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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5FA50 it is the complementary color #3A05AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5FA50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5FA50 shade: #CAFA4B, #DBFF5E, #ECFF71, #FDFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5FA50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5FA50 shade: #C5FA50, #B4E83D, #A3D62A, #92C417 and #81B204

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5FA50 shade: #C5FA52, #F3FA52, #FAD352, #FAA652 and #FA7952

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5FA50 shade: #C5FA52, #98FA52, #6BFA52, #52FA66 and #52FA93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5FA50 shade matches the following richer shades: #C5FA52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5FA50 shade: #C5FA52, #C0EB60, #BADD6F, #B5CE7D and #B0C08C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5FA50 shade: #FAD252, #F4FA52, #C7FA52, #9BFA52 and #6EFA52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5FA50 shade: #A9F207, #B8F82A, #C5FA52, #D3FB7A and #E0FCA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5FA50 shade: #C5FA50, #52FAA6 and #E952FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5FA50 shade: #C5FA50, #52C7FA and #FA52C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5FA50 shade: #C5FA50, #52FAA6, #8452FA and #FA52A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5FA50 shade: #C5FA50, #52FAD8, #8452FA and #FA5273

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 68 / 2

HEX #C5FA50

RGB 197 250 80

HSL 78.71, 0.94%, 0.65%

LAB 92.05, -40.04, 72.42

 

Complementary color

CMYK 67 / 97 / 0 / 31

HEX #3A05AF

RGB 58 5 175

HSL 258.71, 0.94%, 0.35%

LAB 24.01, 59.89, -75.26

 

CMYK 19 / 0 / 70 / 2

HEX #CAFA4B

RGB 202 250 75

HSL 76.46, 0.95%, 0.64%

LAB 92.33, -38.45, 74.57

 

CMYK 14 / 0 / 63 / 0

HEX #DBFF5E

RGB 219 255 94

HSL 73.42, 1%, 0.68%

LAB 94.9, -33.05, 70.52

 

CMYK 7 / 0 / 56 / 0

HEX #ECFF71

RGB 236 255 113

HSL 68.03, 1%, 0.72%

LAB 96.22, -25.13, 64.46

 

CMYK 1 / 0 / 48 / 0

HEX #FDFF84

RGB 253 255 132

HSL 60.98, 1%, 0.76%

LAB 97.66, -16.98, 57.99

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 21 / 0 / 68 / 2

HEX #C5FA50

RGB 197 250 80

HSL 78.71, 0.94%, 0.65%

LAB 92.05, -40.04, 72.42

 

CMYK 22 / 0 / 74 / 9

HEX #B4E83D

RGB 180 232 61

HSL 78.25, 0.79%, 0.57%

LAB 85.88, -39.54, 72.52

 

CMYK 24 / 0 / 80 / 16

HEX #A3D62A

RGB 163 214 42

HSL 77.79, 0.68%, 0.5%

LAB 79.64, -38.9, 71.97

 

CMYK 26 / 0 / 88 / 23

HEX #92C417

RGB 146 196 23

HSL 77.34, 0.79%, 0.43%

LAB 73.32, -38.08, 70.41

 

CMYK 28 / 0 / 98 / 30

HEX #81B204

RGB 129 178 4

HSL 76.9, 0.96%, 0.36%

LAB 66.91, -37.04, 67.5

 

CMYK 21 / 0 / 67 / 2

HEX #C5FA52

RGB 197 250 82

HSL 78.93, 0.94%, 0.65%

LAB 92.07, -39.92, 71.7

 

CMYK 3 / 0 / 67 / 2

HEX #F3FA52

RGB 243 250 82

HSL 62.5, 0.94%, 0.65%

LAB 95.18, -22, 75.86

 

CMYK 0 / 16 / 67 / 2

HEX #FAD352

RGB 250 211 82

HSL 46.07, 0.94%, 0.65%

LAB 85.77, 0.15, 66.45

 

CMYK 0 / 34 / 67 / 2

HEX #FAA652

RGB 250 166 82

HSL 30, 0.94%, 0.65%

LAB 74.95, 23.56, 54.9

 

CMYK 0 / 52 / 67 / 2

HEX #FA7952

RGB 250 121 82

HSL 13.93, 0.94%, 0.65%

LAB 65.44, 46.53, 44.15

 

CMYK 21 / 0 / 67 / 2

HEX #C5FA52

RGB 197 250 82

HSL 78.93, 0.94%, 0.65%

LAB 92.07, -39.92, 71.7

 

CMYK 39 / 0 / 67 / 2

HEX #98FA52

RGB 152 250 82

HSL 95, 0.94%, 0.65%

LAB 89.7, -55.62, 68.51

 

CMYK 57 / 0 / 67 / 2

HEX #6BFA52

RGB 107 250 82

HSL 111.07, 0.94%, 0.65%

LAB 88.02, -68.21, 66.23

 

CMYK 67 / 0 / 59 / 2

HEX #52FA66

RGB 82 250 102

HSL 127.14, 0.94%, 0.65%

LAB 87.55, -71.42, 57.4

 

CMYK 67 / 0 / 41 / 2

HEX #52FA93

RGB 82 250 147

HSL 143.21, 0.94%, 0.65%

LAB 88.1, -65.07, 37.09

 

CMYK 21 / 0 / 67 / 2

HEX #C5FA52

RGB 197 250 82

HSL 78.93, 0.94%, 0.65%

LAB 92.07, -39.92, 71.7

 

CMYK 21 / 0 / 67 / 2

HEX #C5FA52

RGB 197 250 82

HSL 78.93, 0.94%, 0.65%

LAB 92.07, -39.92, 71.7

 

