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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5F315 it is the complementary color #3A0CEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5F315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5F315 shade: #CAF310, #DBFF23, #ECFF36, #FDFF49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5F315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5F315 shade: #C5F315, #B4E102, #A3CF00, #92BD00 and #81AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5F315 shade: #C5F316, #F3E516, #F3AA16, #F36E16 and #F33316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5F315 shade: #C5F316, #8AF316, #4EF316, #16F31A and #16F355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5F315 shade matches the following richer shades: #C5F316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5F315 shade: #C5F316, #BADF2A, #AECB3E, #A2B752 and #97A466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5F315 shade: #F3A916, #F3E416, #C7F316, #8CF316 and #51F316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5F315 shade: #8BAE09, #ABD50B, #C5F316, #CFF53E and #D9F765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5F315 shade: #C5F315, #16F36F and #C716F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5F315 shade: #C5F315, #16C7F3 and #F316C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5F315 shade: #C5F315, #16F36F, #4316F3 and #F3169B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5F315 shade: #C5F315, #16F3B1, #4316F3 and #F31659

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 91 / 5

HEX #C5F315

RGB 197 243 21

HSL 72.43, 0.9%, 0.52%

LAB 89.87, -39.15, 85.4

 

Complementary color

CMYK 75 / 95 / 0 / 8

HEX #3A0CEA

RGB 58 12 234

HSL 252.43, 0.9%, 0.48%

LAB 32.04, 73.13, -96.38

 

CMYK 17 / 0 / 93 / 5

HEX #CAF310

RGB 202 243 16

HSL 70.84, 0.9%, 0.51%

LAB 90.18, -37.26, 86.35

 

CMYK 14 / 0 / 86 / 0

HEX #DBFF23

RGB 219 255 35

HSL 69.82, 1%, 0.57%

LAB 94.61, -35.63, 87.68

 

CMYK 7 / 0 / 79 / 0

HEX #ECFF36

RGB 236 255 54

HSL 65.67, 1%, 0.61%

LAB 95.84, -28.35, 85.04

 

CMYK 1 / 0 / 71 / 0

HEX #FDFF49

RGB 253 255 73

HSL 60.66, 1%, 0.64%

LAB 97.18, -20.79, 81.17

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 19 / 0 / 91 / 5

HEX #C5F315

RGB 197 243 21

HSL 72.43, 0.9%, 0.52%

LAB 89.87, -39.15, 85.4

 

CMYK 20 / 0 / 99 / 12

HEX #B4E102

RGB 180 225 2

HSL 72.11, 0.98%, 0.45%

LAB 83.74, -38.02, 81.98

 

CMYK 21 / 0 / 100 / 19

HEX #A3CF00

RGB 163 207 0

HSL 72.75, 1%, 0.41%

LAB 77.53, -36.68, 76.98

 

CMYK 23 / 0 / 100 / 26

HEX #92BD00

RGB 146 189 0

HSL 73.65, 1%, 0.37%

LAB 71.22, -35.31, 71.73

 

CMYK 25 / 0 / 100 / 33

HEX #81AB00

RGB 129 171 0

HSL 74.74, 1%, 0.34%

LAB 64.8, -33.93, 66.38

 

CMYK 19 / 0 / 91 / 5

HEX #C5F316

RGB 197 243 22

HSL 72.49, 0.9%, 0.52%

LAB 89.87, -39.13, 85.28

 

CMYK 0 / 6 / 91 / 5

HEX #F3E516

RGB 243 229 22

HSL 56.2, 0.9%, 0.52%

LAB 89.46, -13.78, 86.39

 

CMYK 0 / 30 / 91 / 5

HEX #F3AA16

RGB 243 170 22

HSL 40.18, 0.9%, 0.52%

LAB 74.74, 16.46, 75.26

 

CMYK 0 / 55 / 91 / 5

HEX #F36E16

RGB 243 110 22

HSL 23.89, 0.9%, 0.52%

LAB 61.88, 47.19, 65.9

 

CMYK 0 / 79 / 91 / 5

HEX #F33316

RGB 243 51 22

HSL 7.87, 0.9%, 0.52%

LAB 53.47, 69.83, 60.14

 

CMYK 19 / 0 / 91 / 5

HEX #C5F316

RGB 197 243 22

HSL 72.49, 0.9%, 0.52%

LAB 89.87, -39.13, 85.28

 

CMYK 43 / 0 / 91 / 5

HEX #8AF316

RGB 138 243 22

HSL 88.51, 0.9%, 0.52%

LAB 86.78, -60.15, 81.49

 

CMYK 68 / 0 / 91 / 5

HEX #4EF316

RGB 78 243 22

HSL 104.8, 0.9%, 0.52%

LAB 84.88, -75.31, 79.14

 

CMYK 91 / 0 / 89 / 5

HEX #16F31A

RGB 22 243 26

HSL 121.09, 0.9%, 0.52%

LAB 84.15, -81.78, 77.63

 

CMYK 91 / 0 / 65 / 5

HEX #16F355

RGB 22 243 85

HSL 137.1, 0.9%, 0.52%

LAB 84.45, -77.95, 60.77

 

CMYK 19 / 0 / 91 / 5

HEX #C5F316

RGB 197 243 22

HSL 72.49, 0.9%, 0.52%

LAB 89.87, -39.13, 85.28

 

CMYK 19 / 0 / 91 / 5

HEX #C5F316

RGB 197 243 22

HSL 72.49, 0.9%, 0.52%

LAB 89.87, -39.13, 85.28

 

