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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E9AF it is the complementary color #3A1650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E9AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E9AF shade: #CAE9AA, #DBFBBD, #ECFFD0, #FDFFE3 and #FFFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E9AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E9AF shade: #C5E9AF, #B4D79C, #A3C589, #92B376 and #81A163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E9AF shade: #C4E9AE, #D4E9AE, #E4E9AE, #E9DEAE and #E9CEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E9AF shade: #C4E9AE, #B5E9AE, #AEE9B8, #AEE9C7 and #AEE9D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E9AF shade matches the following richer shades: #C4E9AE, #C2F1A6 and #C1F99E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E9AF shade: #C4E9AE, #C6E0B7, #C8D8BF, #CAD0C7 and #CCC8CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E9AF shade: #E4E9AE, #D4E9AE, #C5E9AE, #B5E9AE and #AEE9B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E9AF shade: #96D76E, #ADE08E, #C4E9AE, #DCF1CF and #F3FAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E9AF shade: #C5E9AF, #AEE9DE and #E9AEDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E9AF shade: #C5E9AF, #AEC5E9 and #E9AEC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E9AF shade: #C5E9AF, #AEE9DE, #D2AEE9 and #E9AEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E9AF shade: #C5E9AF, #AEE2E9, #D2AEE9 and #E9B5AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 25 / 9

HEX #C5E9AF

RGB 197 233 175

HSL 97.24, 0.57%, 0.8%

LAB 88.56, -22.02, 24.42

 

Complementary color

CMYK 28 / 73 / 0 / 69

HEX #3A1650

RGB 58 22 80

HSL 277.24, 0.57%, 0.2%

LAB 15.76, 29.13, -28.31

 

CMYK 13 / 0 / 27 / 9

HEX #CAE9AA

RGB 202 233 170

HSL 89.52, 0.59%, 0.79%

LAB 88.8, -21.01, 27.36

 

CMYK 13 / 0 / 25 / 2

HEX #DBFBBD

RGB 219 251 189

HSL 90.97, 0.89%, 0.86%

LAB 95.05, -20.97, 26.37

 

CMYK 7 / 0 / 18 / 0

HEX #ECFFD0

RGB 236 255 208

HSL 84.26, 1%, 0.91%

LAB 97.59, -14.15, 20.41

 

CMYK 1 / 0 / 11 / 0

HEX #FDFFE3

RGB 253 255 227

HSL 64.29, 1%, 0.95%

LAB 99.2, -5.33, 13.16

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 15 / 0 / 25 / 9

HEX #C5E9AF

RGB 197 233 175

HSL 97.24, 0.57%, 0.8%

LAB 88.56, -22.02, 24.42

 

CMYK 16 / 0 / 27 / 16

HEX #B4D79C

RGB 180 215 156

HSL 95.59, 0.42%, 0.73%

LAB 82.22, -22.11, 25.41

 

CMYK 17 / 0 / 30 / 23

HEX #A3C589

RGB 163 197 137

HSL 94, 0.34%, 0.65%

LAB 75.78, -22.19, 26.47

 

CMYK 18 / 0 / 34 / 30

HEX #92B376

RGB 146 179 118

HSL 92.46, 0.29%, 0.58%

LAB 69.23, -22.28, 27.58

 

CMYK 20 / 0 / 39 / 37

HEX #81A163

RGB 129 161 99

HSL 90.97, 0.25%, 0.51%

LAB 62.56, -22.35, 28.75

 

CMYK 16 / 0 / 25 / 9

HEX #C4E9AE

RGB 196 233 174

HSL 97.63, 0.57%, 0.8%

LAB 88.48, -22.52, 24.81

 

CMYK 9 / 0 / 25 / 9

HEX #D4E9AE

RGB 212 233 174

HSL 81.36, 0.57%, 0.8%

LAB 89.55, -16.86, 26.44

 

CMYK 2 / 0 / 25 / 9

HEX #E4E9AE

RGB 228 233 174

HSL 65.08, 0.57%, 0.8%

LAB 90.7, -11.04, 28.2

 

