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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E89A it is the complementary color #3A1765. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E89A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E89A shade: #CAE895, #DBFAA8, #ECFFBB, #FDFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E89A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E89A shade: #C5E89A, #B4D687, #A3C474, #92B261 and #81A04E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E89A shade: #C5E89B, #DAE89B, #E8E19B, #E8CC9B and #E8B79B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E89A shade: #C5E89B, #B0E89B, #9CE89B, #9BE8AF and #9BE8C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E89A shade matches the following richer shades: #C5E89B, #C6F291 and #C7FC87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E89A shade: #C5E89B, #C4DEA5, #C3D4AF, #C2CAB8 and #C1C0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E89A shade: #E8E09B, #DBE89B, #C6E89B, #B2E89B and #9DE89B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E89A shade: #9FD957, #B2E079, #C5E89B, #D9EFBC and #ECF7DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E89A shade: #C5E89A, #9BE8CC and #E89BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E89A shade: #C5E89A, #9BC6E8 and #E89BC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E89A shade: #C5E89A, #9BE8CC, #BC9BE8 and #E89BB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E89A shade: #C5E89A, #9BE8E3, #BC9BE8 and #E89BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 34 / 9

HEX #C5E89A

RGB 197 232 154

HSL 86.92, 0.63%, 0.76%

LAB 87.93, -24.56, 34.28

 

Complementary color

CMYK 43 / 77 / 0 / 60

HEX #3A1765

RGB 58 23 101

HSL 266.92, 0.63%, 0.24%

LAB 17.7, 34.28, -39.24

 

CMYK 13 / 0 / 36 / 9

HEX #CAE895

RGB 202 232 149

HSL 81.69, 0.64%, 0.75%

LAB 88.18, -23.4, 37.19

 

CMYK 12 / 0 / 33 / 2

HEX #DBFAA8

RGB 219 250 168

HSL 82.68, 0.89%, 0.82%

LAB 94.42, -23.42, 36.1

 

CMYK 7 / 0 / 27 / 0

HEX #ECFFBB

RGB 236 255 187

HSL 76.76, 1%, 0.87%

LAB 97.2, -17.2, 30.51

 

CMYK 1 / 0 / 19 / 0

HEX #FDFFCE

RGB 253 255 206

HSL 62.45, 1%, 0.9%

LAB 98.77, -8.48, 23.25

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 15 / 0 / 34 / 9

HEX #C5E89A

RGB 197 232 154

HSL 86.92, 0.63%, 0.76%

LAB 87.93, -24.56, 34.28

 

CMYK 16 / 0 / 37 / 16

HEX #B4D687

RGB 180 214 135

HSL 85.82, 0.49%, 0.68%

LAB 81.59, -24.58, 35.39

 

CMYK 17 / 0 / 41 / 23

HEX #A3C474

RGB 163 196 116

HSL 84.75, 0.4%, 0.61%

LAB 75.16, -24.58, 36.54

 

CMYK 18 / 0 / 46 / 30

HEX #92B261

RGB 146 178 97

HSL 83.7, 0.34%, 0.54%

LAB 68.62, -24.55, 37.73

 

CMYK 19 / 0 / 51 / 37

HEX #81A04E

RGB 129 160 78

HSL 82.68, 0.34%, 0.47%

LAB 61.96, -24.47, 38.92

 

CMYK 15 / 0 / 33 / 9

HEX #C5E89B

RGB 197 232 155

HSL 87.27, 0.63%, 0.76%

LAB 87.94, -24.43, 33.8

 

CMYK 6 / 0 / 33 / 9

HEX #DAE89B

RGB 218 232 155

HSL 70.91, 0.63%, 0.76%

LAB 89.39, -16.72, 35.96

 

CMYK 0 / 3 / 33 / 9

HEX #E8E19B

RGB 232 225 155

HSL 54.55, 0.63%, 0.76%

LAB 88.63, -7.94, 35.16

 

