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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5F7AE it is the complementary color #3A0851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5F7AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5F7AE shade: #CAF7A9, #DBFFBC, #ECFFCF, #FDFFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5F7AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5F7AE shade: #C5F7AE, #B4E59B, #A3D388, #92C175 and #81AF62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5F7AE shade: #C6F7B0, #DAF7B0, #EDF7B0, #F7EEB0 and #F7DBB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5F7AE shade: #C6F7B0, #B3F7B0, #B0F7C0, #B0F7D3 and #B0F7E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5F7AE shade matches the following richer shades: #C6F7B0 and #C4FEA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5F7AE shade: #C6F7B0, #C9F0B7, #CCE9BE, #CEE2C5 and #D1DBCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5F7AE shade: #EDF7B0, #DAF7B0, #C7F7B0, #B4F7B0 and #B0F7C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5F7AE shade: #91F065, #ACF38B, #C6F7B0, #E1FBD6 and #FCFFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5F7AE shade: #C5F7AE, #B0F7EF and #F7B0E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5F7AE shade: #C5F7AE, #B0C7F7 and #F7B0C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5F7AE shade: #C5F7AE, #B0F7EF, #E1B0F7 and #F7B0B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5F7AE shade: #C5F7AE, #B0EAF7, #E1B0F7 and #F7BDB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 30 / 3

HEX #C5F7AE

RGB 197 247 174

HSL 101.1, 0.82%, 0.83%

LAB 92.33, -28.86, 30.05

 

Complementary color

CMYK 28 / 90 / 0 / 68

HEX #3A0851

RGB 58 8 81

HSL 281.1, 0.82%, 0.17%

LAB 13.63, 35.66, -32.43

 

CMYK 18 / 0 / 32 / 3

HEX #CAF7A9

RGB 202 247 169

HSL 94.62, 0.83%, 0.82%

LAB 92.55, -27.87, 32.92

 

CMYK 14 / 0 / 26 / 0

HEX #DBFFBC

RGB 219 255 188

HSL 92.24, 1%, 0.87%

LAB 96.08, -23.04, 28.3

 

CMYK 7 / 0 / 19 / 0

HEX #ECFFCF

RGB 236 255 207

HSL 83.75, 1%, 0.91%

LAB 97.57, -14.31, 20.9

 

CMYK 1 / 0 / 11 / 0

HEX #FDFFE2

RGB 253 255 226

HSL 64.14, 1%, 0.94%

LAB 99.18, -5.48, 13.64

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 20 / 0 / 30 / 3

HEX #C5F7AE

RGB 197 247 174

HSL 101.1, 0.82%, 0.83%

LAB 92.33, -28.86, 30.05

 

CMYK 21 / 0 / 32 / 10

HEX #B4E59B

RGB 180 229 155

HSL 99.73, 0.59%, 0.75%

LAB 86.06, -29, 31.1

 

CMYK 23 / 0 / 36 / 17

HEX #A3D388

RGB 163 211 136

HSL 98.4, 0.46%, 0.68%

LAB 79.7, -29.14, 32.21

 

CMYK 24 / 0 / 39 / 24

HEX #92C175

RGB 146 193 117

HSL 97.11, 0.38%, 0.61%

LAB 73.24, -29.26, 33.36

 

CMYK 26 / 0 / 44 / 31

HEX #81AF62

RGB 129 175 98

HSL 95.84, 0.32%, 0.54%

LAB 66.68, -29.37, 34.56

 

CMYK 20 / 0 / 29 / 3

HEX #C6F7B0

RGB 198 247 176

HSL 101.41, 0.82%, 0.83%

LAB 92.43, -28.23, 29.18

 

CMYK 12 / 0 / 29 / 3

HEX #DAF7B0

RGB 218 247 176

HSL 84.51, 0.82%, 0.83%

LAB 93.69, -21.26, 31.1

 

