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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5EAA2 it is the complementary color #3A155D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5EAA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5EAA2 shade: #CAEA9D, #DBFCB0, #ECFFC3, #FDFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5EAA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5EAA2 shade: #C5EAA2, #B4D88F, #A3C67C, #92B469 and #81A256

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5EAA2 shade: #C5EAA3, #D8EAA3, #EAE8A3, #EAD5A3 and #EAC2A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5EAA2 shade: #C5EAA3, #B2EAA3, #A3EAA7, #A3EABA and #A3EACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5EAA2 shade matches the following richer shades: #C5EAA3, #C5F39A and #C5FC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5EAA2 shade: #C5EAA3, #C6E1AC, #C6D8B5, #C6CFBE and #C6C5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5EAA2 shade: #EAE7A3, #D9EAA3, #C6EAA3, #B4EAA3 and #A3EAA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5EAA2 shade: #9BDA60, #B0E281, #C5EAA3, #DAF1C5 and #EFF9E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5EAA2 shade: #C5EAA2, #A3EAD5 and #EAA3E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5EAA2 shade: #C5EAA2, #A3C6EA and #EAA3C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5EAA2 shade: #C5EAA2, #A3EAD5, #C6A3EA and #EAA3B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5EAA2 shade: #C5EAA2, #A3EAEA, #C6A3EA and #EAA3A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 31 / 8

HEX #C5EAA2

RGB 197 234 162

HSL 90.83, 0.63%, 0.78%

LAB 88.6, -24.42, 31.12

 

Complementary color

CMYK 38 / 77 / 0 / 64

HEX #3A155D

RGB 58 21 93

HSL 270.83, 0.63%, 0.22%

LAB 16.63, 33.1, -35.67

 

CMYK 14 / 0 / 33 / 8

HEX #CAEA9D

RGB 202 234 157

HSL 84.94, 0.65%, 0.77%

LAB 88.85, -23.32, 34.04

 

CMYK 13 / 0 / 30 / 1

HEX #DBFCB0

RGB 219 252 176

HSL 86.05, 0.93%, 0.84%

LAB 95.08, -23.31, 32.98

 

CMYK 7 / 0 / 24 / 0

HEX #ECFFC3

RGB 236 255 195

HSL 79, 1%, 0.88%

LAB 97.35, -16.08, 26.67

 

CMYK 1 / 0 / 16 / 0

HEX #FDFFD6

RGB 253 255 214

HSL 62.93, 1%, 0.92%

LAB 98.93, -7.32, 19.41

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 16 / 0 / 31 / 8

HEX #C5EAA2

RGB 197 234 162

HSL 90.83, 0.63%, 0.78%

LAB 88.6, -24.42, 31.12

 

CMYK 17 / 0 / 34 / 15

HEX #B4D88F

RGB 180 216 143

HSL 89.59, 0.48%, 0.7%

LAB 82.27, -24.48, 32.2

 

CMYK 18 / 0 / 37 / 22

HEX #A3C67C

RGB 163 198 124

HSL 88.38, 0.39%, 0.63%

LAB 75.84, -24.53, 33.33

 

CMYK 19 / 0 / 42 / 29

HEX #92B469

RGB 146 180 105

HSL 87.2, 0.33%, 0.56%

LAB 69.31, -24.55, 34.5

 

CMYK 20 / 0 / 47 / 36

HEX #81A256

RGB 129 162 86

HSL 86.05, 0.31%, 0.49%

LAB 62.66, -24.55, 35.7

 

CMYK 16 / 0 / 30 / 8

HEX #C5EAA3

RGB 197 234 163

HSL 91.27, 0.63%, 0.78%

LAB 88.62, -24.28, 30.64

 

CMYK 8 / 0 / 30 / 8

HEX #D8EAA3

RGB 216 234 163

HSL 75.21, 0.63%, 0.78%

LAB 89.9, -17.42, 32.58

 