CMYK 0 / 12 / 33 / 9

HEX #E8CC9B

RGB 232 204 155

HSL 38.18, 0.63%, 0.76%

LAB 83.29, 2.82, 28.05

 

CMYK 0 / 21 / 33 / 9

HEX #E8B79B

RGB 232 183 155

HSL 21.82, 0.63%, 0.76%

LAB 78.1, 13.87, 21

 

CMYK 15 / 0 / 33 / 9

HEX #C5E89B

RGB 197 232 155

HSL 87.27, 0.63%, 0.76%

LAB 87.94, -24.43, 33.8

 

CMYK 24 / 0 / 33 / 9

HEX #B0E89B

RGB 176 232 155

HSL 103.64, 0.63%, 0.76%

LAB 86.66, -31.78, 31.86

 

CMYK 33 / 0 / 33 / 9

HEX #9CE89B

RGB 156 232 155

HSL 119.22, 0.63%, 0.76%

LAB 85.58, -38.33, 30.23

 

CMYK 33 / 0 / 25 / 9

HEX #9BE8AF

RGB 155 232 175

HSL 135.58, 0.63%, 0.76%

LAB 85.89, -35.27, 20.36

 

CMYK 33 / 0 / 16 / 9

HEX #9BE8C3

RGB 155 232 195

HSL 151.17, 0.63%, 0.76%

LAB 86.32, -31.49, 10.53

 

CMYK 15 / 0 / 33 / 9

HEX #C5E89B

RGB 197 232 155

HSL 87.27, 0.63%, 0.76%

LAB 87.94, -24.43, 33.8

 

CMYK 18 / 0 / 40 / 5

HEX #C6F291

RGB 198 242 145

HSL 87.22, 0.79%, 0.76%

LAB 90.58, -30.1, 42.22

 

CMYK 21 / 0 / 46 / 1

HEX #C7FC87

RGB 199 252 135

HSL 87.18, 0.95%, 0.76%

LAB 93.24, -35.51, 50.39

 

CMYK 15 / 0 / 33 / 9

HEX #C5E89B

RGB 197 232 155

HSL 87.27, 0.63%, 0.76%

LAB 87.94, -24.43, 33.8

 

CMYK 12 / 0 / 26 / 13

HEX #C4DEA5

RGB 196 222 165

HSL 87.37, 0.46%, 0.76%

LAB 85.35, -18.49, 25.18

 

CMYK 8 / 0 / 17 / 17

HEX #C3D4AF

RGB 195 212 175

HSL 87.57, 0.3%, 0.76%

LAB 82.8, -12.29, 16.4

 

CMYK 4 / 0 / 9 / 21

HEX #C2CAB8

RGB 194 202 184

HSL 86.67, 0.15%, 0.76%

LAB 80.28, -5.99, 8.03

 

CMYK 1 / 1 / 0 / 24

HEX #C1C0C2

RGB 193 192 194

HSL 270, 0.02%, 0.76%

LAB 77.83, 0.72, -0.89

 

CMYK 0 / 3 / 33 / 9

HEX #E8E09B

RGB 232 224 155

HSL 53.77, 0.63%, 0.76%

LAB 88.37, -7.43, 34.82

 

CMYK 6 / 0 / 33 / 9

HEX #DBE89B

RGB 219 232 155

HSL 70.13, 0.63%, 0.76%

LAB 89.46, -16.35, 36.07

 

CMYK 15 / 0 / 33 / 9

HEX #C6E89B

RGB 198 232 155

HSL 86.49, 0.63%, 0.76%

LAB 88.01, -24.07, 33.9

 

CMYK 23 / 0 / 33 / 9

HEX #B2E89B

RGB 178 232 155

HSL 102.08, 0.63%, 0.76%

LAB 86.77, -31.1, 32.03

 

CMYK 32 / 0 / 33 / 9

HEX #9DE89B

RGB 157 232 155

HSL 118.44, 0.63%, 0.76%

LAB 85.63, -38.02, 30.3

 

