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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E798 it is the complementary color #3A1867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E798 shade: #CAE793, #DBF9A6, #ECFFB9, #FDFFCC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E798 shade: #C5E798, #B4D585, #A3C372, #92B15F and #819F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E798 shade: #C5E798, #DAE798, #E7DE98, #E7C998 and #E7B498

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E798 shade: #C5E798, #AFE798, #9AE798, #98E7AB and #98E7C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E798 shade matches the following richer shades: #C5E798, #C6F18D and #C8FB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E798 shade: #C5E798, #C3DCA2, #C2D2AC, #C0C8B7 and #BFBEC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E798 shade: #E7DE98, #DBE798, #C6E798, #B1E798 and #9CE798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E798 shade: #9FD755, #B2DF76, #C5E798, #D8EFB9 and #EAF6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E798 shade: #C5E798, #98E7C8 and #E798E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E798 shade: #C5E798, #98C6E7 and #E798C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E798 shade: #C5E798, #98E7C8, #B998E7 and #E798B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E798 shade: #C5E798, #98E7E0, #B998E7 and #E7989E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

Complementary color

CMYK 44 / 77 / 0 / 60

HEX #3A1867

RGB 58 24 103

HSL 265.82, 0.62%, 0.25%

LAB 18.06, 34.32, -39.96

 

CMYK 13 / 0 / 36 / 9

HEX #CAE793

RGB 202 231 147

HSL 80.71, 0.64%, 0.74%

LAB 87.88, -23.17, 37.8

 

CMYK 12 / 0 / 33 / 2

HEX #DBF9A6

RGB 219 249 166

HSL 81.69, 0.87%, 0.81%

LAB 94.13, -23.21, 36.71

 

CMYK 7 / 0 / 27 / 0

HEX #ECFFB9

RGB 236 255 185

HSL 76.29, 1%, 0.86%

LAB 97.17, -17.47, 31.47

 

CMYK 1 / 0 / 20 / 0

HEX #FDFFCC

RGB 253 255 204

HSL 62.35, 1%, 0.9%

LAB 98.73, -8.76, 24.22

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 15 / 0 / 38 / 16

HEX #B4D585

RGB 180 213 133

HSL 84.75, 0.49%, 0.68%

LAB 81.28, -24.36, 36.01

 

CMYK 16 / 0 / 42 / 24

HEX #A3C372

RGB 163 195 114

HSL 83.7, 0.4%, 0.61%

LAB 74.84, -24.34, 37.16

 

CMYK 18 / 0 / 46 / 31

HEX #92B15F

RGB 146 177 95

HSL 82.68, 0.34%, 0.53%

LAB 68.3, -24.29, 38.35

 

CMYK 19 / 0 / 52 / 38

HEX #819F4C

RGB 129 159 76

HSL 81.69, 0.35%, 0.46%

LAB 61.64, -24.19, 39.53

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 6 / 0 / 34 / 9

HEX #DAE798

RGB 218 231 152

HSL 69.87, 0.62%, 0.75%

LAB 89.08, -16.6, 37.07

 

CMYK 0 / 4 / 34 / 9

HEX #E7DE98

RGB 231 222 152

HSL 53.16, 0.62%, 0.75%

LAB 87.73, -7.16, 35.49

 

CMYK 0 / 13 / 34 / 9

HEX #E7C998

RGB 231 201 152

HSL 37.22, 0.62%, 0.75%

LAB 82.39, 3.63, 28.4

 

CMYK 0 / 22 / 34 / 9

HEX #E7B498

RGB 231 180 152

HSL 21.27, 0.62%, 0.75%

LAB 77.22, 14.7, 21.38

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 24 / 0 / 34 / 9

HEX #AFE798

RGB 175 231 152

HSL 102.53, 0.62%, 0.75%

LAB 86.27, -32.09, 32.86

 

CMYK 33 / 0 / 34 / 9

HEX #9AE798

RGB 154 231 152

HSL 118.48, 0.62%, 0.75%

LAB 85.14, -38.98, 31.15

 

CMYK 34 / 0 / 26 / 9

HEX #98E7AB

RGB 152 231 171

HSL 134.43, 0.62%, 0.75%

LAB 85.39, -36.43, 21.71

 

CMYK 34 / 0 / 17 / 9

HEX #98E7C0

RGB 152 231 192

HSL 150.38, 0.62%, 0.75%

LAB 85.82, -32.49, 11.38

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 18 / 0 / 41 / 5

HEX #C6F18D

RGB 198 241 141

HSL 85.8, 0.78%, 0.75%

LAB 90.25, -30.12, 43.76

 

CMYK 20 / 0 / 48 / 2

HEX #C8FB83

RGB 200 251 131

HSL 85.5, 0.94%, 0.75%

LAB 92.98, -35.13, 51.96

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 11 / 0 / 26 / 14

HEX #C3DCA2

RGB 195 220 162

HSL 85.86, 0.45%, 0.75%

LAB 84.69, -18.3, 25.82

 

