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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5EAA8 it is the complementary color #3A1557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5EAA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5EAA8 shade: #CAEAA3, #DBFCB6, #ECFFC9, #FDFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5EAA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5EAA8 shade: #C5EAA8, #B4D895, #A3C682, #92B46F and #81A25C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5EAA8 shade: #C5EAA8, #D7EAA8, #E8EAA8, #EAD9A8 and #EAC8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5EAA8 shade: #C5EAA8, #B3EAA8, #A8EAAF, #A8EAC0 and #A8EAD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5EAA8 shade matches the following richer shades: #C5EAA8, #C4F2A0 and #C3FB97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5EAA8 shade: #C5EAA8, #C6E1B1, #C7D8BA, #C8D0C2 and #C9C7CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5EAA8 shade: #E9EAA8, #D7EAA8, #C6EAA8, #B4EAA8 and #A8EAAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5EAA8 shade: #99DA66, #AFE287, #C5EAA8, #DBF2C9 and #F1FAEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5EAA8 shade: #C5EAA8, #A8EAD9 and #EAA8E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5EAA8 shade: #C5EAA8, #A8C6EA and #EAA8C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5EAA8 shade: #C5EAA8, #A8EAD9, #CCA8EA and #EAA8B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5EAA8 shade: #C5EAA8, #A8E6EA, #CCA8EA and #EAACA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

Complementary color

CMYK 33 / 76 / 0 / 66

HEX #3A1557

RGB 58 21 87

HSL 273.64, 0.61%, 0.21%

LAB 16.12, 31.49, -32.47

 

CMYK 14 / 0 / 30 / 8

HEX #CAEAA3

RGB 202 234 163

HSL 87.04, 0.63%, 0.78%

LAB 88.94, -22.5, 31.13

 

CMYK 13 / 0 / 28 / 1

HEX #DBFCB6

RGB 219 252 182

HSL 88.29, 0.92%, 0.85%

LAB 95.19, -22.47, 30.1

 

CMYK 7 / 0 / 21 / 0

HEX #ECFFC9

RGB 236 255 201

HSL 81.11, 1%, 0.89%

LAB 97.46, -15.21, 23.78

 

CMYK 1 / 0 / 14 / 0

HEX #FDFFDC

RGB 253 255 220

HSL 63.43, 1%, 0.93%

LAB 99.05, -6.41, 16.52

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 17 / 0 / 31 / 15

HEX #B4D895

RGB 180 216 149

HSL 92.24, 0.46%, 0.72%

LAB 82.37, -23.63, 29.25

 

CMYK 18 / 0 / 34 / 22

HEX #A3C682

RGB 163 198 130

HSL 90.88, 0.37%, 0.64%

LAB 75.94, -23.7, 30.35

 

CMYK 19 / 0 / 38 / 29

HEX #92B46F

RGB 146 180 111

HSL 89.57, 0.32%, 0.57%

LAB 69.4, -23.76, 31.5

 

CMYK 20 / 0 / 43 / 36

HEX #81A25C

RGB 129 162 92

HSL 88.29, 0.28%, 0.5%

LAB 62.74, -23.8, 32.69

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 8 / 0 / 28 / 8

HEX #D7EAA8

RGB 215 234 168

HSL 77.27, 0.61%, 0.79%

LAB 89.91, -17.11, 30.04

 

CMYK 1 / 0 / 28 / 8

HEX #E8EAA8

RGB 232 234 168

HSL 61.82, 0.61%, 0.79%

LAB 91.16, -10.85, 31.92

 

CMYK 0 / 7 / 28 / 8

HEX #EAD9A8

RGB 234 217 168

HSL 44.55, 0.61%, 0.79%

LAB 86.97, -1.49, 26.3

 

CMYK 0 / 15 / 28 / 8

HEX #EAC8A8

RGB 234 200 168

HSL 29.09, 0.61%, 0.79%

LAB 82.72, 7.33, 20.46

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 24 / 0 / 28 / 8

HEX #B3EAA8

RGB 179 234 168

HSL 110, 0.61%, 0.79%

LAB 87.61, -29.73, 26.53

 

CMYK 28 / 0 / 25 / 8

HEX #A8EAAF

RGB 168 234 175

HSL 126.36, 0.61%, 0.79%

LAB 87.13, -32.17, 22.17

 

CMYK 28 / 0 / 18 / 8

HEX #A8EAC0

RGB 168 234 192

HSL 141.82, 0.61%, 0.79%

LAB 87.47, -29.13, 13.83

 

CMYK 28 / 0 / 10 / 8

HEX #A8EAD2

RGB 168 234 210

HSL 158.18, 0.61%, 0.79%

LAB 87.88, -25.62, 5.01

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 19 / 0 / 34 / 5

HEX #C4F2A0

RGB 196 242 160

HSL 93.66, 0.76%, 0.79%

LAB 90.68, -28.86, 34.88

 