CMYK 27 / 0 / 60 / 15

HEX #9FD957

RGB 159 217 87

HSL 86.77, 0.63%, 0.6%

LAB 80.56, -38.95, 56.72

 

CMYK 21 / 0 / 46 / 12

HEX #B2E079

RGB 178 224 121

HSL 86.8, 0.62%, 0.68%

LAB 84.05, -31.78, 45.44

 

CMYK 15 / 0 / 33 / 9

HEX #C5E89B

RGB 197 232 155

HSL 87.27, 0.63%, 0.76%

LAB 87.94, -24.43, 33.8

 

CMYK 9 / 0 / 21 / 6

HEX #D9EFBC

RGB 217 239 188

HSL 85.88, 0.61%, 0.84%

LAB 91.74, -15.97, 22.31

 

CMYK 4 / 0 / 10 / 3

HEX #ECF7DE

RGB 236 247 222

HSL 86.4, 0.61%, 0.92%

LAB 95.84, -7.96, 10.77

 

CMYK 15 / 0 / 34 / 9

HEX #C5E89A

RGB 197 232 154

HSL 86.92, 0.63%, 0.76%

LAB 87.93, -24.56, 34.28

 

CMYK 33 / 0 / 12 / 9

HEX #9BE8CC

RGB 155 232 204

HSL 158.18, 0.63%, 0.76%

LAB 86.52, -29.67, 6.11

 

CMYK 0 / 33 / 1 / 9

HEX #E89BE5

RGB 232 155 229

HSL 302.34, 0.63%, 0.76%

LAB 73.71, 40.18, -25.75

 

CMYK 15 / 0 / 34 / 9

HEX #C5E89A

RGB 197 232 154

HSL 86.92, 0.63%, 0.76%

LAB 87.93, -24.56, 34.28

 

CMYK 33 / 15 / 0 / 9

HEX #9BC6E8

RGB 155 198 232

HSL 206.49, 0.63%, 0.76%

LAB 77.98, -6.16, -21.44

 

CMYK 0 / 33 / 15 / 9

HEX #E89BC6

RGB 232 155 198

HSL 326.49, 0.63%, 0.76%

LAB 72.68, 34.91, -10.29

 

CMYK 15 / 0 / 34 / 9

HEX #C5E89A

RGB 197 232 154

HSL 86.92, 0.63%, 0.76%

LAB 87.93, -24.56, 34.28

 

CMYK 33 / 0 / 12 / 9

HEX #9BE8CC

RGB 155 232 204

HSL 158.18, 0.63%, 0.76%

LAB 86.52, -29.67, 6.11

 

CMYK 19 / 33 / 0 / 9

HEX #BC9BE8

RGB 188 155 232

HSL 265.71, 0.63%, 0.76%

LAB 69.44, 27.18, -34.34

 

CMYK 0 / 33 / 21 / 9

HEX #E89BB7

RGB 232 155 183

HSL 338.18, 0.63%, 0.76%

LAB 72.24, 32.61, -2.65

 

CMYK 15 / 0 / 34 / 9

HEX #C5E89A

RGB 197 232 154

HSL 86.92, 0.63%, 0.76%

LAB 87.93, -24.56, 34.28

 

CMYK 33 / 0 / 2 / 9

HEX #9BE8E3

RGB 155 232 227

HSL 176.1, 0.63%, 0.76%

LAB 87.11, -24.67, -5.12

 

CMYK 19 / 33 / 0 / 9

HEX #BC9BE8

RGB 188 155 232

HSL 265.71, 0.63%, 0.76%

LAB 69.44, 27.18, -34.34

 

CMYK 0 / 33 / 31 / 9

HEX #E89BA0

RGB 232 155 160

HSL 356.1, 0.63%, 0.76%

LAB 71.65, 29.42, 9.23

 

Description

Color code: HEX #C5E89A | qconv.com Color code: HEX #C5E89A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 232 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 232 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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