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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C60988 it is the complementary color #39F677. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C60988. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C60988 shade: #CB0983, #DC1B96, #ED2DA9, #FE3FBC and #FF51CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C60988. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C60988 shade: #C60988, #B50075, #A40062, #93004F and #82003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C60988 shade: #C80989, #C80956, #C80923 and #C80909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C60988 shade: #C80989, #C809BD, #9F09C8, #6C09C8 and #3909C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C60988 shade matches the following richer shades: #C80989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C60988 shade: #C80989, #B71A83, #A62B7E, #953C78 and #844D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C60988 shade: #9E09C8, #C809BE, #C8098B, #C80959 and #C80926

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C60988 shade: #790653, #A0086E, #C80989, #EF0BA4 and #F52EB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C60988 shade: #C60988, #C86C09 and #09C8B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C60988 shade: #C60988, #8BC809 and #098BC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C60988 shade: #C60988, #C86C09, #09C846 and #0965C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C60988 shade: #C60988, #C8A509, #09C846 and #092CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 31 / 22

HEX #C60988

RGB 198 9 136

HSL 319.68, 0.91%, 0.41%

LAB 44.2, 72.53, -17.89

 

Complementary color

CMYK 77 / 0 / 52 / 4

HEX #39F677

RGB 57 246 119

HSL 139.68, 0.91%, 0.59%

LAB 86.06, -71.67, 47.89

 

CMYK 0 / 96 / 35 / 20

HEX #CB0983

RGB 203 9 131

HSL 322.27, 0.92%, 0.42%

LAB 44.98, 73.06, -13.55

 

CMYK 0 / 88 / 32 / 14

HEX #DC1B96

RGB 220 27 150

HSL 321.76, 0.78%, 0.48%

LAB 49.74, 76.42, -17.52

 

CMYK 0 / 81 / 29 / 7

HEX #ED2DA9

RGB 237 45 169

HSL 321.25, 0.84%, 0.55%

LAB 54.81, 78.7, -20.75

 

CMYK 0 / 75 / 26 / 0

HEX #FE3FBC

RGB 254 63 188

HSL 320.73, 0.99%, 0.62%

LAB 60.12, 80.12, -23.37

 

CMYK 0 / 68 / 19 / 0

HEX #FF51CF

RGB 255 81 207

HSL 316.55, 1%, 0.66%

LAB 63.05, 77.03, -29.67

 

CMYK 0 / 95 / 31 / 22

HEX #C60988

RGB 198 9 136

HSL 319.68, 0.91%, 0.41%

LAB 44.2, 72.53, -17.89

 

CMYK 0 / 100 / 35 / 29

HEX #B50075

RGB 181 0 117

HSL 321.22, 1%, 0.35%

LAB 39.76, 67.88, -13.22

 

CMYK 0 / 100 / 40 / 36

HEX #A40062

RGB 164 0 98

HSL 324.15, 1%, 0.32%

LAB 35.55, 62.34, -7.88

 

CMYK 0 / 100 / 46 / 42

HEX #93004F

RGB 147 0 79

HSL 327.76, 1%, 0.29%

LAB 31.27, 56.76, -2.25

 

CMYK 0 / 100 / 54 / 49

HEX #82003C

RGB 130 0 60

HSL 332.31, 1%, 0.25%

LAB 26.94, 51.13, 3.75

 

CMYK 0 / 96 / 32 / 22

HEX #C80989

RGB 200 9 137

HSL 319.79, 0.91%, 0.41%

LAB 44.63, 73.05, -17.81

 

CMYK 0 / 96 / 57 / 22

HEX #C80956

RGB 200 9 86

HSL 335.81, 0.91%, 0.41%

LAB 42.98, 68.65, 11.48

 

CMYK 0 / 96 / 83 / 22

HEX #C80923

RGB 200 9 35

HSL 351.83, 0.91%, 0.41%

LAB 42.15, 66.36, 41.61

 

CMYK 0 / 96 / 96 / 22

HEX #C80909

RGB 200 9 9

HSL 0, 0.91%, 0.41%

LAB 41.99, 65.92, 53.05

 

CMYK 0 / 96 / 32 / 22

HEX #C80989

RGB 200 9 137

HSL 319.79, 0.91%, 0.41%

LAB 44.63, 73.05, -17.81

 

CMYK 0 / 96 / 5 / 22

HEX #C809BD

RGB 200 9 189

HSL 303.46, 0.91%, 0.41%

LAB 47.17, 79.5, -44.89

 

CMYK 21 / 96 / 0 / 22

HEX #9F09C8

RGB 159 9 200

HSL 287.12, 0.91%, 0.41%

LAB 40.79, 74.79, -61.94

 

CMYK 46 / 96 / 0 / 22

HEX #6C09C8

RGB 108 9 200

HSL 271.1, 0.91%, 0.41%

LAB 33.04, 68.73, -74.95

 

CMYK 72 / 96 / 0 / 22

HEX #3909C8

RGB 57 9 200

HSL 255.08, 0.91%, 0.41%

LAB 27.4, 65.24, -84.47

 

CMYK 0 / 96 / 32 / 22

HEX #C80989

RGB 200 9 137

HSL 319.79, 0.91%, 0.41%

LAB 44.63, 73.05, -17.81

 

CMYK 0 / 96 / 32 / 22

HEX #C80989

RGB 200 9 137

HSL 319.79, 0.91%, 0.41%

LAB 44.63, 73.05, -17.81

 