CMYK 0 / 5 / 25 / 9

HEX #E9DEAE

RGB 233 222 174

HSL 48.81, 0.57%, 0.8%

LAB 88.27, -3.63, 24.95

 

CMYK 0 / 12 / 25 / 9

HEX #E9CEAE

RGB 233 206 174

HSL 32.54, 0.57%, 0.8%

LAB 84.24, 4.62, 19.39

 

CMYK 16 / 0 / 25 / 9

HEX #C4E9AE

RGB 196 233 174

HSL 97.63, 0.57%, 0.8%

LAB 88.48, -22.52, 24.81

 

CMYK 22 / 0 / 25 / 9

HEX #B5E9AE

RGB 181 233 174

HSL 112.88, 0.57%, 0.8%

LAB 87.56, -27.63, 23.4

 

CMYK 25 / 0 / 21 / 9

HEX #AEE9B8

RGB 174 233 184

HSL 130.17, 0.57%, 0.8%

LAB 87.36, -28.23, 17.88

 

CMYK 25 / 0 / 15 / 9

HEX #AEE9C7

RGB 174 233 199

HSL 145.42, 0.57%, 0.8%

LAB 87.68, -25.48, 10.51

 

CMYK 25 / 0 / 8 / 9

HEX #AEE9D7

RGB 174 233 215

HSL 161.69, 0.57%, 0.8%

LAB 88.06, -22.33, 2.68

 

CMYK 16 / 0 / 25 / 9

HEX #C4E9AE

RGB 196 233 174

HSL 97.63, 0.57%, 0.8%

LAB 88.48, -22.52, 24.81

 

CMYK 20 / 0 / 31 / 5

HEX #C2F1A6

RGB 194 241 166

HSL 97.6, 0.73%, 0.8%

LAB 90.38, -28.24, 31.45

 

CMYK 22 / 0 / 37 / 2

HEX #C1F99E

RGB 193 249 158

HSL 96.92, 0.88%, 0.8%

LAB 92.38, -33.43, 38.08

 

CMYK 16 / 0 / 25 / 9

HEX #C4E9AE

RGB 196 233 174

HSL 97.63, 0.57%, 0.8%

LAB 88.48, -22.52, 24.81

 

CMYK 12 / 0 / 18 / 12

HEX #C6E0B7

RGB 198 224 183

HSL 98.05, 0.4%, 0.8%

LAB 86.37, -15.97, 17.24

 

CMYK 7 / 0 / 12 / 15

HEX #C8D8BF

RGB 200 216 191

HSL 98.4, 0.24%, 0.8%

LAB 84.56, -9.9, 10.5

 

CMYK 3 / 0 / 4 / 18

HEX #CAD0C7

RGB 202 208 199

HSL 100, 0.09%, 0.8%

LAB 82.8, -3.68, 3.74

 

CMYK 1 / 3 / 0 / 19

HEX #CCC8CF

RGB 204 200 207

HSL 274.29, 0.07%, 0.8%

LAB 81.1, 2.67, -3

 

CMYK 2 / 0 / 25 / 9

HEX #E4E9AE

RGB 228 233 174

HSL 65.08, 0.57%, 0.8%

LAB 90.7, -11.04, 28.2

 

CMYK 9 / 0 / 25 / 9

HEX #D4E9AE

RGB 212 233 174

HSL 81.36, 0.57%, 0.8%

LAB 89.55, -16.86, 26.44

 

CMYK 15 / 0 / 25 / 9

HEX #C5E9AE

RGB 197 233 174

HSL 96.61, 0.57%, 0.8%

LAB 88.54, -22.17, 24.91

 

CMYK 22 / 0 / 25 / 9

HEX #B5E9AE

RGB 181 233 174

HSL 112.88, 0.57%, 0.8%

LAB 87.56, -27.63, 23.4

 

CMYK 25 / 0 / 21 / 9

HEX #AEE9B7

RGB 174 233 183

HSL 129.15, 0.57%, 0.8%

LAB 87.34, -28.4, 18.37

 

