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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5F721 it is the complementary color #3A08DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5F721. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5F721 shade: #CAF71C, #DBFF2F, #ECFF42, #FDFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5F721. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5F721 shade: #C5F721, #B4E50E, #A3D300, #92C100 and #81AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5F721 shade: #C5F722, #F7EF22, #F7B622, #F77C22 and #F74322

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5F721 shade: #C5F722, #8CF722, #52F722, #22F72B and #22F764

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5F721 shade matches the following richer shades: #C5F722

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5F721 shade: #C5F722, #BBE434, #B1D247, #A7BF59 and #9EAD6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5F721 shade: #F7B722, #F7F022, #C5F722, #8CF722 and #53F722

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5F721 shade: #94BF07, #B3E708, #C5F722, #D0F849 and #DAFA71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5F721 shade: #C5F721, #22F77E and #D322F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5F721 shade: #C5F721, #22C5F7 and #F722C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5F721 shade: #C5F721, #22F77E, #5322F7 and #F7229A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5F721 shade: #C5F721, #22F7BE, #5322F7 and #F7225A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 87 / 3

HEX #C5F721

RGB 197 247 33

HSL 74.02, 0.93%, 0.55%

LAB 91.01, -40.68, 84.5

 

Complementary color

CMYK 74 / 96 / 0 / 13

HEX #3A08DE

RGB 58 8 222

HSL 254.02, 0.93%, 0.45%

LAB 30.27, 70.85, -92.46

 

CMYK 18 / 0 / 89 / 3

HEX #CAF71C

RGB 202 247 28

HSL 72.33, 0.93%, 0.54%

LAB 91.31, -38.85, 85.7

 

CMYK 14 / 0 / 82 / 0

HEX #DBFF2F

RGB 219 255 47

HSL 70.38, 1%, 0.59%

LAB 94.65, -35.31, 85.26

 

CMYK 7 / 0 / 74 / 0

HEX #ECFF42

RGB 236 255 66

HSL 66.03, 1%, 0.63%

LAB 95.89, -27.9, 81.71

 

CMYK 1 / 0 / 67 / 0

HEX #FDFF55

RGB 253 255 85

HSL 60.71, 1%, 0.67%

LAB 97.25, -20.22, 77.11

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 20 / 0 / 87 / 3

HEX #C5F721

RGB 197 247 33

HSL 74.02, 0.93%, 0.55%

LAB 91.01, -40.68, 84.5

 

CMYK 21 / 0 / 94 / 10

HEX #B4E50E

RGB 180 229 14

HSL 73.67, 0.88%, 0.48%

LAB 84.88, -39.67, 81.82

 

CMYK 23 / 0 / 100 / 17

HEX #A3D300

RGB 163 211 0

HSL 73.65, 1%, 0.41%

LAB 78.68, -38.48, 77.86

 

CMYK 24 / 0 / 100 / 24

HEX #92C100

RGB 146 193 0

HSL 74.61, 1%, 0.38%

LAB 72.4, -37.12, 72.63

 

CMYK 26 / 0 / 100 / 31

HEX #81AF00

RGB 129 175 0

HSL 75.77, 1%, 0.34%

LAB 66, -35.76, 67.3

 

CMYK 20 / 0 / 86 / 3

HEX #C5F722

RGB 197 247 34

HSL 74.08, 0.93%, 0.55%

LAB 91.01, -40.66, 84.32

 

CMYK 0 / 3 / 86 / 3

HEX #F7EF22

RGB 247 239 34

HSL 57.75, 0.93%, 0.55%

LAB 92.41, -16.79, 86.93

 

CMYK 0 / 26 / 86 / 3

HEX #F7B622

RGB 247 182 34

HSL 41.69, 0.93%, 0.55%

LAB 78.08, 12.09, 75.43

 

CMYK 0 / 50 / 86 / 3

HEX #F77C22

RGB 247 124 34

HSL 25.35, 0.93%, 0.55%

LAB 65.2, 42.13, 65.11

 

CMYK 0 / 73 / 86 / 3

HEX #F74322

RGB 247 67 34

HSL 9.3, 0.93%, 0.55%

LAB 55.99, 66.42, 57.72

 

CMYK 20 / 0 / 86 / 3

HEX #C5F722

RGB 197 247 34

HSL 74.08, 0.93%, 0.55%

LAB 91.01, -40.66, 84.32

 

CMYK 43 / 0 / 86 / 3

HEX #8CF722

RGB 140 247 34

HSL 90.14, 0.93%, 0.55%

LAB 88.07, -60.73, 80.66

 

CMYK 67 / 0 / 86 / 3

HEX #52F722

RGB 82 247 34

HSL 106.48, 0.93%, 0.55%

LAB 86.22, -75.43, 78.35

 

CMYK 86 / 0 / 83 / 3

HEX #22F72B

RGB 34 247 43

HSL 122.54, 0.93%, 0.55%

LAB 85.52, -81.42, 75.52

 

CMYK 86 / 0 / 60 / 3

HEX #22F764

RGB 34 247 100

HSL 138.59, 0.93%, 0.55%

LAB 85.9, -76.71, 56.18

 

CMYK 20 / 0 / 86 / 3

HEX #C5F722

RGB 197 247 34

HSL 74.08, 0.93%, 0.55%

LAB 91.01, -40.66, 84.32

 

CMYK 20 / 0 / 86 / 3

HEX #C5F722

RGB 197 247 34

HSL 74.08, 0.93%, 0.55%

LAB 91.01, -40.66, 84.32

 