CMYK 4 / 0 / 29 / 3

HEX #EDF7B0

RGB 237 247 176

HSL 68.45, 0.82%, 0.83%

LAB 95.02, -14.4, 33.11

 

CMYK 0 / 4 / 29 / 3

HEX #F7EEB0

RGB 247 238 176

HSL 52.39, 0.82%, 0.83%

LAB 93.48, -6.24, 31.17

 

CMYK 0 / 11 / 29 / 3

HEX #F7DBB0

RGB 247 219 176

HSL 36.34, 0.82%, 0.83%

LAB 88.72, 3.41, 24.72

 

CMYK 20 / 0 / 29 / 3

HEX #C6F7B0

RGB 198 247 176

HSL 101.41, 0.82%, 0.83%

LAB 92.43, -28.23, 29.18

 

CMYK 28 / 0 / 29 / 3

HEX #B3F7B0

RGB 179 247 176

HSL 117.46, 0.82%, 0.83%

LAB 91.34, -34.51, 27.53

 

CMYK 29 / 0 / 22 / 3

HEX #B0F7C0

RGB 176 247 192

HSL 133.52, 0.82%, 0.83%

LAB 91.49, -32.77, 19.53

 

CMYK 29 / 0 / 15 / 3

HEX #B0F7D3

RGB 176 247 211

HSL 149.58, 0.82%, 0.83%

LAB 91.89, -29.26, 10.3

 

CMYK 29 / 0 / 7 / 3

HEX #B0F7E6

RGB 176 247 230

HSL 165.63, 0.82%, 0.83%

LAB 92.34, -25.45, 1.1

 

CMYK 20 / 0 / 29 / 3

HEX #C6F7B0

RGB 198 247 176

HSL 101.41, 0.82%, 0.83%

LAB 92.43, -28.23, 29.18

 

CMYK 23 / 0 / 33 / 0

HEX #C4FEA9

RGB 196 254 169

HSL 100.94, 0.98%, 0.83%

LAB 94.09, -33.19, 34.91

 

CMYK 20 / 0 / 29 / 3

HEX #C6F7B0

RGB 198 247 176

HSL 101.41, 0.82%, 0.83%

LAB 92.43, -28.23, 29.18

 

CMYK 16 / 0 / 24 / 6

HEX #C9F0B7

RGB 201 240 183

HSL 101.05, 0.66%, 0.83%

LAB 90.85, -22.79, 23.49

 

CMYK 12 / 0 / 18 / 9

HEX #CCE9BE

RGB 204 233 190

HSL 100.47, 0.49%, 0.83%

LAB 89.31, -17.22, 17.77

 

CMYK 9 / 0 / 13 / 11

HEX #CEE2C5

RGB 206 226 197

HSL 101.38, 0.33%, 0.83%

LAB 87.75, -11.87, 11.93

 

CMYK 5 / 0 / 7 / 14

HEX #D1DBCC

RGB 209 219 204

HSL 100, 0.17%, 0.83%

LAB 86.29, -6.07, 6.2

 

CMYK 4 / 0 / 29 / 3

HEX #EDF7B0

RGB 237 247 176

HSL 68.45, 0.82%, 0.83%

LAB 95.02, -14.4, 33.11

 

CMYK 12 / 0 / 29 / 3

HEX #DAF7B0

RGB 218 247 176

HSL 84.51, 0.82%, 0.83%

LAB 93.69, -21.26, 31.1

 

CMYK 19 / 0 / 29 / 3

HEX #C7F7B0

RGB 199 247 176

HSL 100.56, 0.82%, 0.83%

LAB 92.49, -27.89, 29.27

 

CMYK 27 / 0 / 29 / 3

HEX #B4F7B0

RGB 180 247 176

HSL 116.62, 0.82%, 0.83%

LAB 91.4, -34.19, 27.61

 

CMYK 29 / 0 / 22 / 3

HEX #B0F7C0

RGB 176 247 192

HSL 133.52, 0.82%, 0.83%

LAB 91.49, -32.77, 19.53

 

