / 59 / 0 / 40

HEX #953E99

RGB 149 62 153

HSL 297.36, 0.42%, 0.42%

LAB 41.43, 49.19, -33.16

 

CMYK 1 / 41 / 0 / 47

HEX #854F87

RGB 133 79 135

HSL 297.86, 0.26%, 0.42%

LAB 41.73, 31.99, -21.96

 

CMYK 56 / 95 / 0 / 20

HEX #5B0ACD

RGB 91 10 205

HSL 264.92, 0.91%, 0.42%

LAB 31.46, 68.26, -80.54

 

CMYK 30 / 95 / 0 / 20

HEX #8F0ACD

RGB 143 10 205

HSL 280.92, 0.91%, 0.42%

LAB 38.66, 73.48, -68.43

 

CMYK 5 / 95 / 0 / 20

HEX #C30ACD

RGB 195 10 205

HSL 296.92, 0.91%, 0.42%

LAB 47.27, 80.94, -54.07

 

CMYK 0 / 95 / 21 / 20

HEX #CD0AA2

RGB 205 10 162

HSL 313.23, 0.91%, 0.42%

LAB 46.72, 76.8, -29.59

 

CMYK 0 / 95 / 46 / 20

HEX #CD0A6E

RGB 205 10 110

HSL 329.23, 0.91%, 0.42%

LAB 44.69, 71.49, -0.98

 

CMYK 4 / 95 / 0 / 51

HEX #79067E

RGB 121 6 126

HSL 297.5, 0.91%, 0.26%

LAB 28.65, 56.4, -37.13

 

CMYK 4 / 95 / 0 / 35

HEX #9F08A5

RGB 159 8 165

HSL 297.71, 0.91%, 0.34%

LAB 38.31, 69.03, -45.25

 

CMYK 4 / 95 / 0 / 20

HEX #C50ACD

RGB 197 10 205

HSL 297.54, 0.91%, 0.42%

LAB 47.62, 81.26, -53.5

 

CMYK 4 / 95 / 0 / 4

HEX #EA0CF4

RGB 234 12 244

HSL 297.41, 0.91%, 0.5%

LAB 56.37, 92.72, -61.24

 

CMYK 3 / 79 / 0 / 4

HEX #ED33F5

RGB 237 51 245

HSL 297.53, 0.91%, 0.58%

LAB 58.94, 87.46, -57.66

 

CMYK 4 / 95 / 0 / 19

HEX #C60ACE

RGB 198 10 206

HSL 297.55, 0.91%, 0.42%

LAB 47.85, 81.57, -53.69

 

CMYK 0 / 81 / 95 / 20

HEX #CD270A

RGB 205 39 10

HSL 8.92, 0.91%, 0.42%

LAB 44.87, 62.01, 54.88

 

CMYK 95 / 0 / 43 / 20

HEX #0ACD75

RGB 10 205 117

HSL 152.92, 0.91%, 0.42%

LAB 72.9, -62.11, 32.14

 

CMYK 4 / 95 / 0 / 19

HEX #C60ACE

RGB 198 10 206

HSL 297.55, 0.91%, 0.42%

LAB 47.85, 81.57, -53.69

 

CMYK 0 / 5 / 95 / 20

HEX #CDC30A

RGB 205 195 10

HSL 56.92, 0.91%, 0.42%

LAB 77.3, -13.19, 77.19

 

CMYK 95 / 0 / 5 / 20

HEX #0ACDC3

RGB 10 205 195

HSL 176.92, 0.91%, 0.42%

LAB 74.61, -43.45, -6.96

 

CMYK 4 / 95 / 0 / 19

HEX #C60ACE

RGB 198 10 206

HSL 297.55, 0.91%, 0.42%

LAB 47.85, 81.57, -53.69

 

CMYK 0 / 81 / 95 / 20

HEX #CD270A

RGB 205 39 10

HSL 8.92, 0.91%, 0.42%

LAB 44.87, 62.01, 54.88

 

CMYK 91 / 0 / 95 / 20

HEX #13CD0A

RGB 19 205 10

HSL 117.23, 0.91%, 0.42%

LAB 72.11, -72.07, 69.65

 

CMYK 95 / 15 / 0 / 20

HEX #0AAFCD

RGB 10 175 205

HSL 189.23, 0.91%, 0.42%

LAB 65.85, -26.27, -25.66

 

CMYK 4 / 95 / 0 / 19

HEX #C60ACE

RGB 198 10 206

HSL 297.55, 0.91%, 0.42%

LAB 47.85, 81.57, -53.69

 

CMYK 0 / 53 / 95 / 20

HEX #CD610A

RGB 205 97 10

HSL 26.77, 0.91%, 0.42%

LAB 53.55, 38.78, 60.24

 

CMYK 91 / 0 / 95 / 20

HEX #13CD0A

RGB 19 205 10

HSL 117.23, 0.91%, 0.42%

LAB 72.11, -72.07, 69.65

 

CMYK 95 / 43 / 0 / 20

HEX #0A75CD

RGB 10 117 205

HSL 207.08, 0.91%, 0.42%

LAB 48.5, 6.44, -52.89

 

Description

Color code: HEX #C60ACE | qconv.com Color code: HEX #C60ACE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 10 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 10 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 95 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 95% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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