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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E788 it is the complementary color #3A1877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E788 shade: #CAE783, #DBF996, #ECFFA9, #FDFFBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E788 shade: #C5E788, #B4D575, #A3C362, #92B14F and #819F3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E788 shade: #C4E688, #DEE688, #E6D588, #E6BC88 and #E6A288

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E788 shade: #C4E688, #ABE688, #92E688, #88E698 and #88E6B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E788 shade matches the following richer shades: #C4E688, #C8F27C and #CBFD71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E788 shade: #C4E688, #C1DB94, #BECF9F, #BBC4AB and #B7B8B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E788 shade: #E6D588, #DEE688, #C5E688, #ACE688 and #93E688

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E788 shade: #A3D843, #B4DF66, #C4E688, #D5EDAA and #E6F4CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E788 shade: #C5E788, #88E6BC and #E288E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E788 shade: #C5E788, #88C5E6 and #E688C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E788 shade: #C5E788, #88E6BC, #A988E6 and #E688B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E788 shade: #C5E788, #88E6D8, #A988E6 and #E68896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 41 / 9

HEX #C5E788

RGB 197 231 136

HSL 81.47, 0.66%, 0.72%

LAB 87.39, -26.36, 42.56

 

Complementary color

CMYK 51 / 80 / 0 / 53

HEX #3A1877

RGB 58 24 119

HSL 261.47, 0.66%, 0.28%

LAB 19.58, 38.89, -47.87

 

CMYK 13 / 0 / 43 / 9

HEX #CAE783

RGB 202 231 131

HSL 77.4, 0.68%, 0.71%

LAB 87.65, -25.06, 45.41

 

CMYK 12 / 0 / 40 / 2

HEX #DBF996

RGB 219 249 150

HSL 78.18, 0.89%, 0.78%

LAB 93.89, -25.17, 44.28

 

CMYK 7 / 0 / 34 / 0

HEX #ECFFA9

RGB 236 255 169

HSL 73.26, 1%, 0.83%

LAB 96.91, -19.53, 39.09

 

CMYK 1 / 0 / 26 / 0

HEX #FDFFBC

RGB 253 255 188

HSL 61.79, 1%, 0.87%

LAB 98.45, -10.93, 31.89

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 15 / 0 / 41 / 9

HEX #C5E788

RGB 197 231 136

HSL 81.47, 0.66%, 0.72%

LAB 87.39, -26.36, 42.56

 

CMYK 15 / 0 / 45 / 16

HEX #B4D575

RGB 180 213 117

HSL 80.63, 0.53%, 0.65%

LAB 81.06, -26.28, 43.71

 

CMYK 16 / 0 / 50 / 24

HEX #A3C362

RGB 163 195 98

HSL 79.79, 0.45%, 0.57%

LAB 74.63, -26.16, 44.86

 

CMYK 18 / 0 / 55 / 31

HEX #92B14F

RGB 146 177 79

HSL 78.98, 0.39%, 0.5%

LAB 68.11, -25.98, 45.96

 

CMYK 19 / 0 / 62 / 38

HEX #819F3C

RGB 129 159 60

HSL 78.18, 0.45%, 0.43%

LAB 61.47, -25.7, 46.93

 

CMYK 15 / 0 / 41 / 10

HEX #C4E688

RGB 196 230 136

HSL 81.7, 0.65%, 0.72%

LAB 87.05, -26.25, 42.12

 

CMYK 3 / 0 / 41 / 10

HEX #DEE688

RGB 222 230 136

HSL 65.11, 0.65%, 0.72%

LAB 88.88, -16.41, 44.81

 

CMYK 0 / 7 / 41 / 10

HEX #E6D588

RGB 230 213 136

HSL 49.15, 0.65%, 0.72%

LAB 85.09, -4.76, 40.15

 

