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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5FAA6 it is the complementary color #3A0559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5FAA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5FAA6 shade: #CAFAA1, #DBFFB4, #ECFFC7, #FDFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5FAA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5FAA6 shade: #C5FAA6, #B4E893, #A3D680, #92C46D and #81B25A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5FAA6 shade: #C6FAA8, #DCFAA8, #F2FAA8, #FAEBA8 and #FAD5A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5FAA6 shade: #C6FAA8, #B0FAA8, #A8FAB6, #A8FACC and #A8FAE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5FAA6 shade matches the following richer shades: #C6FAA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5FAA6 shade: #C6FAA8, #C8F3B0, #CAEBB7, #CCE4BF and #CEDCC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5FAA6 shade: #F3FAA8, #DDFAA8, #C8FAA8, #B2FAA8 and #A8FAB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5FAA6 shade: #94F55A, #ADF881, #C6FAA8, #E0FCCF and #F9FEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5FAA6 shade: #C5FAA6, #A8FAEB and #FAA8E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5FAA6 shade: #C5FAA6, #A8C8FA and #FAA8C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5FAA6 shade: #C5FAA6, #A8FAEB, #DBA8FA and #FAA8B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5FAA6 shade: #C5FAA6, #A8F0FA, #DBA8FA and #FAB2A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 34 / 2

HEX #C5FAA6

RGB 197 250 166

HSL 97.86, 0.89%, 0.82%

LAB 93.01, -31.42, 34.98

 

Complementary color

CMYK 35 / 94 / 0 / 65

HEX #3A0559

RGB 58 5 89

HSL 277.86, 0.89%, 0.18%

LAB 14, 38.65, -37.28

 

CMYK 19 / 0 / 36 / 2

HEX #CAFAA1

RGB 202 250 161

HSL 92.36, 0.9%, 0.81%

LAB 93.23, -30.37, 37.82

 

CMYK 14 / 0 / 29 / 0

HEX #DBFFB4

RGB 219 255 180

HSL 88.8, 1%, 0.85%

LAB 95.95, -24.19, 32.13

 

CMYK 7 / 0 / 22 / 0

HEX #ECFFC7

RGB 236 255 199

HSL 80.36, 1%, 0.89%

LAB 97.42, -15.5, 24.75

 

CMYK 1 / 0 / 15 / 0

HEX #FDFFDA

RGB 253 255 218

HSL 63.24, 1%, 0.93%

LAB 99.01, -6.72, 17.48

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 21 / 0 / 34 / 2

HEX #C5FAA6

RGB 197 250 166

HSL 97.86, 0.89%, 0.82%

LAB 93.01, -31.42, 34.98

 

CMYK 22 / 0 / 37 / 9

HEX #B4E893

RGB 180 232 147

HSL 96.71, 0.65%, 0.74%

LAB 86.76, -31.54, 36.08

 

CMYK 24 / 0 / 40 / 16

HEX #A3D680

RGB 163 214 128

HSL 95.58, 0.51%, 0.67%

LAB 80.43, -31.65, 37.22

 

CMYK 26 / 0 / 44 / 23

HEX #92C46D

RGB 146 196 109

HSL 94.48, 0.42%, 0.6%

LAB 73.99, -31.74, 38.39

 

CMYK 28 / 0 / 49 / 30

HEX #81B25A

RGB 129 178 90

HSL 93.41, 0.36%, 0.53%

LAB 67.46, -31.8, 39.59

 

CMYK 21 / 0 / 33 / 2

HEX #C6FAA8

RGB 198 250 168

HSL 98.05, 0.89%, 0.82%

LAB 93.1, -30.8, 34.11

 

CMYK 12 / 0 / 33 / 2

HEX #DCFAA8

RGB 220 250 168

HSL 81.95, 0.89%, 0.82%

LAB 94.49, -23.07, 36.2

 

CMYK 3 / 0 / 33 / 2

HEX #F2FAA8

RGB 242 250 168

HSL 65.85, 0.89%, 0.82%

LAB 96.03, -15.02, 38.52

 

CMYK 0 / 6 / 33 / 2

HEX #FAEBA8

RGB 250 235 168

HSL 49.02, 0.89%, 0.82%

LAB 92.82, -4.58, 34.4

 

CMYK 0 / 15 / 33 / 2

HEX #FAD5A8

RGB 250 213 168

HSL 32.93, 0.89%, 0.82%

LAB 87.36, 6.64, 27.06

 

CMYK 21 / 0 / 33 / 2

HEX #C6FAA8

RGB 198 250 168

HSL 98.05, 0.89%, 0.82%

LAB 93.1, -30.8, 34.11

 

CMYK 30 / 0 / 33 / 2

HEX #B0FAA8

RGB 176 250 168

HSL 114.15, 0.89%, 0.82%

LAB 91.88, -38.08, 32.26

 

CMYK 33 / 0 / 27 / 2

HEX #A8FAB6

RGB 168 250 182

HSL 130.24, 0.89%, 0.82%

LAB 91.72, -38.32, 24.9

 

CMYK 33 / 0 / 18 / 2

HEX #A8FACC

RGB 168 250 204

HSL 146.34, 0.89%, 0.82%

LAB 92.16, -34.36, 14.24

 

CMYK 33 / 0 / 10 / 2

HEX #A8FAE2

RGB 168 250 226

HSL 162.44, 0.89%, 0.82%

LAB 92.66, -29.97, 3.59

 

CMYK 21 / 0 / 33 / 2

HEX #C6FAA8

RGB 198 250 168

HSL 98.05, 0.89%, 0.82%

LAB 93.1, -30.8, 34.11

 

CMYK 21 / 0 / 33 / 2

HEX #C6FAA8

RGB 198 250 168

HSL 98.05, 0.89%, 0.82%

LAB 93.1, -30.8, 34.11

 

