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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E88D it is the complementary color #3A1772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E88D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E88D shade: #CAE888, #DBFA9B, #ECFFAE, #FDFFC1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E88D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E88D shade: #C5E88D, #B4D67A, #A3C467, #92B254 and #81A041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E88D shade: #C4E78C, #DDE78C, #E7D98C, #E7C18C and #E7A88C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E88D shade: #C4E78C, #ACE78C, #93E78C, #8CE79E and #8CE7B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E88D shade matches the following richer shades: #C4E78C, #C7F281 and #C9FD76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E88D shade: #C4E78C, #C2DC97, #BFD1A2, #BCC6AE and #BABBB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E88D shade: #E7D98C, #DCE78C, #C4E78C, #ACE78C and #94E78C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E88D shade: #A1D948, #B3E06A, #C4E78C, #D6EEAE and #E7F5D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E88D shade: #C5E88D, #8CE7C1 and #E68CE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E88D shade: #C5E88D, #8CC4E7 and #E78CC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E88D shade: #C5E88D, #8CE7C1, #AF8CE7 and #E78CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E88D shade: #C5E88D, #8CE7DC, #AF8CE7 and #E78C97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 39 / 9

HEX #C5E88D

RGB 197 232 141

HSL 83.08, 0.66%, 0.73%

LAB 87.73, -26.23, 40.53

 

Complementary color

CMYK 49 / 80 / 0 / 55

HEX #3A1772

RGB 58 23 114

HSL 263.08, 0.66%, 0.27%

LAB 18.92, 37.94, -45.73

 

CMYK 13 / 0 / 41 / 9

HEX #CAE888

RGB 202 232 136

HSL 78.75, 0.68%, 0.72%

LAB 87.99, -24.98, 43.4

 

CMYK 12 / 0 / 38 / 2

HEX #DBFA9B

RGB 219 250 155

HSL 79.58, 0.9%, 0.79%

LAB 94.23, -25.05, 42.27

 

CMYK 7 / 0 / 32 / 0

HEX #ECFFAE

RGB 236 255 174

HSL 74.07, 1%, 0.84%

LAB 96.99, -18.91, 36.72

 

CMYK 1 / 0 / 24 / 0

HEX #FDFFC1

RGB 253 255 193

HSL 61.94, 1%, 0.88%

LAB 98.53, -10.27, 29.5

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 15 / 0 / 39 / 9

HEX #C5E88D

RGB 197 232 141

HSL 83.08, 0.66%, 0.73%

LAB 87.73, -26.23, 40.53

 

CMYK 16 / 0 / 43 / 16

HEX #B4D67A

RGB 180 214 122

HSL 82.17, 0.53%, 0.66%

LAB 81.4, -26.19, 41.67

 

CMYK 17 / 0 / 47 / 23

HEX #A3C467

RGB 163 196 103

HSL 81.29, 0.44%, 0.59%

LAB 74.98, -26.11, 42.83

 

CMYK 18 / 0 / 53 / 30

HEX #92B254

RGB 146 178 84

HSL 80.43, 0.38%, 0.51%

LAB 68.45, -25.98, 43.98

 

CMYK 19 / 0 / 59 / 37

HEX #81A041

RGB 129 160 65

HSL 79.58, 0.42%, 0.44%

LAB 61.82, -25.76, 45.04

 

CMYK 15 / 0 / 39 / 9

HEX #C4E78C

RGB 196 231 140

HSL 83.08, 0.65%, 0.73%

LAB 87.38, -26.24, 40.56

 

CMYK 4 / 0 / 39 / 9

HEX #DDE78C

RGB 221 231 140

HSL 66.59, 0.65%, 0.73%

LAB 89.12, -16.85, 43.14

 

CMYK 0 / 6 / 39 / 9

HEX #E7D98C

RGB 231 217 140

HSL 50.77, 0.65%, 0.73%

LAB 86.26, -5.98, 39.65

 