CMYK 0 / 18 / 41 / 10

HEX #E6BC88

RGB 230 188 136

HSL 33.19, 0.65%, 0.72%

LAB 78.79, 8.23, 31.97

 

CMYK 0 / 30 / 41 / 10

HEX #E6A288

RGB 230 162 136

HSL 16.6, 0.65%, 0.72%

LAB 72.52, 22.06, 23.6

 

CMYK 15 / 0 / 41 / 10

HEX #C4E688

RGB 196 230 136

HSL 81.7, 0.65%, 0.72%

LAB 87.05, -26.25, 42.12

 

CMYK 26 / 0 / 41 / 10

HEX #ABE688

RGB 171 230 136

HSL 97.66, 0.65%, 0.72%

LAB 85.52, -35.21, 39.85

 

CMYK 37 / 0 / 41 / 10

HEX #92E688

RGB 146 230 136

HSL 113.62, 0.65%, 0.72%

LAB 84.22, -43.44, 37.92

 

CMYK 41 / 0 / 34 / 10

HEX #88E698

RGB 136 230 152

HSL 130.21, 0.65%, 0.72%

LAB 84.02, -43.97, 29.5

 

CMYK 41 / 0 / 23 / 10

HEX #88E6B1

RGB 136 230 177

HSL 146.17, 0.65%, 0.72%

LAB 84.48, -39.47, 17.22

 

CMYK 15 / 0 / 41 / 10

HEX #C4E688

RGB 196 230 136

HSL 81.7, 0.65%, 0.72%

LAB 87.05, -26.25, 42.12

 

CMYK 17 / 0 / 49 / 5

HEX #C8F27C

RGB 200 242 124

HSL 81.36, 0.82%, 0.72%

LAB 90.43, -31.73, 52.13

 

CMYK 20 / 0 / 55 / 1

HEX #CBFD71

RGB 203 253 113

HSL 81.43, 0.97%, 0.72%

LAB 93.51, -36.69, 60.79

 

CMYK 15 / 0 / 41 / 10

HEX #C4E688

RGB 196 230 136

HSL 81.7, 0.65%, 0.72%

LAB 87.05, -26.25, 42.12

 

CMYK 12 / 0 / 32 / 14

HEX #C1DB94

RGB 193 219 148

HSL 81.97, 0.5%, 0.72%

LAB 84.04, -20.51, 32.14

 

CMYK 8 / 0 / 23 / 19

HEX #BECF9F

RGB 190 207 159

HSL 81.25, 0.33%, 0.72%

LAB 80.78, -14.05, 21.99

 

CMYK 5 / 0 / 13 / 23

HEX #BBC4AB

RGB 187 196 171

HSL 81.6, 0.17%, 0.72%

LAB 77.87, -7.58, 11.5

 

CMYK 1 / 0 / 1 / 28

HEX #B7B8B6

RGB 183 184 182

HSL 90, 0.01%, 0.72%

LAB 74.65, -0.72, 0.88

 

CMYK 0 / 7 / 41 / 10

HEX #E6D588

RGB 230 213 136

HSL 49.15, 0.65%, 0.72%

LAB 85.09, -4.76, 40.15

 

CMYK 3 / 0 / 41 / 10

HEX #DEE688

RGB 222 230 136

HSL 65.11, 0.65%, 0.72%

LAB 88.88, -16.41, 44.81

 

CMYK 14 / 0 / 41 / 10

HEX #C5E688

RGB 197 230 136

HSL 81.06, 0.65%, 0.72%

LAB 87.12, -25.88, 42.22

 

CMYK 25 / 0 / 41 / 10

HEX #ACE688

RGB 172 230 136

HSL 97.02, 0.65%, 0.72%

LAB 85.58, -34.86, 39.94

 

CMYK 36 / 0 / 41 / 10

HEX #93E688

RGB 147 230 136

HSL 112.98, 0.65%, 0.72%

LAB 84.26, -43.13, 37.99

 

