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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6084B it is the complementary color #39F7B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6084B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6084B shade: #CB0846, #DC1A59, #ED2C6C, #FE3E7F and #FF5092

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6084B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6084B shade: #C6084B, #B50038, #A40025, #930012 and #820000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6084B shade: #C4084A, #C40818 and #C40808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6084B shade: #C4084A, #C4087D, #C408B0, #A508C4 and #7308C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6084B shade matches the following richer shades: #C4084A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6084B shade: #C4084A, #B3194F, #A32954, #923A59 and #824A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6084B shade: #C408B1, #C4087F, #C4084D, #C4081B and #C42708

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6084B shade: #75052C, #9C073B, #C4084A, #EB0A59 and #F62871

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6084B shade: #C6084B, #C4A508 and #0898C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6084B shade: #C6084B, #4DC408 and #084DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6084B shade: #C6084B, #C4A508, #08C47F and #0827C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6084B shade: #C6084B, #ABC408, #08C47F and #2108C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 62 / 22

HEX #C6084B

RGB 198 8 75

HSL 338.84, 0.92%, 0.4%

LAB 42.29, 67.59, 17.41

 

Complementary color

CMYK 77 / 0 / 27 / 3

HEX #39F7B4

RGB 57 247 180

HSL 158.84, 0.92%, 0.6%

LAB 87.33, -61.01, 19.32

 

CMYK 0 / 96 / 66 / 20

HEX #CB0846

RGB 203 8 70

HSL 340.92, 0.92%, 0.41%

LAB 43.23, 68.53, 21.99

 

CMYK 0 / 88 / 60 / 14

HEX #DC1A59

RGB 220 26 89

HSL 340.52, 0.79%, 0.48%

LAB 47.85, 71.49, 16.94

 

CMYK 0 / 81 / 54 / 7

HEX #ED2C6C

RGB 237 44 108

HSL 340.1, 0.84%, 0.55%

LAB 52.83, 73.39, 12.72

 

CMYK 0 / 76 / 50 / 0

HEX #FE3E7F

RGB 254 62 127

HSL 339.69, 0.99%, 0.62%

LAB 58.08, 74.45, 9.21

 

CMYK 0 / 69 / 43 / 0

HEX #FF5092

RGB 255 80 146

HSL 337.37, 1%, 0.66%

LAB 60.85, 70.5, 2.05

 

CMYK 0 / 96 / 62 / 22

HEX #C6084B

RGB 198 8 75

HSL 338.84, 0.92%, 0.4%

LAB 42.29, 67.59, 17.41

 

CMYK 0 / 100 / 69 / 29

HEX #B50038

RGB 181 0 56

HSL 341.44, 1%, 0.35%

LAB 38.04, 63.33, 23.26

 

CMYK 0 / 100 / 77 / 36

HEX #A40025

RGB 164 0 37

HSL 346.46, 1%, 0.32%

LAB 34.04, 58.34, 29.62

 

CMYK 0 / 100 / 88 / 42

HEX #930012

RGB 147 0 18

HSL 352.65, 1%, 0.29%

LAB 30.03, 53.43, 35.63

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 96 / 62 / 23

HEX #C4084A

RGB 196 8 74

HSL 338.94, 0.92%, 0.4%

LAB 41.85, 67.06, 17.38

 

CMYK 0 / 96 / 88 / 23

HEX #C40818

RGB 196 8 24

HSL 354.89, 0.92%, 0.4%

LAB 41.18, 65.2, 46.14

 

CMYK 0 / 96 / 96 / 23

HEX #C40808

RGB 196 8 8

HSL 0, 0.92%, 0.4%

LAB 41.1, 64.99, 52.44

 

CMYK 0 / 96 / 62 / 23

HEX #C4084A

RGB 196 8 74

HSL 338.94, 0.92%, 0.4%

LAB 41.85, 67.06, 17.38

 

CMYK 0 / 96 / 36 / 23

HEX #C4087D

RGB 196 8 125

HSL 322.66, 0.92%, 0.4%

LAB 43.35, 71.06, -12.47

 

CMYK 0 / 96 / 10 / 23

HEX #C408B0

RGB 196 8 176

HSL 306.38, 0.92%, 0.4%

LAB 45.69, 77.09, -39.63

 

CMYK 16 / 96 / 0 / 23

HEX #A508C4

RGB 165 8 196

HSL 290.11, 0.92%, 0.4%

LAB 41.47, 75.06, -58.47

 

CMYK 41 / 96 / 0 / 23

HEX #7308C4

RGB 115 8 196

HSL 274.15, 0.92%, 0.4%

LAB 33.57, 68.71, -71.69

 

CMYK 0 / 96 / 62 / 23

HEX #C4084A

RGB 196 8 74

HSL 338.94, 0.92%, 0.4%

LAB 41.85, 67.06, 17.38

 

CMYK 0 / 96 / 62 / 23

HEX #C4084A

RGB 196 8 74

HSL 338.94, 0.92%, 0.4%

LAB 41.85, 67.06, 17.38

 

CMYK 0 / 86 / 56 / 30

HEX #B3194F

RGB 179 25 79

HSL 338.96, 0.75%, 0.4%

LAB 39.32, 60.69, 10.17

 