CMYK 30 / 0 / 49 / 16

HEX #96D76E

RGB 150 215 110

HSL 97.14, 0.57%, 0.64%

LAB 79.73, -38.91, 45.07

 

CMYK 23 / 0 / 37 / 12

HEX #ADE08E

RGB 173 224 142

HSL 97.32, 0.57%, 0.72%

LAB 84.04, -30.93, 34.96

 

CMYK 16 / 0 / 25 / 9

HEX #C4E9AE

RGB 196 233 174

HSL 97.63, 0.57%, 0.8%

LAB 88.48, -22.52, 24.81

 

CMYK 9 / 0 / 14 / 5

HEX #DCF1CF

RGB 220 241 207

HSL 97.06, 0.55%, 0.88%

LAB 92.85, -12.91, 14.1

 

CMYK 3 / 0 / 4 / 2

HEX #F3FAEF

RGB 243 250 239

HSL 98.18, 0.52%, 0.96%

LAB 97.49, -4.23, 4.46

 

CMYK 15 / 0 / 25 / 9

HEX #C5E9AF

RGB 197 233 175

HSL 97.24, 0.57%, 0.8%

LAB 88.56, -22.02, 24.42

 

CMYK 25 / 0 / 5 / 9

HEX #AEE9DE

RGB 174 233 222

HSL 168.81, 0.57%, 0.8%

LAB 88.23, -20.89, -0.73

 

CMYK 0 / 25 / 6 / 9

HEX #E9AEDC

RGB 233 174 220

HSL 313.22, 0.57%, 0.8%

LAB 77.73, 28.8, -14.74

 

CMYK 15 / 0 / 25 / 9

HEX #C5E9AF

RGB 197 233 175

HSL 97.24, 0.57%, 0.8%

LAB 88.56, -22.02, 24.42

 

CMYK 25 / 15 / 0 / 9

HEX #AEC5E9

RGB 174 197 233

HSL 216.61, 0.57%, 0.8%

LAB 78.93, 0.08, -20.42

 

CMYK 0 / 25 / 15 / 9

HEX #E9AEC5

RGB 233 174 197

HSL 336.61, 0.57%, 0.8%

LAB 77.06, 24.97, -3.24

 

CMYK 15 / 0 / 25 / 9

HEX #C5E9AF

RGB 197 233 175

HSL 97.24, 0.57%, 0.8%

LAB 88.56, -22.02, 24.42

 

CMYK 25 / 0 / 5 / 9

HEX #AEE9DE

RGB 174 233 222

HSL 168.81, 0.57%, 0.8%

LAB 88.23, -20.89, -0.73

 

CMYK 10 / 25 / 0 / 9

HEX #D2AEE9

RGB 210 174 233

HSL 276.61, 0.57%, 0.8%

LAB 75.98, 23.75, -24.65

 

CMYK 0 / 25 / 21 / 9

HEX #E9AEB9

RGB 233 174 185

HSL 348.81, 0.57%, 0.8%

LAB 76.74, 23.13, 2.83

 

CMYK 15 / 0 / 25 / 9

HEX #C5E9AF

RGB 197 233 175

HSL 97.24, 0.57%, 0.8%

LAB 88.56, -22.02, 24.42

 

CMYK 25 / 3 / 0 / 9

HEX #AEE2E9

RGB 174 226 233

HSL 187.12, 0.57%, 0.8%

LAB 86.64, -15.03, -8.86

 

CMYK 10 / 25 / 0 / 9

HEX #D2AEE9

RGB 210 174 233

HSL 276.61, 0.57%, 0.8%

LAB 75.98, 23.75, -24.65

 

CMYK 0 / 22 / 25 / 9

HEX #E9B5AE

RGB 233 181 174

HSL 7.12, 0.57%, 0.8%

LAB 78.13, 17.81, 10.8

 

Description

Color code: HEX #C5E9AF | qconv.com Color code: HEX #C5E9AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 233 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 233 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 25 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 25% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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