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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C607A4 it is the complementary color #39F85B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C607A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C607A4 shade: #CB079F, #DC19B2, #ED2BC5, #FE3DD8 and #FF4FEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C607A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C607A4 shade: #C607A4, #B50091, #A4007E, #93006B and #820058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C607A4 shade: #C507A3, #C50770, #C5073D, #C5070A and #C50707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C607A4 shade: #C507A3, #B307C5, #8007C5, #4D07C5 and #1A07C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C607A4 shade matches the following richer shades: #C507A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C607A4 shade: #C507A3, #B41898, #A4288E, #933983 and #834979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C607A4 shade: #7F07C5, #B207C5, #C507A5, #C50773 and #C50740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C607A4 shade: #750461, #9D0682, #C507A3, #ED09C4 and #F727D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C607A4 shade: #C607A4, #C54D07 and #07C599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C607A4 shade: #C607A4, #A5C507 and #07A5C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C607A4 shade: #C607A4, #C54D07, #07C527 and #077FC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C607A4 shade: #C607A4, #C58607, #07C527 and #0746C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 17 / 22

HEX #C607A4

RGB 198 7 164

HSL 310.68, 0.93%, 0.4%

LAB 45.41, 75.97, -32.93

 

Complementary color

CMYK 77 / 0 / 63 / 3

HEX #39F85B

RGB 57 248 91

HSL 130.68, 0.93%, 0.6%

LAB 86.39, -75.76, 60.59

 

CMYK 0 / 97 / 22 / 20

HEX #CB079F

RGB 203 7 159

HSL 313.47, 0.93%, 0.41%

LAB 46.11, 76.31, -28.77

 

CMYK 0 / 89 / 19 / 14

HEX #DC19B2

RGB 220 25 178

HSL 312.92, 0.8%, 0.48%

LAB 50.83, 79.94, -32.42

 

CMYK 0 / 82 / 17 / 7

HEX #ED2BC5

RGB 237 43 197

HSL 312.37, 0.84%, 0.55%

LAB 55.85, 82.49, -35.39

 

CMYK 0 / 76 / 15 / 0

HEX #FE3DD8

RGB 254 61 216

HSL 311.81, 0.99%, 0.62%

LAB 61.1, 84.15, -37.8

 

CMYK 0 / 69 / 8 / 0

HEX #FF4FEB

RGB 255 79 235

HSL 306.82, 1%, 0.65%

LAB 64.04, 81.6, -43.84

 

CMYK 0 / 96 / 17 / 22

HEX #C607A4

RGB 198 7 164

HSL 310.68, 0.93%, 0.4%

LAB 45.41, 75.97, -32.93

 

CMYK 0 / 100 / 20 / 29

HEX #B50091

RGB 181 0 145

HSL 311.93, 1%, 0.35%

LAB 41.01, 71.05, -28.6

 

CMYK 0 / 100 / 23 / 36

HEX #A4007E

RGB 164 0 126

HSL 313.9, 1%, 0.32%

LAB 36.74, 65.41, -23.78

 

CMYK 0 / 100 / 27 / 42

HEX #93006B

RGB 147 0 107

HSL 316.33, 1%, 0.29%

LAB 32.4, 59.68, -18.77

 

CMYK 0 / 100 / 32 / 49

HEX #820058

RGB 130 0 88

HSL 319.38, 1%, 0.25%

LAB 27.98, 53.85, -13.51

 

CMYK 0 / 96 / 17 / 23

HEX #C507A3

RGB 197 7 163

HSL 310.74, 0.93%, 0.4%

LAB 45.17, 75.66, -32.72

 

CMYK 0 / 96 / 43 / 23

HEX #C50770

RGB 197 7 112

HSL 326.84, 0.93%, 0.4%

LAB 43.05, 70.15, -4.82

 

CMYK 0 / 96 / 69 / 23

HEX #C5073D

RGB 197 7 61

HSL 342.95, 0.93%, 0.4%

LAB 41.78, 66.73, 25.52

 

CMYK 0 / 96 / 95 / 23

HEX #C5070A

RGB 197 7 10

HSL 359.05, 0.93%, 0.4%

LAB 41.29, 65.36, 52.01

 

CMYK 0 / 96 / 96 / 23

HEX #C50707

RGB 197 7 7

HSL 0, 0.93%, 0.4%

LAB 41.28, 65.33, 52.98

 

CMYK 0 / 96 / 17 / 23

HEX #C507A3

RGB 197 7 163

HSL 310.74, 0.93%, 0.4%

LAB 45.17, 75.66, -32.72

 

CMYK 9 / 96 / 0 / 23

HEX #B307C5

RGB 179 7 197

HSL 294.32, 0.93%, 0.4%

LAB 43.9, 77.44, -55.01

 

CMYK 35 / 96 / 0 / 23

HEX #8007C5

RGB 128 7 197

HSL 278.21, 0.93%, 0.4%

LAB 35.54, 70.48, -68.97

 

CMYK 61 / 96 / 0 / 23

HEX #4D07C5

RGB 77 7 197

HSL 262.11, 0.93%, 0.4%

LAB 28.8, 65.92, -80.32

 

CMYK 87 / 96 / 0 / 23

HEX #1A07C5

RGB 26 7 197

HSL 246, 0.93%, 0.4%

LAB 24.96, 63.97, -86.82

 

CMYK 0 / 96 / 17 / 23

HEX #C507A3

RGB 197 7 163

HSL 310.74, 0.93%, 0.4%

LAB 45.17, 75.66, -32.72

 

CMYK 0 / 96 / 17 / 23

HEX #C507A3

RGB 197 7 163

HSL 310.74, 0.93%, 0.4%

LAB 45.17, 75.66, -32.72

 