CMYK 0 / 75 / 48 / 36

HEX #A32954

RGB 163 41 84

HSL 338.85, 0.6%, 0.4%

LAB 37.86, 52.26, 4.48

 

CMYK 0 / 60 / 39 / 43

HEX #923A59

RGB 146 58 89

HSL 338.86, 0.43%, 0.4%

LAB 37.59, 40.24, 0.52

 

CMYK 0 / 43 / 28 / 49

HEX #824A5E

RGB 130 74 94

HSL 338.57, 0.27%, 0.4%

LAB 38.64, 26.48, -1.38

 

CMYK 0 / 96 / 10 / 23

HEX #C408B1

RGB 196 8 177

HSL 306.06, 0.92%, 0.4%

LAB 45.75, 77.23, -40.14

 

CMYK 0 / 96 / 35 / 23

HEX #C4087F

RGB 196 8 127

HSL 322.02, 0.92%, 0.4%

LAB 43.42, 71.26, -13.59

 

CMYK 0 / 96 / 61 / 23

HEX #C4084D

RGB 196 8 77

HSL 337.98, 0.92%, 0.4%

LAB 41.92, 67.23, 15.57

 

CMYK 0 / 96 / 86 / 23

HEX #C4081B

RGB 196 8 27

HSL 353.94, 0.92%, 0.4%

LAB 41.2, 65.26, 44.68

 

CMYK 0 / 80 / 96 / 23

HEX #C42708

RGB 196 39 8

HSL 9.89, 0.92%, 0.4%

LAB 43.07, 59.36, 53.5

 

CMYK 0 / 96 / 62 / 54

HEX #75052C

RGB 117 5 44

HSL 339.11, 0.92%, 0.24%

LAB 23.91, 45.68, 10.09

 

CMYK 0 / 96 / 62 / 39

HEX #9C073B

RGB 156 7 59

HSL 339.06, 0.91%, 0.32%

LAB 33, 56.44, 13.71

 

CMYK 0 / 96 / 62 / 23

HEX #C4084A

RGB 196 8 74

HSL 338.94, 0.92%, 0.4%

LAB 41.85, 67.06, 17.38

 

CMYK 0 / 96 / 62 / 8

HEX #EB0A59

RGB 235 10 89

HSL 338.93, 0.92%, 0.48%

LAB 50.22, 76.92, 20.64

 

CMYK 0 / 84 / 54 / 4

HEX #F62871

RGB 246 40 113

HSL 338.74, 0.92%, 0.56%

LAB 54.35, 76.85, 12.08

 

CMYK 0 / 96 / 62 / 22

HEX #C6084B

RGB 198 8 75

HSL 338.84, 0.92%, 0.4%

LAB 42.29, 67.59, 17.41

 

CMYK 0 / 16 / 96 / 23

HEX #C4A508

RGB 196 165 8

HSL 50.11, 0.92%, 0.4%

LAB 68.51, -1.61, 70.53

 

CMYK 96 / 22 / 0 / 23

HEX #0898C4

RGB 8 152 196

HSL 194.04, 0.92%, 0.4%

LAB 58.5, -17.47, -31.99

 

CMYK 0 / 96 / 62 / 22

HEX #C6084B

RGB 198 8 75

HSL 338.84, 0.92%, 0.4%

LAB 42.29, 67.59, 17.41

 

CMYK 61 / 0 / 96 / 23

HEX #4DC408

RGB 77 196 8

HSL 97.98, 0.92%, 0.4%

LAB 70.23, -60.8, 68.73

 

CMYK 96 / 61 / 0 / 23

HEX #084DC4

RGB 8 77 196

HSL 217.98, 0.92%, 0.4%

LAB 36.64, 28.84, -66.92

 

CMYK 0 / 96 / 62 / 22

HEX #C6084B

RGB 198 8 75

HSL 338.84, 0.92%, 0.4%

LAB 42.29, 67.59, 17.41

 

CMYK 0 / 16 / 96 / 23

HEX #C4A508

RGB 196 165 8

HSL 50.11, 0.92%, 0.4%

LAB 68.51, -1.61, 70.53

 

CMYK 96 / 0 / 35 / 23

HEX #08C47F

RGB 8 196 127

HSL 157.98, 0.92%, 0.4%

LAB 70.22, -57.06, 23.38

 

CMYK 96 / 80 / 0 / 23

HEX #0827C4

RGB 8 39 196

HSL 230.11, 0.92%, 0.4%

LAB 28.08, 52.09, -81.04

 

CMYK 0 / 96 / 62 / 22

HEX #C6084B

RGB 198 8 75

HSL 338.84, 0.92%, 0.4%

LAB 42.29, 67.59, 17.41

 

CMYK 13 / 0 / 96 / 23

HEX #ABC408

RGB 171 196 8

HSL 67.98, 0.92%, 0.4%

LAB 74.92, -28.22, 74.43

 

CMYK 96 / 0 / 35 / 23

HEX #08C47F

RGB 8 196 127

HSL 157.98, 0.92%, 0.4%

LAB 70.22, -57.06, 23.38

 

CMYK 83 / 96 / 0 / 23

HEX #2108C4

RGB 33 8 196

HSL 247.98, 0.92%, 0.4%

LAB 25.21, 63.65, -85.81

 

Description

Color code: HEX #C6084B | qconv.com Color code: HEX #C6084B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 8 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 8 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 62 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 62% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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