CMYK 0 / 16 / 39 / 9

HEX #E7C18C

RGB 231 193 140

HSL 34.95, 0.65%, 0.73%

LAB 80.19, 6.43, 31.74

 

CMYK 0 / 27 / 39 / 9

HEX #E7A88C

RGB 231 168 140

HSL 18.46, 0.65%, 0.73%

LAB 74.12, 19.69, 23.61

 

CMYK 15 / 0 / 39 / 9

HEX #C4E78C

RGB 196 231 140

HSL 83.08, 0.65%, 0.73%

LAB 87.38, -26.24, 40.56

 

CMYK 26 / 0 / 39 / 9

HEX #ACE78C

RGB 172 231 140

HSL 98.9, 0.65%, 0.73%

LAB 85.91, -34.79, 38.39

 

CMYK 36 / 0 / 39 / 9

HEX #93E78C

RGB 147 231 140

HSL 115.38, 0.65%, 0.73%

LAB 84.61, -42.99, 36.44

 

CMYK 39 / 0 / 32 / 9

HEX #8CE79E

RGB 140 231 158

HSL 131.87, 0.65%, 0.73%

LAB 84.58, -42.24, 27.22

 

CMYK 39 / 0 / 21 / 9

HEX #8CE7B6

RGB 140 231 182

HSL 147.69, 0.65%, 0.73%

LAB 85.05, -37.84, 15.43

 

CMYK 15 / 0 / 39 / 9

HEX #C4E78C

RGB 196 231 140

HSL 83.08, 0.65%, 0.73%

LAB 87.38, -26.24, 40.56

 

CMYK 18 / 0 / 47 / 5

HEX #C7F281

RGB 199 242 129

HSL 82.83, 0.81%, 0.73%

LAB 90.43, -31.58, 49.76

 

CMYK 21 / 0 / 53 / 1

HEX #C9FD76

RGB 201 253 118

HSL 83.11, 0.97%, 0.73%

LAB 93.44, -36.97, 58.47

 

CMYK 15 / 0 / 39 / 9

HEX #C4E78C

RGB 196 231 140

HSL 83.08, 0.65%, 0.73%

LAB 87.38, -26.24, 40.56

 

CMYK 12 / 0 / 31 / 14

HEX #C2DC97

RGB 194 220 151

HSL 82.61, 0.5%, 0.73%

LAB 84.43, -20.23, 31.13

 

CMYK 9 / 0 / 22 / 18

HEX #BFD1A2

RGB 191 209 162

HSL 82.98, 0.34%, 0.73%

LAB 81.45, -14.25, 21.34

 

CMYK 5 / 0 / 12 / 22

HEX #BCC6AE

RGB 188 198 174

HSL 85, 0.17%, 0.73%

LAB 78.54, -7.75, 10.86

 

CMYK 1 / 0 / 1 / 27

HEX #BABBB9

RGB 186 187 185

HSL 90, 0.01%, 0.73%

LAB 75.75, -0.72, 0.88

 

CMYK 0 / 6 / 39 / 9

HEX #E7D98C

RGB 231 217 140

HSL 50.77, 0.65%, 0.73%

LAB 86.26, -5.98, 39.65

 

CMYK 5 / 0 / 39 / 9

HEX #DCE78C

RGB 220 231 140

HSL 67.25, 0.65%, 0.73%

LAB 89.05, -17.24, 43.03

 

CMYK 15 / 0 / 39 / 9

HEX #C4E78C

RGB 196 231 140

HSL 83.08, 0.65%, 0.73%

LAB 87.38, -26.24, 40.56

 

CMYK 26 / 0 / 39 / 9

HEX #ACE78C

RGB 172 231 140

HSL 98.9, 0.65%, 0.73%

LAB 85.91, -34.79, 38.39

 

CMYK 36 / 0 / 39 / 9

HEX #94E78C

RGB 148 231 140

HSL 114.73, 0.65%, 0.73%

LAB 84.66, -42.68, 36.52

 