CMYK 22 / 0 / 40 / 2

HEX #C3FB97

RGB 195 251 151

HSL 93.6, 0.93%, 0.79%

LAB 92.94, -34.57, 42.28

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 12 / 0 / 21 / 12

HEX #C6E1B1

RGB 198 225 177

HSL 93.75, 0.44%, 0.79%

LAB 86.52, -17.43, 20.57

 

CMYK 8 / 0 / 14 / 15

HEX #C7D8BA

RGB 199 216 186

HSL 94, 0.28%, 0.79%

LAB 84.38, -11.09, 12.87

 

CMYK 4 / 0 / 7 / 18

HEX #C8D0C2

RGB 200 208 194

HSL 94.29, 0.13%, 0.79%

LAB 82.53, -5.26, 6

 

CMYK 1 / 2 / 0 / 20

HEX #C9C7CB

RGB 201 199 203

HSL 270, 0.04%, 0.79%

LAB 80.5, 1.43, -1.76

 

CMYK 0 / 0 / 28 / 8

HEX #E9EAA8

RGB 233 234 168

HSL 60.91, 0.61%, 0.79%

LAB 91.23, -10.47, 32.04

 

CMYK 8 / 0 / 28 / 8

HEX #D7EAA8

RGB 215 234 168

HSL 77.27, 0.61%, 0.79%

LAB 89.91, -17.11, 30.04

 

CMYK 15 / 0 / 28 / 8

HEX #C6EAA8

RGB 198 234 168

HSL 92.73, 0.61%, 0.79%

LAB 88.77, -23.2, 28.3

 

CMYK 23 / 0 / 28 / 8

HEX #B4EAA8

RGB 180 234 168

HSL 109.09, 0.61%, 0.79%

LAB 87.67, -29.4, 26.62

 

CMYK 28 / 0 / 26 / 8

HEX #A8EAAE

RGB 168 234 174

HSL 125.45, 0.61%, 0.79%

LAB 87.11, -32.34, 22.66

 

CMYK 30 / 0 / 53 / 15

HEX #99DA66

RGB 153 218 102

HSL 93.62, 0.61%, 0.63%

LAB 80.67, -40.1, 50.02

 

CMYK 23 / 0 / 40 / 11

HEX #AFE287

RGB 175 226 135

HSL 93.63, 0.61%, 0.71%

LAB 84.62, -32.09, 39.24

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 10 / 0 / 17 / 5

HEX #DBF2C9

RGB 219 242 201

HSL 93.66, 0.61%, 0.87%

LAB 92.92, -14.72, 17.28

 

CMYK 4 / 0 / 6 / 2

HEX #F1FAEB

RGB 241 250 235

HSL 96, 0.6%, 0.95%

LAB 97.26, -5.59, 6.15

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 28 / 0 / 7 / 8

HEX #A8EAD9

RGB 168 234 217

HSL 164.55, 0.61%, 0.79%

LAB 88.06, -24.18, 1.59

 

CMYK 0 / 28 / 4 / 8

HEX #EAA8E0

RGB 234 168 224

HSL 309.09, 0.61%, 0.79%

LAB 76.61, 33.04, -18.6

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 28 / 15 / 0 / 8

HEX #A8C6EA

RGB 168 198 234

HSL 212.73, 0.61%, 0.79%

LAB 78.84, -1.98, -21.13

 

CMYK 0 / 28 / 15 / 8

HEX #EAA8C6

RGB 234 168 198

HSL 332.73, 0.61%, 0.79%

LAB 75.81, 28.69, -5.62

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 28 / 0 / 7 / 8

HEX #A8EAD9

RGB 168 234 217

HSL 164.55, 0.61%, 0.79%

LAB 88.06, -24.18, 1.59

 

CMYK 13 / 28 / 0 / 8

HEX #CCA8EA

RGB 204 168 234

HSL 272.73, 0.61%, 0.79%

LAB 74.05, 25.34, -28.2

 

CMYK 0 / 28 / 21 / 8

HEX #EAA8B9

RGB 234 168 185

HSL 344.55, 0.61%, 0.79%

LAB 75.45, 26.7, 0.98

 

CMYK 16 / 0 / 28 / 8

HEX #C5EAA8

RGB 197 234 168

HSL 93.64, 0.61%, 0.79%

LAB 88.71, -23.56, 28.2

 

CMYK 28 / 2 / 0 / 8

HEX #A8E6EA

RGB 168 230 234

HSL 183.64, 0.61%, 0.79%

LAB 87.42, -18.53, -8.27

 

CMYK 13 / 28 / 0 / 8

HEX #CCA8EA

RGB 204 168 234

HSL 272.73, 0.61%, 0.79%

LAB 74.05, 25.34, -28.2

 

CMYK 0 / 26 / 28 / 8

HEX #EAACA8

RGB 234 172 168

HSL 3.64, 0.61%, 0.79%

LAB 75.96, 22.16, 11

 

Description

Color code: HEX #C5EAA8 | qconv.com Color code: HEX #C5EAA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 234 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 234 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 28 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 28% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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