CMYK 0 / 1 / 30 / 8

HEX #EAE8A3

RGB 234 232 163

HSL 58.31, 0.63%, 0.78%

LAB 90.71, -9.73, 33.89

 

CMYK 0 / 9 / 30 / 8

HEX #EAD5A3

RGB 234 213 163

HSL 42.25, 0.63%, 0.78%

LAB 85.87, -0.08, 27.4

 

CMYK 0 / 17 / 30 / 8

HEX #EAC2A3

RGB 234 194 163

HSL 26.2, 0.63%, 0.78%

LAB 81.14, 9.83, 20.94

 

CMYK 16 / 0 / 30 / 8

HEX #C5EAA3

RGB 197 234 163

HSL 91.27, 0.63%, 0.78%

LAB 88.62, -24.28, 30.64

 

CMYK 24 / 0 / 30 / 8

HEX #B2EAA3

RGB 178 234 163

HSL 107.32, 0.63%, 0.78%

LAB 87.46, -30.84, 28.88

 

CMYK 30 / 0 / 29 / 8

HEX #A3EAA7

RGB 163 234 167

HSL 123.38, 0.63%, 0.78%

LAB 86.71, -35.1, 25.68

 

CMYK 30 / 0 / 21 / 8

HEX #A3EABA

RGB 163 234 186

HSL 139.44, 0.63%, 0.78%

LAB 87.08, -31.78, 16.37

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACD

RGB 163 234 205

HSL 155.49, 0.63%, 0.78%

LAB 87.5, -28.11, 7.05

 

CMYK 16 / 0 / 30 / 8

HEX #C5EAA3

RGB 197 234 163

HSL 91.27, 0.63%, 0.78%

LAB 88.62, -24.28, 30.64

 

CMYK 19 / 0 / 37 / 5

HEX #C5F39A

RGB 197 243 154

HSL 91.01, 0.79%, 0.78%

LAB 90.92, -29.78, 38.21

 

CMYK 22 / 0 / 42 / 1

HEX #C5FC91

RGB 197 252 145

HSL 90.84, 0.95%, 0.78%

LAB 93.25, -35.07, 45.61

 

CMYK 16 / 0 / 30 / 8

HEX #C5EAA3

RGB 197 234 163

HSL 91.27, 0.63%, 0.78%

LAB 88.62, -24.28, 30.64

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 8 / 0 / 16 / 15

HEX #C6D8B5

RGB 198 216 181

HSL 90.86, 0.31%, 0.78%

LAB 84.2, -12.28, 15.24

 

CMYK 4 / 0 / 8 / 19

HEX #C6CFBE

RGB 198 207 190

HSL 91.76, 0.15%, 0.78%

LAB 82.03, -6.14, 7.38

 

CMYK 1 / 1 / 0 / 22

HEX #C6C5C7

RGB 198 197 199

HSL 270, 0.02%, 0.78%

LAB 79.65, 0.72, -0.89

 

CMYK 0 / 1 / 30 / 8

HEX #EAE7A3

RGB 234 231 163

HSL 57.46, 0.63%, 0.78%

LAB 90.45, -9.22, 33.55

 

CMYK 7 / 0 / 30 / 8

HEX #D9EAA3

RGB 217 234 163

HSL 74.37, 0.63%, 0.78%

LAB 89.97, -17.05, 32.68

 

CMYK 15 / 0 / 30 / 8

HEX #C6EAA3

RGB 198 234 163

HSL 90.42, 0.63%, 0.78%

LAB 88.68, -23.93, 30.73

 

CMYK 23 / 0 / 30 / 8

HEX #B4EAA3

RGB 180 234 163

HSL 105.63, 0.63%, 0.78%

LAB 87.58, -30.17, 29.06

 

CMYK 30 / 0 / 29 / 8

HEX #A3EAA5

RGB 163 234 165

HSL 121.69, 0.63%, 0.78%

LAB 86.68, -35.43, 26.66

 