CMYK 26 / 0 / 67 / 15

HEX #A1D948

RGB 161 217 72

HSL 83.17, 0.66%, 0.57%

LAB 80.56, -39.38, 62.91

 

CMYK 20 / 0 / 53 / 12

HEX #B3E06A

RGB 179 224 106

HSL 82.88, 0.66%, 0.65%

LAB 83.93, -32.99, 52.41

 

CMYK 15 / 0 / 39 / 9

HEX #C4E78C

RGB 196 231 140

HSL 83.08, 0.65%, 0.73%

LAB 87.38, -26.24, 40.56

 

CMYK 10 / 0 / 27 / 7

HEX #D6EEAE

RGB 214 238 174

HSL 82.5, 0.65%, 0.81%

LAB 91.01, -18.6, 28.45

 

CMYK 6 / 0 / 15 / 4

HEX #E7F5D1

RGB 231 245 209

HSL 83.33, 0.64%, 0.89%

LAB 94.69, -10.79, 15.78

 

CMYK 15 / 0 / 39 / 9

HEX #C5E88D

RGB 197 232 141

HSL 83.08, 0.66%, 0.73%

LAB 87.73, -26.23, 40.53

 

CMYK 39 / 0 / 16 / 9

HEX #8CE7C1

RGB 140 231 193

HSL 154.95, 0.65%, 0.73%

LAB 85.29, -35.63, 10.02

 

CMYK 0 / 39 / 0 / 9

HEX #E68CE7

RGB 230 140 231

HSL 299.34, 0.65%, 0.73%

LAB 70.42, 47.75, -31.93

 

CMYK 15 / 0 / 39 / 9

HEX #C5E88D

RGB 197 232 141

HSL 83.08, 0.66%, 0.73%

LAB 87.73, -26.23, 40.53

 

CMYK 39 / 15 / 0 / 9

HEX #8CC4E7

RGB 140 196 231

HSL 203.08, 0.65%, 0.73%

LAB 76.57, -9.38, -23.12

 

CMYK 0 / 39 / 15 / 9

HEX #E78CC4

RGB 231 140 196

HSL 323.08, 0.65%, 0.73%

LAB 69.28, 42.14, -14.29

 

CMYK 15 / 0 / 39 / 9

HEX #C5E88D

RGB 197 232 141

HSL 83.08, 0.66%, 0.73%

LAB 87.73, -26.23, 40.53

 

CMYK 39 / 0 / 16 / 9

HEX #8CE7C1

RGB 140 231 193

HSL 154.95, 0.65%, 0.73%

LAB 85.29, -35.63, 10.02

 

CMYK 24 / 39 / 0 / 9

HEX #AF8CE7

RGB 175 140 231

HSL 263.08, 0.65%, 0.73%

LAB 64.68, 31.52, -41.31

 

CMYK 0 / 39 / 23 / 9

HEX #E78CB2

RGB 231 140 178

HSL 334.95, 0.65%, 0.73%

LAB 68.72, 39.44, -5.06

 

CMYK 15 / 0 / 39 / 9

HEX #C5E88D

RGB 197 232 141

HSL 83.08, 0.66%, 0.73%

LAB 87.73, -26.23, 40.53

 

CMYK 39 / 0 / 5 / 9

HEX #8CE7DC

RGB 140 231 220

HSL 172.75, 0.65%, 0.73%

LAB 85.95, -29.71, -3.22

 

CMYK 24 / 39 / 0 / 9

HEX #AF8CE7

RGB 175 140 231

HSL 263.08, 0.65%, 0.73%

LAB 64.68, 31.52, -41.31

 

CMYK 0 / 39 / 35 / 9

HEX #E78C97

RGB 231 140 151

HSL 352.75, 0.65%, 0.73%

LAB 68.01, 35.86, 9.04

 

Description

Color code: HEX #C5E88D | qconv.com Color code: HEX #C5E88D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 232 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 232 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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