CMYK 8 / 0 / 18 / 18

HEX #C2D2AC

RGB 194 210 172

HSL 85.26, 0.3%, 0.75%

LAB 82.13, -12.11, 17.05

 

CMYK 4 / 0 / 9 / 22

HEX #C0C8B7

RGB 192 200 183

HSL 88.24, 0.13%, 0.75%

LAB 79.58, -5.83, 7.55

 

CMYK 1 / 2 / 0 / 24

HEX #BFBEC1

RGB 191 190 193

HSL 260, 0.02%, 0.75%

LAB 77.13, 0.91, -1.39

 

CMYK 0 / 4 / 34 / 9

HEX #E7DE98

RGB 231 222 152

HSL 53.16, 0.62%, 0.75%

LAB 87.73, -7.16, 35.49

 

CMYK 5 / 0 / 34 / 9

HEX #DBE798

RGB 219 231 152

HSL 69.11, 0.62%, 0.75%

LAB 89.15, -16.22, 37.18

 

CMYK 14 / 0 / 34 / 9

HEX #C6E798

RGB 198 231 152

HSL 85.06, 0.62%, 0.75%

LAB 87.69, -23.99, 34.99

 

CMYK 23 / 0 / 34 / 9

HEX #B1E798

RGB 177 231 152

HSL 101.01, 0.62%, 0.75%

LAB 86.39, -31.41, 33.03

 

CMYK 32 / 0 / 34 / 9

HEX #9CE798

RGB 156 231 152

HSL 116.96, 0.62%, 0.75%

LAB 85.24, -38.35, 31.31

 

CMYK 26 / 0 / 60 / 16

HEX #9FD755

RGB 159 215 85

HSL 85.85, 0.62%, 0.59%

LAB 79.97, -38.23, 56.92

 

CMYK 20 / 0 / 47 / 13

HEX #B2DF76

RGB 178 223 118

HSL 85.71, 0.62%, 0.67%

LAB 83.73, -31.65, 46.49

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 10 / 0 / 23 / 6

HEX #D8EFB9

RGB 216 239 185

HSL 85.56, 0.63%, 0.83%

LAB 91.61, -16.77, 23.66

 

CMYK 5 / 0 / 11 / 4

HEX #EAF6DB

RGB 234 246 219

HSL 86.67, 0.6%, 0.91%

LAB 95.38, -8.64, 11.63

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 34 / 0 / 13 / 9

HEX #98E7C8

RGB 152 231 200

HSL 156.46, 0.62%, 0.75%

LAB 86.01, -30.87, 7.44

 

CMYK 0 / 34 / 1 / 9

HEX #E798E5

RGB 231 152 229

HSL 301.52, 0.62%, 0.75%

LAB 72.96, 41.45, -26.91

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 34 / 14 / 0 / 9

HEX #98C6E7

RGB 152 198 231

HSL 205.06, 0.62%, 0.75%

LAB 77.78, -7.24, -21.23

 

CMYK 0 / 34 / 14 / 9

HEX #E798C6

RGB 231 152 198

HSL 325.06, 0.62%, 0.75%

LAB 71.91, 36.16, -11.45

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 34 / 0 / 13 / 9

HEX #98E7C8

RGB 152 231 200

HSL 156.46, 0.62%, 0.75%

LAB 86.01, -30.87, 7.44

 

CMYK 20 / 34 / 0 / 9

HEX #B998E7

RGB 185 152 231

HSL 265.06, 0.62%, 0.75%

LAB 68.42, 27.73, -35.4

 

CMYK 0 / 34 / 21 / 9

HEX #E798B6

RGB 231 152 182

HSL 337.22, 0.62%, 0.75%

LAB 71.43, 33.7, -3.29

 

CMYK 15 / 0 / 34 / 9

HEX #C5E798

RGB 197 231 152

HSL 85.82, 0.62%, 0.75%

LAB 87.63, -24.35, 34.89

 

CMYK 34 / 0 / 3 / 9

HEX #98E7E0

RGB 152 231 224

HSL 174.68, 0.62%, 0.75%

LAB 86.61, -25.67, -4.3

 

CMYK 20 / 34 / 0 / 9

HEX #B998E7

RGB 185 152 231

HSL 265.06, 0.62%, 0.75%

LAB 68.42, 27.73, -35.4

 

CMYK 0 / 34 / 32 / 9

HEX #E7989E

RGB 231 152 158

HSL 355.44, 0.62%, 0.75%

LAB 70.81, 30.39, 9.13

 

Description

Color code: HEX #C5E798 | qconv.com Color code: HEX #C5E798 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 231 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 231 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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