CMYK 40 / 0 / 58 / 6

HEX #91F065

RGB 145 240 101

HSL 101.01, 0.82%, 0.67%

LAB 86.64, -52.19, 57.34

 

CMYK 29 / 0 / 43 / 5

HEX #ACF38B

RGB 172 243 139

HSL 100.96, 0.81%, 0.75%

LAB 89.27, -40.34, 43.18

 

CMYK 20 / 0 / 29 / 3

HEX #C6F7B0

RGB 198 247 176

HSL 101.41, 0.82%, 0.83%

LAB 92.43, -28.23, 29.18

 

CMYK 10 / 0 / 15 / 2

HEX #E1FBD6

RGB 225 251 214

HSL 102.16, 0.82%, 0.91%

LAB 95.94, -15, 14.91

 

CMYK 1 / 0 / 2 / 0

HEX #FCFFFB

RGB 252 255 251

HSL 105, 1%, 0.99%

LAB 99.68, -1.68, 1.55

 

CMYK 20 / 0 / 30 / 3

HEX #C5F7AE

RGB 197 247 174

HSL 101.1, 0.82%, 0.83%

LAB 92.33, -28.86, 30.05

 

CMYK 29 / 0 / 3 / 3

HEX #B0F7EF

RGB 176 247 239

HSL 173.24, 0.82%, 0.83%

LAB 92.57, -23.54, -3.23

 

CMYK 0 / 29 / 8 / 3

HEX #F7B0E3

RGB 247 176 227

HSL 316.9, 0.82%, 0.83%

LAB 79.82, 33.6, -15.24

 

CMYK 20 / 0 / 30 / 3

HEX #C5F7AE

RGB 197 247 174

HSL 101.1, 0.82%, 0.83%

LAB 92.33, -28.86, 30.05

 

CMYK 29 / 19 / 0 / 3

HEX #B0C7F7

RGB 176 199 247

HSL 220.56, 0.82%, 0.83%

LAB 80.06, 2.89, -26.19

 

CMYK 0 / 29 / 19 / 3

HEX #F7B0C7

RGB 247 176 199

HSL 340.56, 0.82%, 0.83%

LAB 79.01, 29.15, -1.29

 

CMYK 20 / 0 / 30 / 3

HEX #C5F7AE

RGB 197 247 174

HSL 101.1, 0.82%, 0.83%

LAB 92.33, -28.86, 30.05

 

CMYK 29 / 0 / 3 / 3

HEX #B0F7EF

RGB 176 247 239

HSL 173.24, 0.82%, 0.83%

LAB 92.57, -23.54, -3.23

 

CMYK 9 / 29 / 0 / 3

HEX #E1B0F7

RGB 225 176 247

HSL 281.41, 0.82%, 0.83%

LAB 78.33, 30.2, -28.5

 

CMYK 0 / 29 / 26 / 3

HEX #F7B0B8

RGB 247 176 184

HSL 353.24, 0.82%, 0.83%

LAB 78.63, 27, 6.29

 

CMYK 20 / 0 / 30 / 3

HEX #C5F7AE

RGB 197 247 174

HSL 101.1, 0.82%, 0.83%

LAB 92.33, -28.86, 30.05

 

CMYK 29 / 5 / 0 / 3

HEX #B0EAF7

RGB 176 234 247

HSL 190.99, 0.82%, 0.83%

LAB 89.3, -15.35, -12.25

 

CMYK 9 / 29 / 0 / 3

HEX #E1B0F7

RGB 225 176 247

HSL 281.41, 0.82%, 0.83%

LAB 78.33, 30.2, -28.5

 

CMYK 0 / 23 / 29 / 3

HEX #F7BDB0

RGB 247 189 176

HSL 10.99, 0.82%, 0.83%

LAB 81.46, 19.06, 14.63

 

Description

Color code: HEX #C5F7AE | qconv.com Color code: HEX #C5F7AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 247 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 247 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 30 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 30% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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