CMYK 18 / 0 / 59 / 8

HEX #C0EB60

RGB 192 235 96

HSL 78.56, 0.78%, 0.65%

LAB 87.71, -34.05, 61.39

 

CMYK 16 / 0 / 50 / 13

HEX #BADD6F

RGB 186 221 111

HSL 79.09, 0.62%, 0.65%

LAB 83.6, -28.46, 49.79

 

CMYK 12 / 0 / 39 / 19

HEX #B5CE7D

RGB 181 206 125

HSL 78.52, 0.45%, 0.65%

LAB 79.3, -21.56, 37.52

 

CMYK 8 / 0 / 27 / 25

HEX #B0C08C

RGB 176 192 140

HSL 78.46, 0.29%, 0.65%

LAB 75.34, -14.43, 24.45

 

CMYK 0 / 16 / 67 / 2

HEX #FAD252

RGB 250 210 82

HSL 45.71, 0.94%, 0.65%

LAB 85.52, 0.66, 66.19

 

CMYK 2 / 0 / 67 / 2

HEX #F4FA52

RGB 244 250 82

HSL 62.14, 0.94%, 0.65%

LAB 95.25, -21.6, 75.96

 

CMYK 20 / 0 / 67 / 2

HEX #C7FA52

RGB 199 250 82

HSL 78.21, 0.94%, 0.65%

LAB 92.19, -39.17, 71.87

 

CMYK 38 / 0 / 67 / 2

HEX #9BFA52

RGB 155 250 82

HSL 93.93, 0.94%, 0.65%

LAB 89.84, -54.65, 68.7

 

CMYK 56 / 0 / 67 / 2

HEX #6EFA52

RGB 110 250 82

HSL 110, 0.94%, 0.65%

LAB 88.11, -67.49, 66.35

 

CMYK 30 / 0 / 97 / 5

HEX #A9F207

RGB 169 242 7

HSL 78.64, 0.94%, 0.49%

LAB 87.95, -49.45, 84.54

 

CMYK 26 / 0 / 83 / 3

HEX #B8F82A

RGB 184 248 42

HSL 78.64, 0.94%, 0.57%

LAB 90.55, -45.78, 82.01

 

CMYK 21 / 0 / 67 / 2

HEX #C5FA52

RGB 197 250 82

HSL 78.93, 0.94%, 0.65%

LAB 92.07, -39.92, 71.7

 

CMYK 16 / 0 / 51 / 2

HEX #D3FB7A

RGB 211 251 122

HSL 78.6, 0.94%, 0.73%

LAB 93.56, -32, 56.96

 

CMYK 11 / 0 / 36 / 1

HEX #E0FCA2

RGB 224 252 162

HSL 78.67, 0.94%, 0.81%

LAB 95.19, -23.33, 40.15

 

CMYK 21 / 0 / 68 / 2

HEX #C5FA50

RGB 197 250 80

HSL 78.71, 0.94%, 0.65%

LAB 92.05, -40.04, 72.42

 

CMYK 67 / 0 / 34 / 2

HEX #52FAA6

RGB 82 250 166

HSL 150, 0.94%, 0.65%

LAB 88.41, -61.65, 28.01

 

CMYK 7 / 67 / 0 / 2

HEX #E952FA

RGB 233 82 250

HSL 293.93, 0.94%, 0.65%

LAB 61.88, 78.12, -55.79

 

CMYK 21 / 0 / 68 / 2

HEX #C5FA50

RGB 197 250 80

HSL 78.71, 0.94%, 0.65%

LAB 92.05, -40.04, 72.42

 

CMYK 67 / 20 / 0 / 2

HEX #52C7FA

RGB 82 199 250

HSL 198.21, 0.94%, 0.65%

LAB 75.79, -17.36, -34.74

 

CMYK 0 / 67 / 20 / 2

HEX #FA52C7

RGB 250 82 199

HSL 318.21, 0.94%, 0.65%

LAB 62.07, 74.4, -26.72

 

CMYK 21 / 0 / 68 / 2

HEX #C5FA50

RGB 197 250 80

HSL 78.71, 0.94%, 0.65%

LAB 92.05, -40.04, 72.42

 

CMYK 67 / 0 / 34 / 2

HEX #52FAA6

RGB 82 250 166

HSL 150, 0.94%, 0.65%

LAB 88.41, -61.65, 28.01

 

CMYK 47 / 67 / 0 / 2

HEX #8452FA

RGB 132 82 250

HSL 257.86, 0.94%, 0.65%

LAB 49.3, 58.15, -76.7

 

CMYK 0 / 67 / 34 / 2

HEX #FA52A6

RGB 250 82 166

HSL 330, 0.94%, 0.65%

LAB 60.88, 70.42, -9.6

 

CMYK 21 / 0 / 68 / 2

HEX #C5FA50

RGB 197 250 80

HSL 78.71, 0.94%, 0.65%

LAB 92.05, -40.04, 72.42

 

CMYK 67 / 0 / 14 / 2

HEX #52FAD8

RGB 82 250 216

HSL 167.86, 0.94%, 0.65%

LAB 89.45, -50.74, 3.76

 

CMYK 47 / 67 / 0 / 2

HEX #8452FA

RGB 132 82 250

HSL 257.86, 0.94%, 0.65%

LAB 49.3, 58.15, -76.7

 

CMYK 0 / 67 / 54 / 2

HEX #FA5273

RGB 250 82 115

HSL 348.21, 0.94%, 0.65%

LAB 59.52, 65.71, 18.16

 

Description

Color code: HEX #C5FA50 | qconv.com Color code: HEX #C5FA50 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 250 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 250 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 68 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 68% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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