CMYK 25 / 0 / 69 / 15

HEX #A3D843

RGB 163 216 67

HSL 81.34, 0.66%, 0.55%

LAB 80.35, -38.52, 64.63

 

CMYK 19 / 0 / 54 / 13

HEX #B4DF66

RGB 180 223 102

HSL 81.32, 0.65%, 0.64%

LAB 83.67, -32.54, 53.95

 

CMYK 15 / 0 / 41 / 10

HEX #C4E688

RGB 196 230 136

HSL 81.7, 0.65%, 0.72%

LAB 87.05, -26.25, 42.12

 

CMYK 10 / 0 / 28 / 7

HEX #D5EDAA

RGB 213 237 170

HSL 81.49, 0.65%, 0.8%

LAB 90.6, -19.03, 29.93

 

CMYK 6 / 0 / 16 / 4

HEX #E6F4CC

RGB 230 244 204

HSL 81, 0.65%, 0.88%

LAB 94.26, -11.43, 17.74

 

CMYK 15 / 0 / 41 / 9

HEX #C5E788

RGB 197 231 136

HSL 81.47, 0.66%, 0.72%

LAB 87.39, -26.36, 42.56

 

CMYK 41 / 0 / 18 / 10

HEX #88E6BC

RGB 136 230 188

HSL 153.19, 0.65%, 0.72%

LAB 84.72, -37.28, 11.8

 

CMYK 2 / 41 / 0 / 10

HEX #E288E6

RGB 226 136 230

HSL 297.45, 0.65%, 0.72%

LAB 69.1, 48.43, -33.45

 

CMYK 15 / 0 / 41 / 9

HEX #C5E788

RGB 197 231 136

HSL 81.47, 0.66%, 0.72%

LAB 87.39, -26.36, 42.56

 

CMYK 41 / 14 / 0 / 10

HEX #88C5E6

RGB 136 197 230

HSL 201.06, 0.65%, 0.72%

LAB 76.61, -11.2, -22.55

 

CMYK 0 / 41 / 14 / 10

HEX #E688C5

RGB 230 136 197

HSL 321.06, 0.65%, 0.72%

LAB 68.36, 44.04, -16.24

 

CMYK 15 / 0 / 41 / 9

HEX #C5E788

RGB 197 231 136

HSL 81.47, 0.66%, 0.72%

LAB 87.39, -26.36, 42.56

 

CMYK 41 / 0 / 18 / 10

HEX #88E6BC

RGB 136 230 188

HSL 153.19, 0.65%, 0.72%

LAB 84.72, -37.28, 11.8

 

CMYK 27 / 41 / 0 / 10

HEX #A988E6

RGB 169 136 230

HSL 261.06, 0.65%, 0.72%

LAB 63.14, 31.84, -43.2

 

CMYK 0 / 41 / 23 / 10

HEX #E688B2

RGB 230 136 178

HSL 333.19, 0.65%, 0.72%

LAB 67.76, 41.18, -6.5

 

CMYK 15 / 0 / 41 / 9

HEX #C5E788

RGB 197 231 136

HSL 81.47, 0.66%, 0.72%

LAB 87.39, -26.36, 42.56

 

CMYK 41 / 0 / 6 / 10

HEX #88E6D8

RGB 136 230 216

HSL 171.06, 0.65%, 0.72%

LAB 85.4, -31.16, -1.95

 

CMYK 27 / 41 / 0 / 10

HEX #A988E6

RGB 169 136 230

HSL 261.06, 0.65%, 0.72%

LAB 63.14, 31.84, -43.2

 

CMYK 0 / 41 / 35 / 10

HEX #E68896

RGB 230 136 150

HSL 351.06, 0.65%, 0.72%

LAB 67, 37.46, 8.15

 

Description

Color code: HEX #C5E788 | qconv.com Color code: HEX #C5E788 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 231 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 231 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 41 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 41% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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