CMYK 0 / 86 / 28 / 28

HEX #B71A83

RGB 183 26 131

HSL 319.87, 0.75%, 0.41%

LAB 41.91, 66.37, -18.58

 

CMYK 0 / 74 / 24 / 35

HEX #A62B7E

RGB 166 43 126

HSL 319.51, 0.59%, 0.41%

LAB 40.15, 57.13, -18.48

 

CMYK 0 / 60 / 19 / 42

HEX #953C78

RGB 149 60 120

HSL 319.55, 0.43%, 0.41%

LAB 39.54, 44.5, -15.94

 

CMYK 0 / 42 / 14 / 48

HEX #844D72

RGB 132 77 114

HSL 319.64, 0.26%, 0.41%

LAB 40.29, 28.8, -11.32

 

CMYK 21 / 96 / 0 / 22

HEX #9E09C8

RGB 158 9 200

HSL 286.81, 0.91%, 0.41%

LAB 40.63, 74.65, -62.21

 

CMYK 0 / 96 / 5 / 22

HEX #C809BE

RGB 200 9 190

HSL 303.14, 0.91%, 0.41%

LAB 47.23, 79.64, -45.38

 

CMYK 0 / 96 / 31 / 22

HEX #C8098B

RGB 200 9 139

HSL 319.16, 0.91%, 0.41%

LAB 44.71, 73.26, -18.9

 

CMYK 0 / 96 / 56 / 22

HEX #C80959

RGB 200 9 89

HSL 334.87, 0.91%, 0.41%

LAB 43.06, 68.85, 9.69

 

CMYK 0 / 96 / 81 / 22

HEX #C80926

RGB 200 9 38

HSL 350.89, 0.91%, 0.41%

LAB 42.18, 66.43, 39.97

 

CMYK 0 / 95 / 31 / 53

HEX #790653

RGB 121 6 83

HSL 319.83, 0.91%, 0.25%

LAB 26.21, 50.18, -13.07

 

CMYK 0 / 95 / 31 / 37

HEX #A0086E

RGB 160 8 110

HSL 319.74, 0.9%, 0.33%

LAB 35.54, 61.73, -15.62

 

CMYK 0 / 96 / 32 / 22

HEX #C80989

RGB 200 9 137

HSL 319.79, 0.91%, 0.41%

LAB 44.63, 73.05, -17.81

 

CMYK 0 / 95 / 31 / 6

HEX #EF0BA4

RGB 239 11 164

HSL 319.74, 0.91%, 0.49%

LAB 53.24, 83.63, -20.17

 

CMYK 0 / 81 / 27 / 4

HEX #F52EB4

RGB 245 46 180

HSL 319.6, 0.91%, 0.57%

LAB 56.74, 81.47, -24.07

 

CMYK 0 / 95 / 31 / 22

HEX #C60988

RGB 198 9 136

HSL 319.68, 0.91%, 0.41%

LAB 44.2, 72.53, -17.89

 

CMYK 0 / 46 / 96 / 22

HEX #C86C09

RGB 200 108 9

HSL 31.1, 0.91%, 0.41%

LAB 55.1, 31.05, 61.11

 

CMYK 96 / 0 / 8 / 22

HEX #09C8B8

RGB 9 200 184

HSL 174.97, 0.91%, 0.41%

LAB 72.78, -44.44, -3.71

 

CMYK 0 / 95 / 31 / 22

HEX #C60988

RGB 198 9 136

HSL 319.68, 0.91%, 0.41%

LAB 44.2, 72.53, -17.89

 

CMYK 31 / 0 / 96 / 22

HEX #8BC809

RGB 139 200 9

HSL 79.16, 0.91%, 0.41%

LAB 74.07, -42.78, 72.8

 

CMYK 96 / 31 / 0 / 22

HEX #098BC8

RGB 9 139 200

HSL 199.16, 0.91%, 0.41%

LAB 54.76, -8.73, -40.12

 

CMYK 0 / 95 / 31 / 22

HEX #C60988

RGB 198 9 136

HSL 319.68, 0.91%, 0.41%

LAB 44.2, 72.53, -17.89

 

CMYK 0 / 46 / 96 / 22

HEX #C86C09

RGB 200 108 9

HSL 31.1, 0.91%, 0.41%

LAB 55.1, 31.05, 61.11

 

CMYK 96 / 0 / 65 / 22

HEX #09C846

RGB 9 200 70

HSL 139.16, 0.91%, 0.41%

LAB 70.74, -67.47, 51.8

 

CMYK 96 / 50 / 0 / 22

HEX #0965C8

RGB 9 101 200

HSL 211.1, 0.91%, 0.41%

LAB 43.56, 14.63, -57.99

 

CMYK 0 / 95 / 31 / 22

HEX #C60988

RGB 198 9 136

HSL 319.68, 0.91%, 0.41%

LAB 44.2, 72.53, -17.89

 

CMYK 0 / 18 / 96 / 22

HEX #C8A509

RGB 200 165 9

HSL 49.01, 0.91%, 0.41%

LAB 68.9, 0.19, 70.88

 

CMYK 96 / 0 / 65 / 22

HEX #09C846

RGB 9 200 70

HSL 139.16, 0.91%, 0.41%

LAB 70.74, -67.47, 51.8

 

CMYK 96 / 78 / 0 / 22

HEX #092CC8

RGB 9 44 200

HSL 229.01, 0.91%, 0.41%

LAB 29.49, 50.79, -81.05

 

Description

Color code: HEX #C60988 | qconv.com Color code: HEX #C60988 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 9 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 9 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 31 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 31% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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