CMYK 29 / 0 / 56 / 15

HEX #9BDA60

RGB 155 218 96

HSL 90.98, 0.62%, 0.62%

LAB 80.71, -40, 52.86

 

CMYK 22 / 0 / 43 / 11

HEX #B0E281

RGB 176 226 129

HSL 90.93, 0.63%, 0.7%

LAB 84.59, -32.49, 42.19

 

CMYK 16 / 0 / 30 / 8

HEX #C5EAA3

RGB 197 234 163

HSL 91.27, 0.63%, 0.78%

LAB 88.62, -24.28, 30.64

 

CMYK 10 / 0 / 18 / 5

HEX #DAF1C5

RGB 218 241 197

HSL 91.36, 0.61%, 0.86%

LAB 92.51, -15.21, 18.76

 

CMYK 4 / 0 / 8 / 2

HEX #EFF9E6

RGB 239 249 230

HSL 91.58, 0.61%, 0.94%

LAB 96.74, -6.61, 7.97

 

CMYK 16 / 0 / 31 / 8

HEX #C5EAA2

RGB 197 234 162

HSL 90.83, 0.63%, 0.78%

LAB 88.6, -24.42, 31.12

 

CMYK 30 / 0 / 9 / 8

HEX #A3EAD5

RGB 163 234 213

HSL 162.25, 0.63%, 0.78%

LAB 87.7, -26.46, 3.14

 

CMYK 0 / 30 / 3 / 8

HEX #EAA3E3

RGB 234 163 227

HSL 305.92, 0.63%, 0.78%

LAB 75.6, 36.23, -21.77

 

CMYK 16 / 0 / 31 / 8

HEX #C5EAA2

RGB 197 234 162

HSL 90.83, 0.63%, 0.78%

LAB 88.6, -24.42, 31.12

 

CMYK 30 / 15 / 0 / 8

HEX #A3C6EA

RGB 163 198 234

HSL 210.42, 0.63%, 0.78%

LAB 78.53, -3.42, -21.64

 

CMYK 0 / 30 / 15 / 8

HEX #EAA3C6

RGB 234 163 198

HSL 330.42, 0.63%, 0.78%

LAB 74.68, 31.35, -7.29

 

CMYK 16 / 0 / 31 / 8

HEX #C5EAA2

RGB 197 234 162

HSL 90.83, 0.63%, 0.78%

LAB 88.6, -24.42, 31.12

 

CMYK 30 / 0 / 9 / 8

HEX #A3EAD5

RGB 163 234 213

HSL 162.25, 0.63%, 0.78%

LAB 87.7, -26.46, 3.14

 

CMYK 15 / 30 / 0 / 8

HEX #C6A3EA

RGB 198 163 234

HSL 269.58, 0.63%, 0.78%

LAB 72.32, 26.23, -30.9

 

CMYK 0 / 30 / 21 / 8

HEX #EAA3B8

RGB 234 163 184

HSL 342.25, 0.63%, 0.78%

LAB 74.28, 29.21, -0.18

 

CMYK 16 / 0 / 31 / 8

HEX #C5EAA2

RGB 197 234 162

HSL 90.83, 0.63%, 0.78%

LAB 88.6, -24.42, 31.12

 

CMYK 30 / 0 / 0 / 8

HEX #A3EAEA

RGB 163 234 234

HSL 180, 0.63%, 0.78%

LAB 88.24, -21.89, -7.07

 

CMYK 15 / 30 / 0 / 8

HEX #C6A3EA

RGB 198 163 234

HSL 269.58, 0.63%, 0.78%

LAB 72.32, 26.23, -30.9

 

CMYK 0 / 30 / 30 / 8

HEX #EAA3A3

RGB 234 163 163

HSL 0, 0.63%, 0.78%

LAB 73.76, 26.3, 10.61

 

Description

Color code: HEX #C5EAA2 | qconv.com Color code: HEX #C5EAA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 234 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 234 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 31 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 31% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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