CMYK 0 / 87 / 16 / 29

HEX #B41898

RGB 180 24 152

HSL 310.77, 0.76%, 0.4%

LAB 42.19, 68.75, -31.01

 

CMYK 0 / 76 / 13 / 36

HEX #A4288E

RGB 164 40 142

HSL 310.65, 0.61%, 0.4%

LAB 40.19, 59.86, -28.28

 

CMYK 0 / 61 / 11 / 42

HEX #933983

RGB 147 57 131

HSL 310.67, 0.44%, 0.4%

LAB 39.19, 47.07, -23.31

 

CMYK 0 / 44 / 8 / 49

HEX #834979

RGB 131 73 121

HSL 310.34, 0.28%, 0.4%

LAB 39.53, 32, -16.81

 

CMYK 36 / 96 / 0 / 23

HEX #7F07C5

RGB 127 7 197

HSL 277.89, 0.93%, 0.4%

LAB 35.39, 70.36, -69.22

 

CMYK 10 / 96 / 0 / 23

HEX #B207C5

RGB 178 7 197

HSL 294, 0.93%, 0.4%

LAB 43.72, 77.29, -55.29

 

CMYK 0 / 96 / 16 / 23

HEX #C507A5

RGB 197 7 165

HSL 310.11, 0.93%, 0.4%

LAB 45.27, 75.91, -33.75

 

CMYK 0 / 96 / 42 / 23

HEX #C50773

RGB 197 7 115

HSL 325.89, 0.93%, 0.4%

LAB 43.15, 70.42, -6.54

 

CMYK 0 / 96 / 68 / 23

HEX #C50740

RGB 197 7 64

HSL 342, 0.93%, 0.4%

LAB 41.83, 66.87, 23.71

 

CMYK 0 / 97 / 17 / 54

HEX #750461

RGB 117 4 97

HSL 310.62, 0.93%, 0.24%

LAB 25.96, 51.5, -22.8

 

CMYK 0 / 96 / 17 / 38

HEX #9D0682

RGB 157 6 130

HSL 310.73, 0.93%, 0.32%

LAB 35.81, 63.81, -27.84

 

CMYK 0 / 96 / 17 / 23

HEX #C507A3

RGB 197 7 163

HSL 310.74, 0.93%, 0.4%

LAB 45.17, 75.66, -32.72

 

CMYK 0 / 96 / 17 / 7

HEX #ED09C4

RGB 237 9 196

HSL 310.79, 0.93%, 0.48%

LAB 54.22, 86.97, -37.37

 

CMYK 0 / 84 / 15 / 3

HEX #F727D2

RGB 247 39 210

HSL 310.67, 0.93%, 0.56%

LAB 57.92, 86.92, -39.47

 

CMYK 0 / 96 / 17 / 22

HEX #C607A4

RGB 198 7 164

HSL 310.68, 0.93%, 0.4%

LAB 45.41, 75.97, -32.93

 

CMYK 0 / 61 / 96 / 23

HEX #C54D07

RGB 197 77 7

HSL 22.11, 0.93%, 0.4%

LAB 48.5, 45.37, 57.04

 

CMYK 96 / 0 / 22 / 23

HEX #07C599

RGB 7 197 153

HSL 166.11, 0.93%, 0.4%

LAB 71.06, -51.51, 10.62

 

CMYK 0 / 96 / 17 / 22

HEX #C607A4

RGB 198 7 164

HSL 310.68, 0.93%, 0.4%

LAB 45.41, 75.97, -32.93

 

CMYK 16 / 0 / 96 / 23

HEX #A5C507

RGB 165 197 7

HSL 70.11, 0.93%, 0.4%

LAB 74.79, -31.19, 74.25

 

CMYK 96 / 16 / 0 / 23

HEX #07A5C5

RGB 7 165 197

HSL 190.11, 0.93%, 0.4%

LAB 62.5, -23.99, -26.38

 

CMYK 0 / 96 / 17 / 22

HEX #C607A4

RGB 198 7 164

HSL 310.68, 0.93%, 0.4%

LAB 45.41, 75.97, -32.93

 

CMYK 0 / 61 / 96 / 23

HEX #C54D07

RGB 197 77 7

HSL 22.11, 0.93%, 0.4%

LAB 48.5, 45.37, 57.04

 

CMYK 96 / 0 / 80 / 23

HEX #07C527

RGB 7 197 39

HSL 130.11, 0.93%, 0.4%

LAB 69.56, -69.32, 61.74

 

CMYK 96 / 36 / 0 / 23

HEX #077FC5

RGB 7 127 197

HSL 202.11, 0.93%, 0.4%

LAB 50.98, -2.9, -44.37

 

CMYK 0 / 96 / 17 / 22

HEX #C607A4

RGB 198 7 164

HSL 310.68, 0.93%, 0.4%

LAB 45.41, 75.97, -32.93

 

CMYK 0 / 32 / 96 / 23

HEX #C58607

RGB 197 134 7

HSL 40.11, 0.93%, 0.4%

LAB 60.72, 15.63, 65.13

 

CMYK 96 / 0 / 80 / 23

HEX #07C527

RGB 7 197 39

HSL 130.11, 0.93%, 0.4%

LAB 69.56, -69.32, 61.74

 

CMYK 96 / 64 / 0 / 23

HEX #0746C5

RGB 7 70 197

HSL 220.11, 0.93%, 0.4%

LAB 34.92, 33.82, -70.33

 

Description

Color code: HEX #C607A4 | qconv.com Color code: HEX #C607A4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 7 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 7 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 17 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 17% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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