CMYK 18 / 0 / 28 / 5

HEX #C8F3B0

RGB 200 243 176

HSL 98.51, 0.74%, 0.82%

LAB 91.47, -25.65, 27.9

 

CMYK 14 / 0 / 22 / 8

HEX #CAEBB7

RGB 202 235 183

HSL 98.08, 0.57%, 0.82%

LAB 89.58, -20.01, 21.74

 

CMYK 11 / 0 / 16 / 11

HEX #CCE4BF

RGB 204 228 191

HSL 98.92, 0.41%, 0.82%

LAB 88.01, -14.57, 15.42

 

CMYK 6 / 0 / 10 / 14

HEX #CEDCC6

RGB 206 220 198

HSL 98.18, 0.24%, 0.82%

LAB 86.2, -8.66, 9.2

 

CMYK 3 / 0 / 33 / 2

HEX #F3FAA8

RGB 243 250 168

HSL 65.12, 0.89%, 0.82%

LAB 96.1, -14.65, 38.63

 

CMYK 12 / 0 / 33 / 2

HEX #DDFAA8

RGB 221 250 168

HSL 81.22, 0.89%, 0.82%

LAB 94.56, -22.71, 36.3

 

CMYK 20 / 0 / 33 / 2

HEX #C8FAA8

RGB 200 250 168

HSL 96.59, 0.89%, 0.82%

LAB 93.22, -30.11, 34.29

 

CMYK 29 / 0 / 33 / 2

HEX #B2FAA8

RGB 178 250 168

HSL 112.68, 0.89%, 0.82%

LAB 91.98, -37.44, 32.42

 

CMYK 33 / 0 / 28 / 2

HEX #A8FAB5

RGB 168 250 181

HSL 129.51, 0.89%, 0.82%

LAB 91.7, -38.49, 25.38

 

CMYK 40 / 0 / 63 / 4

HEX #94F55A

RGB 148 245 90

HSL 97.55, 0.89%, 0.66%

LAB 88.13, -54.27, 63.67

 

CMYK 30 / 0 / 48 / 3

HEX #ADF881

RGB 173 248 129

HSL 97.82, 0.89%, 0.74%

LAB 90.6, -43.42, 49.64

 

CMYK 21 / 0 / 33 / 2

HEX #C6FAA8

RGB 198 250 168

HSL 98.05, 0.89%, 0.82%

LAB 93.1, -30.8, 34.11

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCF

RGB 224 252 207

HSL 97.33, 0.88%, 0.9%

LAB 95.99, -16.96, 18.55

 

CMYK 2 / 0 / 3 / 0

HEX #F9FEF6

RGB 249 254 246

HSL 97.5, 0.8%, 0.98%

LAB 99.09, -3.04, 3.23

 

CMYK 21 / 0 / 34 / 2

HEX #C5FAA6

RGB 197 250 166

HSL 97.86, 0.89%, 0.82%

LAB 93.01, -31.42, 34.98

 

CMYK 33 / 0 / 6 / 2

HEX #A8FAEB

RGB 168 250 235

HSL 169.02, 0.89%, 0.82%

LAB 92.88, -28.05, -0.74

 

CMYK 0 / 33 / 7 / 2

HEX #FAA8E8

RGB 250 168 232

HSL 313.17, 0.89%, 0.82%

LAB 78.55, 39.62, -19.83

 

CMYK 21 / 0 / 34 / 2

HEX #C5FAA6

RGB 197 250 166

HSL 97.86, 0.89%, 0.82%

LAB 93.01, -31.42, 34.98

 

CMYK 33 / 20 / 0 / 2

HEX #A8C8FA

RGB 168 200 250

HSL 216.59, 0.89%, 0.82%

LAB 79.92, 0.83, -28.06

 

CMYK 0 / 33 / 20 / 2

HEX #FAA8C8

RGB 250 168 200

HSL 336.59, 0.89%, 0.82%

LAB 77.58, 34.55, -3.9

 

CMYK 21 / 0 / 34 / 2

HEX #C5FAA6

RGB 197 250 166

HSL 97.86, 0.89%, 0.82%

LAB 93.01, -31.42, 34.98

 

CMYK 33 / 0 / 6 / 2

HEX #A8FAEB

RGB 168 250 235

HSL 169.02, 0.89%, 0.82%

LAB 92.88, -28.05, -0.74

 

CMYK 12 / 33 / 0 / 2

HEX #DBA8FA

RGB 219 168 250

HSL 277.32, 0.89%, 0.82%

LAB 76.05, 33.27, -33.67

 

CMYK 0 / 33 / 27 / 2

HEX #FAA8B7

RGB 250 168 183

HSL 349.02, 0.89%, 0.82%

LAB 77.13, 32.15, 4.72

 

CMYK 21 / 0 / 34 / 2

HEX #C5FAA6

RGB 197 250 166

HSL 97.86, 0.89%, 0.82%

LAB 93.01, -31.42, 34.98

 

CMYK 33 / 4 / 0 / 2

HEX #A8F0FA

RGB 168 240 250

HSL 187.32, 0.89%, 0.82%

LAB 90.57, -19.84, -11.95

 

CMYK 12 / 33 / 0 / 2

HEX #DBA8FA

RGB 219 168 250

HSL 277.32, 0.89%, 0.82%

LAB 76.05, 33.27, -33.67

 

CMYK 0 / 29 / 33 / 2

HEX #FAB2A8

RGB 250 178 168

HSL 7.32, 0.89%, 0.82%

LAB 79.04, 24.95, 15.58

 

Description

Color code: HEX #C5FAA6 | qconv.com Color code: HEX #C5FAA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 250 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 250 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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