CMYK 18 / 0 / 77 / 11

HEX #BBE434

RGB 187 228 52

HSL 73.98, 0.77%, 0.55%

LAB 85.15, -35.46, 74.74

 

CMYK 16 / 0 / 66 / 18

HEX #B1D247

RGB 177 210 71

HSL 74.24, 0.61%, 0.55%

LAB 79.55, -30.08, 62.57

 

CMYK 13 / 0 / 53 / 25

HEX #A7BF59

RGB 167 191 89

HSL 74.12, 0.44%, 0.55%

LAB 73.67, -23.53, 48.09

 

CMYK 9 / 0 / 38 / 32

HEX #9EAD6C

RGB 158 173 108

HSL 73.85, 0.28%, 0.55%

LAB 68.2, -15.98, 31.68

 

CMYK 0 / 26 / 86 / 3

HEX #F7B722

RGB 247 183 34

HSL 41.97, 0.93%, 0.55%

LAB 78.32, 11.57, 75.63

 

CMYK 0 / 3 / 86 / 3

HEX #F7F022

RGB 247 240 34

HSL 58.03, 0.93%, 0.55%

LAB 92.67, -17.28, 87.13

 

CMYK 20 / 0 / 86 / 3

HEX #C5F722

RGB 197 247 34

HSL 74.08, 0.93%, 0.55%

LAB 91.01, -40.66, 84.32

 

CMYK 43 / 0 / 86 / 3

HEX #8CF722

RGB 140 247 34

HSL 90.14, 0.93%, 0.55%

LAB 88.07, -60.73, 80.66

 

CMYK 66 / 0 / 86 / 3

HEX #53F722

RGB 83 247 34

HSL 106.2, 0.93%, 0.55%

LAB 86.24, -75.24, 78.37

 

CMYK 23 / 0 / 96 / 25

HEX #94BF07

RGB 148 191 7

HSL 74.02, 0.93%, 0.39%

LAB 71.94, -35.32, 71.57

 

CMYK 23 / 0 / 97 / 9

HEX #B3E708

RGB 179 231 8

HSL 73.99, 0.93%, 0.47%

LAB 85.38, -41, 82.71

 

CMYK 20 / 0 / 86 / 3

HEX #C5F722

RGB 197 247 34

HSL 74.08, 0.93%, 0.55%

LAB 91.01, -40.66, 84.32

 

CMYK 16 / 0 / 71 / 3

HEX #D0F849

RGB 208 248 73

HSL 73.71, 0.93%, 0.63%

LAB 92.14, -35.36, 75.21

 

CMYK 13 / 0 / 55 / 2

HEX #DAFA71

RGB 218 250 113

HSL 74.01, 0.93%, 0.71%

LAB 93.65, -29.7, 61.21

 

CMYK 20 / 0 / 87 / 3

HEX #C5F721

RGB 197 247 33

HSL 74.02, 0.93%, 0.55%

LAB 91.01, -40.68, 84.5

 

CMYK 86 / 0 / 49 / 3

HEX #22F77E

RGB 34 247 126

HSL 145.92, 0.93%, 0.55%

LAB 86.19, -73.15, 44.69

 

CMYK 15 / 86 / 0 / 3

HEX #D322F7

RGB 211 34 247

HSL 289.86, 0.93%, 0.55%

LAB 53.72, 86.95, -67.4

 

CMYK 20 / 0 / 87 / 3

HEX #C5F721

RGB 197 247 33

HSL 74.02, 0.93%, 0.55%

LAB 91.01, -40.68, 84.5

 

CMYK 86 / 20 / 0 / 3

HEX #22C5F7

RGB 34 197 247

HSL 194.08, 0.93%, 0.55%

LAB 74.18, -22.28, -35.69

 

CMYK 0 / 86 / 20 / 3

HEX #F722C5

RGB 247 34 197

HSL 314.08, 0.93%, 0.55%

LAB 57.03, 86.17, -33.43

 

CMYK 20 / 0 / 87 / 3

HEX #C5F721

RGB 197 247 33

HSL 74.02, 0.93%, 0.55%

LAB 91.01, -40.68, 84.5

 

CMYK 86 / 0 / 49 / 3

HEX #22F77E

RGB 34 247 126

HSL 145.92, 0.93%, 0.55%

LAB 86.19, -73.15, 44.69

 

CMYK 66 / 86 / 0 / 3

HEX #5322F7

RGB 83 34 247

HSL 253.8, 0.93%, 0.55%

LAB 37.3, 72.2, -94.95

 

CMYK 0 / 86 / 38 / 3

HEX #F7229A

RGB 247 34 154

HSL 326.2, 0.93%, 0.55%

LAB 55.33, 81.55, -10.95

 

CMYK 20 / 0 / 87 / 3

HEX #C5F721

RGB 197 247 33

HSL 74.02, 0.93%, 0.55%

LAB 91.01, -40.68, 84.5

 

CMYK 86 / 0 / 23 / 3

HEX #22F7BE

RGB 34 247 190

HSL 163.94, 0.93%, 0.55%

LAB 87.28, -60.7, 14.05

 

CMYK 66 / 86 / 0 / 3

HEX #5322F7

RGB 83 34 247

HSL 253.8, 0.93%, 0.55%

LAB 37.3, 72.2, -94.95

 

CMYK 0 / 86 / 64 / 3

HEX #F7225A

RGB 247 34 90

HSL 344.23, 0.93%, 0.55%

LAB 53.66, 76.84, 25.01

 

Description

Color code: HEX #C5F721 | qconv.com Color code: HEX #C5F721 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 247 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 247 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 87 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 87% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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