CMYK 17 / 0 / 81 / 13

HEX #BADF2A

RGB 186 223 42

HSL 72.27, 0.74%, 0.52%

LAB 83.64, -33.95, 76.06

 

CMYK 14 / 0 / 69 / 20

HEX #AECB3E

RGB 174 203 62

HSL 72.34, 0.58%, 0.52%

LAB 77.32, -28.53, 63.65

 

CMYK 11 / 0 / 55 / 28

HEX #A2B752

RGB 162 183 82

HSL 72.48, 0.41%, 0.52%

LAB 70.98, -22.23, 48.16

 

CMYK 8 / 0 / 38 / 36

HEX #97A466

RGB 151 164 102

HSL 72.58, 0.25%, 0.52%

LAB 65.03, -14.87, 30.66

 

CMYK 0 / 30 / 91 / 5

HEX #F3A916

RGB 243 169 22

HSL 39.91, 0.9%, 0.52%

LAB 74.5, 16.99, 75.08

 

CMYK 0 / 6 / 91 / 5

HEX #F3E416

RGB 243 228 22

HSL 55.93, 0.9%, 0.52%

LAB 89.21, -13.29, 86.2

 

CMYK 18 / 0 / 91 / 5

HEX #C7F316

RGB 199 243 22

HSL 71.95, 0.9%, 0.52%

LAB 90, -38.35, 85.43

 

CMYK 42 / 0 / 91 / 5

HEX #8CF316

RGB 140 243 22

HSL 87.96, 0.9%, 0.52%

LAB 86.87, -59.52, 81.59

 

CMYK 67 / 0 / 91 / 5

HEX #51F316

RGB 81 243 22

HSL 103.98, 0.9%, 0.52%

LAB 84.95, -74.75, 79.23

 

CMYK 20 / 0 / 95 / 32

HEX #8BAE09

RGB 139 174 9

HSL 72.73, 0.9%, 0.36%

LAB 66.35, -31.09, 66.72

 

CMYK 20 / 0 / 95 / 16

HEX #ABD50B

RGB 171 213 11

HSL 72.48, 0.9%, 0.44%

LAB 79.77, -36.08, 77.88

 

CMYK 19 / 0 / 91 / 5

HEX #C5F316

RGB 197 243 22

HSL 72.49, 0.9%, 0.52%

LAB 89.87, -39.13, 85.28

 

CMYK 16 / 0 / 75 / 4

HEX #CFF53E

RGB 207 245 62

HSL 72.46, 0.9%, 0.6%

LAB 91.2, -34.92, 77.84

 

CMYK 12 / 0 / 59 / 3

HEX #D9F765

RGB 217 247 101

HSL 72.33, 0.9%, 0.68%

LAB 92.67, -29.64, 65.23

 

CMYK 19 / 0 / 91 / 5

HEX #C5F315

RGB 197 243 21

HSL 72.43, 0.9%, 0.52%

LAB 89.87, -39.15, 85.4

 

CMYK 91 / 0 / 54 / 5

HEX #16F36F

RGB 22 243 111

HSL 144.16, 0.9%, 0.52%

LAB 84.7, -74.81, 49.85

 

CMYK 18 / 91 / 0 / 5

HEX #C716F3

RGB 199 22 243

HSL 288.05, 0.9%, 0.52%

LAB 50.91, 86.37, -69.8

 

CMYK 19 / 0 / 91 / 5

HEX #C5F315

RGB 197 243 21

HSL 72.43, 0.9%, 0.52%

LAB 89.87, -39.15, 85.4

 

CMYK 91 / 18 / 0 / 5

HEX #16C7F3

RGB 22 199 243

HSL 191.95, 0.9%, 0.52%

LAB 74.5, -25.23, -33.05

 

CMYK 0 / 91 / 18 / 5

HEX #F316C7

RGB 243 22 199

HSL 311.95, 0.9%, 0.52%

LAB 55.84, 87.3, -36.49

 

CMYK 19 / 0 / 91 / 5

HEX #C5F315

RGB 197 243 21

HSL 72.43, 0.9%, 0.52%

LAB 89.87, -39.15, 85.4

 

CMYK 91 / 0 / 54 / 5

HEX #16F36F

RGB 22 243 111

HSL 144.16, 0.9%, 0.52%

LAB 84.7, -74.81, 49.85

 

CMYK 72 / 91 / 0 / 5

HEX #4316F3

RGB 67 22 243

HSL 252.22, 0.9%, 0.52%

LAB 34.47, 73.66, -97.41

 

CMYK 0 / 91 / 36 / 5

HEX #F3169B

RGB 243 22 155

HSL 323.89, 0.9%, 0.52%

LAB 54.02, 82.51, -13.59

 

CMYK 19 / 0 / 91 / 5

HEX #C5F315

RGB 197 243 21

HSL 72.43, 0.9%, 0.52%

LAB 89.87, -39.15, 85.4

 

CMYK 91 / 0 / 27 / 5

HEX #16F3B1

RGB 22 243 177

HSL 162.08, 0.9%, 0.52%

LAB 85.73, -62.8, 18.58

 

CMYK 72 / 91 / 0 / 5

HEX #4316F3

RGB 67 22 243

HSL 252.22, 0.9%, 0.52%

LAB 34.47, 73.66, -97.41

 

CMYK 0 / 91 / 63 / 5

HEX #F31659

RGB 243 22 89

HSL 341.81, 0.9%, 0.52%

LAB 52.23, 77.61, 23.59

 

Description

Color code: HEX #C5F315 | qconv.com Color code: HEX #C5F315 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 243 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 243 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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